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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CF8F8C it is the complementary color #307073. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CF8F8C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CF8F8C shade: #D48F87, #E5A19A, #F6B3AD, #FFC5C0 and #FFD7D3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CF8F8C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CF8F8C shade: #CF8F8C, #BE7D79, #AD6B66, #9C5953 and #8B4740

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CF8F8C shade: #CF8F8C and #CF8C8C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CF8F8C shade: #CF8F8C, #CFA18C, #CFB38C, #CFC58C and #C7CF8C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CF8F8C shade matches the following richer shades: #CF8F8C, #DC837F, #E97772 and #F66B64

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CF8F8C shade: #CF8F8C, #C29B99, #B4A7A6, #A7B3B4 and #9ABFC1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CF8F8C shade: #CF8CAD, #CF8C9C, #CF8E8C, #CFA08C and #CFB28C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CF8F8C shade: #B75652, #C3736F, #CF8F8C, #DBABA9 and #E7C8C6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CF8F8C shade: #CF8F8C, #BFCF8C and #8CA4CF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CF8F8C shade: #CF8F8C, #8CCF8E and #8E8CCF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CF8F8C shade: #CF8F8C, #BFCF8C, #8CCDCF and #9C8CCF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CF8F8C shade: #CF8F8C, #ABCF8C, #8CCDCF and #B08CCF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 32 / 19

HEX #CF8F8C

RGB 207 143 140

HSL 2.69, 0.41%, 0.68%

LAB 65.6, 23.89, 11.41

 

Complementary color

CMYK 58 / 3 / 0 / 55

HEX #307073

RGB 48 112 115

HSL 182.69, 0.41%, 0.32%

LAB 43.44, -19.32, -7.86

 

CMYK 0 / 33 / 36 / 17

HEX #D48F87

RGB 212 143 135

HSL 6.23, 0.47%, 0.68%

LAB 66.05, 25.18, 14.93

 

CMYK 0 / 30 / 33 / 10

HEX #E5A19A

RGB 229 161 154

HSL 5.6, 0.59%, 0.75%

LAB 72.55, 24.33, 13.77

 

CMYK 0 / 27 / 30 / 4

HEX #F6B3AD

RGB 246 179 173

HSL 4.93, 0.8%, 0.82%

LAB 78.95, 23.57, 12.7

 

CMYK 0 / 23 / 25 / 0

HEX #FFC5C0

RGB 255 197 192

HSL 4.76, 1%, 0.88%

LAB 84.48, 19.96, 10.48

 

CMYK 0 / 16 / 17 / 0

HEX #FFD7D3

RGB 255 215 211

HSL 5.45, 1%, 0.91%

LAB 89.19, 13.31, 7.16

 

CMYK 0 / 31 / 32 / 19

HEX #CF8F8C

RGB 207 143 140

HSL 2.69, 0.41%, 0.68%

LAB 65.6, 23.89, 11.41

 

CMYK 0 / 34 / 36 / 25

HEX #BE7D79

RGB 190 125 121

HSL 3.48, 0.35%, 0.61%

LAB 58.97, 24.76, 12.59

 

CMYK 0 / 38 / 41 / 32

HEX #AD6B66

RGB 173 107 102

HSL 4.23, 0.3%, 0.54%

LAB 52.24, 25.75, 13.93

 

CMYK 0 / 43 / 47 / 39

HEX #9C5953

RGB 156 89 83

HSL 4.93, 0.31%, 0.47%

LAB 45.41, 26.85, 15.48

 

CMYK 0 / 49 / 54 / 45

HEX #8B4740

RGB 139 71 64

HSL 5.6, 0.37%, 0.4%

LAB 38.49, 28.09, 17.33

 

CMYK 0 / 31 / 32 / 19

HEX #CF8F8C

RGB 207 143 140

HSL 2.69, 0.41%, 0.68%

LAB 65.6, 23.89, 11.41

 

CMYK 0 / 32 / 32 / 19

HEX #CF8C8C

RGB 207 140 140

HSL 0, 0.41%, 0.68%

LAB 64.9, 25.52, 10.42

 

CMYK 0 / 31 / 32 / 19

HEX #CF8F8C

RGB 207 143 140

HSL 2.69, 0.41%, 0.68%

LAB 65.6, 23.89, 11.41

 

CMYK 0 / 22 / 32 / 19

HEX #CFA18C

RGB 207 161 140

HSL 18.81, 0.41%, 0.68%

LAB 69.93, 14.08, 17.47

 

CMYK 0 / 14 / 32 / 19

HEX #CFB38C

RGB 207 179 140

HSL 34.93, 0.41%, 0.68%

LAB 74.44, 4.38, 23.66

 

CMYK 0 / 5 / 32 / 19

HEX #CFC58C

RGB 207 197 140

HSL 51.04, 0.41%, 0.68%

LAB 79.09, -5.1, 29.9

 

CMYK 4 / 0 / 32 / 19

HEX #C7CF8C

RGB 199 207 140

HSL 67.16, 0.41%, 0.68%

LAB 81.11, -13.32, 32.45

 

CMYK 0 / 31 / 32 / 19

HEX #CF8F8C

RGB 207 143 140

HSL 2.69, 0.41%, 0.68%

LAB 65.6, 23.89, 11.41

 

CMYK 0 / 40 / 42 / 14

HEX #DC837F

RGB 220 131 127

HSL 2.58, 0.57%, 0.68%

LAB 64.15, 33.75, 16.93

 

CMYK 0 / 49 / 51 / 9

HEX #E97772

RGB 233 119 114

HSL 2.52, 0.73%, 0.68%

LAB 63.12, 43.51, 23.17

 

CMYK 0 / 57 / 59 / 4

HEX #F66B64

RGB 246 107 100

HSL 2.88, 0.89%, 0.68%

LAB 62.53, 52.82, 30.65

 

CMYK 0 / 31 / 32 / 19

HEX #CF8F8C

RGB 207 143 140

HSL 2.69, 0.41%, 0.68%

LAB 65.6, 23.89, 11.41

 

CMYK 0 / 20 / 21 / 24

HEX #C29B99

RGB 194 155 153

HSL 2.93, 0.25%, 0.68%

LAB 67.44, 14.18, 6.56

 

CMYK 0 / 7 / 8 / 29

HEX #B4A7A6

RGB 180 167 166

HSL 4.29, 0.09%, 0.68%

LAB 69.54, 4.51, 2.2

 

CMYK 7 / 1 / 0 / 29

HEX #A7B3B4

RGB 167 179 180

HSL 184.62, 0.08%, 0.68%

LAB 72.06, -3.96, -1.95

 

CMYK 20 / 1 / 0 / 24

HEX #9ABFC1

RGB 154 191 193

HSL 183.08, 0.24%, 0.68%

LAB 74.81, -11.86, -5.1

 

CMYK 0 / 32 / 16 / 19

HEX #CF8CAD

RGB 207 140 173

HSL 330.45, 0.41%, 0.68%

LAB 65.78, 30.31, -6.92

 

CMYK 0 / 32 / 25 / 19

HEX #CF8C9C

RGB 207 140 156

HSL 345.67, 0.41%, 0.68%

LAB 65.3, 27.72, 1.96

 

CMYK 0 / 31 / 32 / 19

HEX #CF8E8C

RGB 207 142 140

HSL 1.79, 0.41%, 0.68%

LAB 65.36, 24.43, 11.07

 

CMYK 0 / 23 / 32 / 19

HEX #CFA08C

RGB 207 160 140

HSL 17.91, 0.41%, 0.68%

LAB 69.68, 14.62, 17.12

 

CMYK 0 / 14 / 32 / 19

HEX #CFB28C

RGB 207 178 140

HSL 34.03, 0.41%, 0.68%

LAB 74.19, 4.91, 23.31

 

CMYK 0 / 53 / 55 / 28

HEX #B75652

RGB 183 86 82

HSL 2.38, 0.41%, 0.52%

LAB 48.68, 38.91, 21.14

 

CMYK 0 / 41 / 43 / 24

HEX #C3736F

RGB 195 115 111

HSL 2.86, 0.41%, 0.6%

LAB 57.09, 31.01, 15.83

 

CMYK 0 / 31 / 32 / 19

HEX #CF8F8C

RGB 207 143 140

HSL 2.69, 0.41%, 0.68%

LAB 65.6, 23.89, 11.41

 

CMYK 0 / 22 / 23 / 14

HEX #DBABA9

RGB 219 171 169

HSL 2.4, 0.41%, 0.76%

LAB 74.22, 17.25, 7.77

 

CMYK 0 / 13 / 14 / 9

HEX #E7C8C6

RGB 231 200 198

HSL 3.64, 0.41%, 0.84%

LAB 83.11, 10.59, 5.02

 

CMYK 0 / 31 / 32 / 19

HEX #CF8F8C

RGB 207 143 140

HSL 2.69, 0.41%, 0.68%

LAB 65.6, 23.89, 11.41

 

CMYK 8 / 0 / 32 / 19

HEX #BFCF8C

RGB 191 207 140

HSL 74.33, 0.41%, 0.68%

LAB 80.51, -16.37, 31.56

 

CMYK 32 / 21 / 0 / 19

HEX #8CA4CF

RGB 140 164 207

HSL 218.51, 0.41%, 0.68%

LAB 67, 1.83, -24.64

 

CMYK 0 / 31 / 32 / 19

HEX #CF8F8C

RGB 207 143 140

HSL 2.69, 0.41%, 0.68%

LAB 65.6, 23.89, 11.41

 

CMYK 32 / 0 / 31 / 19

HEX #8CCF8E

RGB 140 207 142

HSL 121.79, 0.41%, 0.68%

LAB 77.37, -34.09, 25.76

 

CMYK 31 / 32 / 0 / 19

HEX #8E8CCF

RGB 142 140 207

HSL 241.79, 0.41%, 0.68%

LAB 60.79, 16.09, -34.22

 

CMYK 0 / 31 / 32 / 19

HEX #CF8F8C

RGB 207 143 140

HSL 2.69, 0.41%, 0.68%

LAB 65.6, 23.89, 11.41

 

CMYK 8 / 0 / 32 / 19

HEX #BFCF8C

RGB 191 207 140

HSL 74.33, 0.41%, 0.68%

LAB 80.51, -16.37, 31.56

 

CMYK 32 / 1 / 0 / 19

HEX #8CCDCF

RGB 140 205 207

HSL 181.79, 0.41%, 0.68%

LAB 78.31, -19.99, -7.58

 

CMYK 25 / 32 / 0 / 19

HEX #9C8CCF

RGB 156 140 207

HSL 254.33, 0.41%, 0.68%

LAB 61.94, 20.22, -32.35

 

CMYK 0 / 31 / 32 / 19

HEX #CF8F8C

RGB 207 143 140

HSL 2.69, 0.41%, 0.68%

LAB 65.6, 23.89, 11.41

 

CMYK 17 / 0 / 32 / 19

HEX #ABCF8C

RGB 171 207 140

HSL 92.24, 0.41%, 0.68%

LAB 79.14, -23.78, 29.49

 

CMYK 32 / 1 / 0 / 19

HEX #8CCDCF

RGB 140 205 207

HSL 181.79, 0.41%, 0.68%

LAB 78.31, -19.99, -7.58

 

CMYK 15 / 32 / 0 / 19

HEX #B08CCF

RGB 176 140 207

HSL 272.24, 0.41%, 0.68%

LAB 63.75, 26.36, -29.4

 

Description

Color code: HEX #CF8F8C | qconv.com Color code: HEX #CF8F8C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 143 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 143 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 32 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 32% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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