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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CF6F65 it is the complementary color #30909A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CF6F65. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CF6F65 shade: #D46F60, #E58173, #F69386, #FFA599 and #FFB7AC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CF6F65. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CF6F65 shade: #CF6F65, #BE5D52, #AD4B3F, #9C392C and #8B2719

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CF6F65 shade: #CE6E64 and #CE6464

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CF6F65 shade: #CE6E64, #CE8B64, #CEA764, #CEC464 and #BCCE64

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CF6F65 shade matches the following richer shades: #CE6E64, #DF6153 and #EF5343

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CF6F65 shade: #CE6E64, #BE7B74, #AD8985, #9D9695 and #8CA4A6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CF6F65 shade: #CE6494, #CE6477, #CE6D64, #CE8964 and #CEA564

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CF6F65 shade: #AA4136, #C45145, #CE6E64, #D88B83 and #E2A9A3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CF6F65 shade: #CF6F65, #B0CE64 and #6486CE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CF6F65 shade: #CF6F65, #64CE6D and #6D64CE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CF6F65 shade: #CF6F65, #B0CE64, #64C5CE and #8264CE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CF6F65 shade: #CF6F65, #90CE64, #64C5CE and #A264CE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 46 / 51 / 19

HEX #CF6F65

RGB 207 111 101

HSL 5.66, 0.52%, 0.6%

LAB 57.63, 36.75, 22.59

 

Complementary color

CMYK 69 / 6 / 0 / 40

HEX #30909A

RGB 48 144 154

HSL 185.66, 0.52%, 0.4%

LAB 54.98, -24.09, -13.44

 

CMYK 0 / 48 / 55 / 17

HEX #D46F60

RGB 212 111 96

HSL 7.76, 0.57%, 0.6%

LAB 58.24, 38.22, 26.37

 

CMYK 0 / 44 / 50 / 10

HEX #E58173

RGB 229 129 115

HSL 7.37, 0.69%, 0.67%

LAB 64.64, 37.01, 24.55

 

CMYK 0 / 40 / 46 / 4

HEX #F69386

RGB 246 147 134

HSL 6.96, 0.86%, 0.75%

LAB 71, 35.89, 22.94

 

CMYK 0 / 35 / 40 / 0

HEX #FFA599

RGB 255 165 153

HSL 7.06, 1%, 0.8%

LAB 76.36, 31.89, 20.06

 

CMYK 0 / 28 / 33 / 0

HEX #FFB7AC

RGB 255 183 172

HSL 7.95, 1%, 0.84%

LAB 80.8, 24.68, 15.97

 

CMYK 0 / 46 / 51 / 19

HEX #CF6F65

RGB 207 111 101

HSL 5.66, 0.52%, 0.6%

LAB 57.63, 36.75, 22.59

 

CMYK 0 / 51 / 57 / 25

HEX #BE5D52

RGB 190 93 82

HSL 6.11, 0.45%, 0.53%

LAB 51.13, 37.98, 24.57

 

CMYK 0 / 57 / 64 / 32

HEX #AD4B3F

RGB 173 75 63

HSL 6.55, 0.47%, 0.46%

LAB 44.63, 39.25, 26.89

 

CMYK 0 / 63 / 72 / 39

HEX #9C392C

RGB 156 57 44

HSL 6.96, 0.56%, 0.39%

LAB 38.16, 40.49, 29.64

 

CMYK 0 / 72 / 82 / 45

HEX #8B2719

RGB 139 39 25

HSL 7.37, 0.7%, 0.32%

LAB 31.83, 41.48, 32.83

 

CMYK 0 / 47 / 51 / 19

HEX #CE6E64

RGB 206 110 100

HSL 5.66, 0.52%, 0.6%

LAB 57.26, 36.8, 22.65

 

CMYK 0 / 51 / 51 / 19

HEX #CE6464

RGB 206 100 100

HSL 0, 0.52%, 0.6%

LAB 55.23, 41.92, 19.93

 

CMYK 0 / 47 / 51 / 19

HEX #CE6E64

RGB 206 110 100

HSL 5.66, 0.52%, 0.6%

LAB 57.26, 36.8, 22.65

 

CMYK 0 / 33 / 51 / 19

HEX #CE8B64

RGB 206 139 100

HSL 22.08, 0.52%, 0.6%

LAB 63.76, 21.25, 31.14

 

CMYK 0 / 19 / 51 / 19

HEX #CEA764

RGB 206 167 100

HSL 37.92, 0.52%, 0.6%

LAB 70.65, 6.05, 39.81

 

CMYK 0 / 5 / 51 / 19

HEX #CEC464

RGB 206 196 100

HSL 54.34, 0.52%, 0.6%

LAB 78.18, -9.19, 48.91

 

CMYK 9 / 0 / 51 / 19

HEX #BCCE64

RGB 188 206 100

HSL 70.19, 0.52%, 0.6%

LAB 79.47, -21.51, 50.09

 

CMYK 0 / 47 / 51 / 19

HEX #CE6E64

RGB 206 110 100

HSL 5.66, 0.52%, 0.6%

LAB 57.26, 36.8, 22.65

 

CMYK 0 / 57 / 63 / 13

HEX #DF6153

RGB 223 97 83

HSL 6, 0.69%, 0.6%

LAB 56.94, 48.26, 32.41

 

CMYK 0 / 65 / 72 / 6

HEX #EF5343

RGB 239 83 67

HSL 5.58, 0.84%, 0.6%

LAB 57.02, 59.03, 42.02

 

CMYK 0 / 47 / 51 / 19

HEX #CE6E64

RGB 206 110 100

HSL 5.66, 0.52%, 0.6%

LAB 57.26, 36.8, 22.65

 

CMYK 0 / 35 / 39 / 25

HEX #BE7B74

RGB 190 123 116

HSL 5.68, 0.36%, 0.6%

LAB 58.39, 25.26, 14.66

 

CMYK 0 / 21 / 23 / 32

HEX #AD8985

RGB 173 137 133

HSL 6, 0.2%, 0.6%

LAB 60.31, 13.06, 7.36

 

CMYK 0 / 4 / 5 / 38

HEX #9D9695

RGB 157 150 149

HSL 7.5, 0.04%, 0.6%

LAB 62.63, 2.38, 1.43

 

CMYK 16 / 1 / 0 / 35

HEX #8CA4A6

RGB 140 164 166

HSL 184.62, 0.13%, 0.6%

LAB 65.65, -7.88, -3.85

 

CMYK 0 / 51 / 28 / 19

HEX #CE6494

RGB 206 100 148

HSL 332.83, 0.52%, 0.6%

LAB 56.46, 47.26, -6.44

 

CMYK 0 / 51 / 42 / 19

HEX #CE6477

RGB 206 100 119

HSL 349.25, 0.52%, 0.6%

LAB 55.65, 43.78, 9.39

 

CMYK 0 / 47 / 51 / 19

HEX #CE6D64

RGB 206 109 100

HSL 5.09, 0.52%, 0.6%

LAB 57.06, 37.32, 22.37

 

CMYK 0 / 33 / 51 / 19

HEX #CE8964

RGB 206 137 100

HSL 20.94, 0.52%, 0.6%

LAB 63.29, 22.33, 30.54

 

CMYK 0 / 20 / 51 / 19

HEX #CEA564

RGB 206 165 100

HSL 36.79, 0.52%, 0.6%

LAB 70.14, 7.13, 39.19

 

CMYK 0 / 62 / 68 / 33

HEX #AA4136

RGB 170 65 54

HSL 5.69, 0.52%, 0.44%

LAB 42.14, 42.42, 29.05

 

CMYK 0 / 59 / 65 / 23

HEX #C45145

RGB 196 81 69

HSL 5.67, 0.52%, 0.52%

LAB 49.56, 45.22, 30.31

 

CMYK 0 / 47 / 51 / 19

HEX #CE6E64

RGB 206 110 100

HSL 5.66, 0.52%, 0.6%

LAB 57.26, 36.8, 22.65

 

CMYK 0 / 36 / 39 / 15

HEX #D88B83

RGB 216 139 131

HSL 5.65, 0.52%, 0.68%

LAB 65.52, 28.41, 16.5

 

CMYK 0 / 25 / 28 / 11

HEX #E2A9A3

RGB 226 169 163

HSL 5.71, 0.52%, 0.76%

LAB 74.31, 20.1, 11.27

 

CMYK 0 / 46 / 51 / 19

HEX #CF6F65

RGB 207 111 101

HSL 5.66, 0.52%, 0.6%

LAB 57.63, 36.75, 22.59

 

CMYK 15 / 0 / 51 / 19

HEX #B0CE64

RGB 176 206 100

HSL 76.98, 0.52%, 0.6%

LAB 78.63, -26.23, 48.89

 

CMYK 51 / 35 / 0 / 19

HEX #6486CE

RGB 100 134 206

HSL 220.75, 0.52%, 0.6%

LAB 56.3, 8.37, -40.89

 

CMYK 0 / 46 / 51 / 19

HEX #CF6F65

RGB 207 111 101

HSL 5.66, 0.52%, 0.6%

LAB 57.63, 36.75, 22.59

 

CMYK 51 / 0 / 47 / 19

HEX #64CE6D

RGB 100 206 109

HSL 125.09, 0.52%, 0.6%

LAB 74.8, -50.61, 38.94

 

CMYK 47 / 51 / 0 / 19

HEX #6D64CE

RGB 109 100 206

HSL 245.09, 0.52%, 0.6%

LAB 48.03, 31, -54

 

CMYK 0 / 46 / 51 / 19

HEX #CF6F65

RGB 207 111 101

HSL 5.66, 0.52%, 0.6%

LAB 57.63, 36.75, 22.59

 

CMYK 15 / 0 / 51 / 19

HEX #B0CE64

RGB 176 206 100

HSL 76.98, 0.52%, 0.6%

LAB 78.63, -26.23, 48.89

 

CMYK 51 / 4 / 0 / 19

HEX #64C5CE

RGB 100 197 206

HSL 185.09, 0.52%, 0.6%

LAB 74.25, -26.05, -13.28

 

CMYK 37 / 51 / 0 / 19

HEX #8264CE

RGB 130 100 206

HSL 256.98, 0.52%, 0.6%

LAB 49.88, 35.99, -50.95

 

CMYK 0 / 46 / 51 / 19

HEX #CF6F65

RGB 207 111 101

HSL 5.66, 0.52%, 0.6%

LAB 57.63, 36.75, 22.59

 

CMYK 30 / 0 / 51 / 19

HEX #90CE64

RGB 144 206 100

HSL 95.09, 0.52%, 0.6%

LAB 76.67, -38.12, 46.08

 

CMYK 51 / 4 / 0 / 19

HEX #64C5CE

RGB 100 197 206

HSL 185.09, 0.52%, 0.6%

LAB 74.25, -26.05, -13.28

 

CMYK 21 / 51 / 0 / 19

HEX #A264CE

RGB 162 100 206

HSL 275.09, 0.52%, 0.6%

LAB 53.22, 44.3, -45.42

 

Description

Color code: HEX #CF6F65 | qconv.com Color code: HEX #CF6F65 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 111 green and 101 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 111 101 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 46 magenta, 51 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 46% 51% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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