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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CF9538 it is the complementary color #306AC7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CF9538. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CF9538 shade: #D49533, #E5A746, #F6B959, #FFCB6C and #FFDD7F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CF9538. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CF9538 shade: #CF9538, #BE8325, #AD7112, #9C5F00 and #8B4D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CF9538 shade: #CF963A, #CF6E3A, #CF453A and #CF3A3A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CF9538 shade: #CF963A, #CFBE3A, #B8CF3A, #90CF3A and #68CF3A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CF9538 shade matches the following richer shades: #CF963A, #E39A26 and #F79F12

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CF9538 shade: #CF963A, #BB914E, #A88D62, #948875 and #808489

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CF9538 shade: #CF443A, #CF6C3A, #CF943A, #CFBB3A and #BBCF3A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CF9538 shade: #936824, #B4802C, #CF963A, #D7A85B and #DFB97C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CF9538 shade: #CF9538, #58CF3A and #583ACF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CF9538 shade: #CF9538, #3ACF94 and #943ACF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CF9538 shade: #CF9538, #58CF3A, #3A76CF and #B13ACF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CF9538 shade: #CF9538, #3ACF49, #3A76CF and #CF3AC0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 73 / 19

HEX #CF9538

RGB 207 149 56

HSL 36.95, 0.61%, 0.52%

LAB 65.78, 13.2, 55.38

 

Complementary color

CMYK 76 / 47 / 0 / 22

HEX #306AC7

RGB 48 106 199

HSL 216.95, 0.61%, 0.48%

LAB 45.72, 13.93, -53.89

 

CMYK 0 / 30 / 76 / 17

HEX #D49533

RGB 212 149 51

HSL 36.52, 0.65%, 0.52%

LAB 66.31, 15.14, 58.15

 

CMYK 0 / 27 / 69 / 10

HEX #E5A746

RGB 229 167 70

HSL 36.6, 0.75%, 0.59%

LAB 72.72, 13.64, 57.23

 

CMYK 0 / 25 / 64 / 4

HEX #F6B959

RGB 246 185 89

HSL 36.69, 0.9%, 0.66%

LAB 79.05, 12.35, 56.06

 

CMYK 0 / 20 / 58 / 0

HEX #FFCB6C

RGB 255 203 108

HSL 38.78, 1%, 0.71%

LAB 84.51, 7.96, 53.67

 

CMYK 0 / 13 / 50 / 0

HEX #FFDD7F

RGB 255 221 127

HSL 44.06, 1%, 0.75%

LAB 89.16, 0.24, 50.13

 

CMYK 0 / 28 / 73 / 19

HEX #CF9538

RGB 207 149 56

HSL 36.95, 0.61%, 0.52%

LAB 65.78, 13.2, 55.38

 

CMYK 0 / 31 / 81 / 25

HEX #BE8325

RGB 190 131 37

HSL 36.86, 0.67%, 0.45%

LAB 59.26, 14.83, 56.02

 

CMYK 0 / 35 / 90 / 32

HEX #AD7112

RGB 173 113 18

HSL 36.77, 0.81%, 0.37%

LAB 52.66, 16.74, 55.71

 

CMYK 0 / 39 / 100 / 39

HEX #9C5F00

RGB 156 95 0

HSL 36.54, 1%, 0.31%

LAB 45.98, 18.93, 54.04

 

CMYK 0 / 45 / 100 / 45

HEX #8B4D00

RGB 139 77 0

HSL 33.24, 1%, 0.27%

LAB 39.24, 21.5, 48.57

 

CMYK 0 / 28 / 72 / 19

HEX #CF963A

RGB 207 150 58

HSL 37.05, 0.61%, 0.52%

LAB 66.05, 12.75, 54.79

 

CMYK 0 / 47 / 72 / 19

HEX #CF6E3A

RGB 207 110 58

HSL 20.94, 0.61%, 0.52%

LAB 56.8, 34.28, 45.08

 

CMYK 0 / 67 / 72 / 19

HEX #CF453A

RGB 207 69 58

HSL 4.43, 0.61%, 0.52%

LAB 49.29, 53.74, 36.73

 

CMYK 0 / 72 / 72 / 19

HEX #CF3A3A

RGB 207 58 58

HSL 0, 0.61%, 0.52%

LAB 47.75, 57.95, 34.96

 

CMYK 0 / 28 / 72 / 19

HEX #CF963A

RGB 207 150 58

HSL 37.05, 0.61%, 0.52%

LAB 66.05, 12.75, 54.79

 

CMYK 0 / 8 / 72 / 19

HEX #CFBE3A

RGB 207 190 58

HSL 53.15, 0.61%, 0.52%

LAB 76.31, -8.46, 65

 

CMYK 11 / 0 / 72 / 19

HEX #B8CF3A

RGB 184 207 58

HSL 69.26, 0.61%, 0.52%

LAB 79.11, -26.59, 67.08

 

CMYK 30 / 0 / 72 / 19

HEX #90CF3A

RGB 144 207 58

HSL 85.37, 0.61%, 0.52%

LAB 76.59, -42.18, 63.76

 

CMYK 50 / 0 / 72 / 19

HEX #68CF3A

RGB 104 207 58

HSL 101.48, 0.61%, 0.52%

LAB 74.75, -55.37, 61.3

 

CMYK 0 / 28 / 72 / 19

HEX #CF963A

RGB 207 150 58

HSL 37.05, 0.61%, 0.52%

LAB 66.05, 12.75, 54.79

 

CMYK 0 / 32 / 83 / 11

HEX #E39A26

RGB 227 154 38

HSL 36.83, 0.77%, 0.52%

LAB 69.17, 18.45, 66.06

 

CMYK 0 / 36 / 93 / 3

HEX #F79F12

RGB 247 159 18

HSL 36.94, 0.93%, 0.52%

LAB 72.64, 23.89, 74.65

 

CMYK 0 / 28 / 72 / 19

HEX #CF963A

RGB 207 150 58

HSL 37.05, 0.61%, 0.52%

LAB 66.05, 12.75, 54.79

 

CMYK 0 / 22 / 58 / 27

HEX #BB914E

RGB 187 145 78

HSL 36.88, 0.44%, 0.52%

LAB 62.82, 8.09, 41.14

 

CMYK 0 / 16 / 42 / 34

HEX #A88D62

RGB 168 141 98

HSL 36.86, 0.29%, 0.52%

LAB 60.12, 4.11, 26.72

 

CMYK 0 / 8 / 21 / 42

HEX #948875

RGB 148 136 117

HSL 36.77, 0.13%, 0.52%

LAB 57.26, 1.26, 11.84

 

CMYK 7 / 4 / 0 / 46

HEX #808489

RGB 128 132 137

HSL 213.33, 0.04%, 0.52%

LAB 54.97, -0.45, -3.21

 

CMYK 0 / 67 / 72 / 19

HEX #CF443A

RGB 207 68 58

HSL 4.03, 0.61%, 0.52%

LAB 49.14, 54.15, 36.56

 

CMYK 0 / 48 / 72 / 19

HEX #CF6C3A

RGB 207 108 58

HSL 20.13, 0.61%, 0.52%

LAB 56.38, 35.33, 44.63

 

CMYK 0 / 29 / 72 / 19

HEX #CF943A

RGB 207 148 58

HSL 36.24, 0.61%, 0.52%

LAB 65.55, 13.84, 54.28

 

CMYK 0 / 10 / 72 / 19

HEX #CFBB3A

RGB 207 187 58

HSL 51.95, 0.61%, 0.52%

LAB 75.52, -6.92, 64.23

 

CMYK 10 / 0 / 72 / 19

HEX #BBCF3A

RGB 187 207 58

HSL 68.05, 0.61%, 0.52%

LAB 79.33, -25.36, 67.36

 

CMYK 0 / 29 / 76 / 42

HEX #936824

RGB 147 104 36

HSL 36.76, 0.61%, 0.36%

LAB 47.28, 10.63, 43.23

 

CMYK 0 / 29 / 76 / 29

HEX #B4802C

RGB 180 128 44

HSL 37.06, 0.61%, 0.44%

LAB 57.39, 12.34, 51.07

 

CMYK 0 / 28 / 72 / 19

HEX #CF963A

RGB 207 150 58

HSL 37.05, 0.61%, 0.52%

LAB 66.05, 12.75, 54.79

 

CMYK 0 / 22 / 58 / 16

HEX #D7A85B

RGB 215 168 91

HSL 37.26, 0.61%, 0.6%

LAB 71.7, 8.54, 45.83

 

CMYK 0 / 17 / 44 / 13

HEX #DFB97C

RGB 223 185 124

HSL 36.97, 0.61%, 0.68%

LAB 77.19, 5.75, 36.01

 

CMYK 0 / 28 / 73 / 19

HEX #CF9538

RGB 207 149 56

HSL 36.95, 0.61%, 0.52%

LAB 65.78, 13.2, 55.38

 

CMYK 57 / 0 / 72 / 19

HEX #58CF3A

RGB 88 207 58

HSL 107.92, 0.61%, 0.52%

LAB 74.19, -59.67, 60.56

 

CMYK 57 / 72 / 0 / 19

HEX #583ACF

RGB 88 58 207

HSL 252.08, 0.61%, 0.52%

LAB 37.13, 51.62, -72.37

 

CMYK 0 / 28 / 73 / 19

HEX #CF9538

RGB 207 149 56

HSL 36.95, 0.61%, 0.52%

LAB 65.78, 13.2, 55.38

 

CMYK 72 / 0 / 29 / 19

HEX #3ACF94

RGB 58 207 148

HSL 156.24, 0.61%, 0.52%

LAB 74.61, -52.41, 18.36

 

CMYK 29 / 72 / 0 / 19

HEX #943ACF

RGB 148 58 207

HSL 276.24, 0.61%, 0.52%

LAB 43.98, 61.76, -60.9

 

CMYK 0 / 28 / 73 / 19

HEX #CF9538

RGB 207 149 56

HSL 36.95, 0.61%, 0.52%

LAB 65.78, 13.2, 55.38

 

CMYK 57 / 0 / 72 / 19

HEX #58CF3A

RGB 88 207 58

HSL 107.92, 0.61%, 0.52%

LAB 74.19, -59.67, 60.56

 

CMYK 72 / 43 / 0 / 19

HEX #3A76CF

RGB 58 118 207

HSL 215.84, 0.61%, 0.52%

LAB 49.93, 10.64, -51.69

 

CMYK 14 / 72 / 0 / 19

HEX #B13ACF

RGB 177 58 207

HSL 287.92, 0.61%, 0.52%

LAB 48.11, 67.51, -54.04

 

CMYK 0 / 28 / 73 / 19

HEX #CF9538

RGB 207 149 56

HSL 36.95, 0.61%, 0.52%

LAB 65.78, 13.2, 55.38

 

CMYK 72 / 0 / 65 / 19

HEX #3ACF49

RGB 58 207 73

HSL 126.04, 0.61%, 0.52%

LAB 73.55, -64.52, 53.81

 

CMYK 72 / 43 / 0 / 19

HEX #3A76CF

RGB 58 118 207

HSL 215.84, 0.61%, 0.52%

LAB 49.93, 10.64, -51.69

 

CMYK 0 / 72 / 7 / 19

HEX #CF3AC0

RGB 207 58 192

HSL 306.04, 0.61%, 0.52%

LAB 51.95, 71.42, -38.99

 

Description

Color code: HEX #CF9538 | qconv.com Color code: HEX #CF9538 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 149 green and 56 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 149 56 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 73 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 73% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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