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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CFA731 it is the complementary color #3058CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CFA731. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CFA731 shade: #D4A72C, #E5B93F, #F6CB52, #FFDD65 and #FFEF78

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CFA731. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CFA731 shade: #CFA731, #BE951E, #AD830B, #9C7100 and #8B5F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CFA731 shade: #CFA730, #CF7C30, #CF5130 and #CF3030

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CFA731 shade: #CFA730, #CCCF30, #A1CF30, #77CF30 and #4CCF30

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CFA731 shade matches the following richer shades: #CFA730, #E3B11C and #F8BB07

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CFA731 shade: #CFA730, #BA9C45, #A5925A, #91886E and #7C7E83

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CFA731 shade: #CF5030, #CF7A30, #CFA430, #CFCF30 and #A4CF30

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CFA731 shade: #8C7121, #AD8C29, #CFA730, #D6B552 and #DEC373

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CFA731 shade: #CFA731, #3BCF30 and #6530CF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CFA731 shade: #CFA731, #30CFA4 and #A430CF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CFA731 shade: #CFA731, #3BCF30, #305BCF and #C430CF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CFA731 shade: #CFA731, #30CF55, #305BCF and #CF30AA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 76 / 19

HEX #CFA731

RGB 207 167 49

HSL 44.81, 0.62%, 0.5%

LAB 70.26, 3.2, 62.49

 

Complementary color

CMYK 77 / 57 / 0 / 19

HEX #3058CE

RGB 48 88 206

HSL 224.81, 0.62%, 0.5%

LAB 41.32, 28.15, -65.04

 

CMYK 0 / 21 / 79 / 17

HEX #D4A72C

RGB 212 167 44

HSL 43.93, 0.66%, 0.5%

LAB 70.74, 5.19, 64.86

 

CMYK 0 / 19 / 72 / 10

HEX #E5B93F

RGB 229 185 63

HSL 44.1, 0.76%, 0.57%

LAB 77.11, 3.79, 64.59

 

CMYK 0 / 17 / 67 / 4

HEX #F6CB52

RGB 246 203 82

HSL 44.27, 0.9%, 0.64%

LAB 83.4, 2.58, 63.85

 

CMYK 0 / 13 / 60 / 0

HEX #FFDD65

RGB 255 221 101

HSL 46.75, 1%, 0.7%

LAB 88.88, -1.74, 61.86

 

CMYK 0 / 6 / 53 / 0

HEX #FFEF78

RGB 255 239 120

HSL 52.89, 1%, 0.74%

LAB 93.6, -9.37, 58.72

 

CMYK 0 / 19 / 76 / 19

HEX #CFA731

RGB 207 167 49

HSL 44.81, 0.62%, 0.5%

LAB 70.26, 3.2, 62.49

 

CMYK 0 / 22 / 84 / 25

HEX #BE951E

RGB 190 149 30

HSL 44.63, 0.73%, 0.43%

LAB 63.78, 4.73, 62.26

 

CMYK 0 / 24 / 94 / 32

HEX #AD830B

RGB 173 131 11

HSL 44.44, 0.88%, 0.36%

LAB 57.21, 6.53, 60.7

 

CMYK 0 / 28 / 100 / 39

HEX #9C7100

RGB 156 113 0

HSL 43.46, 1%, 0.31%

LAB 50.54, 8.65, 57.07

 

CMYK 0 / 32 / 100 / 45

HEX #8B5F00

RGB 139 95 0

HSL 41.01, 1%, 0.27%

LAB 43.76, 11.04, 51.51

 

CMYK 0 / 19 / 77 / 19

HEX #CFA730

RGB 207 167 48

HSL 44.91, 0.62%, 0.5%

LAB 70.26, 3.16, 62.84

 

CMYK 0 / 40 / 77 / 19

HEX #CF7C30

RGB 207 124 48

HSL 28.68, 0.62%, 0.5%

LAB 59.79, 26.4, 52.85

 

CMYK 0 / 61 / 77 / 19

HEX #CF5130

RGB 207 81 48

HSL 12.45, 0.62%, 0.5%

LAB 51.11, 48.14, 44.11

 

CMYK 0 / 77 / 77 / 19

HEX #CF3030

RGB 207 48 48

HSL 0, 0.62%, 0.5%

LAB 46.44, 60.87, 39.19

 

CMYK 0 / 19 / 77 / 19

HEX #CFA730

RGB 207 167 48

HSL 44.91, 0.62%, 0.5%

LAB 70.26, 3.16, 62.84

 

CMYK 1 / 0 / 77 / 19

HEX #CCCF30

RGB 204 207 48

HSL 61.13, 0.62%, 0.5%

LAB 80.56, -18.73, 72.18

 

CMYK 22 / 0 / 77 / 19

HEX #A1CF30

RGB 161 207 48

HSL 77.36, 0.62%, 0.5%

LAB 77.53, -36.28, 68.29

 

CMYK 43 / 0 / 77 / 19

HEX #77CF30

RGB 119 207 48

HSL 93.21, 0.62%, 0.5%

LAB 75.3, -51.4, 65.4

 

CMYK 63 / 0 / 77 / 19

HEX #4CCF30

RGB 76 207 48

HSL 109.43, 0.62%, 0.5%

LAB 73.79, -63.17, 63.42

 

CMYK 0 / 19 / 77 / 19

HEX #CFA730

RGB 207 167 48

HSL 44.91, 0.62%, 0.5%

LAB 70.26, 3.16, 62.84

 

CMYK 0 / 22 / 88 / 11

HEX #E3B11C

RGB 227 177 28

HSL 44.92, 0.78%, 0.5%

LAB 74.74, 5.99, 73.28

 

CMYK 0 / 25 / 97 / 3

HEX #F8BB07

RGB 248 187 7

HSL 44.81, 0.95%, 0.5%

LAB 79.34, 9.53, 80.82

 

CMYK 0 / 19 / 77 / 19

HEX #CFA730

RGB 207 167 48

HSL 44.91, 0.62%, 0.5%

LAB 70.26, 3.16, 62.84

 

CMYK 0 / 16 / 63 / 27

HEX #BA9C45

RGB 186 156 69

HSL 44.62, 0.46%, 0.5%

LAB 65.47, 1, 48.56

 

CMYK 0 / 12 / 45 / 35

HEX #A5925A

RGB 165 146 90

HSL 44.8, 0.29%, 0.5%

LAB 61.04, -0.81, 32.2

 

CMYK 0 / 6 / 24 / 43

HEX #91886E

RGB 145 136 110

HSL 44.57, 0.14%, 0.5%

LAB 56.83, -1.04, 15.2

 

CMYK 5 / 4 / 0 / 49

HEX #7C7E83

RGB 124 126 131

HSL 222.86, 0.03%, 0.5%

LAB 52.78, 0.28, -2.98

 

CMYK 0 / 61 / 77 / 19

HEX #CF5030

RGB 207 80 48

HSL 12.08, 0.62%, 0.5%

LAB 50.94, 48.6, 43.94

 

CMYK 0 / 41 / 77 / 19

HEX #CF7A30

RGB 207 122 48

HSL 27.92, 0.62%, 0.5%

LAB 59.34, 27.47, 52.41

 

CMYK 0 / 21 / 77 / 19

HEX #CFA430

RGB 207 164 48

HSL 43.77, 0.62%, 0.5%

LAB 69.49, 4.76, 62.13

 

CMYK 0 / 0 / 77 / 19

HEX #CFCF30

RGB 207 207 48

HSL 60, 0.62%, 0.5%

LAB 80.8, -17.46, 72.49

 

CMYK 21 / 0 / 77 / 19

HEX #A4CF30

RGB 164 207 48

HSL 76.23, 0.62%, 0.5%

LAB 77.72, -35.1, 68.53

 

CMYK 0 / 19 / 76 / 45

HEX #8C7121

RGB 140 113 33

HSL 44.86, 0.62%, 0.34%

LAB 48.88, 2.04, 45.82

 

CMYK 0 / 19 / 76 / 32

HEX #AD8C29

RGB 173 140 41

HSL 45, 0.62%, 0.42%

LAB 59.71, 2.4, 54.25

 

CMYK 0 / 19 / 77 / 19

HEX #CFA730

RGB 207 167 48

HSL 44.91, 0.62%, 0.5%

LAB 70.26, 3.16, 62.84

 

CMYK 0 / 15 / 62 / 16

HEX #D6B552

RGB 214 181 82

HSL 45, 0.62%, 0.58%

LAB 74.8, 0.57, 53.65

 

CMYK 0 / 12 / 48 / 13

HEX #DEC373

RGB 222 195 115

HSL 44.86, 0.62%, 0.66%

LAB 79.5, -0.78, 43.49

 

CMYK 0 / 19 / 76 / 19

HEX #CFA731

RGB 207 167 49

HSL 44.81, 0.62%, 0.5%

LAB 70.26, 3.2, 62.49

 

CMYK 71 / 0 / 77 / 19

HEX #3BCF30

RGB 59 207 48

HSL 115.85, 0.62%, 0.5%

LAB 73.4, -66.47, 62.91

 

CMYK 51 / 77 / 0 / 19

HEX #6530CF

RGB 101 48 207

HSL 260, 0.62%, 0.5%

LAB 36.72, 58.23, -73

 

CMYK 0 / 19 / 76 / 19

HEX #CFA731

RGB 207 167 49

HSL 44.81, 0.62%, 0.5%

LAB 70.26, 3.2, 62.49

 

CMYK 77 / 0 / 21 / 19

HEX #30CFA4

RGB 48 207 164

HSL 163.77, 0.62%, 0.5%

LAB 74.78, -50, 10.04

 

CMYK 21 / 77 / 0 / 19

HEX #A430CF

RGB 164 48 207

HSL 283.77, 0.62%, 0.5%

LAB 44.96, 68.47, -59.21

 

CMYK 0 / 19 / 76 / 19

HEX #CFA731

RGB 207 167 49

HSL 44.81, 0.62%, 0.5%

LAB 70.26, 3.2, 62.49

 

CMYK 71 / 0 / 77 / 19

HEX #3BCF30

RGB 59 207 48

HSL 115.85, 0.62%, 0.5%

LAB 73.4, -66.47, 62.91

 

CMYK 77 / 56 / 0 / 19

HEX #305BCF

RGB 48 91 207

HSL 223.77, 0.62%, 0.5%

LAB 42.18, 26.58, -64.22

 

CMYK 5 / 77 / 0 / 19

HEX #C430CF

RGB 196 48 207

HSL 295.85, 0.62%, 0.5%

LAB 49.92, 74.52, -50.97

 

CMYK 0 / 19 / 76 / 19

HEX #CFA731

RGB 207 167 49

HSL 44.81, 0.62%, 0.5%

LAB 70.26, 3.2, 62.49

 

CMYK 77 / 0 / 59 / 19

HEX #30CF55

RGB 48 207 85

HSL 133.96, 0.62%, 0.5%

LAB 73.49, -64.63, 48.46

 

CMYK 77 / 56 / 0 / 19

HEX #305BCF

RGB 48 91 207

HSL 223.77, 0.62%, 0.5%

LAB 42.18, 26.58, -64.22

 

CMYK 0 / 77 / 18 / 19

HEX #CF30AA

RGB 207 48 170

HSL 313.96, 0.62%, 0.5%

LAB 49.84, 71.32, -29.45

 

Description

Color code: HEX #CFA731 | qconv.com Color code: HEX #CFA731 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 167 green and 49 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 167 49 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 76 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 76% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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