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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CF970A it is the complementary color #3068F5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CF970A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CF970A shade: #D49705, #E5A918, #F6BB2B, #FFCD3E and #FFDF51

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CF970A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CF970A shade: #CF970A, #BE8500, #AD7300, #9C6100 and #8B4F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CF970A shade: #D1990A, #D1630A, #D12D0A and #D10A0A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CF970A shade: #D1990A, #D1CF0A, #9FD10A, #69D10A and #33D10A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CF970A shade matches the following richer shades: #D1990A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CF970A shade: #D1990A, #C0911C, #AE892D, #9C823F and #8A7A51

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CF970A shade: #D12B0A, #D1600A, #D1960A, #D1CB0A and #A3D10A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CF970A shade: #835F06, #AA7C08, #D1990A, #F4B311 and #F6C038

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CF970A shade: #CF970A, #1ED10A and #460AD1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CF970A shade: #CF970A, #0AD196 and #960AD1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CF970A shade: #CF970A, #1ED10A, #0A46D1 and #BD0AD1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CF970A shade: #CF970A, #0AD132, #0A46D1 and #D10AAA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 95 / 19

HEX #CF970A

RGB 207 151 10

HSL 42.94, 0.91%, 0.43%

LAB 66.07, 10.83, 69.03

 

Complementary color

CMYK 80 / 58 / 0 / 4

HEX #3068F5

RGB 48 104 245

HSL 222.94, 0.91%, 0.57%

LAB 48.41, 32.35, -75.59

 

CMYK 0 / 29 / 98 / 17

HEX #D49705

RGB 212 151 5

HSL 42.32, 0.95%, 0.43%

LAB 66.63, 12.98, 70.35

 

CMYK 0 / 26 / 90 / 10

HEX #E5A918

RGB 229 169 24

HSL 42.44, 0.81%, 0.5%

LAB 72.96, 11.01, 72.84

 

CMYK 0 / 24 / 83 / 4

HEX #F6BB2B

RGB 246 187 43

HSL 42.56, 0.92%, 0.57%

LAB 79.22, 9.27, 73.94

 

CMYK 0 / 20 / 76 / 0

HEX #FFCD3E

RGB 255 205 62

HSL 44.46, 1%, 0.62%

LAB 84.62, 4.39, 73.06

 

CMYK 0 / 13 / 68 / 0

HEX #FFDF51

RGB 255 223 81

HSL 48.97, 1%, 0.66%

LAB 89.22, -3.91, 70.55

 

CMYK 0 / 27 / 95 / 19

HEX #CF970A

RGB 207 151 10

HSL 42.94, 0.91%, 0.43%

LAB 66.07, 10.83, 69.03

 

CMYK 0 / 30 / 100 / 25

HEX #BE8500

RGB 190 133 0

HSL 42, 1%, 0.37%

LAB 59.64, 12.98, 65.11

 

CMYK 0 / 34 / 100 / 32

HEX #AD7300

RGB 173 115 0

HSL 39.88, 1%, 0.34%

LAB 53.11, 15.33, 59.77

 

CMYK 0 / 38 / 100 / 39

HEX #9C6100

RGB 156 97 0

HSL 37.31, 1%, 0.31%

LAB 46.47, 17.79, 54.36

 

CMYK 0 / 43 / 100 / 45

HEX #8B4F00

RGB 139 79 0

HSL 34.1, 1%, 0.27%

LAB 39.72, 20.35, 48.87

 

CMYK 0 / 27 / 95 / 18

HEX #D1990A

RGB 209 153 10

HSL 43.12, 0.91%, 0.43%

LAB 66.79, 10.63, 69.65

 

CMYK 0 / 53 / 95 / 18

HEX #D1630A

RGB 209 99 10

HSL 26.83, 0.91%, 0.43%

LAB 54.55, 39.36, 61.2

 

CMYK 0 / 78 / 95 / 18

HEX #D12D0A

RGB 209 45 10

HSL 10.55, 0.91%, 0.43%

LAB 46.25, 61.53, 56.08

 

CMYK 0 / 95 / 95 / 18

HEX #D10A0A

RGB 209 10 10

HSL 0, 0.91%, 0.43%

LAB 43.94, 68.12, 54.81

 

CMYK 0 / 27 / 95 / 18

HEX #D1990A

RGB 209 153 10

HSL 43.12, 0.91%, 0.43%

LAB 66.79, 10.63, 69.65

 

CMYK 0 / 1 / 95 / 18

HEX #D1CF0A

RGB 209 207 10

HSL 59.4, 0.91%, 0.43%

LAB 80.85, -17.47, 80

 

CMYK 24 / 0 / 95 / 18

HEX #9FD10A

RGB 159 209 10

HSL 75.08, 0.91%, 0.43%

LAB 77.87, -39.03, 76.18

 

CMYK 50 / 0 / 95 / 18

HEX #69D10A

RGB 105 209 10

HSL 91.36, 0.91%, 0.43%

LAB 75.22, -57.81, 72.95

 

CMYK 76 / 0 / 95 / 18

HEX #33D10A

RGB 51 209 10

HSL 107.64, 0.91%, 0.43%

LAB 73.76, -69.89, 71.15

 

CMYK 0 / 27 / 95 / 18

HEX #D1990A

RGB 209 153 10

HSL 43.12, 0.91%, 0.43%

LAB 66.79, 10.63, 69.65

 

CMYK 0 / 27 / 95 / 18

HEX #D1990A

RGB 209 153 10

HSL 43.12, 0.91%, 0.43%

LAB 66.79, 10.63, 69.65

 

CMYK 0 / 24 / 85 / 25

HEX #C0911C

RGB 192 145 28

HSL 42.8, 0.75%, 0.43%

LAB 62.96, 7.75, 62.23

 

CMYK 0 / 21 / 74 / 32

HEX #AE892D

RGB 174 137 45

HSL 42.79, 0.59%, 0.43%

LAB 59.05, 4.69, 52.07

 

CMYK 0 / 17 / 60 / 39

HEX #9C823F

RGB 156 130 63

HSL 43.23, 0.42%, 0.43%

LAB 55.47, 1.64, 39.37

 

CMYK 0 / 12 / 41 / 46

HEX #8A7A51

RGB 138 122 81

HSL 43.16, 0.26%, 0.43%

LAB 51.74, -0.02, 24.7

 

CMYK 0 / 79 / 95 / 18

HEX #D12B0A

RGB 209 43 10

HSL 9.95, 0.91%, 0.43%

LAB 46.05, 62.09, 55.97

 

CMYK 0 / 54 / 95 / 18

HEX #D1600A

RGB 209 96 10

HSL 25.93, 0.91%, 0.43%

LAB 53.97, 40.85, 60.81

 

CMYK 0 / 28 / 95 / 18

HEX #D1960A

RGB 209 150 10

HSL 42.21, 0.91%, 0.43%

LAB 66.05, 12.25, 69.12

 

CMYK 0 / 3 / 95 / 18

HEX #D1CB0A

RGB 209 203 10

HSL 58.19, 0.91%, 0.43%

LAB 79.78, -15.48, 79.2

 

CMYK 22 / 0 / 95 / 18

HEX #A3D10A

RGB 163 209 10

HSL 73.87, 0.91%, 0.43%

LAB 78.12, -37.46, 76.47

 

CMYK 0 / 27 / 95 / 49

HEX #835F06

RGB 131 95 6

HSL 42.72, 0.91%, 0.27%

LAB 42.8, 7.34, 48.82

 

CMYK 0 / 27 / 95 / 33

HEX #AA7C08

RGB 170 124 8

HSL 42.96, 0.91%, 0.35%

LAB 55.05, 9.02, 59.46

 

CMYK 0 / 27 / 95 / 18

HEX #D1990A

RGB 209 153 10

HSL 43.12, 0.91%, 0.43%

LAB 66.79, 10.63, 69.65

 

CMYK 0 / 27 / 93 / 4

HEX #F4B311

RGB 244 179 17

HSL 42.82, 0.91%, 0.51%

LAB 76.99, 12.09, 77.79

 

CMYK 0 / 22 / 77 / 4

HEX #F6C038

RGB 246 192 56

HSL 42.95, 0.91%, 0.59%

LAB 80.5, 7.08, 70.98

 

CMYK 0 / 27 / 95 / 19

HEX #CF970A

RGB 207 151 10

HSL 42.94, 0.91%, 0.43%

LAB 66.07, 10.83, 69.03

 

CMYK 86 / 0 / 95 / 18

HEX #1ED10A

RGB 30 209 10

HSL 113.97, 0.91%, 0.43%

LAB 73.48, -72.36, 70.81

 

CMYK 67 / 95 / 0 / 18

HEX #460AD1

RGB 70 10 209

HSL 258.09, 0.91%, 0.43%

LAB 29.72, 67.89, -85.83

 

CMYK 0 / 27 / 95 / 19

HEX #CF970A

RGB 207 151 10

HSL 42.94, 0.91%, 0.43%

LAB 66.07, 10.83, 69.03

 

CMYK 95 / 0 / 28 / 18

HEX #0AD196

RGB 10 209 150

HSL 162.21, 0.91%, 0.43%

LAB 74.74, -56.74, 17.4

 

CMYK 28 / 95 / 0 / 18

HEX #960AD1

RGB 150 10 209

HSL 282.21, 0.91%, 0.43%

LAB 40.09, 75.12, -68.38

 

CMYK 0 / 27 / 95 / 19

HEX #CF970A

RGB 207 151 10

HSL 42.94, 0.91%, 0.43%

LAB 66.07, 10.83, 69.03

 

CMYK 86 / 0 / 95 / 18

HEX #1ED10A

RGB 30 209 10

HSL 113.97, 0.91%, 0.43%

LAB 73.48, -72.36, 70.81

 

CMYK 95 / 67 / 0 / 18

HEX #0A46D1

RGB 10 70 209

HSL 221.91, 0.91%, 0.43%

LAB 36.08, 38.48, -75.39

 

CMYK 10 / 95 / 0 / 18

HEX #BD0AD1

RGB 189 10 209

HSL 293.97, 0.91%, 0.43%

LAB 46.5, 80.62, -57.68

 

CMYK 0 / 27 / 95 / 19

HEX #CF970A

RGB 207 151 10

HSL 42.94, 0.91%, 0.43%

LAB 66.07, 10.83, 69.03

 

CMYK 95 / 0 / 76 / 18

HEX #0AD132

RGB 10 209 50

HSL 132.06, 0.91%, 0.43%

LAB 73.48, -71.85, 62.16

 

CMYK 95 / 67 / 0 / 18

HEX #0A46D1

RGB 10 70 209

HSL 221.91, 0.91%, 0.43%

LAB 36.08, 38.48, -75.39

 

CMYK 0 / 95 / 19 / 18

HEX #D10AAA

RGB 209 10 170

HSL 311.76, 0.91%, 0.43%

LAB 47.85, 78.54, -32.53

 

Description

Color code: HEX #CF970A | qconv.com Color code: HEX #CF970A | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 151 green and 10 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 151 10 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 95 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 95% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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