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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CF841F it is the complementary color #307BE0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CF841F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CF841F shade: #D4841A, #E5962D, #F6A840, #FFBA53 and #FFCC66

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CF841F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CF841F shade: #CF841F, #BE720C, #AD6000, #9C4E00 and #8B3C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CF841F shade: #D1851F, #D1551F, #D1251F and #D11F1F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CF841F shade: #D1851F, #D1B51F, #BCD11F, #8DD11F and #5DD11F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CF841F shade matches the following richer shades: #D1851F and #E4880C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CF841F shade: #D1851F, #BD8233, #AA7F46, #967C59 and #83796D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CF841F shade: #D1251F, #D1541F, #D1841F, #D1B31F and #BFD11F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CF841F shade: #895714, #AD6E1A, #D1851F, #E19938 and #E7AB5C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CF841F shade: #CF841F, #49D11F and #3D1FD1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CF841F shade: #CF841F, #1FD184 and #841FD1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CF841F shade: #CF841F, #49D11F, #1F6CD1 and #A71FD1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CF841F shade: #CF841F, #1FD12B, #1F6CD1 and #D11FC5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 36 / 85 / 19

HEX #CF841F

RGB 207 132 31

HSL 34.43, 0.74%, 0.47%

LAB 61.54, 21.52, 60.86

 

Complementary color

CMYK 79 / 45 / 0 / 12

HEX #307BE0

RGB 48 123 224

HSL 214.43, 0.74%, 0.53%

LAB 52.04, 12.6, -57.96

 

CMYK 0 / 38 / 88 / 17

HEX #D4841A

RGB 212 132 26

HSL 34.19, 0.78%, 0.47%

LAB 62.15, 23.54, 63.1

 

CMYK 0 / 34 / 80 / 10

HEX #E5962D

RGB 229 150 45

HSL 34.24, 0.78%, 0.54%

LAB 68.5, 21.65, 63.2

 

CMYK 0 / 32 / 74 / 4

HEX #F6A840

RGB 246 168 64

HSL 34.29, 0.91%, 0.61%

LAB 74.8, 19.97, 62.52

 

CMYK 0 / 27 / 67 / 0

HEX #FFBA53

RGB 255 186 83

HSL 35.93, 1%, 0.66%

LAB 80.18, 15.2, 60.28

 

CMYK 0 / 20 / 60 / 0

HEX #FFCC66

RGB 255 204 102

HSL 40, 1%, 0.7%

LAB 84.69, 7.02, 56.68

 

CMYK 0 / 36 / 85 / 19

HEX #CF841F

RGB 207 132 31

HSL 34.43, 0.74%, 0.47%

LAB 61.54, 21.52, 60.86

 

CMYK 0 / 40 / 94 / 25

HEX #BE720C

RGB 190 114 12

HSL 34.38, 0.88%, 0.4%

LAB 55.08, 23.59, 59.89

 

CMYK 0 / 45 / 100 / 32

HEX #AD6000

RGB 173 96 0

HSL 33.29, 1%, 0.34%

LAB 48.57, 25.92, 56.85

 

CMYK 0 / 50 / 100 / 39

HEX #9C4E00

RGB 156 78 0

HSL 30, 1%, 0.31%

LAB 42.03, 28.44, 51.58

 

CMYK 0 / 57 / 100 / 45

HEX #8B3C00

RGB 139 60 0

HSL 25.9, 1%, 0.27%

LAB 35.44, 30.93, 46.3

 

CMYK 0 / 36 / 85 / 18

HEX #D1851F

RGB 209 133 31

HSL 34.38, 0.74%, 0.47%

LAB 62.02, 21.84, 61.37

 

CMYK 0 / 59 / 85 / 18

HEX #D1551F

RGB 209 85 31

HSL 18.2, 0.74%, 0.47%

LAB 52.01, 46.5, 52.97

 

CMYK 0 / 82 / 85 / 18

HEX #D1251F

RGB 209 37 31

HSL 2.02, 0.74%, 0.47%

LAB 45.6, 63.98, 47.51

 

CMYK 0 / 85 / 85 / 18

HEX #D11F1F

RGB 209 31 31

HSL 0, 0.74%, 0.47%

LAB 45.13, 65.33, 47.1

 

CMYK 0 / 36 / 85 / 18

HEX #D1851F

RGB 209 133 31

HSL 34.38, 0.74%, 0.47%

LAB 62.02, 21.84, 61.37

 

CMYK 0 / 13 / 85 / 18

HEX #D1B51F

RGB 209 181 31

HSL 50.56, 0.74%, 0.47%

LAB 74, -3.89, 71.26

 

CMYK 10 / 0 / 85 / 18

HEX #BCD11F

RGB 188 209 31

HSL 67.08, 0.74%, 0.47%

LAB 79.84, -26.92, 75.38

 

CMYK 33 / 0 / 85 / 18

HEX #8DD11F

RGB 141 209 31

HSL 82.92, 0.74%, 0.47%

LAB 76.9, -45.37, 71.72

 

CMYK 56 / 0 / 85 / 18

HEX #5DD11F

RGB 93 209 31

HSL 99.1, 0.74%, 0.47%

LAB 74.84, -60.61, 69.14

 

CMYK 0 / 36 / 85 / 18

HEX #D1851F

RGB 209 133 31

HSL 34.38, 0.74%, 0.47%

LAB 62.02, 21.84, 61.37

 

CMYK 0 / 40 / 95 / 11

HEX #E4880C

RGB 228 136 12

HSL 34.44, 0.9%, 0.47%

LAB 65.06, 27.96, 69.21

 

CMYK 0 / 36 / 85 / 18

HEX #D1851F

RGB 209 133 31

HSL 34.38, 0.74%, 0.47%

LAB 62.02, 21.84, 61.37

 

CMYK 0 / 31 / 73 / 26

HEX #BD8233

RGB 189 130 51

HSL 34.35, 0.58%, 0.47%

LAB 59, 15.53, 49.99

 

CMYK 0 / 25 / 59 / 33

HEX #AA7F46

RGB 170 127 70

HSL 34.2, 0.42%, 0.47%

LAB 56.25, 10.08, 37.05

 

CMYK 0 / 17 / 41 / 41

HEX #967C59

RGB 150 124 89

HSL 34.43, 0.26%, 0.47%

LAB 53.62, 4.97, 22.87

 

CMYK 0 / 8 / 17 / 49

HEX #83796D

RGB 131 121 109

HSL 32.73, 0.09%, 0.47%

LAB 51.39, 1.68, 7.96

 

CMYK 0 / 82 / 85 / 18

HEX #D1251F

RGB 209 37 31

HSL 2.02, 0.74%, 0.47%

LAB 45.6, 63.98, 47.51

 

CMYK 0 / 60 / 85 / 18

HEX #D1541F

RGB 209 84 31

HSL 17.87, 0.74%, 0.47%

LAB 51.83, 46.96, 52.82

 

CMYK 0 / 37 / 85 / 18

HEX #D1841F

RGB 209 132 31

HSL 34.04, 0.74%, 0.47%

LAB 61.79, 22.38, 61.17

 

CMYK 0 / 14 / 85 / 18

HEX #D1B31F

RGB 209 179 31

HSL 49.89, 0.74%, 0.47%

LAB 73.48, -2.85, 70.83

 

CMYK 9 / 0 / 85 / 18

HEX #BFD11F

RGB 191 209 31

HSL 66.07, 0.74%, 0.47%

LAB 80.05, -25.68, 75.65

 

CMYK 0 / 36 / 85 / 46

HEX #895714

RGB 137 87 20

HSL 34.36, 0.75%, 0.31%

LAB 41.51, 15.23, 44

 

CMYK 0 / 36 / 85 / 32

HEX #AD6E1A

RGB 173 110 26

HSL 34.29, 0.74%, 0.39%

LAB 51.96, 18.62, 52.71

 

CMYK 0 / 36 / 85 / 18

HEX #D1851F

RGB 209 133 31

HSL 34.38, 0.74%, 0.47%

LAB 62.02, 21.84, 61.37

 

CMYK 0 / 32 / 75 / 12

HEX #E19938

RGB 225 153 56

HSL 34.44, 0.74%, 0.55%

LAB 68.81, 18.76, 59.07

 

CMYK 0 / 26 / 60 / 9

HEX #E7AB5C

RGB 231 171 92

HSL 34.1, 0.74%, 0.63%

LAB 74.12, 13.7, 48.6

 

CMYK 0 / 36 / 85 / 19

HEX #CF841F

RGB 207 132 31

HSL 34.43, 0.74%, 0.47%

LAB 61.54, 21.52, 60.86

 

CMYK 65 / 0 / 85 / 18

HEX #49D11F

RGB 73 209 31

HSL 105.84, 0.74%, 0.47%

LAB 74.26, -65.35, 68.41

 

CMYK 71 / 85 / 0 / 18

HEX #3D1FD1

RGB 61 31 209

HSL 250.11, 0.74%, 0.47%

LAB 30.82, 61.76, -84.02

 

CMYK 0 / 36 / 85 / 19

HEX #CF841F

RGB 207 132 31

HSL 34.43, 0.74%, 0.47%

LAB 61.54, 21.52, 60.86

 

CMYK 85 / 0 / 37 / 18

HEX #1FD184

RGB 31 209 132

HSL 154.04, 0.74%, 0.47%

LAB 74.55, -59.46, 26.61

 

CMYK 37 / 85 / 0 / 18

HEX #841FD1

RGB 132 31 209

HSL 274.04, 0.74%, 0.47%

LAB 38.71, 68.92, -70.74

 

CMYK 0 / 36 / 85 / 19

HEX #CF841F

RGB 207 132 31

HSL 34.43, 0.74%, 0.47%

LAB 61.54, 21.52, 60.86

 

CMYK 65 / 0 / 85 / 18

HEX #49D11F

RGB 73 209 31

HSL 105.84, 0.74%, 0.47%

LAB 74.26, -65.35, 68.41

 

CMYK 85 / 48 / 0 / 18

HEX #1F6CD1

RGB 31 108 209

HSL 214.04, 0.74%, 0.47%

LAB 46.47, 14.83, -58.43

 

CMYK 20 / 85 / 0 / 18

HEX #A71FD1

RGB 167 31 209

HSL 285.84, 0.74%, 0.47%

LAB 43.94, 74.06, -61.98

 

CMYK 0 / 36 / 85 / 19

HEX #CF841F

RGB 207 132 31

HSL 34.43, 0.74%, 0.47%

LAB 61.54, 21.52, 60.86

 

CMYK 85 / 0 / 79 / 18

HEX #1FD12B

RGB 31 209 43

HSL 124.04, 0.74%, 0.47%

LAB 73.59, -71, 64.46

 

CMYK 85 / 48 / 0 / 18

HEX #1F6CD1

RGB 31 108 209

HSL 214.04, 0.74%, 0.47%

LAB 46.47, 14.83, -58.43

 

CMYK 0 / 85 / 6 / 18

HEX #D11FC5

RGB 209 31 197

HSL 304.04, 0.74%, 0.47%

LAB 50.18, 79.39, -44.67

 

Description

Color code: HEX #CF841F | qconv.com Color code: HEX #CF841F | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 132 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 132 31 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 36 magenta, 85 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 36% 85% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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