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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CF7F32 it is the complementary color #3080CD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CF7F32. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CF7F32 shade: #D47F2D, #E59140, #F6A353, #FFB566 and #FFC779

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CF7F32. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CF7F32 shade: #CF7F32, #BE6D1F, #AD5B0C, #9C4900 and #8B3700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CF7F32 shade: #CF7E30, #CF5330 and #CF3030

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CF7F32 shade: #CF7E30, #CFA930, #CACF30, #9FCF30 and #75CF30

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CF7F32 shade matches the following richer shades: #CF7E30, #E37E1C and #F87D07

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CF7F32 shade: #CF7E30, #BA7E45, #A57F5A, #917F6E and #7C8083

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CF7F32 shade: #CF3038, #CF5330, #CF7D30, #CFA730 and #CCCF30

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CF7F32 shade: #8C5521, #AD6A29, #CF7E30, #D69352 and #DEA873

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CF7F32 shade: #CF7F32, #63CF30 and #3E30CF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CF7F32 shade: #CF7F32, #30CF7D and #7D30CF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CF7F32 shade: #CF7F32, #63CF30, #3082CF and #9C30CF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CF7F32 shade: #CF7F32, #33CF30, #3082CF and #CC30CF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 39 / 76 / 19

HEX #CF7F32

RGB 207 127 50

HSL 29.43, 0.62%, 0.5%

LAB 60.49, 24.87, 52.67

 

Complementary color

CMYK 77 / 38 / 0 / 20

HEX #3080CD

RGB 48 128 205

HSL 209.43, 0.62%, 0.5%

LAB 52.37, 2.49, -46.69

 

CMYK 0 / 40 / 79 / 17

HEX #D47F2D

RGB 212 127 45

HSL 29.46, 0.66%, 0.5%

LAB 61.1, 26.77, 55.6

 

CMYK 0 / 37 / 72 / 10

HEX #E59140

RGB 229 145 64

HSL 29.45, 0.76%, 0.57%

LAB 67.49, 25.06, 54.43

 

CMYK 0 / 34 / 66 / 4

HEX #F6A353

RGB 246 163 83

HSL 29.45, 0.9%, 0.65%

LAB 73.81, 23.55, 53.03

 

CMYK 0 / 29 / 60 / 0

HEX #FFB566

RGB 255 181 102

HSL 30.98, 1%, 0.7%

LAB 79.19, 18.98, 50.31

 

CMYK 0 / 22 / 53 / 0

HEX #FFC779

RGB 255 199 121

HSL 34.93, 1%, 0.74%

LAB 83.7, 11.04, 46.38

 

CMYK 0 / 39 / 76 / 19

HEX #CF7F32

RGB 207 127 50

HSL 29.43, 0.62%, 0.5%

LAB 60.49, 24.87, 52.67

 

CMYK 0 / 43 / 84 / 25

HEX #BE6D1F

RGB 190 109 31

HSL 29.43, 0.72%, 0.43%

LAB 54.01, 26.72, 53.57

 

CMYK 0 / 47 / 93 / 32

HEX #AD5B0C

RGB 173 91 12

HSL 29.44, 0.87%, 0.36%

LAB 47.49, 28.82, 53.36

 

CMYK 0 / 53 / 100 / 39

HEX #9C4900

RGB 156 73 0

HSL 28.08, 1%, 0.31%

LAB 40.95, 31.14, 50.94

 

CMYK 0 / 60 / 100 / 45

HEX #8B3700

RGB 139 55 0

HSL 23.74, 1%, 0.27%

LAB 34.44, 33.52, 45.74

 

CMYK 0 / 39 / 77 / 19

HEX #CF7E30

RGB 207 126 48

HSL 29.43, 0.62%, 0.5%

LAB 60.25, 25.32, 53.3

 

CMYK 0 / 60 / 77 / 19

HEX #CF5330

RGB 207 83 48

HSL 13.21, 0.62%, 0.5%

LAB 51.46, 47.23, 44.47

 

CMYK 0 / 77 / 77 / 19

HEX #CF3030

RGB 207 48 48

HSL 0, 0.62%, 0.5%

LAB 46.44, 60.87, 39.19

 

CMYK 0 / 39 / 77 / 19

HEX #CF7E30

RGB 207 126 48

HSL 29.43, 0.62%, 0.5%

LAB 60.25, 25.32, 53.3

 

CMYK 0 / 18 / 77 / 19

HEX #CFA930

RGB 207 169 48

HSL 45.66, 0.62%, 0.5%

LAB 70.77, 2.09, 63.32

 

CMYK 2 / 0 / 77 / 19

HEX #CACF30

RGB 202 207 48

HSL 61.89, 0.62%, 0.5%

LAB 80.4, -19.57, 71.98

 

CMYK 23 / 0 / 77 / 19

HEX #9FCF30

RGB 159 207 48

HSL 78.11, 0.62%, 0.5%

LAB 77.41, -37.06, 68.13

 

CMYK 43 / 0 / 77 / 19

HEX #75CF30

RGB 117 207 48

HSL 93.96, 0.62%, 0.5%

LAB 75.21, -52.05, 65.29

 

CMYK 0 / 39 / 77 / 19

HEX #CF7E30

RGB 207 126 48

HSL 29.43, 0.62%, 0.5%

LAB 60.25, 25.32, 53.3

 

CMYK 0 / 44 / 88 / 11

HEX #E37E1C

RGB 227 126 28

HSL 29.55, 0.78%, 0.5%

LAB 62.79, 33.04, 63.88

 

CMYK 0 / 50 / 97 / 3

HEX #F87D07

RGB 248 125 7

HSL 29.38, 0.95%, 0.5%

LAB 65.47, 41.65, 71.53

 

CMYK 0 / 39 / 77 / 19

HEX #CF7E30

RGB 207 126 48

HSL 29.43, 0.62%, 0.5%

LAB 60.25, 25.32, 53.3

 

CMYK 0 / 32 / 63 / 27

HEX #BA7E45

RGB 186 126 69

HSL 29.23, 0.46%, 0.5%

LAB 57.84, 17.51, 39.89

 

CMYK 0 / 23 / 45 / 35

HEX #A57F5A

RGB 165 127 90

HSL 29.6, 0.29%, 0.5%

LAB 56, 9.79, 25.73

 

CMYK 0 / 12 / 24 / 43

HEX #917F6E

RGB 145 127 110

HSL 29.14, 0.14%, 0.5%

LAB 54.37, 4.05, 11.77

 

CMYK 5 / 2 / 0 / 49

HEX #7C8083

RGB 124 128 131

HSL 205.71, 0.03%, 0.5%

LAB 53.34, -0.87, -2.15

 

CMYK 0 / 77 / 73 / 19

HEX #CF3038

RGB 207 48 56

HSL 356.98, 0.62%, 0.5%

LAB 46.53, 61.18, 34.72

 

CMYK 0 / 60 / 77 / 19

HEX #CF5330

RGB 207 83 48

HSL 13.21, 0.62%, 0.5%

LAB 51.46, 47.23, 44.47

 

CMYK 0 / 40 / 77 / 19

HEX #CF7D30

RGB 207 125 48

HSL 29.06, 0.62%, 0.5%

LAB 60.02, 25.86, 53.07

 

CMYK 0 / 19 / 77 / 19

HEX #CFA730

RGB 207 167 48

HSL 44.91, 0.62%, 0.5%

LAB 70.26, 3.16, 62.84

 

CMYK 1 / 0 / 77 / 19

HEX #CCCF30

RGB 204 207 48

HSL 61.13, 0.62%, 0.5%

LAB 80.56, -18.73, 72.18

 

CMYK 0 / 39 / 76 / 45

HEX #8C5521

RGB 140 85 33

HSL 29.16, 0.62%, 0.34%

LAB 41.5, 18.3, 38.51

 

CMYK 0 / 39 / 76 / 32

HEX #AD6A29

RGB 173 106 41

HSL 29.55, 0.62%, 0.42%

LAB 51.1, 21.41, 45.87

 

CMYK 0 / 39 / 77 / 19

HEX #CF7E30

RGB 207 126 48

HSL 29.43, 0.62%, 0.5%

LAB 60.25, 25.32, 53.3

 

CMYK 0 / 31 / 62 / 16

HEX #D69352

RGB 214 147 82

HSL 29.55, 0.62%, 0.58%

LAB 66.35, 18.78, 44.01

 

CMYK 0 / 24 / 48 / 13

HEX #DEA873

RGB 222 168 115

HSL 29.72, 0.62%, 0.66%

LAB 72.74, 13.5, 34.98

 

CMYK 0 / 39 / 76 / 19

HEX #CF7F32

RGB 207 127 50

HSL 29.43, 0.62%, 0.5%

LAB 60.49, 24.87, 52.67

 

CMYK 52 / 0 / 77 / 19

HEX #63CF30

RGB 99 207 48

HSL 100.75, 0.62%, 0.5%

LAB 74.5, -57.44, 64.36

 

CMYK 70 / 77 / 0 / 19

HEX #3E30CF

RGB 62 48 207

HSL 245.28, 0.62%, 0.5%

LAB 33.23, 53.78, -78.87

 

CMYK 0 / 39 / 76 / 19

HEX #CF7F32

RGB 207 127 50

HSL 29.43, 0.62%, 0.5%

LAB 60.49, 24.87, 52.67

 

CMYK 77 / 0 / 40 / 19

HEX #30CF7D

RGB 48 207 125

HSL 149.06, 0.62%, 0.5%

LAB 74.02, -58.39, 29.58

 

CMYK 40 / 77 / 0 / 19

HEX #7D30CF

RGB 125 48 207

HSL 269.06, 0.62%, 0.5%

LAB 39.54, 61.78, -68.25

 

CMYK 0 / 39 / 76 / 19

HEX #CF7F32

RGB 207 127 50

HSL 29.43, 0.62%, 0.5%

LAB 60.49, 24.87, 52.67

 

CMYK 52 / 0 / 77 / 19

HEX #63CF30

RGB 99 207 48

HSL 100.75, 0.62%, 0.5%

LAB 74.5, -57.44, 64.36

 

CMYK 77 / 37 / 0 / 19

HEX #3082CF

RGB 48 130 207

HSL 209.06, 0.62%, 0.5%

LAB 53.06, 2.02, -46.73

 

CMYK 25 / 77 / 0 / 19

HEX #9C30CF

RGB 156 48 207

HSL 280.75, 0.62%, 0.5%

LAB 43.78, 67.02, -61.17

 

CMYK 0 / 39 / 76 / 19

HEX #CF7F32

RGB 207 127 50

HSL 29.43, 0.62%, 0.5%

LAB 60.49, 24.87, 52.67

 

CMYK 75 / 0 / 77 / 19

HEX #33CF30

RGB 51 207 48

HSL 118.87, 0.62%, 0.5%

LAB 73.25, -67.73, 62.71

 

CMYK 77 / 37 / 0 / 19

HEX #3082CF

RGB 48 130 207

HSL 209.06, 0.62%, 0.5%

LAB 53.06, 2.02, -46.73

 

CMYK 1 / 77 / 0 / 19

HEX #CC30CF

RGB 204 48 207

HSL 298.87, 0.62%, 0.5%

LAB 51.22, 76.08, -48.83

 

Description

Color code: HEX #CF7F32 | qconv.com Color code: HEX #CF7F32 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 127 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 127 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 39 magenta, 76 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 39% 76% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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