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Color name
HEX #CFA122

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CFA122 it is the complementary color #305EDD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CFA122. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CFA122 shade: #D4A11D, #E5B330, #F6C543, #FFD756 and #FFE969

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CFA122. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CFA122 shade: #CFA122, #BE8F0F, #AD7D00, #9C6B00 and #8B5900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CFA122 shade: #CEA022, #CE7222, #CE4322 and #CE2222

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CFA122 shade: #CEA022, #CDCE22, #9FCE22, #70CE22 and #42CE22

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CFA122 shade matches the following richer shades: #CEA022 and #E2A90E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CFA122 shade: #CEA022, #BB9735, #A78E48, #94855C and #817C6F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CFA122 shade: #CE4422, #CE7222, #CEA022, #CECE22 and #A0CE22

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CFA122 shade: #876916, #AB851C, #CEA022, #DFB33A and #E5C15E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CFA122 shade: #CFA122, #2DCE22 and #5B22CE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CFA122 shade: #CFA122, #22CEA0 and #A022CE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CFA122 shade: #CFA122, #2DCE22, #2250CE and #C322CE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CFA122 shade: #CFA122, #22CE4A, #2250CE and #CE22A6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 84 / 19

HEX #CFA122

RGB 207 161 34

HSL 44.05, 0.72%, 0.47%

LAB 68.66, 5.9, 65.94

 

Complementary color

CMYK 78 / 57 / 0 / 13

HEX #305EDD

RGB 48 94 221

HSL 224.05, 0.72%, 0.53%

LAB 44.02, 29.85, -69.22

 

CMYK 0 / 24 / 86 / 17

HEX #D4A11D

RGB 212 161 29

HSL 43.28, 0.76%, 0.47%

LAB 69.17, 7.97, 67.93

 

CMYK 0 / 22 / 79 / 10

HEX #E5B330

RGB 229 179 48

HSL 43.43, 0.78%, 0.54%

LAB 75.52, 6.34, 68.49

 

CMYK 0 / 20 / 73 / 4

HEX #F6C543

RGB 246 197 67

HSL 43.58, 0.91%, 0.61%

LAB 81.8, 4.93, 68.23

 

CMYK 0 / 16 / 66 / 0

HEX #FFD756

RGB 255 215 86

HSL 45.8, 1%, 0.67%

LAB 87.26, 0.4, 66.51

 

CMYK 0 / 9 / 59 / 0

HEX #FFE969

RGB 255 233 105

HSL 51.2, 1%, 0.71%

LAB 91.93, -7.49, 63.51

 

CMYK 0 / 22 / 84 / 19

HEX #CFA122

RGB 207 161 34

HSL 44.05, 0.72%, 0.47%

LAB 68.66, 5.9, 65.94

 

CMYK 0 / 25 / 92 / 25

HEX #BE8F0F

RGB 190 143 15

HSL 43.89, 0.85%, 0.4%

LAB 62.19, 7.67, 64.55

 

CMYK 0 / 28 / 100 / 32

HEX #AD7D00

RGB 173 125 0

HSL 43.35, 1%, 0.34%

LAB 55.64, 9.72, 61.46

 

CMYK 0 / 31 / 100 / 39

HEX #9C6B00

RGB 156 107 0

HSL 41.15, 1%, 0.31%

LAB 48.99, 12.07, 56.01

 

CMYK 0 / 36 / 100 / 45

HEX #8B5900

RGB 139 89 0

HSL 38.42, 1%, 0.27%

LAB 42.21, 14.54, 50.48

 

CMYK 0 / 22 / 83 / 19

HEX #CEA022

RGB 206 160 34

HSL 43.95, 0.72%, 0.47%

LAB 68.3, 5.99, 65.6

 

CMYK 0 / 45 / 83 / 19

HEX #CE7222

RGB 206 114 34

HSL 27.91, 0.72%, 0.47%

LAB 57.34, 30.84, 56.2

 

CMYK 0 / 67 / 83 / 19

HEX #CE4322

RGB 206 67 34

HSL 11.51, 0.72%, 0.47%

LAB 48.58, 53.35, 48.48

 

CMYK 0 / 83 / 83 / 19

HEX #CE2222

RGB 206 34 34

HSL 0, 0.72%, 0.47%

LAB 44.77, 63.92, 45.04

 

CMYK 0 / 22 / 83 / 19

HEX #CEA022

RGB 206 160 34

HSL 43.95, 0.72%, 0.47%

LAB 68.3, 5.99, 65.6

 

CMYK 0 / 0 / 83 / 19

HEX #CDCE22

RGB 205 206 34

HSL 60.35, 0.72%, 0.47%

LAB 80.31, -18.25, 75.65

 

CMYK 23 / 0 / 83 / 19

HEX #9FCE22

RGB 159 206 34

HSL 76.4, 0.72%, 0.47%

LAB 77.06, -37.16, 71.59

 

CMYK 46 / 0 / 83 / 19

HEX #70CE22

RGB 112 206 34

HSL 92.79, 0.72%, 0.47%

LAB 74.64, -53.91, 68.54

 

CMYK 68 / 0 / 83 / 19

HEX #42CE22

RGB 66 206 34

HSL 108.84, 0.72%, 0.47%

LAB 73.17, -65.66, 66.67

 

CMYK 0 / 22 / 83 / 19

HEX #CEA022

RGB 206 160 34

HSL 43.95, 0.72%, 0.47%

LAB 68.3, 5.99, 65.6

 

CMYK 0 / 25 / 94 / 11

HEX #E2A90E

RGB 226 169 14

HSL 43.87, 0.88%, 0.47%

LAB 72.61, 9.56, 74.16

 

CMYK 0 / 22 / 83 / 19

HEX #CEA022

RGB 206 160 34

HSL 43.95, 0.72%, 0.47%

LAB 68.3, 5.99, 65.6

 

CMYK 0 / 19 / 72 / 27

HEX #BB9735

RGB 187 151 53

HSL 43.88, 0.56%, 0.47%

LAB 64.12, 3.2, 54.27

 

CMYK 0 / 15 / 57 / 35

HEX #A78E48

RGB 167 142 72

HSL 44.21, 0.4%, 0.47%

LAB 59.92, 0.56, 40.26

 

CMYK 0 / 10 / 38 / 42

HEX #94855C

RGB 148 133 92

HSL 43.93, 0.23%, 0.47%

LAB 55.93, -0.6, 24.19

 

CMYK 0 / 4 / 14 / 49

HEX #817C6F

RGB 129 124 111

HSL 43.33, 0.08%, 0.47%

LAB 52.1, -0.5, 7.77

 

CMYK 0 / 67 / 83 / 19

HEX #CE4422

RGB 206 68 34

HSL 11.86, 0.72%, 0.47%

LAB 48.72, 52.95, 48.61

 

CMYK 0 / 45 / 83 / 19

HEX #CE7222

RGB 206 114 34

HSL 27.91, 0.72%, 0.47%

LAB 57.34, 30.84, 56.2

 

CMYK 0 / 22 / 83 / 19

HEX #CEA022

RGB 206 160 34

HSL 43.95, 0.72%, 0.47%

LAB 68.3, 5.99, 65.6

 

CMYK 0 / 0 / 83 / 19

HEX #CECE22

RGB 206 206 34

HSL 60, 0.72%, 0.47%

LAB 80.39, -17.83, 75.75

 

CMYK 22 / 0 / 83 / 19

HEX #A0CE22

RGB 160 206 34

HSL 76.05, 0.72%, 0.47%

LAB 77.12, -36.77, 71.67

 

CMYK 0 / 22 / 84 / 47

HEX #876916

RGB 135 105 22

HSL 44.07, 0.72%, 0.31%

LAB 46.06, 3.83, 47.17

 

CMYK 0 / 22 / 84 / 33

HEX #AB851C

RGB 171 133 28

HSL 44.06, 0.72%, 0.39%

LAB 57.58, 4.89, 56.77

 

CMYK 0 / 22 / 83 / 19

HEX #CEA022

RGB 206 160 34

HSL 43.95, 0.72%, 0.47%

LAB 68.3, 5.99, 65.6

 

CMYK 0 / 20 / 74 / 13

HEX #DFB33A

RGB 223 179 58

HSL 44, 0.72%, 0.55%

LAB 74.97, 4.15, 64.21

 

CMYK 0 / 16 / 59 / 10

HEX #E5C15E

RGB 229 193 94

HSL 44, 0.72%, 0.63%

LAB 79.39, 1.43, 53.67

 

CMYK 0 / 22 / 84 / 19

HEX #CFA122

RGB 207 161 34

HSL 44.05, 0.72%, 0.47%

LAB 68.66, 5.9, 65.94

 

CMYK 78 / 0 / 83 / 19

HEX #2DCE22

RGB 45 206 34

HSL 116.16, 0.72%, 0.47%

LAB 72.77, -69.07, 66.16

 

CMYK 56 / 83 / 0 / 19

HEX #5B22CE

RGB 91 34 206

HSL 259.88, 0.72%, 0.47%

LAB 33.61, 62.38, -77.56

 

CMYK 0 / 22 / 84 / 19

HEX #CFA122

RGB 207 161 34

HSL 44.05, 0.72%, 0.47%

LAB 68.66, 5.9, 65.94

 

CMYK 83 / 0 / 22 / 19

HEX #22CEA0

RGB 34 206 160

HSL 163.95, 0.72%, 0.47%

LAB 74.2, -51.9, 11.33

 

CMYK 22 / 83 / 0 / 19

HEX #A022CE

RGB 160 34 206

HSL 283.95, 0.72%, 0.47%

LAB 42.87, 71.68, -62.04

 

CMYK 0 / 22 / 84 / 19

HEX #CFA122

RGB 207 161 34

HSL 44.05, 0.72%, 0.47%

LAB 68.66, 5.9, 65.94

 

CMYK 78 / 0 / 83 / 19

HEX #2DCE22

RGB 45 206 34

HSL 116.16, 0.72%, 0.47%

LAB 72.77, -69.07, 66.16

 

CMYK 83 / 61 / 0 / 19

HEX #2250CE

RGB 34 80 206

HSL 223.95, 0.72%, 0.47%

LAB 38.78, 32.06, -69.2

 

CMYK 5 / 83 / 0 / 19

HEX #C322CE

RGB 195 34 206

HSL 296.16, 0.72%, 0.47%

LAB 48.51, 77.62, -52.65

 

CMYK 0 / 22 / 84 / 19

HEX #CFA122

RGB 207 161 34

HSL 44.05, 0.72%, 0.47%

LAB 68.66, 5.9, 65.94

 

CMYK 83 / 0 / 64 / 19

HEX #22CE4A

RGB 34 206 74

HSL 133.95, 0.72%, 0.47%

LAB 72.88, -67.21, 52.54

 

CMYK 83 / 61 / 0 / 19

HEX #2250CE

RGB 34 80 206

HSL 223.95, 0.72%, 0.47%

LAB 38.78, 32.06, -69.2

 

CMYK 0 / 83 / 19 / 19

HEX #CE22A6

RGB 206 34 166

HSL 313.95, 0.72%, 0.47%

LAB 48.28, 74.01, -29.51

 

Description

Color code: HEX #CFA122 | qconv.com Color code: HEX #CFA122 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 161 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 161 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 84 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 84% 19% C M Y K

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Provide designers and agencies with accurate color values.

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