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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CF9A8C it is the complementary color #306573. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CF9A8C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CF9A8C shade: #D49A87, #E5AC9A, #F6BEAD, #FFD0C0 and #FFE2D3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CF9A8C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CF9A8C shade: #CF9A8C, #BE8879, #AD7666, #9C6453 and #8B5240

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CF9A8C shade: #CF9A8C and #CF8C8C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CF9A8C shade: #CF9A8C, #CFAC8C, #CFBE8C, #CECF8C and #BCCF8C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CF9A8C shade matches the following richer shades: #CF9A8C, #DC927F, #E98B72 and #F68364

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CF9A8C shade: #CF9A8C, #C2A299, #B4A9A6, #A7B1B4 and #9AB9C1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CF9A8C shade: #CF8CA2, #CF8C90, #CF998C, #CFAB8C and #CFBD8C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CF9A8C shade: #B76752, #C3806F, #CF9A8C, #DBB3A9 and #E7CDC6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CF9A8C shade: #CF9A8C, #B4CF8C and #8C99CF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CF9A8C shade: #CF9A8C, #8CCF99 and #998CCF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CF9A8C shade: #CF9A8C, #B4CF8C, #8CC1CF and #A78CCF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CF9A8C shade: #CF9A8C, #A0CF8C, #8CC1CF and #BB8CCF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 32 / 19

HEX #CF9A8C

RGB 207 154 140

HSL 12.54, 0.41%, 0.68%

LAB 68.22, 17.89, 15.09

 

Complementary color

CMYK 58 / 12 / 0 / 55

HEX #306573

RGB 48 101 115

HSL 192.54, 0.41%, 0.32%

LAB 39.87, -13.21, -13.24

 

CMYK 0 / 27 / 36 / 17

HEX #D49A87

RGB 212 154 135

HSL 14.81, 0.47%, 0.68%

LAB 68.65, 19.21, 18.53

 

CMYK 0 / 25 / 33 / 10

HEX #E5AC9A

RGB 229 172 154

HSL 14.4, 0.59%, 0.75%

LAB 75.14, 18.45, 17.39

 

CMYK 0 / 23 / 30 / 4

HEX #F6BEAD

RGB 246 190 173

HSL 13.97, 0.8%, 0.82%

LAB 81.53, 17.77, 16.33

 

CMYK 0 / 18 / 25 / 0

HEX #FFD0C0

RGB 255 208 192

HSL 15.24, 1%, 0.88%

LAB 87.08, 14.21, 14.17

 

CMYK 0 / 11 / 17 / 0

HEX #FFE2D3

RGB 255 226 211

HSL 20.45, 1%, 0.91%

LAB 91.84, 7.62, 10.96

 

CMYK 0 / 26 / 32 / 19

HEX #CF9A8C

RGB 207 154 140

HSL 12.54, 0.41%, 0.68%

LAB 68.22, 17.89, 15.09

 

CMYK 0 / 28 / 36 / 25

HEX #BE8879

RGB 190 136 121

HSL 13.04, 0.35%, 0.61%

LAB 61.6, 18.68, 16.25

 

CMYK 0 / 32 / 41 / 32

HEX #AD7666

RGB 173 118 102

HSL 13.52, 0.3%, 0.54%

LAB 54.87, 19.58, 17.54

 

CMYK 0 / 36 / 47 / 39

HEX #9C6453

RGB 156 100 83

HSL 13.97, 0.31%, 0.47%

LAB 48.02, 20.61, 19

 

CMYK 0 / 41 / 54 / 45

HEX #8B5240

RGB 139 82 64

HSL 14.4, 0.37%, 0.4%

LAB 41.05, 21.83, 20.69

 

CMYK 0 / 26 / 32 / 19

HEX #CF9A8C

RGB 207 154 140

HSL 12.54, 0.41%, 0.68%

LAB 68.22, 17.89, 15.09

 

CMYK 0 / 32 / 32 / 19

HEX #CF8C8C

RGB 207 140 140

HSL 0, 0.41%, 0.68%

LAB 64.9, 25.52, 10.42

 

CMYK 0 / 26 / 32 / 19

HEX #CF9A8C

RGB 207 154 140

HSL 12.54, 0.41%, 0.68%

LAB 68.22, 17.89, 15.09

 

CMYK 0 / 17 / 32 / 19

HEX #CFAC8C

RGB 207 172 140

HSL 28.66, 0.41%, 0.68%

LAB 72.67, 8.13, 21.24

 

CMYK 0 / 8 / 32 / 19

HEX #CFBE8C

RGB 207 190 140

HSL 44.78, 0.41%, 0.68%

LAB 77.27, -1.45, 27.47

 

CMYK 0 / 0 / 32 / 19

HEX #CECF8C

RGB 206 207 140

HSL 60.9, 0.41%, 0.68%

LAB 81.64, -10.63, 33.26

 

CMYK 9 / 0 / 32 / 19

HEX #BCCF8C

RGB 188 207 140

HSL 77.01, 0.41%, 0.68%

LAB 80.3, -17.5, 31.23

 

CMYK 0 / 26 / 32 / 19

HEX #CF9A8C

RGB 207 154 140

HSL 12.54, 0.41%, 0.68%

LAB 68.22, 17.89, 15.09

 

CMYK 0 / 34 / 42 / 14

HEX #DC927F

RGB 220 146 127

HSL 12.26, 0.57%, 0.68%

LAB 67.51, 25.75, 21.54

 

CMYK 0 / 40 / 51 / 9

HEX #E98B72

RGB 233 139 114

HSL 12.61, 0.73%, 0.68%

LAB 67.28, 33.24, 28.69

 

CMYK 0 / 47 / 59 / 4

HEX #F68364

RGB 246 131 100

HSL 12.74, 0.89%, 0.68%

LAB 67.09, 41.21, 36.41

 

CMYK 0 / 26 / 32 / 19

HEX #CF9A8C

RGB 207 154 140

HSL 12.54, 0.41%, 0.68%

LAB 68.22, 17.89, 15.09

 

CMYK 0 / 16 / 21 / 24

HEX #C2A299

RGB 194 162 153

HSL 13.17, 0.25%, 0.68%

LAB 69.19, 10.34, 9.07

 

CMYK 0 / 6 / 8 / 29

HEX #B4A9A6

RGB 180 169 166

HSL 12.86, 0.09%, 0.68%

LAB 70.06, 3.42, 2.96

 

CMYK 7 / 2 / 0 / 29

HEX #A7B1B4

RGB 167 177 180

HSL 193.85, 0.08%, 0.68%

LAB 71.52, -2.89, -2.74

 

CMYK 20 / 4 / 0 / 24

HEX #9AB9C1

RGB 154 185 193

HSL 192.31, 0.24%, 0.68%

LAB 73.17, -8.71, -7.54

 

CMYK 0 / 32 / 22 / 19

HEX #CF8CA2

RGB 207 140 162

HSL 340.3, 0.41%, 0.68%

LAB 65.46, 28.6, -1.19

 

CMYK 0 / 32 / 30 / 19

HEX #CF8C90

RGB 207 140 144

HSL 356.42, 0.41%, 0.68%

LAB 64.99, 26.05, 8.29

 

CMYK 0 / 26 / 32 / 19

HEX #CF998C

RGB 207 153 140

HSL 11.64, 0.41%, 0.68%

LAB 67.98, 18.43, 14.75

 

CMYK 0 / 17 / 32 / 19

HEX #CFAB8C

RGB 207 171 140

HSL 27.76, 0.41%, 0.68%

LAB 72.42, 8.67, 20.89

 

CMYK 0 / 9 / 32 / 19

HEX #CFBD8C

RGB 207 189 140

HSL 43.88, 0.41%, 0.68%

LAB 77.01, -0.92, 27.12

 

CMYK 0 / 44 / 55 / 28

HEX #B76752

RGB 183 103 82

HSL 12.48, 0.41%, 0.52%

LAB 52.26, 29.94, 25.83

 

CMYK 0 / 34 / 43 / 24

HEX #C3806F

RGB 195 128 111

HSL 12.14, 0.41%, 0.6%

LAB 60.06, 23.92, 19.89

 

CMYK 0 / 26 / 32 / 19

HEX #CF9A8C

RGB 207 154 140

HSL 12.54, 0.41%, 0.68%

LAB 68.22, 17.89, 15.09

 

CMYK 0 / 18 / 23 / 14

HEX #DBB3A9

RGB 219 179 169

HSL 12, 0.41%, 0.76%

LAB 76.17, 12.95, 10.55

 

CMYK 0 / 11 / 14 / 9

HEX #E7CDC6

RGB 231 205 198

HSL 12.73, 0.41%, 0.84%

LAB 84.34, 7.95, 6.8

 

CMYK 0 / 26 / 32 / 19

HEX #CF9A8C

RGB 207 154 140

HSL 12.54, 0.41%, 0.68%

LAB 68.22, 17.89, 15.09

 

CMYK 13 / 0 / 32 / 19

HEX #B4CF8C

RGB 180 207 140

HSL 84.18, 0.41%, 0.68%

LAB 79.74, -20.48, 30.39

 

CMYK 32 / 26 / 0 / 19

HEX #8C99CF

RGB 140 153 207

HSL 228.36, 0.41%, 0.68%

LAB 64.05, 8.04, -29.18

 

CMYK 0 / 26 / 32 / 19

HEX #CF9A8C

RGB 207 154 140

HSL 12.54, 0.41%, 0.68%

LAB 68.22, 17.89, 15.09

 

CMYK 32 / 0 / 26 / 19

HEX #8CCF99

RGB 140 207 153

HSL 131.64, 0.41%, 0.68%

LAB 77.58, -32.2, 20.26

 

CMYK 26 / 32 / 0 / 19

HEX #998CCF

RGB 153 140 207

HSL 251.64, 0.41%, 0.68%

LAB 61.68, 19.32, -32.76

 

CMYK 0 / 26 / 32 / 19

HEX #CF9A8C

RGB 207 154 140

HSL 12.54, 0.41%, 0.68%

LAB 68.22, 17.89, 15.09

 

CMYK 13 / 0 / 32 / 19

HEX #B4CF8C

RGB 180 207 140

HSL 84.18, 0.41%, 0.68%

LAB 79.74, -20.48, 30.39

 

CMYK 32 / 7 / 0 / 19

HEX #8CC1CF

RGB 140 193 207

HSL 192.54, 0.41%, 0.68%

LAB 74.96, -13.84, -12.57

 

CMYK 19 / 32 / 0 / 19

HEX #A78CCF

RGB 167 140 207

HSL 264.18, 0.41%, 0.68%

LAB 62.91, 23.57, -30.77

 

CMYK 0 / 26 / 32 / 19

HEX #CF9A8C

RGB 207 154 140

HSL 12.54, 0.41%, 0.68%

LAB 68.22, 17.89, 15.09

 

CMYK 23 / 0 / 32 / 19

HEX #A0CF8C

RGB 160 207 140

HSL 102.09, 0.41%, 0.68%

LAB 78.46, -27.69, 28.46

 

CMYK 32 / 7 / 0 / 19

HEX #8CC1CF

RGB 140 193 207

HSL 192.54, 0.41%, 0.68%

LAB 74.96, -13.84, -12.57

 

CMYK 10 / 32 / 0 / 19

HEX #BB8CCF

RGB 187 140 207

HSL 282.09, 0.41%, 0.68%

LAB 64.82, 29.82, -27.65

 

Description

Color code: HEX #CF9A8C | qconv.com Color code: HEX #CF9A8C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 154 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 154 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 32 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 32% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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