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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CF8238 it is the complementary color #307DC7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CF8238. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CF8238 shade: #D48233, #E59446, #F6A659, #FFB86C and #FFCA7F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CF8238. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CF8238 shade: #CF8238, #BE7025, #AD5E12, #9C4C00 and #8B3A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CF8238 shade: #CF833A, #CF5B3A and #CF3A3A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CF8238 shade: #CF833A, #CFAB3A, #CBCF3A, #A3CF3A and #7ACF3A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CF8238 shade matches the following richer shades: #CF833A, #E38326 and #F78212

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CF8238 shade: #CF833A, #BB844E, #A88462, #948475 and #808589

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CF8238 shade: #CF3A41, #CF5A3A, #CF823A, #CFAA3A and #CDCF3A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CF8238 shade: #935A24, #B46F2C, #CF833A, #D7985B and #DFAD7C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CF8238 shade: #CF8238, #69CF3A and #463ACF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CF8238 shade: #CF8238, #3ACF82 and #823ACF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CF8238 shade: #CF8238, #69CF3A, #3A87CF and #A03ACF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CF8238 shade: #CF8238, #3CCF3A, #3A87CF and #CD3ACF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 73 / 19

HEX #CF8238

RGB 207 130 56

HSL 29.4, 0.61%, 0.52%

LAB 61.23, 23.51, 50.73

 

Complementary color

CMYK 76 / 37 / 0 / 22

HEX #307DC7

RGB 48 125 199

HSL 209.4, 0.61%, 0.48%

LAB 51.17, 2.1, -45.17

 

CMYK 0 / 39 / 76 / 17

HEX #D48233

RGB 212 130 51

HSL 29.44, 0.65%, 0.52%

LAB 61.83, 25.4, 53.77

 

CMYK 0 / 35 / 69 / 10

HEX #E59446

RGB 229 148 70

HSL 29.43, 0.75%, 0.59%

LAB 68.23, 23.77, 52.46

 

CMYK 0 / 33 / 64 / 4

HEX #F6A659

RGB 246 166 89

HSL 29.43, 0.9%, 0.66%

LAB 74.56, 22.33, 51

 

CMYK 0 / 28 / 58 / 0

HEX #FFB86C

RGB 255 184 108

HSL 31.02, 1%, 0.71%

LAB 79.97, 17.84, 48.28

 

CMYK 0 / 21 / 50 / 0

HEX #FFCA7F

RGB 255 202 127

HSL 35.16, 1%, 0.75%

LAB 84.5, 10, 44.39

 

CMYK 0 / 37 / 73 / 19

HEX #CF8238

RGB 207 130 56

HSL 29.4, 0.61%, 0.52%

LAB 61.23, 23.51, 50.73

 

CMYK 0 / 41 / 81 / 25

HEX #BE7025

RGB 190 112 37

HSL 29.41, 0.67%, 0.45%

LAB 54.73, 25.28, 51.87

 

CMYK 0 / 46 / 90 / 32

HEX #AD5E12

RGB 173 94 18

HSL 29.42, 0.81%, 0.37%

LAB 48.18, 27.3, 52.21

 

CMYK 0 / 51 / 100 / 39

HEX #9C4C00

RGB 156 76 0

HSL 29.23, 1%, 0.31%

LAB 41.59, 29.53, 51.32

 

CMYK 0 / 58 / 100 / 45

HEX #8B3A00

RGB 139 58 0

HSL 25.04, 1%, 0.27%

LAB 35.03, 31.97, 46.07

 

CMYK 0 / 37 / 72 / 19

HEX #CF833A

RGB 207 131 58

HSL 29.4, 0.61%, 0.52%

LAB 61.48, 23.07, 50.07

 

CMYK 0 / 56 / 72 / 19

HEX #CF5B3A

RGB 207 91 58

HSL 13.29, 0.61%, 0.52%

LAB 53.01, 43.88, 40.92

 

CMYK 0 / 72 / 72 / 19

HEX #CF3A3A

RGB 207 58 58

HSL 0, 0.61%, 0.52%

LAB 47.75, 57.95, 34.96

 

CMYK 0 / 37 / 72 / 19

HEX #CF833A

RGB 207 131 58

HSL 29.4, 0.61%, 0.52%

LAB 61.48, 23.07, 50.07

 

CMYK 0 / 17 / 72 / 19

HEX #CFAB3A

RGB 207 171 58

HSL 45.5, 0.61%, 0.52%

LAB 71.35, 1.47, 60.13

 

CMYK 2 / 0 / 72 / 19

HEX #CBCF3A

RGB 203 207 58

HSL 61.61, 0.61%, 0.52%

LAB 80.53, -18.73, 68.94

 

CMYK 21 / 0 / 72 / 19

HEX #A3CF3A

RGB 163 207 58

HSL 77.72, 0.61%, 0.52%

LAB 77.71, -34.99, 65.24

 

CMYK 41 / 0 / 72 / 19

HEX #7ACF3A

RGB 122 207 58

HSL 94.23, 0.61%, 0.52%

LAB 75.49, -49.82, 62.3

 

CMYK 0 / 37 / 72 / 19

HEX #CF833A

RGB 207 131 58

HSL 29.4, 0.61%, 0.52%

LAB 61.48, 23.07, 50.07

 

CMYK 0 / 42 / 83 / 11

HEX #E38326

RGB 227 131 38

HSL 29.52, 0.77%, 0.52%

LAB 63.92, 30.66, 61.56

 

CMYK 0 / 47 / 93 / 3

HEX #F78212

RGB 247 130 18

HSL 29.34, 0.93%, 0.52%

LAB 66.35, 38.86, 70.22

 

CMYK 0 / 37 / 72 / 19

HEX #CF833A

RGB 207 131 58

HSL 29.4, 0.61%, 0.52%

LAB 61.48, 23.07, 50.07

 

CMYK 0 / 29 / 58 / 27

HEX #BB844E

RGB 187 132 78

HSL 29.72, 0.44%, 0.52%

LAB 59.54, 15.28, 37.23

 

CMYK 0 / 21 / 42 / 34

HEX #A88462

RGB 168 132 98

HSL 29.14, 0.29%, 0.52%

LAB 57.76, 9.14, 23.61

 

CMYK 0 / 11 / 21 / 42

HEX #948475

RGB 148 132 117

HSL 29.03, 0.13%, 0.52%

LAB 56.17, 3.52, 10.31

 

CMYK 7 / 3 / 0 / 46

HEX #808589

RGB 128 133 137

HSL 206.67, 0.04%, 0.52%

LAB 55.25, -1.02, -2.79

 

CMYK 0 / 72 / 69 / 19

HEX #CF3A41

RGB 207 58 65

HSL 357.18, 0.61%, 0.52%

LAB 47.85, 58.28, 30.99

 

CMYK 0 / 57 / 72 / 19

HEX #CF5A3A

RGB 207 90 58

HSL 12.89, 0.61%, 0.52%

LAB 52.82, 44.36, 40.71

 

CMYK 0 / 37 / 72 / 19

HEX #CF823A

RGB 207 130 58

HSL 28.99, 0.61%, 0.52%

LAB 61.25, 23.61, 49.82

 

CMYK 0 / 18 / 72 / 19

HEX #CFAA3A

RGB 207 170 58

HSL 45.1, 0.61%, 0.52%

LAB 71.09, 2, 59.87

 

CMYK 1 / 0 / 72 / 19

HEX #CDCF3A

RGB 205 207 58

HSL 60.81, 0.61%, 0.52%

LAB 80.69, -17.89, 69.15

 

CMYK 0 / 39 / 76 / 42

HEX #935A24

RGB 147 90 36

HSL 29.19, 0.61%, 0.36%

LAB 43.72, 18.72, 39.62

 

CMYK 0 / 38 / 76 / 29

HEX #B46F2C

RGB 180 111 44

HSL 29.56, 0.61%, 0.44%

LAB 53.23, 21.8, 46.93

 

CMYK 0 / 37 / 72 / 19

HEX #CF833A

RGB 207 131 58

HSL 29.4, 0.61%, 0.52%

LAB 61.48, 23.07, 50.07

 

CMYK 0 / 29 / 58 / 16

HEX #D7985B

RGB 215 152 91

HSL 29.52, 0.61%, 0.6%

LAB 67.77, 17.15, 41.14

 

CMYK 0 / 22 / 44 / 13

HEX #DFAD7C

RGB 223 173 124

HSL 29.7, 0.61%, 0.68%

LAB 74.21, 12.12, 32.15

 

CMYK 0 / 37 / 73 / 19

HEX #CF8238

RGB 207 130 56

HSL 29.4, 0.61%, 0.52%

LAB 61.23, 23.51, 50.73

 

CMYK 49 / 0 / 72 / 19

HEX #69CF3A

RGB 105 207 58

HSL 101.07, 0.61%, 0.52%

LAB 74.78, -55.08, 61.35

 

CMYK 66 / 72 / 0 / 19

HEX #463ACF

RGB 70 58 207

HSL 244.83, 0.61%, 0.52%

LAB 35.66, 49.32, -74.83

 

CMYK 0 / 37 / 73 / 19

HEX #CF8238

RGB 207 130 56

HSL 29.4, 0.61%, 0.52%

LAB 61.23, 23.51, 50.73

 

CMYK 72 / 0 / 37 / 19

HEX #3ACF82

RGB 58 207 130

HSL 148.99, 0.61%, 0.52%

LAB 74.28, -56.09, 27.36

 

CMYK 37 / 72 / 0 / 19

HEX #823ACF

RGB 130 58 207

HSL 268.99, 0.61%, 0.52%

LAB 41.65, 58.4, -64.79

 

CMYK 0 / 37 / 73 / 19

HEX #CF8238

RGB 207 130 56

HSL 29.4, 0.61%, 0.52%

LAB 61.23, 23.51, 50.73

 

CMYK 49 / 0 / 72 / 19

HEX #69CF3A

RGB 105 207 58

HSL 101.07, 0.61%, 0.52%

LAB 74.78, -55.08, 61.35

 

CMYK 72 / 35 / 0 / 19

HEX #3A87CF

RGB 58 135 207

HSL 208.99, 0.61%, 0.52%

LAB 54.8, 0.3, -43.96

 

CMYK 23 / 72 / 0 / 19

HEX #A03ACF

RGB 160 58 207

HSL 281.07, 0.61%, 0.52%

LAB 45.64, 64.09, -58.14

 

CMYK 0 / 37 / 73 / 19

HEX #CF8238

RGB 207 130 56

HSL 29.4, 0.61%, 0.52%

LAB 61.23, 23.51, 50.73

 

CMYK 71 / 0 / 72 / 19

HEX #3CCF3A

RGB 60 207 58

HSL 119.19, 0.61%, 0.52%

LAB 73.48, -65.57, 59.6

 

CMYK 72 / 35 / 0 / 19

HEX #3A87CF

RGB 58 135 207

HSL 208.99, 0.61%, 0.52%

LAB 54.8, 0.3, -43.96

 

CMYK 1 / 72 / 0 / 19

HEX #CD3ACF

RGB 205 58 207

HSL 299.19, 0.61%, 0.52%

LAB 52.41, 73.32, -46.92

 

Description

Color code: HEX #CF8238 | qconv.com Color code: HEX #CF8238 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 130 green and 56 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 130 56 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 73 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 73% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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