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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CFA37B it is the complementary color #305C84. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CFA37B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CFA37B shade: #D4A376, #E5B589, #F6C79C, #FFD9AF and #FFEBC2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CFA37B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CFA37B shade: #CFA37B, #BE9168, #AD7F55, #9C6D42 and #8B5B2F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CFA37B shade: #D0A47C, #D08D7C and #D07C7C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CFA37B shade: #D0A47C, #D0BA7C, #CED07C, #B8D07C and #A1D07C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CFA37B shade matches the following richer shades: #D0A47C, #DEA36D, #EDA25F and #FBA250

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CFA37B shade: #D0A47C, #C1A48A, #B3A599, #A4A6A7 and #96A7B6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CFA37B shade: #D07C81, #D08D7C, #D0A37C, #D0B97C and #D0D07C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CFA37B shade: #B77A42, #C58F5D, #D0A47C, #DBB99A and #E6CEB8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CFA37B shade: #CFA37B, #98D07C and #817CD0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CFA37B shade: #CFA37B, #7CD0A3 and #A37CD0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CFA37B shade: #CFA37B, #98D07C, #7CA9D0 and #B47CD0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CFA37B shade: #CFA37B, #7FD07C, #7CA9D0 and #CD7CD0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 41 / 19

HEX #CFA37B

RGB 207 163 123

HSL 28.57, 0.47%, 0.65%

LAB 70.1, 10.94, 26.97

 

Complementary color

CMYK 64 / 30 / 0 / 48

HEX #305C84

RGB 48 92 132

HSL 208.57, 0.47%, 0.35%

LAB 37.75, -2.02, -26.89

 

CMYK 0 / 23 / 44 / 17

HEX #D4A376

RGB 212 163 118

HSL 28.72, 0.52%, 0.65%

LAB 70.52, 12.42, 30.32

 

CMYK 0 / 21 / 40 / 10

HEX #E5B589

RGB 229 181 137

HSL 28.7, 0.64%, 0.72%

LAB 76.99, 11.64, 29.04

 

CMYK 0 / 19 / 37 / 4

HEX #F6C79C

RGB 246 199 156

HSL 28.67, 0.83%, 0.79%

LAB 83.36, 10.96, 27.85

 

CMYK 0 / 15 / 31 / 0

HEX #FFD9AF

RGB 255 217 175

HSL 31.5, 1%, 0.84%

LAB 88.91, 7.33, 25.62

 

CMYK 0 / 8 / 24 / 0

HEX #FFEBC2

RGB 255 235 194

HSL 40.33, 1%, 0.88%

LAB 93.7, 0.59, 22.38

 

CMYK 0 / 21 / 41 / 19

HEX #CFA37B

RGB 207 163 123

HSL 28.57, 0.47%, 0.65%

LAB 70.1, 10.94, 26.97

 

CMYK 0 / 24 / 45 / 25

HEX #BE9168

RGB 190 145 104

HSL 28.6, 0.4%, 0.58%

LAB 63.51, 11.75, 28.28

 

CMYK 0 / 27 / 51 / 32

HEX #AD7F55

RGB 173 127 85

HSL 28.64, 0.35%, 0.51%

LAB 56.8, 12.69, 29.71

 

CMYK 0 / 30 / 58 / 39

HEX #9C6D42

RGB 156 109 66

HSL 28.67, 0.41%, 0.44%

LAB 49.98, 13.82, 31.25

 

CMYK 0 / 35 / 66 / 45

HEX #8B5B2F

RGB 139 91 47

HSL 28.7, 0.49%, 0.36%

LAB 43.03, 15.18, 32.9

 

CMYK 0 / 21 / 40 / 18

HEX #D0A47C

RGB 208 164 124

HSL 28.57, 0.47%, 0.65%

LAB 70.47, 10.92, 26.94

 

CMYK 0 / 32 / 40 / 18

HEX #D08D7C

RGB 208 141 124

HSL 12.14, 0.47%, 0.65%

LAB 64.89, 23.42, 19.42

 

CMYK 0 / 40 / 40 / 18

HEX #D07C7C

RGB 208 124 124

HSL 0, 0.47%, 0.65%

LAB 61.03, 32.6, 14.08

 

CMYK 0 / 21 / 40 / 18

HEX #D0A47C

RGB 208 164 124

HSL 28.57, 0.47%, 0.65%

LAB 70.47, 10.92, 26.94

 

CMYK 0 / 11 / 40 / 18

HEX #D0BA7C

RGB 208 186 124

HSL 44.29, 0.47%, 0.65%

LAB 76.06, -0.83, 34.28

 

CMYK 1 / 0 / 40 / 18

HEX #CED07C

RGB 206 208 124

HSL 61.43, 0.47%, 0.65%

LAB 81.67, -12.97, 41.41

 

CMYK 12 / 0 / 40 / 18

HEX #B8D07C

RGB 184 208 124

HSL 77.14, 0.47%, 0.65%

LAB 80.04, -21.53, 39.01

 

CMYK 23 / 0 / 40 / 18

HEX #A1D07C

RGB 161 208 124

HSL 93.57, 0.47%, 0.65%

LAB 78.55, -30.07, 36.8

 

CMYK 0 / 21 / 40 / 18

HEX #D0A47C

RGB 208 164 124

HSL 28.57, 0.47%, 0.65%

LAB 70.47, 10.92, 26.94

 

CMYK 0 / 27 / 51 / 13

HEX #DEA36D

RGB 222 163 109

HSL 28.67, 0.63%, 0.65%

LAB 71.44, 15.62, 36.48

 

CMYK 0 / 32 / 60 / 7

HEX #EDA25F

RGB 237 162 95

HSL 28.31, 0.8%, 0.65%

LAB 72.68, 21.17, 45.58

 

CMYK 0 / 35 / 68 / 2

HEX #FBA250

RGB 251 162 80

HSL 28.77, 0.96%, 0.65%

LAB 74.14, 25.95, 54.97

 

CMYK 0 / 21 / 40 / 18

HEX #D0A47C

RGB 208 164 124

HSL 28.57, 0.47%, 0.65%

LAB 70.47, 10.92, 26.94

 

CMYK 0 / 15 / 28 / 24

HEX #C1A48A

RGB 193 164 138

HSL 28.36, 0.31%, 0.65%

LAB 69.27, 6.69, 17.44

 

CMYK 0 / 8 / 15 / 30

HEX #B3A599

RGB 179 165 153

HSL 27.69, 0.15%, 0.65%

LAB 68.6, 3.02, 8.04

 

CMYK 2 / 1 / 0 / 35

HEX #A4A6A7

RGB 164 166 167

HSL 200, 0.02%, 0.65%

LAB 67.99, -0.52, -0.77

 

CMYK 18 / 8 / 0 / 29

HEX #96A7B6

RGB 150 167 182

HSL 208.13, 0.18%, 0.65%

LAB 67.65, -2.72, -9.72

 

CMYK 0 / 40 / 38 / 18

HEX #D07C81

RGB 208 124 129

HSL 356.43, 0.47%, 0.65%

LAB 61.14, 33.17, 11.38

 

CMYK 0 / 32 / 40 / 18

HEX #D08D7C

RGB 208 141 124

HSL 12.14, 0.47%, 0.65%

LAB 64.89, 23.42, 19.42

 

CMYK 0 / 22 / 40 / 18

HEX #D0A37C

RGB 208 163 124

HSL 27.86, 0.47%, 0.65%

LAB 70.22, 11.46, 26.61

 

CMYK 0 / 11 / 40 / 18

HEX #D0B97C

RGB 208 185 124

HSL 43.57, 0.47%, 0.65%

LAB 75.8, -0.3, 33.95

 

CMYK 0 / 0 / 40 / 18

HEX #D0D07C

RGB 208 208 124

HSL 60, 0.47%, 0.65%

LAB 81.83, -12.18, 41.64

 

CMYK 0 / 33 / 64 / 28

HEX #B77A42

RGB 183 122 66

HSL 28.72, 0.47%, 0.49%

LAB 56.47, 18.23, 39.76

 

CMYK 0 / 27 / 53 / 23

HEX #C58F5D

RGB 197 143 93

HSL 28.85, 0.47%, 0.57%

LAB 63.59, 14.7, 34.5

 

CMYK 0 / 21 / 40 / 18

HEX #D0A47C

RGB 208 164 124

HSL 28.57, 0.47%, 0.65%

LAB 70.47, 10.92, 26.94

 

CMYK 0 / 16 / 30 / 14

HEX #DBB99A

RGB 219 185 154

HSL 28.62, 0.47%, 0.73%

LAB 77.34, 7.66, 20.28

 

CMYK 0 / 10 / 20 / 10

HEX #E6CEB8

RGB 230 206 184

HSL 28.7, 0.48%, 0.81%

LAB 84.19, 4.93, 13.99

 

CMYK 0 / 21 / 41 / 19

HEX #CFA37B

RGB 207 163 123

HSL 28.57, 0.47%, 0.65%

LAB 70.1, 10.94, 26.97

 

CMYK 27 / 0 / 40 / 18

HEX #98D07C

RGB 152 208 124

HSL 100, 0.47%, 0.65%

LAB 78.02, -33.25, 36.01

 

CMYK 38 / 40 / 0 / 18

HEX #817CD0

RGB 129 124 208

HSL 243.57, 0.47%, 0.65%

LAB 55.72, 22.14, -42.8

 

CMYK 0 / 21 / 41 / 19

HEX #CFA37B

RGB 207 163 123

HSL 28.57, 0.47%, 0.65%

LAB 70.1, 10.94, 26.97

 

CMYK 40 / 0 / 22 / 18

HEX #7CD0A3

RGB 124 208 163

HSL 147.86, 0.47%, 0.65%

LAB 77.31, -35.53, 14.46

 

CMYK 22 / 40 / 0 / 18

HEX #A37CD0

RGB 163 124 208

HSL 267.86, 0.47%, 0.65%

LAB 58.75, 31.69, -37.84

 

CMYK 0 / 21 / 41 / 19

HEX #CFA37B

RGB 207 163 123

HSL 28.57, 0.47%, 0.65%

LAB 70.1, 10.94, 26.97

 

CMYK 27 / 0 / 40 / 18

HEX #98D07C

RGB 152 208 124

HSL 100, 0.47%, 0.65%

LAB 78.02, -33.25, 36.01

 

CMYK 40 / 19 / 0 / 18

HEX #7CA9D0

RGB 124 169 208

HSL 207.86, 0.47%, 0.65%

LAB 67.44, -5.11, -24.61

 

CMYK 13 / 40 / 0 / 18

HEX #B47CD0

RGB 180 124 208

HSL 280, 0.47%, 0.65%

LAB 60.49, 36.74, -34.98

 

CMYK 0 / 21 / 41 / 19

HEX #CFA37B

RGB 207 163 123

HSL 28.57, 0.47%, 0.65%

LAB 70.1, 10.94, 26.97

 

CMYK 39 / 0 / 40 / 18

HEX #7FD07C

RGB 127 208 124

HSL 117.86, 0.47%, 0.65%

LAB 76.73, -41.49, 34.09

 

CMYK 40 / 19 / 0 / 18

HEX #7CA9D0

RGB 124 169 208

HSL 207.86, 0.47%, 0.65%

LAB 67.44, -5.11, -24.61

 

CMYK 1 / 40 / 0 / 18

HEX #CD7CD0

RGB 205 124 208

HSL 297.86, 0.47%, 0.65%

LAB 63.3, 44.3, -30.4

 

Description

Color code: HEX #CFA37B | qconv.com Color code: HEX #CFA37B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 163 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 163 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 41 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 41% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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