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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CF9347 it is the complementary color #306CB8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CF9347. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CF9347 shade: #D49342, #E5A555, #F6B768, #FFC97B and #FFDB8E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CF9347. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CF9347 shade: #CF9347, #BE8134, #AD6F21, #9C5D0E and #8B4B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CF9347 shade: #D09449, #D07049, #D04B49 and #D04949

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CF9347 shade: #D09449, #D0B949, #C3D049, #9ED049 and #7AD049

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CF9347 shade matches the following richer shades: #D09449, #E39636 and #F59923

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CF9347 shade: #D09449, #BD925B, #AB906E, #988E80 and #868B93

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CF9347 shade: #D04B49, #D06F49, #D09349, #D0B749 and #C5D049

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CF9347 shade: #9D6A29, #BE8031, #D09449, #D8A769 and #E1BB8A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CF9347 shade: #CF9347, #6AD049 and #5D49D0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CF9347 shade: #CF9347, #49D093 and #9349D0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CF9347 shade: #CF9347, #6AD049, #4985D0 and #AE49D0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CF9347 shade: #CF9347, #49D04F, #4985D0 and #D049C9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 66 / 19

HEX #CF9347

RGB 207 147 71

HSL 33.53, 0.59%, 0.55%

LAB 65.43, 15.1, 48.18

 

Complementary color

CMYK 74 / 41 / 0 / 28

HEX #306CB8

RGB 48 108 184

HSL 213.53, 0.59%, 0.45%

LAB 45.38, 7.03, -45.76

 

CMYK 0 / 31 / 69 / 17

HEX #D49342

RGB 212 147 66

HSL 33.29, 0.63%, 0.55%

LAB 65.95, 16.94, 51.28

 

CMYK 0 / 28 / 63 / 10

HEX #E5A555

RGB 229 165 85

HSL 33.33, 0.73%, 0.62%

LAB 72.38, 15.59, 49.93

 

CMYK 0 / 26 / 58 / 4

HEX #F6B768

RGB 246 183 104

HSL 33.38, 0.89%, 0.69%

LAB 78.73, 14.41, 48.55

 

CMYK 0 / 21 / 52 / 0

HEX #FFC97B

RGB 255 201 123

HSL 35.45, 1%, 0.74%

LAB 84.21, 10.17, 46.01

 

CMYK 0 / 14 / 44 / 0

HEX #FFDB8E

RGB 255 219 142

HSL 40.88, 1%, 0.78%

LAB 88.86, 2.64, 42.4

 

CMYK 0 / 29 / 66 / 19

HEX #CF9347

RGB 207 147 71

HSL 33.53, 0.59%, 0.55%

LAB 65.43, 15.1, 48.18

 

CMYK 0 / 32 / 73 / 25

HEX #BE8134

RGB 190 129 52

HSL 33.48, 0.57%, 0.47%

LAB 58.88, 16.57, 49.46

 

CMYK 0 / 36 / 81 / 32

HEX #AD6F21

RGB 173 111 33

HSL 33.43, 0.68%, 0.4%

LAB 52.25, 18.28, 50.37

 

CMYK 0 / 40 / 91 / 39

HEX #9C5D0E

RGB 156 93 14

HSL 33.38, 0.84%, 0.33%

LAB 45.54, 20.31, 50.3

 

CMYK 0 / 46 / 100 / 45

HEX #8B4B00

RGB 139 75 0

HSL 32.37, 1%, 0.27%

LAB 38.76, 22.65, 48.28

 

CMYK 0 / 29 / 65 / 18

HEX #D09449

RGB 208 148 73

HSL 33.33, 0.59%, 0.55%

LAB 65.8, 15.11, 47.67

 

CMYK 0 / 46 / 65 / 18

HEX #D07049

RGB 208 112 73

HSL 17.33, 0.59%, 0.55%

LAB 57.54, 34.47, 38.14

 

CMYK 0 / 64 / 65 / 18

HEX #D04B49

RGB 208 75 73

HSL 0.89, 0.59%, 0.55%

LAB 50.6, 52.36, 29.72

 

CMYK 0 / 65 / 65 / 18

HEX #D04949

RGB 208 73 73

HSL 0, 0.59%, 0.55%

LAB 50.28, 53.2, 29.33

 

CMYK 0 / 29 / 65 / 18

HEX #D09449

RGB 208 148 73

HSL 33.33, 0.59%, 0.55%

LAB 65.8, 15.11, 47.67

 

CMYK 0 / 11 / 65 / 18

HEX #D0B949

RGB 208 185 73

HSL 49.78, 0.59%, 0.55%

LAB 75.19, -4.65, 57.92

 

CMYK 6 / 0 / 65 / 18

HEX #C3D049

RGB 195 208 73

HSL 65.78, 0.59%, 0.55%

LAB 80.29, -21.73, 62.94

 

CMYK 24 / 0 / 65 / 18

HEX #9ED049

RGB 158 208 73

HSL 82.22, 0.59%, 0.55%

LAB 77.79, -36.4, 59.55

 

CMYK 41 / 0 / 65 / 18

HEX #7AD049

RGB 122 208 73

HSL 98.22, 0.59%, 0.55%

LAB 75.9, -49.08, 56.97

 

CMYK 0 / 29 / 65 / 18

HEX #D09449

RGB 208 148 73

HSL 33.33, 0.59%, 0.55%

LAB 65.8, 15.11, 47.67

 

CMYK 0 / 34 / 76 / 11

HEX #E39636

RGB 227 150 54

HSL 33.29, 0.76%, 0.55%

LAB 68.32, 21.13, 59.49

 

CMYK 0 / 38 / 86 / 4

HEX #F59923

RGB 245 153 35

HSL 33.71, 0.91%, 0.55%

LAB 71.09, 26.49, 69.44

 

CMYK 0 / 29 / 65 / 18

HEX #D09449

RGB 208 148 73

HSL 33.33, 0.59%, 0.55%

LAB 65.8, 15.11, 47.67

 

CMYK 0 / 23 / 52 / 26

HEX #BD925B

RGB 189 146 91

HSL 33.67, 0.43%, 0.55%

LAB 63.45, 9.5, 35.2

 

CMYK 0 / 16 / 36 / 33

HEX #AB906E

RGB 171 144 110

HSL 33.44, 0.27%, 0.55%

LAB 61.42, 5.13, 21.86

 

CMYK 0 / 7 / 16 / 40

HEX #988E80

RGB 152 142 128

HSL 35, 0.1%, 0.55%

LAB 59.51, 1.25, 8.79

 

CMYK 9 / 5 / 0 / 42

HEX #868B93

RGB 134 139 147

HSL 216.92, 0.06%, 0.55%

LAB 57.69, -0.17, -4.9

 

CMYK 0 / 64 / 65 / 18

HEX #D04B49

RGB 208 75 73

HSL 0.89, 0.59%, 0.55%

LAB 50.6, 52.36, 29.72

 

CMYK 0 / 47 / 65 / 18

HEX #D06F49

RGB 208 111 73

HSL 16.89, 0.59%, 0.55%

LAB 57.33, 35, 37.89

 

CMYK 0 / 29 / 65 / 18

HEX #D09349

RGB 208 147 73

HSL 32.89, 0.59%, 0.55%

LAB 65.56, 15.65, 47.39

 

CMYK 0 / 12 / 65 / 18

HEX #D0B749

RGB 208 183 73

HSL 48.89, 0.59%, 0.55%

LAB 74.67, -3.6, 57.36

 

CMYK 5 / 0 / 65 / 18

HEX #C5D049

RGB 197 208 73

HSL 64.89, 0.59%, 0.55%

LAB 80.44, -20.9, 63.14

 

CMYK 0 / 32 / 74 / 38

HEX #9D6A29

RGB 157 106 41

HSL 33.62, 0.59%, 0.39%

LAB 49.05, 14.29, 43.13

 

CMYK 0 / 33 / 74 / 25

HEX #BE8031

RGB 190 128 49

HSL 33.62, 0.59%, 0.47%

LAB 58.61, 16.97, 50.53

 

CMYK 0 / 29 / 65 / 18

HEX #D09449

RGB 208 148 73

HSL 33.33, 0.59%, 0.55%

LAB 65.8, 15.11, 47.67

 

CMYK 0 / 23 / 51 / 15

HEX #D8A769

RGB 216 167 105

HSL 33.51, 0.59%, 0.63%

LAB 71.73, 10.65, 38.8

 

CMYK 0 / 17 / 39 / 12

HEX #E1BB8A

RGB 225 187 138

HSL 33.79, 0.59%, 0.71%

LAB 78.1, 6.99, 29.92

 

CMYK 0 / 29 / 66 / 19

HEX #CF9347

RGB 207 147 71

HSL 33.53, 0.59%, 0.55%

LAB 65.43, 15.1, 48.18

 

CMYK 49 / 0 / 65 / 18

HEX #6AD049

RGB 106 208 73

HSL 105.33, 0.59%, 0.55%

LAB 75.24, -53.96, 56.05

 

CMYK 55 / 65 / 0 / 18

HEX #5D49D0

RGB 93 73 208

HSL 248.89, 0.59%, 0.55%

LAB 40.65, 44.45, -67.17

 

CMYK 0 / 29 / 66 / 19

HEX #CF9347

RGB 207 147 71

HSL 33.53, 0.59%, 0.55%

LAB 65.43, 15.1, 48.18

 

CMYK 65 / 0 / 29 / 18

HEX #49D093

RGB 73 208 147

HSL 152.89, 0.59%, 0.55%

LAB 75.22, -50.63, 19.78

 

CMYK 29 / 65 / 0 / 18

HEX #9349D0

RGB 147 73 208

HSL 272.89, 0.59%, 0.55%

LAB 46.34, 55.03, -57.67

 

CMYK 0 / 29 / 66 / 19

HEX #CF9347

RGB 207 147 71

HSL 33.53, 0.59%, 0.55%

LAB 65.43, 15.1, 48.18

 

CMYK 49 / 0 / 65 / 18

HEX #6AD049

RGB 106 208 73

HSL 105.33, 0.59%, 0.55%

LAB 75.24, -53.96, 56.05

 

CMYK 65 / 36 / 0 / 18

HEX #4985D0

RGB 73 133 208

HSL 213.33, 0.59%, 0.55%

LAB 54.81, 4.18, -44.46

 

CMYK 16 / 65 / 0 / 18

HEX #AE49D0

RGB 174 73 208

HSL 284.89, 0.59%, 0.55%

LAB 49.88, 61.04, -51.8

 

CMYK 0 / 29 / 66 / 19

HEX #CF9347

RGB 207 147 71

HSL 33.53, 0.59%, 0.55%

LAB 65.43, 15.1, 48.18

 

CMYK 65 / 0 / 62 / 18

HEX #49D04F

RGB 73 208 79

HSL 122.67, 0.59%, 0.55%

LAB 74.25, -61.48, 52.13

 

CMYK 65 / 36 / 0 / 18

HEX #4985D0

RGB 73 133 208

HSL 213.33, 0.59%, 0.55%

LAB 54.81, 4.18, -44.46

 

CMYK 0 / 65 / 3 / 18

HEX #D049C9

RGB 208 73 201

HSL 303.11, 0.59%, 0.55%

LAB 54.44, 67.72, -40.24

 

Description

Color code: HEX #CF9347 | qconv.com Color code: HEX #CF9347 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 147 green and 71 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 147 71 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 66 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 66% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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