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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CF7993 it is the complementary color #30866C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CF7993. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CF7993 shade: #D4798E, #E58BA1, #F69DB4, #FFAFC7 and #FFC1DA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CF7993. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CF7993 shade: #CF7993, #BE6780, #AD556D, #9C435A and #8B3147

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CF7993 shade: #CE7892, #CE787B and #CE7878

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CF7993 shade: #CE7892, #CE78A9, #CE78C1, #C578CE and #AD78CE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CF7993 shade matches the following richer shades: #CE7892, #DD698C, #EC5A86 and #FB4B81

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CF7993 shade: #CE7892, #BF8798, #B1969E, #A2A5A4 and #93B3AA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CF7993 shade: #CE78C1, #CE78AA, #CE7893, #CE787C and #CE8B78

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CF7993 shade: #B34163, #C35A7A, #CE7892, #D996AB and #E4B5C3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CF7993 shade: #CF7993, #CEC478 and #78B6CE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CF7993 shade: #CF7993, #93CE78 and #7893CE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CF7993 shade: #CF7993, #CEC478, #78CEB3 and #7882CE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CF7993 shade: #CF7993, #BFCE78, #78CEB3 and #8878CE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 42 / 29 / 19

HEX #CF7993

RGB 207 121 147

HSL 341.86, 0.47%, 0.64%

LAB 60.82, 36.68, 0.58

 

Complementary color

CMYK 64 / 0 / 19 / 47

HEX #30866C

RGB 48 134 108

HSL 161.86, 0.47%, 0.36%

LAB 50.41, -32.3, 6.48

 

CMYK 0 / 43 / 33 / 17

HEX #D4798E

RGB 212 121 142

HSL 346.15, 0.51%, 0.65%

LAB 61.33, 37.82, 4.26

 

CMYK 0 / 39 / 30 / 10

HEX #E58BA1

RGB 229 139 161

HSL 345.33, 0.63%, 0.72%

LAB 67.8, 36.92, 3.09

 

CMYK 0 / 36 / 27 / 4

HEX #F69DB4

RGB 246 157 180

HSL 344.49, 0.83%, 0.79%

LAB 74.19, 36.08, 2.05

 

CMYK 0 / 31 / 22 / 0

HEX #FFAFC7

RGB 255 175 199

HSL 342, 1%, 0.84%

LAB 79.64, 32.48, -0.27

 

CMYK 0 / 24 / 15 / 0

HEX #FFC1DA

RGB 255 193 218

HSL 335.81, 1%, 0.88%

LAB 84.21, 25.9, -3.8

 

CMYK 0 / 42 / 29 / 19

HEX #CF7993

RGB 207 121 147

HSL 341.86, 0.47%, 0.64%

LAB 60.82, 36.68, 0.58

 

CMYK 0 / 46 / 33 / 25

HEX #BE6780

RGB 190 103 128

HSL 342.76, 0.4%, 0.57%

LAB 54.25, 37.58, 1.78

 

CMYK 0 / 51 / 37 / 32

HEX #AD556D

RGB 173 85 109

HSL 343.64, 0.35%, 0.51%

LAB 47.6, 38.51, 3.2

 

CMYK 0 / 57 / 42 / 39

HEX #9C435A

RGB 156 67 90

HSL 344.49, 0.4%, 0.44%

LAB 40.93, 39.4, 4.92

 

CMYK 0 / 65 / 49 / 45

HEX #8B3147

RGB 139 49 71

HSL 345.33, 0.48%, 0.37%

LAB 34.27, 40.14, 7.12

 

CMYK 0 / 42 / 29 / 19

HEX #CE7892

RGB 206 120 146

HSL 341.86, 0.47%, 0.64%

LAB 60.45, 36.72, 0.6

 

CMYK 0 / 42 / 40 / 19

HEX #CE787B

RGB 206 120 123

HSL 357.91, 0.47%, 0.64%

LAB 59.88, 33.86, 13.01

 

CMYK 0 / 42 / 42 / 19

HEX #CE7878

RGB 206 120 120

HSL 0, 0.47%, 0.64%

LAB 59.81, 33.53, 14.63

 

CMYK 0 / 42 / 29 / 19

HEX #CE7892

RGB 206 120 146

HSL 341.86, 0.47%, 0.64%

LAB 60.45, 36.72, 0.6

 

CMYK 0 / 42 / 18 / 19

HEX #CE78A9

RGB 206 120 169

HSL 325.81, 0.47%, 0.64%

LAB 61.15, 40.05, -11.57

 

CMYK 0 / 42 / 6 / 19

HEX #CE78C1

RGB 206 120 193

HSL 309.07, 0.47%, 0.64%

LAB 62, 44, -23.94

 

CMYK 4 / 42 / 0 / 19

HEX #C578CE

RGB 197 120 206

HSL 293.72, 0.47%, 0.64%

LAB 61.45, 43.61, -32.23

 

CMYK 16 / 42 / 0 / 19

HEX #AD78CE

RGB 173 120 206

HSL 276.98, 0.47%, 0.64%

LAB 58.76, 36.43, -36.61

 

CMYK 0 / 42 / 29 / 19

HEX #CE7892

RGB 206 120 146

HSL 341.86, 0.47%, 0.64%

LAB 60.45, 36.72, 0.6

 

CMYK 0 / 52 / 37 / 13

HEX #DD698C

RGB 221 105 140

HSL 341.9, 0.63%, 0.64%

LAB 59.31, 48.82, 2.66

 

CMYK 0 / 62 / 43 / 7

HEX #EC5A86

RGB 236 90 134

HSL 341.92, 0.79%, 0.64%

LAB 58.85, 59.87, 5.78

 

CMYK 0 / 70 / 49 / 2

HEX #FB4B81

RGB 251 75 129

HSL 341.59, 0.96%, 0.64%

LAB 59.09, 69.64, 9.39

 

CMYK 0 / 42 / 29 / 19

HEX #CE7892

RGB 206 120 146

HSL 341.86, 0.47%, 0.64%

LAB 60.45, 36.72, 0.6

 

CMYK 0 / 29 / 20 / 25

HEX #BF8798

RGB 191 135 152

HSL 341.79, 0.3%, 0.64%

LAB 62.23, 23.96, -0.46

 

CMYK 0 / 15 / 11 / 31

HEX #B1969E

RGB 177 150 158

HSL 342.22, 0.15%, 0.64%

LAB 64.67, 11.39, -0.46

 

CMYK 2 / 0 / 1 / 35

HEX #A2A5A4

RGB 162 165 164

HSL 160, 0.02%, 0.64%

LAB 67.48, -1.26, 0.14

 

CMYK 18 / 0 / 5 / 30

HEX #93B3AA

RGB 147 179 170

HSL 163.13, 0.17%, 0.64%

LAB 70.42, -12.72, 0.97

 

CMYK 0 / 42 / 6 / 19

HEX #CE78C1

RGB 206 120 193

HSL 309.07, 0.47%, 0.64%

LAB 62, 44, -23.94

 

CMYK 0 / 42 / 17 / 19

HEX #CE78AA

RGB 206 120 170

HSL 325.12, 0.47%, 0.64%

LAB 61.18, 40.21, -12.09

 

CMYK 0 / 42 / 29 / 19

HEX #CE7893

RGB 206 120 147

HSL 341.16, 0.47%, 0.64%

LAB 60.48, 36.85, 0.06

 

CMYK 0 / 42 / 40 / 19

HEX #CE787C

RGB 206 120 124

HSL 357.21, 0.47%, 0.64%

LAB 59.9, 33.97, 12.46

 

CMYK 0 / 33 / 42 / 19

HEX #CE8B78

RGB 206 139 120

HSL 13.26, 0.47%, 0.64%

LAB 64.11, 23.27, 20.55

 

CMYK 0 / 64 / 45 / 30

HEX #B34163

RGB 179 65 99

HSL 342.11, 0.47%, 0.48%

LAB 44.61, 49.11, 5.12

 

CMYK 0 / 54 / 37 / 24

HEX #C35A7A

RGB 195 90 122

HSL 341.71, 0.47%, 0.56%

LAB 52.2, 45.25, 2.45

 

CMYK 0 / 42 / 29 / 19

HEX #CE7892

RGB 206 120 146

HSL 341.86, 0.47%, 0.64%

LAB 60.45, 36.72, 0.6

 

CMYK 0 / 31 / 21 / 15

HEX #D996AB

RGB 217 150 171

HSL 341.19, 0.47%, 0.72%

LAB 69.12, 28.15, -0.76

 

CMYK 0 / 21 / 14 / 11

HEX #E4B5C3

RGB 228 181 195

HSL 342.13, 0.47%, 0.8%

LAB 78.16, 19.14, -0.6

 

CMYK 0 / 42 / 29 / 19

HEX #CF7993

RGB 207 121 147

HSL 341.86, 0.47%, 0.64%

LAB 60.82, 36.68, 0.58

 

CMYK 0 / 5 / 42 / 19

HEX #CEC478

RGB 206 196 120

HSL 53.02, 0.47%, 0.64%

LAB 78.44, -7.28, 39.34

 

CMYK 42 / 12 / 0 / 19

HEX #78B6CE

RGB 120 182 206

HSL 196.74, 0.47%, 0.64%

LAB 70.81, -13.69, -18.39

 

CMYK 0 / 42 / 29 / 19

HEX #CF7993

RGB 207 121 147

HSL 341.86, 0.47%, 0.64%

LAB 60.82, 36.68, 0.58

 

CMYK 29 / 0 / 42 / 19

HEX #93CE78

RGB 147 206 120

HSL 101.16, 0.47%, 0.64%

LAB 77.1, -34.6, 36.8

 

CMYK 42 / 29 / 0 / 19

HEX #7893CE

RGB 120 147 206

HSL 221.16, 0.47%, 0.64%

LAB 61.06, 5.68, -33.36

 

CMYK 0 / 42 / 29 / 19

HEX #CF7993

RGB 207 121 147

HSL 341.86, 0.47%, 0.64%

LAB 60.82, 36.68, 0.58

 

CMYK 0 / 5 / 42 / 19

HEX #CEC478

RGB 206 196 120

HSL 53.02, 0.47%, 0.64%

LAB 78.44, -7.28, 39.34

 

CMYK 42 / 0 / 13 / 19

HEX #78CEB3

RGB 120 206 179

HSL 161.16, 0.47%, 0.64%

LAB 76.91, -32.3, 5.32

 

CMYK 42 / 37 / 0 / 19

HEX #7882CE

RGB 120 130 206

HSL 233.02, 0.47%, 0.64%

LAB 56.5, 15.65, -40.49

 

CMYK 0 / 42 / 29 / 19

HEX #CF7993

RGB 207 121 147

HSL 341.86, 0.47%, 0.64%

LAB 60.82, 36.68, 0.58

 

CMYK 7 / 0 / 42 / 19

HEX #BFCE78

RGB 191 206 120

HSL 70.47, 0.47%, 0.64%

LAB 79.94, -18.29, 40.99

 

CMYK 42 / 0 / 13 / 19

HEX #78CEB3

RGB 120 206 179

HSL 161.16, 0.47%, 0.64%

LAB 76.91, -32.3, 5.32

 

CMYK 34 / 42 / 0 / 19

HEX #8878CE

RGB 136 120 206

HSL 251.16, 0.47%, 0.64%

LAB 55.2, 25.84, -42.46

 

Description

Color code: HEX #CF7993 | qconv.com Color code: HEX #CF7993 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 121 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 121 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 42 magenta, 29 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 42% 29% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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