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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CFAC5E it is the complementary color #3053A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CFAC5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CFAC5E shade: #D4AC59, #E5BE6C, #F6D07F, #FFE292 and #FFF4A5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CFAC5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CFAC5E shade: #CFAC5E, #BE9A4B, #AD8838, #9C7625 and #8B6412

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CFAC5E shade: #CEAB5D, #CE8D5D, #CE6F5D and #CE5D5D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CFAC5E shade: #CEAB5D, #CECA5D, #B4CE5D, #96CE5D and #78CE5D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CFAC5E shade matches the following richer shades: #CEAB5D, #DFB24D and #F0B83C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CFAC5E shade: #CEAB5D, #BDA56E, #AD9F7F, #9C9890 and #8B92A1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CFAC5E shade: #CE6E5D, #CE8D5D, #CEAB5D, #CEC95D and #B6CE5D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CFAC5E shade: #A88332, #C59B3E, #CEAB5D, #D8BC7D and #E1CC9D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CFAC5E shade: #CFAC5E, #6BCE5D and #7D5DCE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CFAC5E shade: #CFAC5E, #5DCEAB and #AB5DCE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CFAC5E shade: #CFAC5E, #6BCE5D, #5D81CE and #C15DCE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CFAC5E shade: #CFAC5E, #5DCE72, #5D81CE and #CE5DBA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 55 / 19

HEX #CFAC5E

RGB 207 172 94

HSL 41.42, 0.54%, 0.59%

LAB 71.95, 3.28, 44.44

 

Complementary color

CMYK 70 / 48 / 0 / 37

HEX #3053A1

RGB 48 83 161

HSL 221.42, 0.54%, 0.41%

LAB 36.72, 14.52, -46.06

 

CMYK 0 / 19 / 58 / 17

HEX #D4AC59

RGB 212 172 89

HSL 40.49, 0.59%, 0.59%

LAB 72.38, 4.99, 47.54

 

CMYK 0 / 17 / 53 / 10

HEX #E5BE6C

RGB 229 190 108

HSL 40.66, 0.7%, 0.66%

LAB 78.79, 4.08, 46.25

 

CMYK 0 / 15 / 48 / 4

HEX #F6D07F

RGB 246 208 127

HSL 40.84, 0.87%, 0.73%

LAB 85.12, 3.29, 44.97

 

CMYK 0 / 11 / 43 / 0

HEX #FFE292

RGB 255 226 146

HSL 44.04, 1%, 0.79%

LAB 90.66, -0.53, 42.69

 

CMYK 0 / 4 / 35 / 0

HEX #FFF4A5

RGB 255 244 165

HSL 52.67, 1%, 0.82%

LAB 95.45, -7.53, 39.43

 

CMYK 0 / 17 / 55 / 19

HEX #CFAC5E

RGB 207 172 94

HSL 41.42, 0.54%, 0.59%

LAB 71.95, 3.28, 44.44

 

CMYK 0 / 19 / 61 / 25

HEX #BE9A4B

RGB 190 154 75

HSL 41.22, 0.47%, 0.52%

LAB 65.41, 4.24, 45.73

 

CMYK 0 / 21 / 68 / 32

HEX #AD8838

RGB 173 136 56

HSL 41.03, 0.51%, 0.45%

LAB 58.77, 5.4, 46.93

 

CMYK 0 / 24 / 76 / 39

HEX #9C7625

RGB 156 118 37

HSL 40.84, 0.62%, 0.38%

LAB 52.02, 6.79, 47.82

 

CMYK 0 / 28 / 87 / 45

HEX #8B6412

RGB 139 100 18

HSL 40.66, 0.77%, 0.31%

LAB 45.15, 8.51, 47.89

 

CMYK 0 / 17 / 55 / 19

HEX #CEAB5D

RGB 206 171 93

HSL 41.42, 0.54%, 0.59%

LAB 71.58, 3.31, 44.48

 

CMYK 0 / 32 / 55 / 19

HEX #CE8D5D

RGB 206 141 93

HSL 25.49, 0.54%, 0.59%

LAB 64.13, 19.54, 35.39

 

CMYK 0 / 46 / 55 / 19

HEX #CE6F5D

RGB 206 111 93

HSL 9.56, 0.54%, 0.59%

LAB 57.35, 35.67, 26.76

 

CMYK 0 / 55 / 55 / 19

HEX #CE5D5D

RGB 206 93 93

HSL 0, 0.54%, 0.59%

LAB 53.75, 44.79, 22.03

 

CMYK 0 / 17 / 55 / 19

HEX #CEAB5D

RGB 206 171 93

HSL 41.42, 0.54%, 0.59%

LAB 71.58, 3.31, 44.48

 

CMYK 0 / 2 / 55 / 19

HEX #CECA5D

RGB 206 202 93

HSL 57.88, 0.54%, 0.59%

LAB 79.7, -12.82, 53.96

 

CMYK 13 / 0 / 55 / 19

HEX #B4CE5D

RGB 180 206 93

HSL 73.81, 0.54%, 0.59%

LAB 78.83, -25.31, 52.45

 

CMYK 27 / 0 / 55 / 19

HEX #96CE5D

RGB 150 206 93

HSL 89.73, 0.54%, 0.59%

LAB 76.93, -36.72, 49.75

 

CMYK 42 / 0 / 55 / 19

HEX #78CE5D

RGB 120 206 93

HSL 105.66, 0.54%, 0.59%

LAB 75.41, -46.91, 47.58

 

CMYK 0 / 17 / 55 / 19

HEX #CEAB5D

RGB 206 171 93

HSL 41.42, 0.54%, 0.59%

LAB 71.58, 3.31, 44.48

 

CMYK 0 / 20 / 65 / 13

HEX #DFB24D

RGB 223 178 77

HSL 41.51, 0.7%, 0.59%

LAB 74.87, 5.65, 56.24

 

CMYK 0 / 23 / 75 / 6

HEX #F0B83C

RGB 240 184 60

HSL 41.33, 0.86%, 0.59%

LAB 77.95, 8.87, 66.93

 

CMYK 0 / 17 / 55 / 19

HEX #CEAB5D

RGB 206 171 93

HSL 41.42, 0.54%, 0.59%

LAB 71.58, 3.31, 44.48

 

CMYK 0 / 13 / 42 / 26

HEX #BDA56E

RGB 189 165 110

HSL 41.77, 0.37%, 0.59%

LAB 68.65, 1.07, 31.71

 

CMYK 0 / 8 / 27 / 32

HEX #AD9F7F

RGB 173 159 127

HSL 41.74, 0.22%, 0.59%

LAB 65.91, -0.02, 18.58

 

CMYK 0 / 3 / 8 / 39

HEX #9C9890

RGB 156 152 144

HSL 40, 0.06%, 0.59%

LAB 62.96, -0.01, 4.72

 

CMYK 14 / 9 / 0 / 37

HEX #8B92A1

RGB 139 146 161

HSL 220.91, 0.1%, 0.59%

LAB 60.44, 0.63, -8.76

 

CMYK 0 / 47 / 55 / 19

HEX #CE6E5D

RGB 206 110 93

HSL 9.03, 0.54%, 0.59%

LAB 57.14, 36.19, 26.48

 

CMYK 0 / 32 / 55 / 19

HEX #CE8D5D

RGB 206 141 93

HSL 25.49, 0.54%, 0.59%

LAB 64.13, 19.54, 35.39

 

CMYK 0 / 17 / 55 / 19

HEX #CEAB5D

RGB 206 171 93

HSL 41.42, 0.54%, 0.59%

LAB 71.58, 3.31, 44.48

 

CMYK 0 / 2 / 55 / 19

HEX #CEC95D

RGB 206 201 93

HSL 57.35, 0.54%, 0.59%

LAB 79.43, -12.31, 53.65

 

CMYK 12 / 0 / 55 / 19

HEX #B6CE5D

RGB 182 206 93

HSL 72.74, 0.54%, 0.59%

LAB 78.97, -24.52, 52.64

 

CMYK 0 / 22 / 70 / 34

HEX #A88332

RGB 168 131 50

HSL 41.19, 0.54%, 0.43%

LAB 56.87, 5.59, 47.5

 

CMYK 0 / 21 / 69 / 23

HEX #C59B3E

RGB 197 155 62

HSL 41.33, 0.54%, 0.51%

LAB 66.26, 5.91, 52.92

 

CMYK 0 / 17 / 55 / 19

HEX #CEAB5D

RGB 206 171 93

HSL 41.42, 0.54%, 0.59%

LAB 71.58, 3.31, 44.48

 

CMYK 0 / 13 / 42 / 15

HEX #D8BC7D

RGB 216 188 125

HSL 41.54, 0.54%, 0.67%

LAB 77.31, 1.45, 35.52

 

CMYK 0 / 9 / 30 / 12

HEX #E1CC9D

RGB 225 204 157

HSL 41.47, 0.53%, 0.75%

LAB 82.71, 0.37, 26.13

 

CMYK 0 / 17 / 55 / 19

HEX #CFAC5E

RGB 207 172 94

HSL 41.42, 0.54%, 0.59%

LAB 71.95, 3.28, 44.44

 

CMYK 48 / 0 / 55 / 19

HEX #6BCE5D

RGB 107 206 93

HSL 112.57, 0.54%, 0.59%

LAB 74.86, -50.8, 46.8

 

CMYK 39 / 55 / 0 / 19

HEX #7D5DCE

RGB 125 93 206

HSL 256.99, 0.54%, 0.59%

LAB 47.81, 38.83, -54.28

 

CMYK 0 / 17 / 55 / 19

HEX #CFAC5E

RGB 207 172 94

HSL 41.42, 0.54%, 0.59%

LAB 71.95, 3.28, 44.44

 

CMYK 55 / 0 / 17 / 19

HEX #5DCEAB

RGB 93 206 171

HSL 161.42, 0.54%, 0.59%

LAB 75.71, -40.57, 7.74

 

CMYK 17 / 55 / 0 / 19

HEX #AB5DCE

RGB 171 93 206

HSL 281.42, 0.54%, 0.59%

LAB 52.89, 50.36, -45.88

 

CMYK 0 / 17 / 55 / 19

HEX #CFAC5E

RGB 207 172 94

HSL 41.42, 0.54%, 0.59%

LAB 71.95, 3.28, 44.44

 

CMYK 48 / 0 / 55 / 19

HEX #6BCE5D

RGB 107 206 93

HSL 112.57, 0.54%, 0.59%

LAB 74.86, -50.8, 46.8

 

CMYK 55 / 37 / 0 / 19

HEX #5D81CE

RGB 93 129 206

HSL 220.88, 0.54%, 0.59%

LAB 54.54, 9.8, -43.7

 

CMYK 6 / 55 / 0 / 19

HEX #C15DCE

RGB 193 93 206

HSL 293.1, 0.54%, 0.59%

LAB 55.71, 56.15, -41.24

 

CMYK 0 / 17 / 55 / 19

HEX #CFAC5E

RGB 207 172 94

HSL 41.42, 0.54%, 0.59%

LAB 71.95, 3.28, 44.44

 

CMYK 55 / 0 / 45 / 19

HEX #5DCE72

RGB 93 206 114

HSL 131.15, 0.54%, 0.59%

LAB 74.63, -51.63, 36.18

 

CMYK 55 / 37 / 0 / 19

HEX #5D81CE

RGB 93 129 206

HSL 220.88, 0.54%, 0.59%

LAB 54.54, 9.8, -43.7

 

CMYK 0 / 55 / 10 / 19

HEX #CE5DBA

RGB 206 93 186

HSL 310.62, 0.54%, 0.59%

LAB 56.58, 56.24, -28.3

 

Description

Color code: HEX #CFAC5E | qconv.com Color code: HEX #CFAC5E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 172 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 172 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 55 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 55% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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