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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CF9B19 it is the complementary color #3064E6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CF9B19. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CF9B19 shade: #D49B14, #E5AD27, #F6BF3A, #FFD14D and #FFE360

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CF9B19. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CF9B19 shade: #CF9B19, #BE8906, #AD7700, #9C6500 and #8B5300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CF9B19 shade: #CC9919, #CC6919, #CC3919 and #CC1919

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CF9B19 shade: #CC9919, #CCC919, #9FCC19, #6FCC19 and #3ECC19

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CF9B19 shade matches the following richer shades: #CC9919 and #DFA107

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CF9B19 shade: #CC9919, #BA912C, #A7893E, #958151 and #827964

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CF9B19 shade: #CC3719, #CC6719, #CC9719, #CCC619 and #A2CC19

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CF9B19 shade: #836210, #A87E15, #CC9919, #E5AF2A and #E9BD4F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CF9B19 shade: #CF9B19, #2BCC19 and #4F19CC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CF9B19 shade: #CF9B19, #19CC97 and #9719CC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CF9B19 shade: #CF9B19, #2BCC19, #194FCC and #BA19CC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CF9B19 shade: #CF9B19, #19CC3D, #194FCC and #CC19A8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 88 / 19

HEX #CF9B19

RGB 207 155 25

HSL 42.86, 0.78%, 0.45%

LAB 67.11, 8.91, 67.04

 

Complementary color

CMYK 79 / 57 / 0 / 10

HEX #3064E6

RGB 48 100 230

HSL 222.86, 0.78%, 0.55%

LAB 46.25, 29.36, -70.69

 

CMYK 0 / 27 / 91 / 17

HEX #D49B14

RGB 212 155 20

HSL 42.19, 0.83%, 0.45%

LAB 67.64, 11.01, 68.78

 

CMYK 0 / 24 / 83 / 10

HEX #E5AD27

RGB 229 173 39

HSL 42.32, 0.79%, 0.53%

LAB 73.99, 9.23, 69.94

 

CMYK 0 / 22 / 76 / 4

HEX #F6BF3A

RGB 246 191 58

HSL 42.45, 0.91%, 0.6%

LAB 80.27, 7.68, 70.06

 

CMYK 0 / 18 / 70 / 0

HEX #FFD14D

RGB 255 209 77

HSL 44.49, 1%, 0.65%

LAB 85.7, 2.99, 68.54

 

CMYK 0 / 11 / 62 / 0

HEX #FFE360

RGB 255 227 96

HSL 49.43, 1%, 0.69%

LAB 90.34, -5.08, 65.63

 

CMYK 0 / 25 / 88 / 19

HEX #CF9B19

RGB 207 155 25

HSL 42.86, 0.78%, 0.45%

LAB 67.11, 8.91, 67.04

 

CMYK 0 / 28 / 97 / 25

HEX #BE8906

RGB 190 137 6

HSL 42.72, 0.94%, 0.38%

LAB 60.65, 10.85, 64.86

 

CMYK 0 / 31 / 100 / 32

HEX #AD7700

RGB 173 119 0

HSL 41.27, 1%, 0.34%

LAB 54.11, 13.09, 60.44

 

CMYK 0 / 35 / 100 / 39

HEX #9C6500

RGB 156 101 0

HSL 38.85, 1%, 0.31%

LAB 47.46, 15.51, 55

 

CMYK 0 / 40 / 100 / 45

HEX #8B5300

RGB 139 83 0

HSL 35.83, 1%, 0.27%

LAB 40.7, 18.04, 49.5

 

CMYK 0 / 25 / 88 / 20

HEX #CC9919

RGB 204 153 25

HSL 42.91, 0.78%, 0.45%

LAB 66.28, 8.66, 66.24

 

CMYK 0 / 49 / 88 / 20

HEX #CC6919

RGB 204 105 25

HSL 26.82, 0.78%, 0.45%

LAB 55.08, 34.53, 57.35

 

CMYK 0 / 72 / 88 / 20

HEX #CC3919

RGB 204 57 25

HSL 10.73, 0.78%, 0.45%

LAB 46.76, 56.31, 50.78

 

CMYK 0 / 88 / 88 / 20

HEX #CC1919

RGB 204 25 25

HSL 0, 0.78%, 0.45%

LAB 43.66, 65.02, 48.34

 

CMYK 0 / 25 / 88 / 20

HEX #CC9919

RGB 204 153 25

HSL 42.91, 0.78%, 0.45%

LAB 66.28, 8.66, 66.24

 

CMYK 0 / 1 / 88 / 20

HEX #CCC919

RGB 204 201 25

HSL 58.99, 0.78%, 0.45%

LAB 78.86, -16.41, 76.26

 

CMYK 22 / 0 / 88 / 20

HEX #9FCC19

RGB 159 204 25

HSL 75.08, 0.78%, 0.45%

LAB 76.45, -36.52, 72.96

 

CMYK 46 / 0 / 88 / 20

HEX #6FCC19

RGB 111 204 25

HSL 91.17, 0.78%, 0.45%

LAB 73.96, -53.77, 69.86

 

CMYK 70 / 0 / 88 / 20

HEX #3ECC19

RGB 62 204 25

HSL 107.6, 0.78%, 0.45%

LAB 72.42, -66.15, 67.93

 

CMYK 0 / 25 / 88 / 20

HEX #CC9919

RGB 204 153 25

HSL 42.91, 0.78%, 0.45%

LAB 66.28, 8.66, 66.24

 

CMYK 0 / 28 / 97 / 13

HEX #DFA107

RGB 223 161 7

HSL 42.78, 0.94%, 0.45%

LAB 70.31, 12.44, 73.24

 

CMYK 0 / 25 / 88 / 20

HEX #CC9919

RGB 204 153 25

HSL 42.91, 0.78%, 0.45%

LAB 66.28, 8.66, 66.24

 

CMYK 0 / 22 / 76 / 27

HEX #BA912C

RGB 186 145 44

HSL 42.68, 0.62%, 0.45%

LAB 62.4, 5.61, 56.15

 

CMYK 0 / 18 / 63 / 35

HEX #A7893E

RGB 167 137 62

HSL 42.86, 0.46%, 0.45%

LAB 58.47, 2.56, 43.57

 

CMYK 0 / 13 / 46 / 42

HEX #958151

RGB 149 129 81

HSL 42.35, 0.3%, 0.45%

LAB 54.75, 0.8, 28.78

 

CMYK 0 / 7 / 23 / 49

HEX #827964

RGB 130 121 100

HSL 42, 0.13%, 0.45%

LAB 51.08, -0.21, 12.78

 

CMYK 0 / 73 / 88 / 20

HEX #CC3719

RGB 204 55 25

HSL 10.06, 0.78%, 0.45%

LAB 46.5, 57.02, 50.57

 

CMYK 0 / 50 / 88 / 20

HEX #CC6719

RGB 204 103 25

HSL 26.15, 0.78%, 0.45%

LAB 54.67, 35.56, 57.02

 

CMYK 0 / 26 / 88 / 20

HEX #CC9719

RGB 204 151 25

HSL 42.23, 0.78%, 0.45%

LAB 65.78, 9.74, 65.84

 

CMYK 0 / 3 / 88 / 20

HEX #CCC619

RGB 204 198 25

HSL 57.99, 0.78%, 0.45%

LAB 78.05, -14.91, 75.61

 

CMYK 21 / 0 / 88 / 20

HEX #A2CC19

RGB 162 204 25

HSL 74.08, 0.78%, 0.45%

LAB 76.64, -35.33, 73.19

 

CMYK 0 / 25 / 88 / 49

HEX #836210

RGB 131 98 16

HSL 42.78, 0.78%, 0.29%

LAB 43.65, 5.81, 46.88

 

CMYK 0 / 25 / 88 / 34

HEX #A87E15

RGB 168 126 21

HSL 42.86, 0.78%, 0.37%

LAB 55.38, 7.23, 56.83

 

CMYK 0 / 25 / 88 / 20

HEX #CC9919

RGB 204 153 25

HSL 42.91, 0.78%, 0.45%

LAB 66.28, 8.66, 66.24

 

CMYK 0 / 24 / 82 / 10

HEX #E5AF2A

RGB 229 175 42

HSL 42.67, 0.78%, 0.53%

LAB 74.5, 8.26, 69.49

 

CMYK 0 / 19 / 66 / 9

HEX #E9BD4F

RGB 233 189 79

HSL 42.86, 0.78%, 0.61%

LAB 78.63, 4.22, 59.69

 

CMYK 0 / 25 / 88 / 19

HEX #CF9B19

RGB 207 155 25

HSL 42.86, 0.78%, 0.45%

LAB 67.11, 8.91, 67.04

 

CMYK 79 / 0 / 88 / 20

HEX #2BCC19

RGB 43 204 25

HSL 113.97, 0.78%, 0.45%

LAB 72.07, -69.12, 67.5

 

CMYK 61 / 88 / 0 / 20

HEX #4F19CC

RGB 79 25 204

HSL 258.1, 0.78%, 0.45%

LAB 31.15, 63.74, -80.51

 

CMYK 0 / 25 / 88 / 19

HEX #CF9B19

RGB 207 155 25

HSL 42.86, 0.78%, 0.45%

LAB 67.11, 8.91, 67.04

 

CMYK 88 / 0 / 26 / 20

HEX #19CC97

RGB 25 204 151

HSL 162.23, 0.78%, 0.45%

LAB 73.3, -53.91, 14.87

 

CMYK 26 / 88 / 0 / 20

HEX #9719CC

RGB 151 25 204

HSL 282.23, 0.78%, 0.45%

LAB 40.63, 71.98, -64.59

 

CMYK 0 / 25 / 88 / 19

HEX #CF9B19

RGB 207 155 25

HSL 42.86, 0.78%, 0.45%

LAB 67.11, 8.91, 67.04

 

CMYK 79 / 0 / 88 / 20

HEX #2BCC19

RGB 43 204 25

HSL 113.97, 0.78%, 0.45%

LAB 72.07, -69.12, 67.5

 

CMYK 88 / 61 / 0 / 20

HEX #194FCC

RGB 25 79 204

HSL 221.9, 0.78%, 0.45%

LAB 38.13, 31.36, -69.13

 

CMYK 9 / 88 / 0 / 20

HEX #BA19CC

RGB 186 25 204

HSL 293.97, 0.78%, 0.45%

LAB 46.3, 77.45, -55.13

 

CMYK 0 / 25 / 88 / 19

HEX #CF9B19

RGB 207 155 25

HSL 42.86, 0.78%, 0.45%

LAB 67.11, 8.91, 67.04

 

CMYK 88 / 0 / 70 / 20

HEX #19CC3D

RGB 25 204 61

HSL 132.07, 0.78%, 0.45%

LAB 72.05, -68.68, 56.85

 

CMYK 88 / 61 / 0 / 20

HEX #194FCC

RGB 25 79 204

HSL 221.9, 0.78%, 0.45%

LAB 38.13, 31.36, -69.13

 

CMYK 0 / 88 / 18 / 20

HEX #CC19A8

RGB 204 25 168

HSL 312.07, 0.78%, 0.45%

LAB 47.44, 75.52, -32.04

 

Description

Color code: HEX #CF9B19 | qconv.com Color code: HEX #CF9B19 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 155 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 155 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 88 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 88% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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