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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CF6901 it is the complementary color #3096FE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CF6901. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CF6901 shade: #D46900, #E57B0F, #F68D22, #FF9F35 and #FFB148

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CF6901. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CF6901 shade: #CF6901, #BE5700, #AD4500, #9C3300 and #8B2100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CF6901 shade: #D06A01, #D03201 and #D00101

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CF6901 shade: #D06A01, #D0A101, #C7D001, #8FD001 and #57D001

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CF6901 shade matches the following richer shades: #D06A01

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CF6901 shade: #D06A01, #BF6912, #AE6923, #9D6934 and #8C6945

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CF6901 shade: #D00108, #D03101, #D06901, #D0A001 and #C9D001

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CF6901 shade: #7E4001, #A75501, #D06A01, #F97E01 and #FE9326

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CF6901 shade: #CF6901, #3FD001 and #1601D0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CF6901 shade: #CF6901, #01D069 and #6901D0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CF6901 shade: #CF6901, #3FD001, #0169D0 and #9201D0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CF6901 shade: #CF6901, #01D001, #0169D0 and #D001D0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 100 / 19

HEX #CF6901

RGB 207 105 1

HSL 30.29, 0.99%, 0.41%

LAB 55.45, 35.41, 63.35

 

Complementary color

CMYK 81 / 41 / 0 / 0

HEX #3096FE

RGB 48 150 254

HSL 210.29, 0.99%, 0.59%

LAB 61.3, 7.28, -59.75

 

CMYK 0 / 50 / 100 / 17

HEX #D46900

RGB 212 105 0

HSL 29.72, 1%, 0.42%

LAB 56.19, 37.41, 64.36

 

CMYK 0 / 46 / 93 / 10

HEX #E57B0F

RGB 229 123 15

HSL 30.28, 0.88%, 0.48%

LAB 62.39, 35.19, 66.9

 

CMYK 0 / 43 / 86 / 4

HEX #F68D22

RGB 246 141 34

HSL 30.28, 0.92%, 0.55%

LAB 68.58, 33.12, 67.76

 

CMYK 0 / 38 / 79 / 0

HEX #FF9F35

RGB 255 159 53

HSL 31.49, 1%, 0.6%

LAB 73.75, 27.99, 66.2

 

CMYK 0 / 31 / 72 / 0

HEX #FFB148

RGB 255 177 72

HSL 34.43, 1%, 0.64%

LAB 77.98, 19.35, 62.72

 

CMYK 0 / 49 / 100 / 19

HEX #CF6901

RGB 207 105 1

HSL 30.29, 0.99%, 0.41%

LAB 55.45, 35.41, 63.35

 

CMYK 0 / 54 / 100 / 25

HEX #BE5700

RGB 190 87 0

HSL 27.47, 1%, 0.37%

LAB 49.21, 37.76, 58.54

 

CMYK 0 / 60 / 100 / 32

HEX #AD4500

RGB 173 69 0

HSL 23.93, 1%, 0.34%

LAB 42.97, 40, 53.57

 

CMYK 0 / 67 / 100 / 39

HEX #9C3300

RGB 156 51 0

HSL 19.62, 1%, 0.31%

LAB 36.81, 41.94, 48.67

 

CMYK 0 / 76 / 100 / 45

HEX #8B2100

RGB 139 33 0

HSL 14.24, 1%, 0.27%

LAB 30.82, 43.24, 43.42

 

CMYK 0 / 49 / 100 / 18

HEX #D06A01

RGB 208 106 1

HSL 30.43, 0.99%, 0.41%

LAB 55.81, 35.3, 63.64

 

CMYK 0 / 76 / 100 / 18

HEX #D03201

RGB 208 50 1

HSL 14.2, 0.99%, 0.41%

LAB 46.57, 59.63, 58.62

 

CMYK 0 / 100 / 100 / 18

HEX #D00101

RGB 208 1 1

HSL 0, 0.99%, 0.41%

LAB 43.41, 68.62, 57.31

 

CMYK 0 / 49 / 100 / 18

HEX #D06A01

RGB 208 106 1

HSL 30.43, 0.99%, 0.41%

LAB 55.81, 35.3, 63.64

 

CMYK 0 / 23 / 100 / 18

HEX #D0A101

RGB 208 161 1

HSL 46.38, 0.99%, 0.41%

LAB 68.68, 5.79, 72.09

 

CMYK 4 / 0 / 100 / 18

HEX #C7D001

RGB 199 208 1

HSL 62.61, 0.99%, 0.41%

LAB 80.32, -22.3, 80.1

 

CMYK 31 / 0 / 100 / 18

HEX #8FD001

RGB 143 208 1

HSL 78.84, 0.99%, 0.41%

LAB 76.65, -44.81, 75.71

 

CMYK 58 / 0 / 100 / 18

HEX #57D001

RGB 87 208 1

HSL 95.07, 0.99%, 0.41%

LAB 74.28, -62.53, 72.84

 

CMYK 0 / 49 / 100 / 18

HEX #D06A01

RGB 208 106 1

HSL 30.43, 0.99%, 0.41%

LAB 55.81, 35.3, 63.64

 

CMYK 0 / 49 / 100 / 18

HEX #D06A01

RGB 208 106 1

HSL 30.43, 0.99%, 0.41%

LAB 55.81, 35.3, 63.64

 

CMYK 0 / 45 / 91 / 25

HEX #BF6912

RGB 191 105 18

HSL 30.17, 0.83%, 0.41%

LAB 53.19, 29, 57.17

 

CMYK 0 / 40 / 80 / 32

HEX #AE6923

RGB 174 105 35

HSL 30.22, 0.67%, 0.41%

LAB 50.95, 22.15, 48.4

 

CMYK 0 / 33 / 67 / 38

HEX #9D6934

RGB 157 105 52

HSL 30.29, 0.5%, 0.41%

LAB 48.91, 15.5, 37.54

 

CMYK 0 / 25 / 51 / 45

HEX #8C6945

RGB 140 105 69

HSL 30.42, 0.34%, 0.41%

LAB 47.12, 9.33, 25.59

 

CMYK 0 / 100 / 96 / 18

HEX #D00108

RGB 208 1 8

HSL 357.97, 0.99%, 0.41%

LAB 43.43, 68.68, 55.04

 

CMYK 0 / 76 / 100 / 18

HEX #D03101

RGB 208 49 1

HSL 13.91, 0.99%, 0.41%

LAB 46.46, 59.94, 58.57

 

CMYK 0 / 50 / 100 / 18

HEX #D06901

RGB 208 105 1

HSL 30.14, 0.99%, 0.41%

LAB 55.6, 35.81, 63.51

 

CMYK 0 / 23 / 100 / 18

HEX #D0A001

RGB 208 160 1

HSL 46.09, 0.99%, 0.41%

LAB 68.43, 6.33, 71.92

 

CMYK 3 / 0 / 100 / 18

HEX #C9D001

RGB 201 208 1

HSL 62.03, 0.99%, 0.41%

LAB 80.48, -21.45, 80.28

 

CMYK 0 / 49 / 99 / 51

HEX #7E4001

RGB 126 64 1

HSL 30.24, 0.98%, 0.25%

LAB 34.2, 23.1, 44.08

 

CMYK 0 / 49 / 99 / 35

HEX #A75501

RGB 167 85 1

HSL 30.36, 0.99%, 0.33%

LAB 45.24, 29.36, 54.1

 

CMYK 0 / 49 / 100 / 18

HEX #D06A01

RGB 208 106 1

HSL 30.43, 0.99%, 0.41%

LAB 55.81, 35.3, 63.64

 

CMYK 0 / 49 / 100 / 2

HEX #F97E01

RGB 249 126 1

HSL 30.24, 0.99%, 0.49%

LAB 65.8, 41.5, 72.69

 

CMYK 0 / 42 / 85 / 0

HEX #FE9326

RGB 254 147 38

HSL 30.28, 0.99%, 0.57%

LAB 70.92, 33.36, 68.87

 

CMYK 0 / 49 / 100 / 19

HEX #CF6901

RGB 207 105 1

HSL 30.29, 0.99%, 0.41%

LAB 55.45, 35.41, 63.35

 

CMYK 70 / 0 / 100 / 18

HEX #3FD001

RGB 63 208 1

HSL 102.03, 0.99%, 0.41%

LAB 73.66, -67.76, 72.08

 

CMYK 89 / 100 / 0 / 18

HEX #1601D0

RGB 22 1 208

HSL 246.09, 0.99%, 0.41%

LAB 26, 67.88, -91.53

 

CMYK 0 / 49 / 100 / 19

HEX #CF6901

RGB 207 105 1

HSL 30.29, 0.99%, 0.41%

LAB 55.45, 35.41, 63.35

 

CMYK 100 / 0 / 50 / 18

HEX #01D069

RGB 1 208 105

HSL 150.14, 0.99%, 0.41%

LAB 73.64, -65.49, 39.09

 

CMYK 50 / 100 / 0 / 18

HEX #6901D0

RGB 105 1 208

HSL 270.14, 0.99%, 0.41%

LAB 33.09, 71.34, -79.54

 

CMYK 0 / 49 / 100 / 19

HEX #CF6901

RGB 207 105 1

HSL 30.29, 0.99%, 0.41%

LAB 55.45, 35.41, 63.35

 

CMYK 70 / 0 / 100 / 18

HEX #3FD001

RGB 63 208 1

HSL 102.03, 0.99%, 0.41%

LAB 73.66, -67.76, 72.08

 

CMYK 100 / 50 / 0 / 18

HEX #0169D0

RGB 1 105 208

HSL 209.86, 0.99%, 0.41%

LAB 45.17, 14.97, -59.98

 

CMYK 30 / 100 / 0 / 18

HEX #9201D0

RGB 146 1 208

HSL 282.03, 0.99%, 0.41%

LAB 39.05, 75.43, -69.52

 

CMYK 0 / 49 / 100 / 19

HEX #CF6901

RGB 207 105 1

HSL 30.29, 0.99%, 0.41%

LAB 55.45, 35.41, 63.35

 

CMYK 100 / 0 / 100 / 18

HEX #01D001

RGB 1 208 1

HSL 120, 0.99%, 0.41%

LAB 72.97, -73.85, 71.24

 

CMYK 100 / 50 / 0 / 18

HEX #0169D0

RGB 1 105 208

HSL 209.86, 0.99%, 0.41%

LAB 45.17, 14.97, -59.98

 

CMYK 0 / 100 / 0 / 18

HEX #D001D0

RGB 208 1 208

HSL 300, 0.99%, 0.41%

LAB 49.48, 84.19, -52.14

 

Description

Color code: HEX #CF6901 | qconv.com Color code: HEX #CF6901 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 105 green and 1 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 105 1 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 100 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 100% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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