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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CF6F7E it is the complementary color #309081. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CF6F7E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CF6F7E shade: #D46F79, #E5818C, #F6939F, #FFA5B2 and #FFB7C5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CF6F7E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CF6F7E shade: #CF6F7E, #BE5D6B, #AD4B58, #9C3945 and #8B2732

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CF6F7E shade: #CF6E7D and #CF6E6E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CF6F7E shade: #CF6E7D, #CF6E97, #CF6EB1, #CF6ECB and #B86ECF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CF6F7E shade matches the following richer shades: #CF6E7D, #DE5E72, #EE4E67 and #FE3F5C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CF6F7E shade: #CF6E7D, #BF7D88, #AF8D92, #A09D9D and #90ACA8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CF6F7E shade: #CF6EB1, #CF6E98, #CF6E7E, #CF776E and #CF916E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CF6F7E shade: #AF3A4D, #C44F61, #CF6E7D, #D98D99 and #E3ACB4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CF6F7E shade: #CF6F7E, #CBCF6E and #6EA5CF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CF6F7E shade: #CF6F7E, #7ECF6E and #6E7ECF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CF6F7E shade: #CF6F7E, #CBCF6E, #6ECFBE and #716ECF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CF6F7E shade: #CF6F7E, #AECF6E, #6ECFBE and #8E6ECF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 46 / 39 / 19

HEX #CF6F7E

RGB 207 111 126

HSL 350.63, 0.5%, 0.62%

LAB 58.17, 39.3, 8.89

 

Complementary color

CMYK 67 / 0 / 10 / 44

HEX #309081

RGB 48 144 129

HSL 170.63, 0.5%, 0.38%

LAB 54.2, -31.44, -0.2

 

CMYK 0 / 48 / 43 / 17

HEX #D46F79

RGB 212 111 121

HSL 354.06, 0.54%, 0.63%

LAB 58.74, 40.57, 12.69

 

CMYK 0 / 44 / 39 / 10

HEX #E5818C

RGB 229 129 140

HSL 353.4, 0.66%, 0.7%

LAB 65.16, 39.56, 11.17

 

CMYK 0 / 40 / 35 / 4

HEX #F6939F

RGB 246 147 159

HSL 352.73, 0.85%, 0.77%

LAB 71.53, 38.61, 9.84

 

CMYK 0 / 35 / 30 / 0

HEX #FFA5B2

RGB 255 165 178

HSL 351.33, 1%, 0.82%

LAB 76.91, 34.85, 7.21

 

CMYK 0 / 28 / 23 / 0

HEX #FFB7C5

RGB 255 183 197

HSL 348.33, 1%, 0.86%

LAB 81.38, 28.01, 3.34

 

CMYK 0 / 46 / 39 / 19

HEX #CF6F7E

RGB 207 111 126

HSL 350.63, 0.5%, 0.62%

LAB 58.17, 39.3, 8.89

 

CMYK 0 / 51 / 44 / 25

HEX #BE5D6B

RGB 190 93 107

HSL 351.34, 0.43%, 0.55%

LAB 51.65, 40.31, 10.5

 

CMYK 0 / 57 / 49 / 32

HEX #AD4B58

RGB 173 75 88

HSL 352.04, 0.4%, 0.49%

LAB 45.11, 41.3, 12.44

 

CMYK 0 / 63 / 56 / 39

HEX #9C3945

RGB 156 57 69

HSL 352.73, 0.46%, 0.42%

LAB 38.59, 42.18, 14.83

 

CMYK 0 / 72 / 64 / 45

HEX #8B2732

RGB 139 39 50

HSL 353.4, 0.56%, 0.35%

LAB 32.19, 42.75, 17.89

 

CMYK 0 / 47 / 40 / 19

HEX #CF6E7D

RGB 207 110 125

HSL 350.72, 0.5%, 0.62%

LAB 57.94, 39.71, 9.14

 

CMYK 0 / 47 / 47 / 19

HEX #CF6E6E

RGB 207 110 110

HSL 0, 0.5%, 0.62%

LAB 57.6, 38.12, 17.37

 

CMYK 0 / 47 / 40 / 19

HEX #CF6E7D

RGB 207 110 125

HSL 350.72, 0.5%, 0.62%

LAB 57.94, 39.71, 9.14

 

CMYK 0 / 47 / 27 / 19

HEX #CF6E97

RGB 207 110 151

HSL 334.64, 0.5%, 0.62%

LAB 58.65, 42.96, -4.92

 

CMYK 0 / 47 / 14 / 19

HEX #CF6EB1

RGB 207 110 177

HSL 318.56, 0.5%, 0.62%

LAB 59.52, 46.81, -18.61

 

CMYK 0 / 47 / 2 / 19

HEX #CF6ECB

RGB 207 110 203

HSL 302.47, 0.5%, 0.62%

LAB 60.54, 51.18, -31.84

 

CMYK 11 / 47 / 0 / 19

HEX #B86ECF

RGB 184 110 207

HSL 285.77, 0.5%, 0.62%

LAB 57.89, 45.28, -38.45

 

CMYK 0 / 47 / 40 / 19

HEX #CF6E7D

RGB 207 110 125

HSL 350.72, 0.5%, 0.62%

LAB 57.94, 39.71, 9.14

 

CMYK 0 / 58 / 49 / 13

HEX #DE5E72

RGB 222 94 114

HSL 350.63, 0.66%, 0.62%

LAB 56.83, 51.7, 14.32

 

CMYK 0 / 67 / 57 / 7

HEX #EE4E67

RGB 238 78 103

HSL 350.63, 0.82%, 0.62%

LAB 56.69, 62.73, 21.01

 

CMYK 0 / 75 / 64 / 0

HEX #FE3F5C

RGB 254 63 92

HSL 350.89, 0.99%, 0.62%

LAB 57.46, 71.84, 29

 

CMYK 0 / 47 / 40 / 19

HEX #CF6E7D

RGB 207 110 125

HSL 350.72, 0.5%, 0.62%

LAB 57.94, 39.71, 9.14

 

CMYK 0 / 35 / 29 / 25

HEX #BF7D88

RGB 191 125 136

HSL 350, 0.34%, 0.62%

LAB 59.45, 27.12, 4.67

 

CMYK 0 / 19 / 17 / 31

HEX #AF8D92

RGB 175 141 146

HSL 351.18, 0.18%, 0.62%

LAB 61.86, 13.65, 2.21

 

CMYK 0 / 2 / 2 / 37

HEX #A09D9D

RGB 160 157 157

HSL 0, 0.02%, 0.62%

LAB 64.98, 1.09, 0.38

 

CMYK 16 / 0 / 2 / 33

HEX #90ACA8

RGB 144 172 168

HSL 171.43, 0.14%, 0.62%

LAB 68.21, -10.43, -1.17

 

CMYK 0 / 47 / 14 / 19

HEX #CF6EB1

RGB 207 110 177

HSL 318.56, 0.5%, 0.62%

LAB 59.52, 46.81, -18.61

 

CMYK 0 / 47 / 27 / 19

HEX #CF6E98

RGB 207 110 152

HSL 334.02, 0.5%, 0.62%

LAB 58.68, 43.1, -5.46

 

CMYK 0 / 47 / 39 / 19

HEX #CF6E7E

RGB 207 110 126

HSL 350.1, 0.5%, 0.62%

LAB 57.96, 39.82, 8.6

 

CMYK 0 / 43 / 47 / 19

HEX #CF776E

RGB 207 119 110

HSL 5.57, 0.5%, 0.62%

LAB 59.51, 33.39, 19.97

 

CMYK 0 / 30 / 47 / 19

HEX #CF916E

RGB 207 145 110

HSL 21.65, 0.5%, 0.62%

LAB 65.47, 19.34, 27.92

 

CMYK 0 / 67 / 56 / 31

HEX #AF3A4D

RGB 175 58 77

HSL 350.26, 0.5%, 0.46%

LAB 42.27, 48.84, 15.37

 

CMYK 0 / 60 / 51 / 23

HEX #C44F61

RGB 196 79 97

HSL 350.77, 0.5%, 0.54%

LAB 49.73, 48.27, 13.94

 

CMYK 0 / 47 / 40 / 19

HEX #CF6E7D

RGB 207 110 125

HSL 350.72, 0.5%, 0.62%

LAB 57.94, 39.71, 9.14

 

CMYK 0 / 35 / 29 / 15

HEX #D98D99

RGB 217 141 153

HSL 350.53, 0.5%, 0.7%

LAB 66.6, 30.44, 5.68

 

CMYK 0 / 24 / 21 / 11

HEX #E3ACB4

RGB 227 172 180

HSL 351.27, 0.5%, 0.78%

LAB 75.53, 21.28, 3.74

 

CMYK 0 / 46 / 39 / 19

HEX #CF6F7E

RGB 207 111 126

HSL 350.63, 0.5%, 0.62%

LAB 58.17, 39.3, 8.89

 

CMYK 2 / 0 / 47 / 19

HEX #CBCF6E

RGB 203 207 110

HSL 62.47, 0.5%, 0.62%

LAB 80.99, -15.08, 47.4

 

CMYK 47 / 20 / 0 / 19

HEX #6EA5CF

RGB 110 165 207

HSL 205.98, 0.5%, 0.62%

LAB 65.54, -6.74, -27.03

 

CMYK 0 / 46 / 39 / 19

HEX #CF6F7E

RGB 207 111 126

HSL 350.63, 0.5%, 0.62%

LAB 58.17, 39.3, 8.89

 

CMYK 39 / 0 / 47 / 19

HEX #7ECF6E

RGB 126 207 110

HSL 110.1, 0.5%, 0.62%

LAB 76.18, -43.35, 40.41

 

CMYK 47 / 39 / 0 / 19

HEX #6E7ECF

RGB 110 126 207

HSL 230.1, 0.5%, 0.62%

LAB 54.81, 15.82, -43.78

 

CMYK 0 / 46 / 39 / 19

HEX #CF6F7E

RGB 207 111 126

HSL 350.63, 0.5%, 0.62%

LAB 58.17, 39.3, 8.89

 

CMYK 2 / 0 / 47 / 19

HEX #CBCF6E

RGB 203 207 110

HSL 62.47, 0.5%, 0.62%

LAB 80.99, -15.08, 47.4

 

CMYK 47 / 0 / 8 / 19

HEX #6ECFBE

RGB 110 207 190

HSL 169.48, 0.5%, 0.62%

LAB 77.08, -32.73, -0.41

 

CMYK 45 / 47 / 0 / 19

HEX #716ECF

RGB 113 110 207

HSL 241.86, 0.5%, 0.62%

LAB 50.88, 26.19, -50

 

CMYK 0 / 46 / 39 / 19

HEX #CF6F7E

RGB 207 111 126

HSL 350.63, 0.5%, 0.62%

LAB 58.17, 39.3, 8.89

 

CMYK 16 / 0 / 47 / 19

HEX #AECF6E

RGB 174 207 110

HSL 80.41, 0.5%, 0.62%

LAB 78.9, -26.45, 44.37

 

CMYK 47 / 0 / 8 / 19

HEX #6ECFBE

RGB 110 207 190

HSL 169.48, 0.5%, 0.62%

LAB 77.08, -32.73, -0.41

 

CMYK 31 / 47 / 0 / 19

HEX #8E6ECF

RGB 142 110 207

HSL 259.79, 0.5%, 0.62%

LAB 53.39, 33.56, -45.85

 

Description

Color code: HEX #CF6F7E | qconv.com Color code: HEX #CF6F7E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 111 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 111 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 46 magenta, 39 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 46% 39% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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