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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CF7D0ACE it is the complementary color #3082F5CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CF7D0ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CF7D0ACE shade: #D47D05CE, #E58F18CE, #F6A12BCE, #FFB33ECE and #FFC551CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CF7D0ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CF7D0ACE shade: #CF7D0ACE, #BE6B00CE, #AD5900CE, #9C4700CE and #8B3500CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CF7D0ACE shade: #D17E0A, #D1490A, #D1130A and #D10A0A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CF7D0ACE shade: #D17E0A, #D1B40A, #B9D10A, #83D10A and #4DD10A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CF7D0ACE shade matches the following richer shades: #D17E0A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CF7D0ACE shade: #D17E0A, #C07B1C, #AE782D, #9C753F and #8A7251

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CF7D0ACE shade: #D1140A, #D1490A, #D17E0A, #D1B30A and #BAD10A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CF7D0ACE shade: #834F06, #AA6708, #D17E0A, #F49511 and #F6A738

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CF7D0ACE shade: #CF7D0A, #35D10A and #2E0AD1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CF7D0ACE shade: #CF7D0A, #0AD17E and #7E0AD1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CF7D0ACE shade: #CF7D0A, #35D10A, #0A5DD1 and #A60AD1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CF7D0ACE shade: #CF7D0A, #0AD11A, #0A5DD1 and #D10AC1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 77 / 15

HEX #CF7D0ACE

RGBA 207 125 10 0.81

HSLA 35.03, 0.91%, 0.43%, 0.81

LABA 59.85, 24.92, 64.64, 0.81

 

Complementary color

CMYK 65 / 38 / 0 / 3

HEX #3082F5CE

RGBA 48 130 245 0.81

HSLA 215.03, 0.91%, 0.57%, 0.81

LABA 55.26, 16.08, -64.49, 0.81

 

CMYK 0 / 33 / 79 / 14

HEX #D47D05CE

RGBA 212 125 5 0.81

HSLA 34.78, 0.95%, 0.43%, 0.81

LABA 60.49, 26.99, 66.19, 0.81

 

CMYK 0 / 30 / 73 / 8

HEX #E58F18CE

RGBA 229 143 24 0.81

HSLA 34.83, 0.81%, 0.5%, 0.81

LABA 66.8, 24.84, 68.14, 0.81

 

CMYK 0 / 28 / 67 / 3

HEX #F6A12BCE

RGBA 246 161 43 0.81

HSLA 34.88, 0.92%, 0.57%, 0.81

LABA 73.06, 22.91, 68.67, 0.81

 

CMYK 0 / 24 / 61 / 0

HEX #FFB33ECE

RGBA 255 179 62 0.81

HSLA 36.37, 1%, 0.62%, 0.81

LABA 78.37, 17.88, 67.14, 0.81

 

CMYK 0 / 18 / 55 / 0

HEX #FFC551CE

RGBA 255 197 81 0.81

HSLA 40, 1%, 0.66%, 0.81

LABA 82.8, 9.38, 63.92, 0.81

 

CMYK 0 / 32 / 77 / 15

HEX #CF7D0ACE

RGBA 207 125 10 0.81

HSLA 35.03, 0.91%, 0.43%, 0.81

LABA 59.85, 24.92, 64.64, 0.81

 

CMYK 0 / 35 / 81 / 21

HEX #BE6B00CE

RGBA 190 107 0 0.81

HSLA 33.79, 1%, 0.37%, 0.81

LABA 53.45, 27.25, 61.09, 0.81

 

CMYK 0 / 39 / 81 / 26

HEX #AD5900CE

RGBA 173 89 0 0.81

HSLA 30.87, 1%, 0.34%, 0.81

LABA 47.01, 29.73, 55.9, 0.81

 

CMYK 0 / 44 / 81 / 31

HEX #9C4700CE

RGBA 156 71 0 0.81

HSLA 27.31, 1%, 0.31%, 0.81

LABA 40.53, 32.2, 50.69, 0.81

 

CMYK 0 / 50 / 81 / 37

HEX #8B3500CE

RGBA 139 53 0 0.81

HSLA 22.88, 1%, 0.27%, 0.81

LABA 34.06, 34.52, 45.52, 0.81

 

CMYK 0 / 40 / 95 / 18

HEX #D17E0A

RGB 209 126 10

HSL 34.97, 0.91%, 0.43%

LAB 60.34, 25.24, 65.1

 

CMYK 0 / 65 / 95 / 18

HEX #D1490A

RGB 209 73 10

HSL 18.99, 0.91%, 0.43%

LAB 49.91, 51.48, 58.24

 

CMYK 0 / 91 / 95 / 18

HEX #D1130A

RGB 209 19 10

HSL 2.71, 0.91%, 0.43%

LAB 44.29, 67.09, 55

 

CMYK 0 / 95 / 95 / 18

HEX #D10A0A

RGB 209 10 10

HSL 0, 0.91%, 0.43%

LAB 43.94, 68.12, 54.81

 

CMYK 0 / 40 / 95 / 18

HEX #D17E0A

RGB 209 126 10

HSL 34.97, 0.91%, 0.43%

LAB 60.34, 25.24, 65.1

 

CMYK 0 / 14 / 95 / 18

HEX #D1B40A

RGB 209 180 10

HSL 51.26, 0.91%, 0.43%

LAB 73.69, -3.73, 74.67

 

CMYK 11 / 0 / 95 / 18

HEX #B9D10A

RGB 185 209 10

HSL 67.24, 0.91%, 0.43%

LAB 79.58, -28.55, 78.24

 

CMYK 37 / 0 / 95 / 18

HEX #83D10A

RGB 131 209 10

HSL 83.52, 0.91%, 0.43%

LAB 76.34, -49.42, 74.32

 

CMYK 63 / 0 / 95 / 18

HEX #4DD10A

RGB 77 209 10

HSL 99.8, 0.91%, 0.43%

LAB 74.32, -65.08, 71.84

 

CMYK 0 / 40 / 95 / 18

HEX #D17E0A

RGB 209 126 10

HSL 34.97, 0.91%, 0.43%

LAB 60.34, 25.24, 65.1

 

CMYK 0 / 40 / 95 / 18

HEX #D17E0A

RGB 209 126 10

HSL 34.97, 0.91%, 0.43%

LAB 60.34, 25.24, 65.1

 

CMYK 0 / 36 / 85 / 25

HEX #C07B1C

RGB 192 123 28

HSL 34.76, 0.75%, 0.43%

LAB 57.52, 19.84, 57.7

 

CMYK 0 / 31 / 74 / 32

HEX #AE782D

RGB 174 120 45

HSL 34.88, 0.59%, 0.43%

LAB 54.68, 14.18, 47.71

 

CMYK 0 / 25 / 60 / 39

HEX #9C753F

RGB 156 117 63

HSL 34.84, 0.42%, 0.43%

LAB 52.01, 8.99, 35.32

 

CMYK 0 / 17 / 41 / 46

HEX #8A7251

RGB 138 114 81

HSL 34.74, 0.26%, 0.43%

LAB 49.53, 4.57, 21.81

 

CMYK 0 / 90 / 95 / 18

HEX #D1140A

RGB 209 20 10

HSL 3.02, 0.91%, 0.43%

LAB 44.34, 66.95, 55.03

 

CMYK 0 / 65 / 95 / 18

HEX #D1490A

RGB 209 73 10

HSL 18.99, 0.91%, 0.43%

LAB 49.91, 51.48, 58.24

 

CMYK 0 / 40 / 95 / 18

HEX #D17E0A

RGB 209 126 10

HSL 34.97, 0.91%, 0.43%

LAB 60.34, 25.24, 65.1

 

CMYK 0 / 14 / 95 / 18

HEX #D1B30A

RGB 209 179 10

HSL 50.95, 0.91%, 0.43%

LAB 73.43, -3.21, 74.48

 

CMYK 11 / 0 / 95 / 18

HEX #BAD10A

RGB 186 209 10

HSL 66.93, 0.91%, 0.43%

LAB 79.65, -28.13, 78.32

 

CMYK 0 / 40 / 95 / 49

HEX #834F06

RGB 131 79 6

HSL 35.04, 0.91%, 0.27%

LAB 38.6, 16.78, 45.74

 

CMYK 0 / 39 / 95 / 33

HEX #AA6708

RGB 170 103 8

HSL 35.19, 0.91%, 0.35%

LAB 49.81, 20.83, 55.71

 

CMYK 0 / 40 / 95 / 18

HEX #D17E0A

RGB 209 126 10

HSL 34.97, 0.91%, 0.43%

LAB 60.34, 25.24, 65.1

 

CMYK 0 / 39 / 93 / 4

HEX #F49511

RGB 244 149 17

HSL 34.89, 0.91%, 0.51%

LAB 70.01, 27.86, 72.78

 

CMYK 0 / 32 / 77 / 4

HEX #F6A738

RGB 246 167 56

HSL 35.05, 0.91%, 0.59%

LAB 74.52, 20.18, 65.4

 

CMYK 0 / 40 / 95 / 19

HEX #CF7D0A

RGB 207 125 10

HSL 35.03, 0.91%, 0.43%

LAB 59.85, 24.92, 64.64

 

CMYK 75 / 0 / 95 / 18

HEX #35D10A

RGB 53 209 10

HSL 107.04, 0.91%, 0.43%

LAB 73.79, -69.59, 71.19

 

CMYK 78 / 95 / 0 / 18

HEX #2E0AD1

RGB 46 10 209

HSL 250.85, 0.91%, 0.43%

LAB 27.85, 66.91, -89

 

CMYK 0 / 40 / 95 / 19

HEX #CF7D0A

RGB 207 125 10

HSL 35.03, 0.91%, 0.43%

LAB 59.85, 24.92, 64.64

 

CMYK 95 / 0 / 40 / 18

HEX #0AD17E

RGB 10 209 126

HSL 154.97, 0.91%, 0.43%

LAB 74.3, -61.79, 29.36

 

CMYK 40 / 95 / 0 / 18

HEX #7E0AD1

RGB 126 10 209

HSL 274.97, 0.91%, 0.43%

LAB 36.47, 72.31, -74.44

 

CMYK 0 / 40 / 95 / 19

HEX #CF7D0A

RGB 207 125 10

HSL 35.03, 0.91%, 0.43%

LAB 59.85, 24.92, 64.64

 

CMYK 75 / 0 / 95 / 18

HEX #35D10A

RGB 53 209 10

HSL 107.04, 0.91%, 0.43%

LAB 73.79, -69.59, 71.19

 

CMYK 95 / 56 / 0 / 18

HEX #0A5DD1

RGB 10 93 209

HSL 214.97, 0.91%, 0.43%

LAB 41.99, 23.48, -65.7

 

CMYK 21 / 95 / 0 / 18

HEX #A60AD1

RGB 166 10 209

HSL 287.04, 0.91%, 0.43%

LAB 42.65, 77.25, -64.08

 

CMYK 0 / 40 / 95 / 19

HEX #CF7D0A

RGB 207 125 10

HSL 35.03, 0.91%, 0.43%

LAB 59.85, 24.92, 64.64

 

CMYK 95 / 0 / 88 / 18

HEX #0AD11A

RGB 10 209 26

HSL 124.82, 0.91%, 0.43%

LAB 73.38, -73.16, 68.33

 

CMYK 95 / 56 / 0 / 18

HEX #0A5DD1

RGB 10 93 209

HSL 214.97, 0.91%, 0.43%

LAB 41.99, 23.48, -65.7

 

CMYK 0 / 95 / 8 / 18

HEX #D10AC1

RGB 209 10 193

HSL 304.82, 0.91%, 0.43%

LAB 49.04, 81.54, -44.16

 

Description

Color code: HEX #CF7D0ACE | qconv.com Color code: HEX #CF7D0ACE | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 125 green and 10 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 125 10 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 77 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 77% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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