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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CF7EDC it is the complementary color #308123. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CF7EDC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CF7EDC shade: #D47ED7, #E590EA, #F6A2FD, #FFB4FF and #FFC6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CF7EDC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CF7EDC shade: #CF7EDC, #BE6CC9, #AD5AB6, #9C48A3 and #8B3690

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CF7EDC shade: #CF7EDB, #DB7ECF, #DB7EB6, #DB7E9D and #DB7E84

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CF7EDC shade: #CF7EDB, #B57EDB, #9C7EDB, #837EDB and #7E7EDB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CF7EDC shade matches the following richer shades: #CF7EDB, #D871E9 and #E264F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CF7EDC shade: #CF7EDB, #C58CCE, #BB99C1, #B2A6B4 and #A8B3A7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CF7EDC shade: #9C7EDB, #B57EDB, #CD7EDB, #DB7ED1 and #DB7EB8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CF7EDC shade: #B63ECA, #C25ED3, #CF7EDB, #DB9FE4 and #E7BFED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CF7EDC shade: #CF7EDC, #DB837E and #7EDBA8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CF7EDC shade: #CF7EDC, #DBCD7E and #7EDBCD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CF7EDC shade: #CF7EDC, #DB837E, #8CDB7E and #7ED7DB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CF7EDC shade: #CF7EDC, #DB9F7E, #8CDB7E and #7EBBDB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 43 / 0 / 14

HEX #CF7EDC

RGB 207 126 220

HSL 291.7, 0.57%, 0.68%

LAB 64.45, 46.13, -35.31

 

Complementary color

CMYK 63 / 0 / 73 / 49

HEX #308123

RGB 48 129 35

HSL 111.7, 0.57%, 0.32%

LAB 47.56, -42.97, 41.63

 

CMYK 1 / 41 / 0 / 16

HEX #D47ED7

RGB 212 126 215

HSL 297.98, 0.53%, 0.67%

LAB 64.82, 46.67, -31.89

 

CMYK 2 / 38 / 0 / 8

HEX #E590EA

RGB 229 144 234

HSL 296.67, 0.68%, 0.74%

LAB 71.25, 45.93, -32.31

 

CMYK 3 / 36 / 0 / 1

HEX #F6A2FD

RGB 246 162 253

HSL 295.38, 0.96%, 0.81%

LAB 77.59, 45.2, -32.68

 

CMYK 0 / 29 / 0 / 0

HEX #FFB4FF

RGB 255 180 255

HSL 300, 1%, 0.85%

LAB 82.44, 38.96, -26.23

 

CMYK 0 / 22 / 0 / 0

HEX #FFC6FF

RGB 255 198 255

HSL 300, 1%, 0.89%

LAB 86.44, 29.52, -20.16

 

CMYK 6 / 43 / 0 / 14

HEX #CF7EDC

RGB 207 126 220

HSL 291.7, 0.57%, 0.68%

LAB 64.45, 46.13, -35.31

 

CMYK 5 / 46 / 0 / 21

HEX #BE6CC9

RGB 190 108 201

HSL 292.9, 0.46%, 0.61%

LAB 57.93, 46.87, -34.93

 

CMYK 5 / 51 / 0 / 29

HEX #AD5AB6

RGB 173 90 182

HSL 294.13, 0.39%, 0.53%

LAB 51.35, 47.58, -34.48

 

CMYK 4 / 56 / 0 / 36

HEX #9C48A3

RGB 156 72 163

HSL 295.38, 0.39%, 0.46%

LAB 44.73, 48.18, -33.88

 

CMYK 3 / 63 / 0 / 44

HEX #8B3690

RGB 139 54 144

HSL 296.67, 0.45%, 0.39%

LAB 38.09, 48.55, -33.07

 

CMYK 5 / 42 / 0 / 14

HEX #CF7EDB

RGB 207 126 219

HSL 292.26, 0.56%, 0.68%

LAB 64.4, 45.93, -34.82

 

CMYK 0 / 42 / 5 / 14

HEX #DB7ECF

RGB 219 126 207

HSL 307.74, 0.56%, 0.68%

LAB 65.35, 47.36, -26.55

 

CMYK 0 / 42 / 17 / 14

HEX #DB7EB6

RGB 219 126 182

HSL 323.87, 0.56%, 0.68%

LAB 64.45, 43.27, -13.84

 

CMYK 0 / 42 / 28 / 14

HEX #DB7E9D

RGB 219 126 157

HSL 340, 0.56%, 0.68%

LAB 63.69, 39.65, -0.78

 

CMYK 0 / 42 / 40 / 14

HEX #DB7E84

RGB 219 126 132

HSL 356.13, 0.56%, 0.68%

LAB 63.05, 36.56, 12.56

 

CMYK 5 / 42 / 0 / 14

HEX #CF7EDB

RGB 207 126 219

HSL 292.26, 0.56%, 0.68%

LAB 64.4, 45.93, -34.82

 

CMYK 17 / 42 / 0 / 14

HEX #B57EDB

RGB 181 126 219

HSL 275.48, 0.56%, 0.68%

LAB 61.53, 38.31, -39.52

 

CMYK 29 / 42 / 0 / 14

HEX #9C7EDB

RGB 156 126 219

HSL 259.35, 0.56%, 0.68%

LAB 59.07, 31.21, -43.56

 

CMYK 40 / 42 / 0 / 14

HEX #837EDB

RGB 131 126 219

HSL 243.23, 0.56%, 0.68%

LAB 56.94, 24.54, -47.07

 

CMYK 42 / 42 / 0 / 14

HEX #7E7EDB

RGB 126 126 219

HSL 240, 0.56%, 0.68%

LAB 56.56, 23.28, -47.7

 

CMYK 5 / 42 / 0 / 14

HEX #CF7EDB

RGB 207 126 219

HSL 292.26, 0.56%, 0.68%

LAB 64.4, 45.93, -34.82

 

CMYK 7 / 52 / 0 / 9

HEX #D871E9

RGB 216 113 233

HSL 291.5, 0.73%, 0.68%

LAB 63.58, 57.7, -43.82

 

CMYK 8 / 59 / 0 / 4

HEX #E264F6

RGB 226 100 246

HSL 291.78, 0.89%, 0.68%

LAB 63.29, 68.62, -51.39

 

CMYK 5 / 42 / 0 / 14

HEX #CF7EDB

RGB 207 126 219

HSL 292.26, 0.56%, 0.68%

LAB 64.4, 45.93, -34.82

 

CMYK 4 / 32 / 0 / 19

HEX #C58CCE

RGB 197 140 206

HSL 291.82, 0.4%, 0.68%

LAB 65.81, 32.81, -25.48

 

CMYK 3 / 21 / 0 / 24

HEX #BB99C1

RGB 187 153 193

HSL 291, 0.24%, 0.68%

LAB 67.42, 19.76, -15.87

 

CMYK 1 / 8 / 0 / 29

HEX #B2A6B4

RGB 178 166 180

HSL 291.43, 0.09%, 0.68%

LAB 69.49, 6.92, -5.64

 

CMYK 6 / 0 / 7 / 30

HEX #A8B3A7

RGB 168 179 167

HSL 115, 0.07%, 0.68%

LAB 71.8, -6.11, 4.8

 

CMYK 29 / 42 / 0 / 14

HEX #9C7EDB

RGB 156 126 219

HSL 259.35, 0.56%, 0.68%

LAB 59.07, 31.21, -43.56

 

CMYK 17 / 42 / 0 / 14

HEX #B57EDB

RGB 181 126 219

HSL 275.48, 0.56%, 0.68%

LAB 61.53, 38.31, -39.52

 

CMYK 6 / 42 / 0 / 14

HEX #CD7EDB

RGB 205 126 219

HSL 290.97, 0.56%, 0.68%

LAB 64.17, 45.34, -35.2

 

CMYK 0 / 42 / 5 / 14

HEX #DB7ED1

RGB 219 126 209

HSL 306.45, 0.56%, 0.68%

LAB 65.42, 47.71, -27.55

 

CMYK 0 / 42 / 16 / 14

HEX #DB7EB8

RGB 219 126 184

HSL 322.58, 0.56%, 0.68%

LAB 64.52, 43.58, -14.87

 

CMYK 10 / 69 / 0 / 21

HEX #B63ECA

RGB 182 62 202

HSL 291.43, 0.57%, 0.52%

LAB 49.07, 66.16, -49.57

 

CMYK 8 / 55 / 0 / 17

HEX #C25ED3

RGB 194 94 211

HSL 291.28, 0.57%, 0.6%

LAB 56.27, 56.88, -43.19

 

CMYK 5 / 42 / 0 / 14

HEX #CF7EDB

RGB 207 126 219

HSL 292.26, 0.56%, 0.68%

LAB 64.4, 45.93, -34.82

 

CMYK 4 / 30 / 0 / 11

HEX #DB9FE4

RGB 219 159 228

HSL 292.17, 0.56%, 0.76%

LAB 73.19, 33.75, -26.12

 

CMYK 3 / 19 / 0 / 7

HEX #E7BFED

RGB 231 191 237

HSL 292.17, 0.56%, 0.84%

LAB 82.04, 22.14, -17.44

 

CMYK 6 / 43 / 0 / 14

HEX #CF7EDC

RGB 207 126 220

HSL 291.7, 0.57%, 0.68%

LAB 64.45, 46.13, -35.31

 

CMYK 0 / 40 / 42 / 14

HEX #DB837E

RGB 219 131 126

HSL 3.23, 0.56%, 0.68%

LAB 64, 33.27, 17.28

 

CMYK 42 / 0 / 23 / 14

HEX #7EDBA8

RGB 126 219 168

HSL 147.1, 0.56%, 0.68%

LAB 80.7, -39, 16.58

 

CMYK 6 / 43 / 0 / 14

HEX #CF7EDC

RGB 207 126 220

HSL 291.7, 0.57%, 0.68%

LAB 64.45, 46.13, -35.31

 

CMYK 0 / 6 / 42 / 14

HEX #DBCD7E

RGB 219 205 126

HSL 50.97, 0.56%, 0.68%

LAB 81.96, -6.07, 41

 

CMYK 42 / 0 / 6 / 14

HEX #7EDBCD

RGB 126 219 205

HSL 170.97, 0.56%, 0.68%

LAB 81.57, -30.99, -1.78

 

CMYK 6 / 43 / 0 / 14

HEX #CF7EDC

RGB 207 126 220

HSL 291.7, 0.57%, 0.68%

LAB 64.45, 46.13, -35.31

 

CMYK 0 / 40 / 42 / 14

HEX #DB837E

RGB 219 131 126

HSL 3.23, 0.56%, 0.68%

LAB 64, 33.27, 17.28

 

CMYK 36 / 0 / 42 / 14

HEX #8CDB7E

RGB 140 219 126

HSL 110.97, 0.56%, 0.68%

LAB 80.6, -41.94, 38.19

 

CMYK 42 / 2 / 0 / 14

HEX #7ED7DB

RGB 126 215 219

HSL 182.58, 0.56%, 0.68%

LAB 80.82, -25.66, -10.35

 

CMYK 6 / 43 / 0 / 14

HEX #CF7EDC

RGB 207 126 220

HSL 291.7, 0.57%, 0.68%

LAB 64.45, 46.13, -35.31

 

CMYK 0 / 27 / 42 / 14

HEX #DB9F7E

RGB 219 159 126

HSL 21.29, 0.56%, 0.68%

LAB 70.43, 18.24, 26.01

 

CMYK 36 / 0 / 42 / 14

HEX #8CDB7E

RGB 140 219 126

HSL 110.97, 0.56%, 0.68%

LAB 80.6, -41.94, 38.19

 

CMYK 42 / 15 / 0 / 14

HEX #7EBBDB

RGB 126 187 219

HSL 200.65, 0.56%, 0.68%

LAB 72.95, -11.36, -22.2

 

Description

Color code: HEX #CF7EDC | qconv.com Color code: HEX #CF7EDC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 126 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 126 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 43 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 43% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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