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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CF9F7E it is the complementary color #306081. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CF9F7E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CF9F7E shade: #D49F79, #E5B18C, #F6C39F, #FFD5B2 and #FFE7C5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CF9F7E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CF9F7E shade: #CF9F7E, #BE8D6B, #AD7B58, #9C6945 and #8B5732

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CF9F7E shade: #CF9E7D, #CF887D and #CF7D7D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CF9F7E shade: #CF9E7D, #CFB47D, #CFCA7D, #BDCF7D and #A7CF7D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CF9F7E shade matches the following richer shades: #CF9E7D, #DD9B6E, #EC9960 and #FA9651

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CF9F7E shade: #CF9E7D, #C0A18B, #B2A39A, #A3A6A8 and #95A9B6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CF9F7E shade: #CF7D88, #CF887D, #CF9E7D, #CFB37D and #CFC97D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CF9F7E shade: #B67243, #C4885F, #CF9E7D, #DAB59B and #E5CBB9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CF9F7E shade: #CF9F7E, #9ECF7D and #7D7DCF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CF9F7E shade: #CF9F7E, #7DCF9E and #9E7DCF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CF9F7E shade: #CF9F7E, #9ECF7D, #7DAECF and #AE7DCF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CF9F7E shade: #CF9F7E, #85CF7D, #7DAECF and #C77DCF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 39 / 19

HEX #CF9F7E

RGB 207 159 126

HSL 24.44, 0.46%, 0.65%

LAB 69.16, 13.45, 24.09

 

Complementary color

CMYK 63 / 26 / 0 / 49

HEX #306081

RGB 48 96 129

HSL 204.44, 0.46%, 0.35%

LAB 38.86, -5.54, -23.33

 

CMYK 0 / 25 / 43 / 17

HEX #D49F79

RGB 212 159 121

HSL 25.05, 0.51%, 0.65%

LAB 69.59, 14.9, 27.48

 

CMYK 0 / 23 / 39 / 10

HEX #E5B18C

RGB 229 177 140

HSL 24.94, 0.63%, 0.72%

LAB 76.07, 14.11, 26.21

 

CMYK 0 / 21 / 35 / 4

HEX #F6C39F

RGB 246 195 159

HSL 24.83, 0.83%, 0.79%

LAB 82.45, 13.4, 25.03

 

CMYK 0 / 16 / 30 / 0

HEX #FFD5B2

RGB 255 213 178

HSL 27.27, 1%, 0.85%

LAB 88, 9.77, 22.8

 

CMYK 0 / 9 / 23 / 0

HEX #FFE7C5

RGB 255 231 197

HSL 35.17, 1%, 0.89%

LAB 92.77, 3.04, 19.54

 

CMYK 0 / 23 / 39 / 19

HEX #CF9F7E

RGB 207 159 126

HSL 24.44, 0.46%, 0.65%

LAB 69.16, 13.45, 24.09

 

CMYK 0 / 26 / 44 / 25

HEX #BE8D6B

RGB 190 141 107

HSL 24.58, 0.39%, 0.58%

LAB 62.56, 14.28, 25.39

 

CMYK 0 / 29 / 49 / 32

HEX #AD7B58

RGB 173 123 88

HSL 24.71, 0.34%, 0.51%

LAB 55.84, 15.24, 26.81

 

CMYK 0 / 33 / 56 / 39

HEX #9C6945

RGB 156 105 69

HSL 24.83, 0.39%, 0.44%

LAB 49.01, 16.37, 28.38

 

CMYK 0 / 37 / 64 / 45

HEX #8B5732

RGB 139 87 50

HSL 24.94, 0.47%, 0.37%

LAB 42.06, 17.73, 30.11

 

CMYK 0 / 24 / 40 / 19

HEX #CF9E7D

RGB 207 158 125

HSL 24.15, 0.46%, 0.65%

LAB 68.9, 13.88, 24.28

 

CMYK 0 / 34 / 40 / 19

HEX #CF887D

RGB 207 136 125

HSL 8.05, 0.46%, 0.65%

LAB 63.63, 25.86, 17.11

 

CMYK 0 / 40 / 40 / 19

HEX #CF7D7D

RGB 207 125 125

HSL 0, 0.46%, 0.65%

LAB 61.14, 31.8, 13.65

 

CMYK 0 / 24 / 40 / 19

HEX #CF9E7D

RGB 207 158 125

HSL 24.15, 0.46%, 0.65%

LAB 68.9, 13.88, 24.28

 

CMYK 0 / 13 / 40 / 19

HEX #CFB47D

RGB 207 180 125

HSL 40.24, 0.46%, 0.65%

LAB 74.44, 2.05, 31.63

 

CMYK 0 / 2 / 40 / 19

HEX #CFCA7D

RGB 207 202 125

HSL 56.34, 0.46%, 0.65%

LAB 80.17, -9.42, 39.03

 

CMYK 9 / 0 / 40 / 19

HEX #BDCF7D

RGB 189 207 125

HSL 73.17, 0.46%, 0.65%

LAB 80.14, -19, 38.7

 

CMYK 19 / 0 / 40 / 19

HEX #A7CF7D

RGB 167 207 125

HSL 89.27, 0.46%, 0.65%

LAB 78.65, -27.28, 36.5

 

CMYK 0 / 24 / 40 / 19

HEX #CF9E7D

RGB 207 158 125

HSL 24.15, 0.46%, 0.65%

LAB 68.9, 13.88, 24.28

 

CMYK 0 / 30 / 50 / 13

HEX #DD9B6E

RGB 221 155 110

HSL 24.32, 0.62%, 0.65%

LAB 69.43, 19.61, 33.37

 

CMYK 0 / 35 / 59 / 7

HEX #EC9960

RGB 236 153 96

HSL 24.43, 0.79%, 0.65%

LAB 70.5, 25.6, 42.43

 

CMYK 0 / 40 / 68 / 2

HEX #FA9651

RGB 250 150 81

HSL 24.5, 0.94%, 0.65%

LAB 71.37, 31.85, 51.4

 

CMYK 0 / 24 / 40 / 19

HEX #CF9E7D

RGB 207 158 125

HSL 24.15, 0.46%, 0.65%

LAB 68.9, 13.88, 24.28

 

CMYK 0 / 16 / 28 / 25

HEX #C0A18B

RGB 192 161 139

HSL 24.91, 0.3%, 0.65%

LAB 68.43, 8.07, 15.71

 

CMYK 0 / 8 / 13 / 30

HEX #B2A39A

RGB 178 163 154

HSL 22.5, 0.13%, 0.65%

LAB 68.02, 3.9, 6.63

 

CMYK 3 / 1 / 0 / 34

HEX #A3A6A8

RGB 163 166 168

HSL 204, 0.03%, 0.65%

LAB 67.94, -0.68, -1.41

 

CMYK 18 / 7 / 0 / 29

HEX #95A9B6

RGB 149 169 182

HSL 203.64, 0.18%, 0.65%

LAB 68.13, -4.14, -9.02

 

CMYK 0 / 40 / 34 / 19

HEX #CF7D88

RGB 207 125 136

HSL 351.95, 0.46%, 0.65%

LAB 61.4, 33.12, 7.73

 

CMYK 0 / 34 / 40 / 19

HEX #CF887D

RGB 207 136 125

HSL 8.05, 0.46%, 0.65%

LAB 63.63, 25.86, 17.11

 

CMYK 0 / 24 / 40 / 19

HEX #CF9E7D

RGB 207 158 125

HSL 24.15, 0.46%, 0.65%

LAB 68.9, 13.88, 24.28

 

CMYK 0 / 14 / 40 / 19

HEX #CFB37D

RGB 207 179 125

HSL 39.51, 0.46%, 0.65%

LAB 74.18, 2.58, 31.29

 

CMYK 0 / 3 / 40 / 19

HEX #CFC97D

RGB 207 201 125

HSL 55.61, 0.46%, 0.65%

LAB 79.91, -8.91, 38.69

 

CMYK 0 / 37 / 63 / 29

HEX #B67243

RGB 182 114 67

HSL 24.52, 0.46%, 0.49%

LAB 54.43, 22.32, 36.83

 

CMYK 0 / 31 / 52 / 23

HEX #C4885F

RGB 196 136 95

HSL 24.36, 0.46%, 0.57%

LAB 61.8, 18.31, 31.13

 

CMYK 0 / 24 / 40 / 19

HEX #CF9E7D

RGB 207 158 125

HSL 24.15, 0.46%, 0.65%

LAB 68.9, 13.88, 24.28

 

CMYK 0 / 17 / 29 / 15

HEX #DAB59B

RGB 218 181 155

HSL 24.76, 0.46%, 0.73%

LAB 76.27, 9.54, 18.25

 

CMYK 0 / 11 / 19 / 10

HEX #E5CBB9

RGB 229 203 185

HSL 24.55, 0.46%, 0.81%

LAB 83.38, 6.28, 12.3

 

CMYK 0 / 23 / 39 / 19

HEX #CF9F7E

RGB 207 159 126

HSL 24.44, 0.46%, 0.65%

LAB 69.16, 13.45, 24.09

 

CMYK 24 / 0 / 40 / 19

HEX #9ECF7D

RGB 158 207 125

HSL 95.85, 0.46%, 0.65%

LAB 78.1, -30.53, 35.68

 

CMYK 40 / 40 / 0 / 19

HEX #7D7DCF

RGB 125 125 207

HSL 240, 0.46%, 0.65%

LAB 55.62, 20.21, -42.43

 

CMYK 0 / 23 / 39 / 19

HEX #CF9F7E

RGB 207 159 126

HSL 24.44, 0.46%, 0.65%

LAB 69.16, 13.45, 24.09

 

CMYK 40 / 0 / 24 / 19

HEX #7DCF9E

RGB 125 207 158

HSL 144.15, 0.46%, 0.65%

LAB 76.95, -35.77, 16.63

 

CMYK 24 / 40 / 0 / 19

HEX #9E7DCF

RGB 158 125 207

HSL 264.15, 0.46%, 0.65%

LAB 58.45, 29.42, -37.77

 

CMYK 0 / 23 / 39 / 19

HEX #CF9F7E

RGB 207 159 126

HSL 24.44, 0.46%, 0.65%

LAB 69.16, 13.45, 24.09

 

CMYK 24 / 0 / 40 / 19

HEX #9ECF7D

RGB 158 207 125

HSL 95.85, 0.46%, 0.65%

LAB 78.1, -30.53, 35.68

 

CMYK 40 / 16 / 0 / 19

HEX #7DAECF

RGB 125 174 207

HSL 204.15, 0.46%, 0.65%

LAB 68.85, -7.84, -21.89

 

CMYK 16 / 40 / 0 / 19

HEX #AE7DCF

RGB 174 125 207

HSL 275.85, 0.46%, 0.65%

LAB 60.04, 34.17, -35.17

 

CMYK 0 / 23 / 39 / 19

HEX #CF9F7E

RGB 207 159 126

HSL 24.44, 0.46%, 0.65%

LAB 69.16, 13.45, 24.09

 

CMYK 36 / 0 / 40 / 19

HEX #85CF7D

RGB 133 207 125

HSL 114.15, 0.46%, 0.65%

LAB 76.74, -39.01, 33.65

 

CMYK 40 / 16 / 0 / 19

HEX #7DAECF

RGB 125 174 207

HSL 204.15, 0.46%, 0.65%

LAB 68.85, -7.84, -21.89

 

CMYK 4 / 40 / 0 / 19

HEX #C77DCF

RGB 199 125 207

HSL 294.15, 0.46%, 0.65%

LAB 62.77, 41.75, -30.71

 

Description

Color code: HEX #CF9F7E | qconv.com Color code: HEX #CF9F7E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 159 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 159 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 39 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 39% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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