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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CF7B9F it is the complementary color #308460. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CF7B9F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CF7B9F shade: #D47B9A, #E58DAD, #F69FC0, #FFB1D3 and #FFC3E6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CF7B9F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CF7B9F shade: #CF7B9F, #BE698C, #AD5779, #9C4566 and #8B3353

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CF7B9F shade: #D07CA0, #D07C89 and #D07C7C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CF7B9F shade: #D07CA0, #D07CB6, #D07CCD, #BC7CD0 and #A57CD0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CF7B9F shade matches the following richer shades: #D07CA0, #DE6D9E, #ED5F9C and #FB509A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CF7B9F shade: #D07CA0, #C18AA2, #B399A4, #A4A7A6 and #96B6A8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CF7B9F shade: #D07CCD, #D07CB7, #D07CA0, #D07C8A and #D0847C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CF7B9F shade: #B74274, #C55D8A, #D07CA0, #DB9AB6 and #E6B8CC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CF7B9F shade: #CF7B9F, #D0BC7C and #7CC2D0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CF7B9F shade: #CF7B9F, #A0D07C and #7CA0D0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CF7B9F shade: #CF7B9F, #D0BC7C, #7CD0AB and #7C8FD0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CF7B9F shade: #CF7B9F, #CAD07C, #7CD0AB and #817CD0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 41 / 23 / 19

HEX #CF7B9F

RGB 207 123 159

HSL 334.29, 0.47%, 0.65%

LAB 61.6, 37.3, -5.17

 

Complementary color

CMYK 64 / 0 / 27 / 48

HEX #308460

RGB 48 132 96

HSL 154.29, 0.47%, 0.35%

LAB 49.47, -34.3, 12.11

 

CMYK 0 / 42 / 27 / 17

HEX #D47B9A

RGB 212 123 154

HSL 339.1, 0.51%, 0.66%

LAB 62.08, 38.35, -1.53

 

CMYK 0 / 38 / 24 / 10

HEX #E58DAD

RGB 229 141 173

HSL 338.18, 0.63%, 0.73%

LAB 68.55, 37.51, -2.54

 

CMYK 0 / 35 / 22 / 4

HEX #F69FC0

RGB 246 159 192

HSL 337.24, 0.83%, 0.79%

LAB 74.95, 36.71, -3.45

 

CMYK 0 / 31 / 17 / 0

HEX #FFB1D3

RGB 255 177 211

HSL 333.85, 1%, 0.85%

LAB 80.41, 33.21, -5.64

 

CMYK 0 / 24 / 10 / 0

HEX #FFC3E6

RGB 255 195 230

HSL 325, 1%, 0.88%

LAB 85, 26.78, -9.04

 

CMYK 0 / 41 / 23 / 19

HEX #CF7B9F

RGB 207 123 159

HSL 334.29, 0.47%, 0.65%

LAB 61.6, 37.3, -5.17

 

CMYK 0 / 45 / 26 / 25

HEX #BE698C

RGB 190 105 140

HSL 335.29, 0.4%, 0.58%

LAB 55.01, 38.15, -4.14

 

CMYK 0 / 50 / 30 / 32

HEX #AD5779

RGB 173 87 121

HSL 336.28, 0.34%, 0.51%

LAB 48.36, 39.01, -2.94

 

CMYK 0 / 56 / 35 / 39

HEX #9C4566

RGB 156 69 102

HSL 337.24, 0.39%, 0.44%

LAB 41.66, 39.84, -1.48

 

CMYK 0 / 63 / 40 / 45

HEX #8B3353

RGB 139 51 83

HSL 338.18, 0.46%, 0.37%

LAB 34.97, 40.5, 0.38

 

CMYK 0 / 40 / 23 / 18

HEX #D07CA0

RGB 208 124 160

HSL 334.29, 0.47%, 0.65%

LAB 61.97, 37.27, -5.18

 

CMYK 0 / 40 / 34 / 18

HEX #D07C89

RGB 208 124 137

HSL 350.71, 0.47%, 0.65%

LAB 61.33, 34.15, 7.07

 

CMYK 0 / 40 / 40 / 18

HEX #D07C7C

RGB 208 124 124

HSL 0, 0.47%, 0.65%

LAB 61.03, 32.6, 14.08

 

CMYK 0 / 40 / 23 / 18

HEX #D07CA0

RGB 208 124 160

HSL 334.29, 0.47%, 0.65%

LAB 61.97, 37.27, -5.18

 

CMYK 0 / 40 / 13 / 18

HEX #D07CB6

RGB 208 124 182

HSL 318.57, 0.47%, 0.65%

LAB 62.68, 40.69, -16.65

 

CMYK 0 / 40 / 1 / 18

HEX #D07CCD

RGB 208 124 205

HSL 302.14, 0.47%, 0.65%

LAB 63.53, 44.67, -28.33

 

CMYK 10 / 40 / 0 / 18

HEX #BC7CD0

RGB 188 124 208

HSL 285.71, 0.47%, 0.65%

LAB 61.36, 39.15, -33.56

 

CMYK 21 / 40 / 0 / 18

HEX #A57CD0

RGB 165 124 208

HSL 269.29, 0.47%, 0.65%

LAB 58.95, 32.28, -37.51

 

CMYK 0 / 40 / 23 / 18

HEX #D07CA0

RGB 208 124 160

HSL 334.29, 0.47%, 0.65%

LAB 61.97, 37.27, -5.18

 

CMYK 0 / 51 / 29 / 13

HEX #DE6D9E

RGB 222 109 158

HSL 333.98, 0.63%, 0.65%

LAB 60.72, 49.41, -5.67

 

CMYK 0 / 60 / 34 / 7

HEX #ED5F9C

RGB 237 95 156

HSL 334.23, 0.8%, 0.65%

LAB 60.42, 60.36, -4.72

 

CMYK 0 / 68 / 39 / 2

HEX #FB509A

RGB 251 80 154

HSL 334.04, 0.96%, 0.65%

LAB 60.41, 70.16, -3.32

 

CMYK 0 / 40 / 23 / 18

HEX #D07CA0

RGB 208 124 160

HSL 334.29, 0.47%, 0.65%

LAB 61.97, 37.27, -5.18

 

CMYK 0 / 28 / 16 / 24

HEX #C18AA2

RGB 193 138 162

HSL 333.82, 0.31%, 0.65%

LAB 63.44, 24.62, -4.33

 

CMYK 0 / 15 / 8 / 30

HEX #B399A4

RGB 179 153 164

HSL 334.62, 0.15%, 0.65%

LAB 65.78, 11.51, -2.18

 

CMYK 2 / 0 / 1 / 35

HEX #A4A7A6

RGB 164 167 166

HSL 160, 0.02%, 0.65%

LAB 68.23, -1.25, 0.13

 

CMYK 18 / 0 / 8 / 29

HEX #96B6A8

RGB 150 182 168

HSL 153.75, 0.18%, 0.65%

LAB 71.4, -13.7, 3.51

 

CMYK 0 / 40 / 1 / 18

HEX #D07CCD

RGB 208 124 205

HSL 302.14, 0.47%, 0.65%

LAB 63.53, 44.67, -28.33

 

CMYK 0 / 40 / 12 / 18

HEX #D07CB7

RGB 208 124 183

HSL 317.86, 0.47%, 0.65%

LAB 62.71, 40.85, -17.16

 

CMYK 0 / 40 / 23 / 18

HEX #D07CA0

RGB 208 124 160

HSL 334.29, 0.47%, 0.65%

LAB 61.97, 37.27, -5.18

 

CMYK 0 / 40 / 34 / 18

HEX #D07C8A

RGB 208 124 138

HSL 350, 0.47%, 0.65%

LAB 61.36, 34.27, 6.53

 

CMYK 0 / 37 / 40 / 18

HEX #D0847C

RGB 208 132 124

HSL 5.71, 0.47%, 0.65%

LAB 62.82, 28.3, 16.56

 

CMYK 0 / 64 / 37 / 28

HEX #B74274

RGB 183 66 116

HSL 334.36, 0.47%, 0.49%

LAB 45.94, 51.78, -3.3

 

CMYK 0 / 53 / 30 / 23

HEX #C55D8A

RGB 197 93 138

HSL 334.04, 0.47%, 0.57%

LAB 53.53, 46.42, -5.05

 

CMYK 0 / 40 / 23 / 18

HEX #D07CA0

RGB 208 124 160

HSL 334.29, 0.47%, 0.65%

LAB 61.97, 37.27, -5.18

 

CMYK 0 / 30 / 17 / 14

HEX #DB9AB6

RGB 219 154 182

HSL 334.15, 0.47%, 0.73%

LAB 70.56, 28.4, -4.73

 

CMYK 0 / 20 / 11 / 10

HEX #E6B8CC

RGB 230 184 204

HSL 333.91, 0.48%, 0.81%

LAB 79.31, 19.71, -3.76

 

CMYK 0 / 41 / 23 / 19

HEX #CF7B9F

RGB 207 123 159

HSL 334.29, 0.47%, 0.65%

LAB 61.6, 37.3, -5.17

 

CMYK 0 / 10 / 40 / 18

HEX #D0BC7C

RGB 208 188 124

HSL 45.71, 0.47%, 0.65%

LAB 76.58, -1.88, 34.95

 

CMYK 40 / 7 / 0 / 18

HEX #7CC2D0

RGB 124 194 208

HSL 190, 0.47%, 0.65%

LAB 74.46, -18.4, -13.96

 

CMYK 0 / 41 / 23 / 19

HEX #CF7B9F

RGB 207 123 159

HSL 334.29, 0.47%, 0.65%

LAB 61.6, 37.3, -5.17

 

CMYK 23 / 0 / 40 / 18

HEX #A0D07C

RGB 160 208 124

HSL 94.29, 0.47%, 0.65%

LAB 78.49, -30.42, 36.71

 

CMYK 40 / 23 / 0 / 18

HEX #7CA0D0

RGB 124 160 208

HSL 214.29, 0.47%, 0.65%

LAB 64.95, -0.11, -28.43

 

CMYK 0 / 41 / 23 / 19

HEX #CF7B9F

RGB 207 123 159

HSL 334.29, 0.47%, 0.65%

LAB 61.6, 37.3, -5.17

 

CMYK 0 / 10 / 40 / 18

HEX #D0BC7C

RGB 208 188 124

HSL 45.71, 0.47%, 0.65%

LAB 76.58, -1.88, 34.95

 

CMYK 40 / 0 / 18 / 18

HEX #7CD0AB

RGB 124 208 171

HSL 153.57, 0.47%, 0.65%

LAB 77.48, -33.89, 10.44

 

CMYK 40 / 31 / 0 / 18

HEX #7C8FD0

RGB 124 143 208

HSL 226.43, 0.47%, 0.65%

LAB 60.32, 9.63, -35.61

 

CMYK 0 / 41 / 23 / 19

HEX #CF7B9F

RGB 207 123 159

HSL 334.29, 0.47%, 0.65%

LAB 61.6, 37.3, -5.17

 

CMYK 3 / 0 / 40 / 18

HEX #CAD07C

RGB 202 208 124

HSL 64.29, 0.47%, 0.65%

LAB 81.36, -14.55, 40.96

 

CMYK 40 / 0 / 18 / 18

HEX #7CD0AB

RGB 124 208 171

HSL 153.57, 0.47%, 0.65%

LAB 77.48, -33.89, 10.44

 

CMYK 38 / 40 / 0 / 18

HEX #817CD0

RGB 129 124 208

HSL 243.57, 0.47%, 0.65%

LAB 55.72, 22.14, -42.8

 

Description

Color code: HEX #CF7B9F | qconv.com Color code: HEX #CF7B9F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 123 green and 159 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 123 159 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 41 magenta, 23 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 41% 23% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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