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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CF795B it is the complementary color #3086A4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CF795B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CF795B shade: #D47956, #E58B69, #F69D7C, #FFAF8F and #FFC1A2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CF795B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CF795B shade: #CF795B, #BE6748, #AD5535, #9C4322 and #8B310F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CF795B shade: #CF7759 and #CF5959

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CF795B shade: #CF7759, #CF9759, #CFB759, #C7CF59 and #A7CF59

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CF795B shade matches the following richer shades: #CF7759, #E06F48 and #F16736

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CF795B shade: #CF7759, #BD806A, #AC887C, #9B918D and #89999E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CF795B shade: #CF597A, #CF595B, #CF7659, #CF9659 and #CFB559

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CF795B shade: #A54E30, #C55D39, #CF7759, #D89279 and #E1AC99

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CF795B shade: #CF795B, #9ACF59 and #596BCF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CF795B shade: #CF795B, #59CF76 and #7659CF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CF795B shade: #CF795B, #9ACF59, #59B1CF and #8E59CF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CF795B shade: #CF795B, #76CF59, #59B1CF and #B159CF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 42 / 56 / 19

HEX #CF795B

RGB 207 121 91

HSL 15.52, 0.55%, 0.58%

LAB 59.61, 30.61, 30.82

 

Complementary color

CMYK 71 / 18 / 0 / 36

HEX #3086A4

RGB 48 134 164

HSL 195.52, 0.55%, 0.42%

LAB 52.24, -15.53, -23.38

 

CMYK 0 / 43 / 59 / 17

HEX #D47956

RGB 212 121 86

HSL 16.67, 0.59%, 0.58%

LAB 60.2, 32.21, 34.45

 

CMYK 0 / 39 / 54 / 10

HEX #E58B69

RGB 229 139 105

HSL 16.45, 0.7%, 0.65%

LAB 66.63, 30.91, 32.66

 

CMYK 0 / 36 / 50 / 4

HEX #F69D7C

RGB 246 157 124

HSL 16.23, 0.87%, 0.73%

LAB 73, 29.74, 31.05

 

CMYK 0 / 31 / 44 / 0

HEX #FFAF8F

RGB 255 175 143

HSL 17.14, 1%, 0.78%

LAB 78.41, 25.61, 28.22

 

CMYK 0 / 24 / 36 / 0

HEX #FFC1A2

RGB 255 193 162

HSL 20, 1%, 0.82%

LAB 82.92, 18.24, 24.24

 

CMYK 0 / 42 / 56 / 19

HEX #CF795B

RGB 207 121 91

HSL 15.52, 0.55%, 0.58%

LAB 59.61, 30.61, 30.82

 

CMYK 0 / 46 / 62 / 25

HEX #BE6748

RGB 190 103 72

HSL 15.76, 0.48%, 0.51%

LAB 53.08, 31.98, 32.72

 

CMYK 0 / 51 / 69 / 32

HEX #AD5535

RGB 173 85 53

HSL 16, 0.53%, 0.44%

LAB 46.5, 33.49, 34.85

 

CMYK 0 / 57 / 78 / 39

HEX #9C4322

RGB 156 67 34

HSL 16.23, 0.64%, 0.37%

LAB 39.91, 35.11, 37.15

 

CMYK 0 / 65 / 89 / 45

HEX #8B310F

RGB 139 49 15

HSL 16.45, 0.81%, 0.3%

LAB 33.39, 36.76, 39.23

 

CMYK 0 / 43 / 57 / 19

HEX #CF7759

RGB 207 119 89

HSL 15.25, 0.55%, 0.58%

LAB 59.14, 31.51, 31.33

 

CMYK 0 / 57 / 57 / 19

HEX #CF5959

RGB 207 89 89

HSL 0, 0.55%, 0.58%

LAB 53.09, 46.76, 23.53

 

CMYK 0 / 43 / 57 / 19

HEX #CF7759

RGB 207 119 89

HSL 15.25, 0.55%, 0.58%

LAB 59.14, 31.51, 31.33

 

CMYK 0 / 27 / 57 / 19

HEX #CF9759

RGB 207 151 89

HSL 31.53, 0.55%, 0.58%

LAB 66.61, 14.19, 40.56

 

CMYK 0 / 12 / 57 / 19

HEX #CFB759

RGB 207 183 89

HSL 47.8, 0.55%, 0.58%

LAB 74.73, -2.93, 50.14

 

CMYK 4 / 0 / 57 / 19

HEX #C7CF59

RGB 199 207 89

HSL 64.07, 0.55%, 0.58%

LAB 80.45, -18.49, 56.46

 

CMYK 19 / 0 / 57 / 19

HEX #A7CF59

RGB 167 207 89

HSL 80.34, 0.55%, 0.58%

LAB 78.21, -31.2, 53.31

 

CMYK 0 / 43 / 57 / 19

HEX #CF7759

RGB 207 119 89

HSL 15.25, 0.55%, 0.58%

LAB 59.14, 31.51, 31.33

 

CMYK 0 / 50 / 68 / 12

HEX #E06F48

RGB 224 111 72

HSL 15.39, 0.71%, 0.58%

LAB 59.6, 41.16, 41.66

 

CMYK 0 / 57 / 78 / 5

HEX #F16736

RGB 241 103 54

HSL 15.72, 0.87%, 0.58%

LAB 60.49, 50.52, 52.44

 

CMYK 0 / 43 / 57 / 19

HEX #CF7759

RGB 207 119 89

HSL 15.25, 0.55%, 0.58%

LAB 59.14, 31.51, 31.33

 

CMYK 0 / 32 / 44 / 26

HEX #BD806A

RGB 189 128 106

HSL 15.9, 0.39%, 0.58%

LAB 59.25, 20.96, 21.51

 

CMYK 0 / 21 / 28 / 33

HEX #AC887C

RGB 172 136 124

HSL 15, 0.22%, 0.58%

LAB 59.74, 11.9, 11.66

 

CMYK 0 / 6 / 9 / 39

HEX #9B918D

RGB 155 145 141

HSL 17.14, 0.07%, 0.58%

LAB 60.91, 2.97, 3.44

 

CMYK 13 / 3 / 0 / 38

HEX #89999E

RGB 137 153 158

HSL 194.29, 0.1%, 0.58%

LAB 62.14, -4.61, -4.56

 

CMYK 0 / 57 / 41 / 19

HEX #CF597A

RGB 207 89 122

HSL 343.22, 0.55%, 0.58%

LAB 53.83, 49.78, 5.04

 

CMYK 0 / 57 / 56 / 19

HEX #CF595B

RGB 207 89 91

HSL 358.98, 0.55%, 0.58%

LAB 53.13, 46.91, 22.41

 

CMYK 0 / 43 / 57 / 19

HEX #CF7659

RGB 207 118 89

HSL 14.75, 0.55%, 0.58%

LAB 58.92, 32.04, 31.05

 

CMYK 0 / 28 / 57 / 19

HEX #CF9659

RGB 207 150 89

HSL 31.02, 0.55%, 0.58%

LAB 66.37, 14.74, 40.27

 

CMYK 0 / 13 / 57 / 19

HEX #CFB559

RGB 207 181 89

HSL 46.78, 0.55%, 0.58%

LAB 74.21, -1.88, 49.54

 

CMYK 0 / 53 / 71 / 35

HEX #A54E30

RGB 165 78 48

HSL 15.38, 0.55%, 0.42%

LAB 43.74, 33.68, 34.15

 

CMYK 0 / 53 / 71 / 23

HEX #C55D39

RGB 197 93 57

HSL 15.43, 0.55%, 0.5%

LAB 51.83, 39.04, 39.71

 

CMYK 0 / 43 / 57 / 19

HEX #CF7759

RGB 207 119 89

HSL 15.25, 0.55%, 0.58%

LAB 59.14, 31.51, 31.33

 

CMYK 0 / 32 / 44 / 15

HEX #D89279

RGB 216 146 121

HSL 15.79, 0.55%, 0.66%

LAB 66.93, 23.54, 24

 

CMYK 0 / 24 / 32 / 12

HEX #E1AC99

RGB 225 172 153

HSL 15.83, 0.55%, 0.74%

LAB 74.71, 16.79, 17.27

 

CMYK 0 / 42 / 56 / 19

HEX #CF795B

RGB 207 121 91

HSL 15.52, 0.55%, 0.58%

LAB 59.61, 30.61, 30.82

 

CMYK 26 / 0 / 57 / 19

HEX #9ACF59

RGB 154 207 89

HSL 86.95, 0.55%, 0.58%

LAB 77.41, -36.1, 52.2

 

CMYK 57 / 48 / 0 / 19

HEX #596BCF

RGB 89 107 207

HSL 230.85, 0.55%, 0.58%

LAB 48.44, 22.77, -54

 

CMYK 0 / 42 / 56 / 19

HEX #CF795B

RGB 207 121 91

HSL 15.52, 0.55%, 0.58%

LAB 59.61, 30.61, 30.82

 

CMYK 57 / 0 / 43 / 19

HEX #59CF76

RGB 89 207 118

HSL 134.75, 0.55%, 0.58%

LAB 74.86, -52.34, 34.43

 

CMYK 43 / 57 / 0 / 19

HEX #7659CF

RGB 118 89 207

HSL 254.75, 0.55%, 0.58%

LAB 46.31, 39.82, -57.3

 

CMYK 0 / 42 / 56 / 19

HEX #CF795B

RGB 207 121 91

HSL 15.52, 0.55%, 0.58%

LAB 59.61, 30.61, 30.82

 

CMYK 26 / 0 / 57 / 19

HEX #9ACF59

RGB 154 207 89

HSL 86.95, 0.55%, 0.58%

LAB 77.41, -36.1, 52.2

 

CMYK 57 / 14 / 0 / 19

HEX #59B1CF

RGB 89 177 207

HSL 195.25, 0.55%, 0.58%

LAB 68.07, -17.83, -23.22

 

CMYK 31 / 57 / 0 / 19

HEX #8E59CF

RGB 142 89 207

HSL 266.95, 0.55%, 0.58%

LAB 48.76, 45.39, -53.24

 

CMYK 0 / 42 / 56 / 19

HEX #CF795B

RGB 207 121 91

HSL 15.52, 0.55%, 0.58%

LAB 59.61, 30.61, 30.82

 

CMYK 43 / 0 / 57 / 19

HEX #76CF59

RGB 118 207 89

HSL 105.25, 0.55%, 0.58%

LAB 75.57, -48.38, 49.6

 

CMYK 57 / 14 / 0 / 19

HEX #59B1CF

RGB 89 177 207

HSL 195.25, 0.55%, 0.58%

LAB 68.07, -17.83, -23.22

 

CMYK 14 / 57 / 0 / 19

HEX #B159CF

RGB 177 89 207

HSL 284.75, 0.55%, 0.58%

LAB 52.95, 54.12, -46.31

 

Description

Color code: HEX #CF795B | qconv.com Color code: HEX #CF795B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 121 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 121 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 42 magenta, 56 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 42% 56% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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