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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CF7948 it is the complementary color #3086B7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CF7948. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CF7948 shade: #D47943, #E58B56, #F69D69, #FFAF7C and #FFC18F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CF7948. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CF7948 shade: #CF7948, #BE6735, #AD5522, #9C430F and #8B3100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CF7948 shade: #CF7A4A, #CF564A and #CF4A4A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CF7948 shade: #CF7A4A, #CF9E4A, #CFC24A, #B8CF4A and #94CF4A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CF7948 shade matches the following richer shades: #CF7A4A, #E17537 and #F47025

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CF7948 shade: #CF7A4A, #BC7F5C, #AA846F, #978981 and #858E94

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CF7948 shade: #CF4A62, #CF554A, #CF784A, #CF9C4A and #CFBF4A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CF7948 shade: #9C532A, #BD6532, #CF7A4A, #D7926A and #E0AA8B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CF7948 shade: #CF7948, #86CF4A and #4A50CF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CF7948 shade: #CF7948, #4ACF78 and #784ACF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CF7948 shade: #CF7948, #86CF4A, #4AA0CF and #934ACF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CF7948 shade: #CF7948, #5ECF4A, #4AA0CF and #BB4ACF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 42 / 65 / 19

HEX #CF7948

RGB 207 121 72

HSL 21.78, 0.58%, 0.55%

LAB 59.35, 29.24, 40.77

 

Complementary color

CMYK 74 / 27 / 0 / 28

HEX #3086B7

RGB 48 134 183

HSL 201.78, 0.58%, 0.45%

LAB 53.06, -8.98, -33.06

 

CMYK 0 / 43 / 68 / 17

HEX #D47943

RGB 212 121 67

HSL 22.34, 0.63%, 0.55%

LAB 59.96, 30.98, 44.21

 

CMYK 0 / 39 / 62 / 10

HEX #E58B56

RGB 229 139 86

HSL 22.24, 0.73%, 0.62%

LAB 66.36, 29.49, 42.44

 

CMYK 0 / 36 / 57 / 4

HEX #F69D69

RGB 246 157 105

HSL 22.13, 0.89%, 0.69%

LAB 72.71, 28.16, 40.75

 

CMYK 0 / 31 / 51 / 0

HEX #FFAF7C

RGB 255 175 124

HSL 23.36, 1%, 0.74%

LAB 78.1, 23.83, 37.84

 

CMYK 0 / 24 / 44 / 0

HEX #FFC18F

RGB 255 193 143

HSL 26.79, 1%, 0.78%

LAB 82.58, 16.19, 33.76

 

CMYK 0 / 42 / 65 / 19

HEX #CF7948

RGB 207 121 72

HSL 21.78, 0.58%, 0.55%

LAB 59.35, 29.24, 40.77

 

CMYK 0 / 46 / 72 / 25

HEX #BE6735

RGB 190 103 53

HSL 21.9, 0.56%, 0.48%

LAB 52.85, 30.83, 42.61

 

CMYK 0 / 51 / 80 / 32

HEX #AD5522

RGB 173 85 34

HSL 22.01, 0.67%, 0.41%

LAB 46.31, 32.6, 44.39

 

CMYK 0 / 57 / 90 / 39

HEX #9C430F

RGB 156 67 15

HSL 22.13, 0.82%, 0.34%

LAB 39.78, 34.53, 45.55

 

CMYK 0 / 65 / 100 / 45

HEX #8B3100

RGB 139 49 0

HSL 21.15, 1%, 0.27%

LAB 33.32, 36.47, 45.08

 

CMYK 0 / 41 / 64 / 19

HEX #CF7A4A

RGB 207 122 74

HSL 21.65, 0.58%, 0.55%

LAB 59.6, 28.83, 40.01

 

CMYK 0 / 58 / 64 / 19

HEX #CF564A

RGB 207 86 74

HSL 5.41, 0.58%, 0.55%

LAB 52.3, 47.14, 31.22

 

CMYK 0 / 64 / 64 / 19

HEX #CF4A4A

RGB 207 74 74

HSL 0, 0.58%, 0.55%

LAB 50.28, 52.51, 28.71

 

CMYK 0 / 41 / 64 / 19

HEX #CF7A4A

RGB 207 122 74

HSL 21.65, 0.58%, 0.55%

LAB 59.6, 28.83, 40.01

 

CMYK 0 / 24 / 64 / 19

HEX #CF9E4A

RGB 207 158 74

HSL 37.89, 0.58%, 0.55%

LAB 68.18, 9.33, 49.81

 

CMYK 0 / 6 / 64 / 19

HEX #CFC24A

RGB 207 194 74

HSL 54.14, 0.58%, 0.55%

LAB 77.49, -9.65, 59.89

 

CMYK 11 / 0 / 64 / 19

HEX #B8CF4A

RGB 184 207 74

HSL 70.38, 0.58%, 0.55%

LAB 79.22, -25.65, 61.17

 

CMYK 29 / 0 / 64 / 19

HEX #94CF4A

RGB 148 207 74

HSL 86.62, 0.58%, 0.55%

LAB 76.93, -39.6, 58.05

 

CMYK 0 / 41 / 64 / 19

HEX #CF7A4A

RGB 207 122 74

HSL 21.65, 0.58%, 0.55%

LAB 59.6, 28.83, 40.01

 

CMYK 0 / 48 / 76 / 12

HEX #E17537

RGB 225 117 55

HSL 21.88, 0.74%, 0.55%

LAB 60.79, 37.69, 51.5

 

CMYK 0 / 54 / 85 / 4

HEX #F47025

RGB 244 112 37

HSL 21.74, 0.9%, 0.55%

LAB 62.47, 46.9, 61.65

 

CMYK 0 / 41 / 64 / 19

HEX #CF7A4A

RGB 207 122 74

HSL 21.65, 0.58%, 0.55%

LAB 59.6, 28.83, 40.01

 

CMYK 0 / 32 / 51 / 26

HEX #BC7F5C

RGB 188 127 92

HSL 21.88, 0.42%, 0.55%

LAB 58.64, 19.68, 28.54

 

CMYK 0 / 22 / 35 / 33

HEX #AA846F

RGB 170 132 111

HSL 21.36, 0.26%, 0.55%

LAB 58.22, 11.57, 16.93

 

CMYK 0 / 9 / 15 / 41

HEX #978981

RGB 151 137 129

HSL 21.82, 0.1%, 0.55%

LAB 58.09, 3.85, 6.19

 

CMYK 10 / 4 / 0 / 42

HEX #858E94

RGB 133 142 148

HSL 204, 0.07%, 0.55%

LAB 58.48, -2, -4.31

 

CMYK 0 / 64 / 53 / 19

HEX #CF4A62

RGB 207 74 98

HSL 349.17, 0.58%, 0.55%

LAB 50.74, 54.21, 15.02

 

CMYK 0 / 59 / 64 / 19

HEX #CF554A

RGB 207 85 74

HSL 4.96, 0.58%, 0.55%

LAB 52.13, 47.6, 31

 

CMYK 0 / 42 / 64 / 19

HEX #CF784A

RGB 207 120 74

HSL 20.75, 0.58%, 0.55%

LAB 59.15, 29.9, 39.48

 

CMYK 0 / 25 / 64 / 19

HEX #CF9C4A

RGB 207 156 74

HSL 36.99, 0.58%, 0.55%

LAB 67.68, 10.41, 49.25

 

CMYK 0 / 8 / 64 / 19

HEX #CFBF4A

RGB 207 191 74

HSL 52.78, 0.58%, 0.55%

LAB 76.69, -8.12, 59.05

 

CMYK 0 / 47 / 73 / 39

HEX #9C532A

RGB 156 83 42

HSL 21.58, 0.58%, 0.39%

LAB 43.39, 26.93, 36.62

 

CMYK 0 / 47 / 74 / 26

HEX #BD6532

RGB 189 101 50

HSL 22.01, 0.58%, 0.47%

LAB 52.24, 31.34, 43.43

 

CMYK 0 / 41 / 64 / 19

HEX #CF7A4A

RGB 207 122 74

HSL 21.65, 0.58%, 0.55%

LAB 59.6, 28.83, 40.01

 

CMYK 0 / 32 / 51 / 16

HEX #D7926A

RGB 215 146 106

HSL 22.02, 0.58%, 0.63%

LAB 66.55, 21.66, 31.69

 

CMYK 0 / 24 / 38 / 12

HEX #E0AA8B

RGB 224 170 139

HSL 21.88, 0.58%, 0.71%

LAB 73.84, 15.77, 23.66

 

CMYK 0 / 42 / 65 / 19

HEX #CF7948

RGB 207 121 72

HSL 21.78, 0.58%, 0.55%

LAB 59.35, 29.24, 40.77

 

CMYK 35 / 0 / 64 / 19

HEX #86CF4A

RGB 134 207 74

HSL 92.93, 0.58%, 0.55%

LAB 76.18, -44.58, 57.03

 

CMYK 64 / 61 / 0 / 19

HEX #4A50CF

RGB 74 80 207

HSL 237.29, 0.58%, 0.55%

LAB 40.73, 36.93, -66.51

 

CMYK 0 / 42 / 65 / 19

HEX #CF7948

RGB 207 121 72

HSL 21.78, 0.58%, 0.55%

LAB 59.35, 29.24, 40.77

 

CMYK 64 / 0 / 42 / 19

HEX #4ACF78

RGB 74 207 120

HSL 140.75, 0.58%, 0.55%

LAB 74.47, -55.18, 32.83

 

CMYK 42 / 64 / 0 / 19

HEX #784ACF

RGB 120 74 207

HSL 260.75, 0.58%, 0.55%

LAB 43.35, 48.61, -62.08

 

CMYK 0 / 42 / 65 / 19

HEX #CF7948

RGB 207 121 72

HSL 21.78, 0.58%, 0.55%

LAB 59.35, 29.24, 40.77

 

CMYK 35 / 0 / 64 / 19

HEX #86CF4A

RGB 134 207 74

HSL 92.93, 0.58%, 0.55%

LAB 76.18, -44.58, 57.03

 

CMYK 64 / 23 / 0 / 19

HEX #4AA0CF

RGB 74 160 207

HSL 201.2, 0.58%, 0.55%

LAB 62.59, -11.48, -31.7

 

CMYK 29 / 64 / 0 / 19

HEX #934ACF

RGB 147 74 207

HSL 272.93, 0.58%, 0.55%

LAB 46.45, 54.31, -56.91

 

CMYK 0 / 42 / 65 / 19

HEX #CF7948

RGB 207 121 72

HSL 21.78, 0.58%, 0.55%

LAB 59.35, 29.24, 40.77

 

CMYK 55 / 0 / 64 / 19

HEX #5ECF4A

RGB 94 207 74

HSL 110.98, 0.58%, 0.55%

LAB 74.51, -56.78, 54.71

 

CMYK 64 / 23 / 0 / 19

HEX #4AA0CF

RGB 74 160 207

HSL 201.2, 0.58%, 0.55%

LAB 62.59, -11.48, -31.7

 

CMYK 10 / 64 / 0 / 19

HEX #BB4ACF

RGB 187 74 207

HSL 290.98, 0.58%, 0.55%

LAB 51.8, 63.4, -48.05

 

Description

Color code: HEX #CF7948 | qconv.com Color code: HEX #CF7948 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 121 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 121 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 42 magenta, 65 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 42% 65% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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