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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CF7A7D it is the complementary color #308582. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CF7A7D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CF7A7D shade: #D47A78, #E58C8B, #F69E9E, #FFB0B1 and #FFC2C4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CF7A7D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CF7A7D shade: #CF7A7D, #BE686A, #AD5657, #9C4444 and #8B3231

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CF7A7D shade: #D07C7F and #D07C7C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CF7A7D shade: #D07C7F, #D07C95, #D07CAC, #D07CC3 and #C67CD0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CF7A7D shade matches the following richer shades: #D07C7F, #DE6D71, #ED5F64 and #FB5057

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CF7A7D shade: #D07C7F, #C18A8C, #B3999A, #A4A7A7 and #96B6B4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CF7A7D shade: #D07CAD, #D07C96, #D07C80, #D08E7C and #D0A47C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CF7A7D shade: #B74246, #C55D61, #D07C7F, #DB9A9C and #E6B8BA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CF7A7D shade: #CF7A7D, #C3D07C and #7CA2D0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CF7A7D shade: #CF7A7D, #80D07C and #7C80D0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CF7A7D shade: #CF7A7D, #C3D07C, #7CD0CC and #887CD0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CF7A7D shade: #CF7A7D, #AAD07C, #7CD0CC and #A27CD0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 41 / 40 / 19

HEX #CF7A7D

RGB 207 122 125

HSL 357.88, 0.47%, 0.65%

LAB 60.48, 33.4, 12.73

 

Complementary color

CMYK 64 / 0 / 2 / 48

HEX #308582

RGB 48 133 130

HSL 177.88, 0.47%, 0.35%

LAB 50.7, -25.77, -5.92

 

CMYK 0 / 42 / 43 / 17

HEX #D47A78

RGB 212 122 120

HSL 1.3, 0.52%, 0.65%

LAB 61.02, 34.74, 16.43

 

CMYK 0 / 39 / 39 / 10

HEX #E58C8B

RGB 229 140 139

HSL 0.67, 0.63%, 0.72%

LAB 67.49, 33.71, 15

 

CMYK 0 / 36 / 36 / 4

HEX #F69E9E

RGB 246 158 158

HSL 0, 0.83%, 0.79%

LAB 73.88, 32.77, 13.72

 

CMYK 0 / 31 / 31 / 0

HEX #FFB0B1

RGB 255 176 177

HSL 359.24, 1%, 0.85%

LAB 79.32, 28.98, 11.19

 

CMYK 0 / 24 / 23 / 0

HEX #FFC2C4

RGB 255 194 196

HSL 358.03, 1%, 0.88%

LAB 83.88, 22.09, 7.48

 

CMYK 0 / 41 / 40 / 19

HEX #CF7A7D

RGB 207 122 125

HSL 357.88, 0.47%, 0.65%

LAB 60.48, 33.4, 12.73

 

CMYK 0 / 45 / 44 / 25

HEX #BE686A

RGB 190 104 106

HSL 358.6, 0.4%, 0.58%

LAB 53.91, 34.45, 14.24

 

CMYK 0 / 50 / 50 / 32

HEX #AD5657

RGB 173 86 87

HSL 359.31, 0.35%, 0.51%

LAB 47.27, 35.58, 16.01

 

CMYK 0 / 56 / 56 / 39

HEX #9C4444

RGB 156 68 68

HSL 0, 0.39%, 0.44%

LAB 40.6, 36.73, 18.15

 

CMYK 0 / 64 / 65 / 45

HEX #8B3231

RGB 139 50 49

HSL 0.67, 0.48%, 0.37%

LAB 33.97, 37.83, 20.8

 

CMYK 0 / 40 / 39 / 18

HEX #D07C7F

RGB 208 124 127

HSL 357.86, 0.47%, 0.65%

LAB 61.1, 32.94, 12.46

 

CMYK 0 / 40 / 40 / 18

HEX #D07C7C

RGB 208 124 124

HSL 0, 0.47%, 0.65%

LAB 61.03, 32.6, 14.08

 

CMYK 0 / 40 / 39 / 18

HEX #D07C7F

RGB 208 124 127

HSL 357.86, 0.47%, 0.65%

LAB 61.1, 32.94, 12.46

 

CMYK 0 / 40 / 28 / 18

HEX #D07C95

RGB 208 124 149

HSL 342.14, 0.47%, 0.65%

LAB 61.65, 35.72, 0.65

 

CMYK 0 / 40 / 17 / 18

HEX #D07CAC

RGB 208 124 172

HSL 325.71, 0.47%, 0.65%

LAB 62.34, 39.08, -11.47

 

CMYK 0 / 40 / 6 / 18

HEX #D07CC3

RGB 208 124 195

HSL 309.29, 0.47%, 0.65%

LAB 63.15, 42.89, -23.29

 

CMYK 5 / 40 / 0 / 18

HEX #C67CD0

RGB 198 124 208

HSL 292.86, 0.47%, 0.65%

LAB 62.49, 42.18, -31.73

 

CMYK 0 / 40 / 39 / 18

HEX #D07C7F

RGB 208 124 127

HSL 357.86, 0.47%, 0.65%

LAB 61.1, 32.94, 12.46

 

CMYK 0 / 51 / 49 / 13

HEX #DE6D71

RGB 222 109 113

HSL 357.88, 0.63%, 0.65%

LAB 59.58, 44.41, 18.69

 

CMYK 0 / 60 / 58 / 7

HEX #ED5F64

RGB 237 95 100

HSL 357.89, 0.8%, 0.65%

LAB 59.08, 55.16, 25.89

 

CMYK 0 / 68 / 65 / 2

HEX #FB5057

RGB 251 80 87

HSL 357.54, 0.96%, 0.65%

LAB 58.91, 64.97, 33.6

 

CMYK 0 / 40 / 39 / 18

HEX #D07C7F

RGB 208 124 127

HSL 357.86, 0.47%, 0.65%

LAB 61.1, 32.94, 12.46

 

CMYK 0 / 28 / 27 / 24

HEX #C18A8C

RGB 193 138 140

HSL 357.82, 0.31%, 0.65%

LAB 62.85, 21.27, 7.29

 

CMYK 0 / 15 / 14 / 30

HEX #B3999A

RGB 179 153 154

HSL 357.69, 0.15%, 0.65%

LAB 65.51, 9.79, 3.04

 

CMYK 2 / 0 / 0 / 35

HEX #A4A7A7

RGB 164 167 167

HSL 180, 0.02%, 0.65%

LAB 68.26, -1.06, -0.38

 

CMYK 18 / 0 / 1 / 29

HEX #96B6B4

RGB 150 182 180

HSL 176.25, 0.18%, 0.65%

LAB 71.71, -11.22, -2.6

 

CMYK 0 / 40 / 17 / 18

HEX #D07CAD

RGB 208 124 173

HSL 325, 0.47%, 0.65%

LAB 62.37, 39.24, -11.99

 

CMYK 0 / 40 / 28 / 18

HEX #D07C96

RGB 208 124 150

HSL 341.43, 0.47%, 0.65%

LAB 61.68, 35.85, 0.12

 

CMYK 0 / 40 / 38 / 18

HEX #D07C80

RGB 208 124 128

HSL 357.14, 0.47%, 0.65%

LAB 61.12, 33.06, 11.92

 

CMYK 0 / 32 / 40 / 18

HEX #D08E7C

RGB 208 142 124

HSL 12.86, 0.47%, 0.65%

LAB 65.13, 22.87, 19.74

 

CMYK 0 / 21 / 40 / 18

HEX #D0A47C

RGB 208 164 124

HSL 28.57, 0.47%, 0.65%

LAB 70.47, 10.92, 26.94

 

CMYK 0 / 64 / 62 / 28

HEX #B74246

RGB 183 66 70

HSL 357.95, 0.47%, 0.49%

LAB 44.81, 47.57, 23.28

 

CMYK 0 / 53 / 51 / 23

HEX #C55D61

RGB 197 93 97

HSL 357.69, 0.47%, 0.57%

LAB 52.47, 41.87, 17.72

 

CMYK 0 / 40 / 39 / 18

HEX #D07C7F

RGB 208 124 127

HSL 357.86, 0.47%, 0.65%

LAB 61.1, 32.94, 12.46

 

CMYK 0 / 30 / 29 / 14

HEX #DB9A9C

RGB 219 154 156

HSL 358.15, 0.47%, 0.73%

LAB 69.87, 24.59, 8.72

 

CMYK 0 / 20 / 19 / 10

HEX #E6B8BA

RGB 230 184 186

HSL 357.39, 0.48%, 0.81%

LAB 78.84, 16.86, 5.29

 

CMYK 0 / 41 / 40 / 19

HEX #CF7A7D

RGB 207 122 125

HSL 357.88, 0.47%, 0.65%

LAB 60.48, 33.4, 12.73

 

CMYK 6 / 0 / 40 / 18

HEX #C3D07C

RGB 195 208 124

HSL 69.29, 0.47%, 0.65%

LAB 80.83, -17.28, 40.18

 

CMYK 40 / 22 / 0 / 18

HEX #7CA2D0

RGB 124 162 208

HSL 212.86, 0.47%, 0.65%

LAB 65.5, -1.23, -27.58

 

CMYK 0 / 41 / 40 / 19

HEX #CF7A7D

RGB 207 122 125

HSL 357.88, 0.47%, 0.65%

LAB 60.48, 33.4, 12.73

 

CMYK 38 / 0 / 40 / 18

HEX #80D07C

RGB 128 208 124

HSL 117.14, 0.47%, 0.65%

LAB 76.77, -41.18, 34.16

 

CMYK 40 / 38 / 0 / 18

HEX #7C80D0

RGB 124 128 208

HSL 237.14, 0.47%, 0.65%

LAB 56.36, 18.45, -41.82

 

CMYK 0 / 41 / 40 / 19

HEX #CF7A7D

RGB 207 122 125

HSL 357.88, 0.47%, 0.65%

LAB 60.48, 33.4, 12.73

 

CMYK 6 / 0 / 40 / 18

HEX #C3D07C

RGB 195 208 124

HSL 69.29, 0.47%, 0.65%

LAB 80.83, -17.28, 40.18

 

CMYK 40 / 0 / 2 / 18

HEX #7CD0CC

RGB 124 208 204

HSL 177.14, 0.47%, 0.65%

LAB 78.32, -26.42, -6.04

 

CMYK 35 / 40 / 0 / 18

HEX #887CD0

RGB 136 124 208

HSL 248.57, 0.47%, 0.65%

LAB 56.29, 24.02, -41.87

 

CMYK 0 / 41 / 40 / 19

HEX #CF7A7D

RGB 207 122 125

HSL 357.88, 0.47%, 0.65%

LAB 60.48, 33.4, 12.73

 

CMYK 18 / 0 / 40 / 18

HEX #AAD07C

RGB 170 208 124

HSL 87.14, 0.47%, 0.65%

LAB 79.11, -26.79, 37.63

 

CMYK 40 / 0 / 2 / 18

HEX #7CD0CC

RGB 124 208 204

HSL 177.14, 0.47%, 0.65%

LAB 78.32, -26.42, -6.04

 

CMYK 22 / 40 / 0 / 18

HEX #A27CD0

RGB 162 124 208

HSL 267.14, 0.47%, 0.65%

LAB 58.65, 31.4, -38

 

Description

Color code: HEX #CF7A7D | qconv.com Color code: HEX #CF7A7D | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 122 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 122 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 41 magenta, 40 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 41% 40% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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