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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CF89A8 it is the complementary color #307657. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CF89A8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CF89A8 shade: #D489A3, #E59BB6, #F6ADC9, #FFBFDC and #FFD1EF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CF89A8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CF89A8 shade: #CF89A8, #BE7795, #AD6582, #9C536F and #8B415C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CF89A8 shade: #CE87A6, #CE8793 and #CE8787

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CF89A8 shade: #CE87A6, #CE87B9, #CE87CC, #BC87CE and #A987CE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CF89A8 shade matches the following richer shades: #CE87A6, #DB79A5, #E96CA3 and #F75EA2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CF89A8 shade: #CE87A6, #C095A8, #B2A2A9, #A5B0AB and #97BDAD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CF89A8 shade: #CE87CD, #CE87BA, #CE87A7, #CE8794 and #CE8D87

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CF89A8 shade: #B64C7B, #C26A91, #CE87A6, #DAA4BC and #E6C2D2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CF89A8 shade: #CF89A8, #CEBC87 and #87C3CE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CF89A8 shade: #CF89A8, #A7CE87 and #87A7CE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CF89A8 shade: #CF89A8, #CEBC87, #87CEAE and #8799CE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CF89A8 shade: #CF89A8, #CACE87, #87CEAE and #8B87CE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 19 / 19

HEX #CF89A8

RGB 207 137 168

HSL 333.43, 0.42%, 0.67%

LAB 64.95, 31.15, -5.33

 

Complementary color

CMYK 59 / 0 / 26 / 54

HEX #307657

RGB 48 118 87

HSL 153.43, 0.42%, 0.33%

LAB 44.62, -29.93, 10.6

 

CMYK 0 / 35 / 23 / 17

HEX #D489A3

RGB 212 137 163

HSL 339.2, 0.47%, 0.68%

LAB 65.38, 32.18, -1.8

 

CMYK 0 / 32 / 21 / 10

HEX #E59BB6

RGB 229 155 182

HSL 338.11, 0.59%, 0.75%

LAB 71.88, 31.4, -2.66

 

CMYK 0 / 30 / 18 / 4

HEX #F6ADC9

RGB 246 173 201

HSL 336.99, 0.8%, 0.82%

LAB 78.28, 30.68, -3.46

 

CMYK 0 / 25 / 14 / 0

HEX #FFBFDC

RGB 255 191 220

HSL 332.81, 1%, 0.87%

LAB 83.8, 27.26, -5.47

 

CMYK 0 / 18 / 6 / 0

HEX #FFD1EF

RGB 255 209 239

HSL 320.87, 1%, 0.91%

LAB 88.49, 20.94, -8.63

 

CMYK 0 / 34 / 19 / 19

HEX #CF89A8

RGB 207 137 168

HSL 333.43, 0.42%, 0.67%

LAB 64.95, 31.15, -5.33

 

CMYK 0 / 37 / 22 / 25

HEX #BE7795

RGB 190 119 149

HSL 334.65, 0.35%, 0.61%

LAB 58.33, 31.94, -4.48

 

CMYK 0 / 42 / 25 / 32

HEX #AD6582

RGB 173 101 130

HSL 335.83, 0.31%, 0.54%

LAB 51.61, 32.79, -3.52

 

CMYK 0 / 47 / 29 / 39

HEX #9C536F

RGB 156 83 111

HSL 336.99, 0.31%, 0.47%

LAB 44.8, 33.68, -2.4

 

CMYK 0 / 53 / 34 / 45

HEX #8B415C

RGB 139 65 92

HSL 338.11, 0.36%, 0.4%

LAB 37.92, 34.57, -1.03

 

CMYK 0 / 34 / 19 / 19

HEX #CE87A6

RGB 206 135 166

HSL 333.8, 0.42%, 0.67%

LAB 64.32, 31.56, -5.13

 

CMYK 0 / 34 / 29 / 19

HEX #CE8793

RGB 206 135 147

HSL 349.86, 0.42%, 0.67%

LAB 63.8, 28.8, 4.88

 

CMYK 0 / 34 / 34 / 19

HEX #CE8787

RGB 206 135 135

HSL 0, 0.42%, 0.67%

LAB 63.51, 27.22, 11.26

 

CMYK 0 / 34 / 19 / 19

HEX #CE87A6

RGB 206 135 166

HSL 333.8, 0.42%, 0.67%

LAB 64.32, 31.56, -5.13

 

CMYK 0 / 34 / 10 / 19

HEX #CE87B9

RGB 206 135 185

HSL 317.75, 0.42%, 0.67%

LAB 64.92, 34.65, -14.97

 

CMYK 0 / 34 / 1 / 19

HEX #CE87CC

RGB 206 135 204

HSL 301.69, 0.42%, 0.67%

LAB 65.6, 38.02, -24.61

 

CMYK 9 / 34 / 0 / 19

HEX #BC87CE

RGB 188 135 206

HSL 284.79, 0.42%, 0.67%

LAB 63.73, 32.7, -28.76

 

CMYK 18 / 34 / 0 / 19

HEX #A987CE

RGB 169 135 206

HSL 268.73, 0.42%, 0.67%

LAB 61.84, 26.79, -31.84

 

CMYK 0 / 34 / 19 / 19

HEX #CE87A6

RGB 206 135 166

HSL 333.8, 0.42%, 0.67%

LAB 64.32, 31.56, -5.13

 

CMYK 0 / 45 / 25 / 14

HEX #DB79A5

RGB 219 121 165

HSL 333.06, 0.58%, 0.67%

LAB 62.89, 43.34, -6.52

 

CMYK 0 / 54 / 30 / 9

HEX #E96CA3

RGB 233 108 163

HSL 333.6, 0.74%, 0.67%

LAB 62.25, 54.08, -6.11

 

CMYK 0 / 62 / 34 / 3

HEX #F75EA2

RGB 247 94 162

HSL 333.33, 0.91%, 0.67%

LAB 61.99, 64.44, -5.69

 

CMYK 0 / 34 / 19 / 19

HEX #CE87A6

RGB 206 135 166

HSL 333.8, 0.42%, 0.67%

LAB 64.32, 31.56, -5.13

 

CMYK 0 / 22 / 13 / 25

HEX #C095A8

RGB 192 149 168

HSL 333.49, 0.25%, 0.67%

LAB 66.16, 19.17, -3.73

 

CMYK 0 / 9 / 5 / 30

HEX #B2A2A9

RGB 178 162 169

HSL 333.75, 0.09%, 0.67%

LAB 68.15, 7.07, -1.52

 

CMYK 6 / 0 / 3 / 31

HEX #A5B0AB

RGB 165 176 171

HSL 152.73, 0.07%, 0.67%

LAB 70.86, -4.81, 1.22

 

CMYK 20 / 0 / 8 / 26

HEX #97BDAD

RGB 151 189 173

HSL 154.74, 0.22%, 0.67%

LAB 73.54, -15.99, 3.89

 

CMYK 0 / 34 / 0 / 19

HEX #CE87CD

RGB 206 135 205

HSL 300.85, 0.42%, 0.67%

LAB 65.64, 38.21, -25.11

 

CMYK 0 / 34 / 10 / 19

HEX #CE87BA

RGB 206 135 186

HSL 316.9, 0.42%, 0.67%

LAB 64.96, 34.82, -15.48

 

CMYK 0 / 34 / 19 / 19

HEX #CE87A7

RGB 206 135 167

HSL 332.96, 0.42%, 0.67%

LAB 64.35, 31.72, -5.66

 

CMYK 0 / 34 / 28 / 19

HEX #CE8794

RGB 206 135 148

HSL 349.01, 0.42%, 0.67%

LAB 63.83, 28.93, 4.34

 

CMYK 0 / 32 / 34 / 19

HEX #CE8D87

RGB 206 141 135

HSL 5.07, 0.42%, 0.67%

LAB 64.9, 23.95, 13.22

 

CMYK 0 / 58 / 32 / 29

HEX #B64C7B

RGB 182 76 123

HSL 333.4, 0.42%, 0.51%

LAB 47.68, 47.79, -5

 

CMYK 0 / 45 / 25 / 24

HEX #C26A91

RGB 194 106 145

HSL 333.41, 0.42%, 0.59%

LAB 55.91, 39.73, -5.69

 

CMYK 0 / 34 / 19 / 19

HEX #CE87A6

RGB 206 135 166

HSL 333.8, 0.42%, 0.67%

LAB 64.32, 31.56, -5.13

 

CMYK 0 / 25 / 14 / 15

HEX #DAA4BC

RGB 218 164 188

HSL 333.33, 0.42%, 0.75%

LAB 72.95, 23.6, -4.54

 

CMYK 0 / 16 / 9 / 10

HEX #E6C2D2

RGB 230 194 210

HSL 333.33, 0.42%, 0.83%

LAB 81.87, 15.38, -3.22

 

CMYK 0 / 34 / 19 / 19

HEX #CF89A8

RGB 207 137 168

HSL 333.43, 0.42%, 0.67%

LAB 64.95, 31.15, -5.33

 

CMYK 0 / 9 / 34 / 19

HEX #CEBC87

RGB 206 188 135

HSL 44.79, 0.42%, 0.67%

LAB 76.58, -1.41, 29.17

 

CMYK 34 / 5 / 0 / 19

HEX #87C3CE

RGB 135 195 206

HSL 189.3, 0.42%, 0.67%

LAB 75.23, -16.51, -11.67

 

CMYK 0 / 34 / 19 / 19

HEX #CF89A8

RGB 207 137 168

HSL 333.43, 0.42%, 0.67%

LAB 64.95, 31.15, -5.33

 

CMYK 19 / 0 / 34 / 19

HEX #A7CE87

RGB 167 206 135

HSL 92.96, 0.42%, 0.67%

LAB 78.52, -25.45, 31.21

 

CMYK 34 / 19 / 0 / 19

HEX #87A7CE

RGB 135 167 206

HSL 212.96, 0.42%, 0.67%

LAB 67.46, -1.53, -23.41

 

CMYK 0 / 34 / 19 / 19

HEX #CF89A8

RGB 207 137 168

HSL 333.43, 0.42%, 0.67%

LAB 64.95, 31.15, -5.33

 

CMYK 0 / 9 / 34 / 19

HEX #CEBC87

RGB 206 188 135

HSL 44.79, 0.42%, 0.67%

LAB 76.58, -1.41, 29.17

 

CMYK 34 / 0 / 16 / 19

HEX #87CEAE

RGB 135 206 174

HSL 152.96, 0.42%, 0.67%

LAB 77.49, -29.21, 8.91

 

CMYK 34 / 26 / 0 / 19

HEX #8799CE

RGB 135 153 206

HSL 224.79, 0.42%, 0.67%

LAB 63.66, 6.34, -29.24

 

CMYK 0 / 34 / 19 / 19

HEX #CF89A8

RGB 207 137 168

HSL 333.43, 0.42%, 0.67%

LAB 64.95, 31.15, -5.33

 

CMYK 2 / 0 / 34 / 19

HEX #CACE87

RGB 202 206 135

HSL 63.38, 0.42%, 0.67%

LAB 80.99, -12.28, 34.91

 

CMYK 34 / 0 / 16 / 19

HEX #87CEAE

RGB 135 206 174

HSL 152.96, 0.42%, 0.67%

LAB 77.49, -29.21, 8.91

 

CMYK 33 / 34 / 0 / 19

HEX #8B87CE

RGB 139 135 206

HSL 243.38, 0.42%, 0.67%

LAB 59.23, 17.88, -36.12

 

Description

Color code: HEX #CF89A8 | qconv.com Color code: HEX #CF89A8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 137 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 137 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 19 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 19% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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