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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CF7B28 it is the complementary color #3084D7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CF7B28. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CF7B28 shade: #D47B23, #E58D36, #F69F49, #FFB15C and #FFC36F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CF7B28. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CF7B28 shade: #CF7B28, #BE6915, #AD5702, #9C4500 and #8B3300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CF7B28 shade: #CE7A27, #CE4D27 and #CE2727

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CF7B28 shade: #CE7A27, #CEA727, #C8CE27, #9BCE27 and #6ECE27

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CF7B28 shade matches the following richer shades: #CE7A27 and #E17A13

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CF7B28 shade: #CE7A27, #BA7A3B, #A67A4F, #927A63 and #7E7A76

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CF7B28 shade: #CE272F, #CE4B27, #CE7827, #CEA427 and #CBCE27

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CF7B28 shade: #88511A, #AB6521, #CE7A27, #DB8F43 and #E2A366

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CF7B28 shade: #CF7B28, #5CCE27 and #3527CE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CF7B28 shade: #CF7B28, #27CE78 and #7827CE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CF7B28 shade: #CF7B28, #5CCE27, #277DCE and #9927CE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CF7B28 shade: #CF7B28, #2ACE27, #277DCE and #CB27CE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 41 / 81 / 19

HEX #CF7B28

RGB 207 123 40

HSL 29.82, 0.68%, 0.48%

LAB 59.51, 26.64, 55.89

 

Complementary color

CMYK 78 / 39 / 0 / 16

HEX #3084D7

RGB 48 132 215

HSL 209.82, 0.68%, 0.52%

LAB 54.07, 3.75, -49.64

 

CMYK 0 / 42 / 83 / 17

HEX #D47B23

RGB 212 123 35

HSL 29.83, 0.72%, 0.48%

LAB 60.14, 28.59, 58.59

 

CMYK 0 / 38 / 76 / 10

HEX #E58D36

RGB 229 141 54

HSL 29.83, 0.77%, 0.55%

LAB 66.5, 26.75, 57.8

 

CMYK 0 / 35 / 70 / 4

HEX #F69F49

RGB 246 159 73

HSL 29.83, 0.91%, 0.63%

LAB 72.81, 25.12, 56.58

 

CMYK 0 / 31 / 64 / 0

HEX #FFB15C

RGB 255 177 92

HSL 31.29, 1%, 0.68%

LAB 78.16, 20.42, 53.92

 

CMYK 0 / 24 / 56 / 0

HEX #FFC36F

RGB 255 195 111

HSL 35, 1%, 0.72%

LAB 82.61, 12.33, 49.98

 

CMYK 0 / 41 / 81 / 19

HEX #CF7B28

RGB 207 123 40

HSL 29.82, 0.68%, 0.48%

LAB 59.51, 26.64, 55.89

 

CMYK 0 / 45 / 89 / 25

HEX #BE6915

RGB 190 105 21

HSL 29.82, 0.8%, 0.41%

LAB 53.06, 28.63, 56.15

 

CMYK 0 / 50 / 99 / 32

HEX #AD5702

RGB 173 87 2

HSL 29.82, 0.98%, 0.34%

LAB 46.59, 30.83, 55.13

 

CMYK 0 / 56 / 100 / 39

HEX #9C4500

RGB 156 69 0

HSL 26.54, 1%, 0.31%

LAB 40.12, 33.24, 50.46

 

CMYK 0 / 63 / 100 / 45

HEX #8B3300

RGB 139 51 0

HSL 22.01, 1%, 0.27%

LAB 33.68, 35.5, 45.3

 

CMYK 0 / 41 / 81 / 19

HEX #CE7A27

RGB 206 122 39

HSL 29.82, 0.68%, 0.48%

LAB 59.15, 26.73, 55.9

 

CMYK 0 / 63 / 81 / 19

HEX #CE4D27

RGB 206 77 39

HSL 13.65, 0.68%, 0.48%

LAB 50.19, 49.27, 47.61

 

CMYK 0 / 81 / 81 / 19

HEX #CE2727

RGB 206 39 39

HSL 0, 0.68%, 0.48%

LAB 45.25, 62.83, 42.86

 

CMYK 0 / 41 / 81 / 19

HEX #CE7A27

RGB 206 122 39

HSL 29.82, 0.68%, 0.48%

LAB 59.15, 26.73, 55.9

 

CMYK 0 / 19 / 81 / 19

HEX #CEA727

RGB 206 167 39

HSL 45.99, 0.68%, 0.48%

LAB 70.11, 2.4, 65.67

 

CMYK 3 / 0 / 81 / 19

HEX #C8CE27

RGB 200 206 39

HSL 62.16, 0.68%, 0.48%

LAB 79.94, -20.23, 73.98

 

CMYK 25 / 0 / 81 / 19

HEX #9BCE27

RGB 155 206 39

HSL 78.32, 0.68%, 0.48%

LAB 76.83, -38.54, 70.07

 

CMYK 47 / 0 / 81 / 19

HEX #6ECE27

RGB 110 206 39

HSL 94.49, 0.68%, 0.48%

LAB 74.57, -54.31, 67.19

 

CMYK 0 / 41 / 81 / 19

HEX #CE7A27

RGB 206 122 39

HSL 29.82, 0.68%, 0.48%

LAB 59.15, 26.73, 55.9

 

CMYK 0 / 46 / 92 / 12

HEX #E17A13

RGB 225 122 19

HSL 30, 0.84%, 0.48%

LAB 61.63, 34.14, 65.26

 

CMYK 0 / 41 / 81 / 19

HEX #CE7A27

RGB 206 122 39

HSL 29.82, 0.68%, 0.48%

LAB 59.15, 26.73, 55.9

 

CMYK 0 / 34 / 68 / 27

HEX #BA7A3B

RGB 186 122 59

HSL 29.76, 0.52%, 0.48%

LAB 56.76, 19.08, 43.73

 

CMYK 0 / 27 / 52 / 35

HEX #A67A4F

RGB 166 122 79

HSL 29.66, 0.36%, 0.48%

LAB 54.65, 11.94, 30.13

 

CMYK 0 / 16 / 32 / 43

HEX #927A63

RGB 146 122 99

HSL 29.36, 0.19%, 0.48%

LAB 52.87, 5.72, 16.07

 

CMYK 0 / 3 / 6 / 51

HEX #7E7A76

RGB 126 122 118

HSL 30, 0.03%, 0.48%

LAB 51.45, 0.75, 2.72

 

CMYK 0 / 81 / 77 / 19

HEX #CE272F

RGB 206 39 47

HSL 357.13, 0.68%, 0.48%

LAB 45.33, 63.08, 38.51

 

CMYK 0 / 64 / 81 / 19

HEX #CE4B27

RGB 206 75 39

HSL 12.93, 0.68%, 0.48%

LAB 49.86, 50.14, 47.29

 

CMYK 0 / 42 / 81 / 19

HEX #CE7827

RGB 206 120 39

HSL 29.1, 0.68%, 0.48%

LAB 58.7, 27.8, 55.5

 

CMYK 0 / 20 / 81 / 19

HEX #CEA427

RGB 206 164 39

HSL 44.91, 0.68%, 0.48%

LAB 69.34, 4, 64.99

 

CMYK 1 / 0 / 81 / 19

HEX #CBCE27

RGB 203 206 39

HSL 61.08, 0.68%, 0.48%

LAB 80.17, -18.96, 74.28

 

CMYK 0 / 40 / 81 / 47

HEX #88511A

RGB 136 81 26

HSL 30, 0.68%, 0.32%

LAB 39.9, 18.5, 40.02

 

CMYK 0 / 41 / 81 / 33

HEX #AB6521

RGB 171 101 33

HSL 29.57, 0.68%, 0.4%

LAB 49.59, 23, 47.82

 

CMYK 0 / 41 / 81 / 19

HEX #CE7A27

RGB 206 122 39

HSL 29.82, 0.68%, 0.48%

LAB 59.15, 26.73, 55.9

 

CMYK 0 / 35 / 69 / 14

HEX #DB8F43

RGB 219 143 67

HSL 30, 0.68%, 0.56%

LAB 65.83, 22.11, 50.93

 

CMYK 0 / 28 / 55 / 11

HEX #E2A366

RGB 226 163 102

HSL 29.52, 0.68%, 0.64%

LAB 71.77, 16.66, 40.63

 

CMYK 0 / 41 / 81 / 19

HEX #CF7B28

RGB 207 123 40

HSL 29.82, 0.68%, 0.48%

LAB 59.51, 26.64, 55.89

 

CMYK 55 / 0 / 81 / 19

HEX #5CCE27

RGB 92 206 39

HSL 100.96, 0.68%, 0.48%

LAB 73.91, -59.47, 66.34

 

CMYK 74 / 81 / 0 / 19

HEX #3527CE

RGB 53 39 206

HSL 245.03, 0.68%, 0.48%

LAB 31.03, 57.09, -81.94

 

CMYK 0 / 41 / 81 / 19

HEX #CF7B28

RGB 207 123 40

HSL 29.82, 0.68%, 0.48%

LAB 59.51, 26.64, 55.89

 

CMYK 81 / 0 / 42 / 19

HEX #27CE78

RGB 39 206 120

HSL 149.1, 0.68%, 0.48%

LAB 73.5, -59.97, 31.44

 

CMYK 42 / 81 / 0 / 19

HEX #7827CE

RGB 120 39 206

HSL 269.1, 0.68%, 0.48%

LAB 37.66, 64.15, -70.78

 

CMYK 0 / 41 / 81 / 19

HEX #CF7B28

RGB 207 123 40

HSL 29.82, 0.68%, 0.48%

LAB 59.51, 26.64, 55.89

 

CMYK 55 / 0 / 81 / 19

HEX #5CCE27

RGB 92 206 39

HSL 100.96, 0.68%, 0.48%

LAB 73.91, -59.47, 66.34

 

CMYK 81 / 39 / 0 / 19

HEX #277DCE

RGB 39 125 206

HSL 209.1, 0.68%, 0.48%

LAB 51.33, 3.72, -48.92

 

CMYK 26 / 81 / 0 / 19

HEX #9927CE

RGB 153 39 206

HSL 280.96, 0.68%, 0.48%

LAB 42.28, 69.18, -63.06

 

CMYK 0 / 41 / 81 / 19

HEX #CF7B28

RGB 207 123 40

HSL 29.82, 0.68%, 0.48%

LAB 59.51, 26.64, 55.89

 

CMYK 80 / 0 / 81 / 19

HEX #2ACE27

RGB 42 206 39

HSL 118.92, 0.68%, 0.48%

LAB 72.75, -69.19, 64.84

 

CMYK 81 / 39 / 0 / 19

HEX #277DCE

RGB 39 125 206

HSL 209.1, 0.68%, 0.48%

LAB 51.33, 3.72, -48.92

 

CMYK 1 / 81 / 0 / 19

HEX #CB27CE

RGB 203 39 206

HSL 298.92, 0.68%, 0.48%

LAB 50.22, 77.98, -49.85

 

Description

Color code: HEX #CF7B28 | qconv.com Color code: HEX #CF7B28 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 123 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 123 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 41 magenta, 81 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 41% 81% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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