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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CF68BC it is the complementary color #309743. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CF68BC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CF68BC shade: #D468B7, #E57ACA, #F68CDD, #FF9EF0 and #FFB0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CF68BC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CF68BC shade: #CF68BC, #BE56A9, #AD4496, #9C3283 and #8B2070

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CF68BC shade: #CF68BC, #CF68A0, #CF6884, #CF6869 and #CF6868

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CF68BC shade: #CF68BC, #C668CF, #AB68CF, #8F68CF and #7368CF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CF68BC shade matches the following richer shades: #CF68BC, #DF58C6 and #EF48D0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CF68BC shade: #CF68BC, #BF78B2, #AF88A8, #9F989E and #8FA894

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CF68BC shade: #AB68CF, #C768CF, #CF68BC, #CF68A1 and #CF6885

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CF68BC shade: #AE3798, #C548AE, #CF68BC, #D987CA and #E3A7D8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CF68BC shade: #CF68BC, #CF8F68 and #68CFB9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CF68BC shade: #CF68BC, #BCCF68 and #68BCCF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CF68BC shade: #CF68BC, #CF8F68, #68CF7B and #68A8CF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CF68BC shade: #CF68BC, #CFAF68, #68CF7B and #6889CF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 9 / 19

HEX #CF68BC

RGB 207 104 188

HSL 311.07, 0.52%, 0.61%

LAB 58.79, 51.59, -26.03

 

Complementary color

CMYK 68 / 0 / 56 / 41

HEX #309743

RGB 48 151 67

HSL 131.07, 0.52%, 0.39%

LAB 55.24, -47.51, 35.45

 

CMYK 0 / 51 / 14 / 17

HEX #D468B7

RGB 212 104 183

HSL 316.11, 0.56%, 0.62%

LAB 59.27, 52.29, -22.37

 

CMYK 0 / 47 / 12 / 10

HEX #E57ACA

RGB 229 122 202

HSL 315.14, 0.67%, 0.69%

LAB 65.62, 51.62, -23.21

 

CMYK 0 / 43 / 10 / 4

HEX #F68CDD

RGB 246 140 221

HSL 314.15, 0.85%, 0.76%

LAB 71.94, 50.9, -23.93

 

CMYK 0 / 38 / 6 / 0

HEX #FF9EF0

RGB 255 158 240

HSL 309.28, 1%, 0.81%

LAB 77.28, 47.71, -26.05

 

CMYK 0 / 31 / 0 / 0

HEX #FFB0FF

RGB 255 176 255

HSL 300, 1%, 0.85%

LAB 81.58, 41.04, -27.55

 

CMYK 0 / 50 / 9 / 19

HEX #CF68BC

RGB 207 104 188

HSL 311.07, 0.52%, 0.61%

LAB 58.79, 51.59, -26.03

 

CMYK 0 / 55 / 11 / 25

HEX #BE56A9

RGB 190 86 169

HSL 312.12, 0.44%, 0.54%

LAB 52.36, 52.17, -25.15

 

CMYK 0 / 61 / 13 / 32

HEX #AD4496

RGB 173 68 150

HSL 313.14, 0.44%, 0.47%

LAB 45.93, 52.57, -24.05

 

CMYK 0 / 68 / 16 / 39

HEX #9C3283

RGB 156 50 131

HSL 314.15, 0.51%, 0.4%

LAB 39.56, 52.6, -22.61

 

CMYK 0 / 77 / 19 / 45

HEX #8B2070

RGB 139 32 112

HSL 315.14, 0.63%, 0.34%

LAB 33.33, 51.97, -20.64

 

CMYK 0 / 50 / 9 / 19

HEX #CF68BC

RGB 207 104 188

HSL 311.07, 0.52%, 0.61%

LAB 58.79, 51.59, -26.03

 

CMYK 0 / 50 / 23 / 19

HEX #CF68A0

RGB 207 104 160

HSL 327.38, 0.52%, 0.61%

LAB 57.76, 47.26, -11.47

 

CMYK 0 / 50 / 36 / 19

HEX #CF6884

RGB 207 104 132

HSL 343.69, 0.52%, 0.61%

LAB 56.91, 43.59, 3.59

 

CMYK 0 / 50 / 49 / 19

HEX #CF6869

RGB 207 104 105

HSL 359.42, 0.52%, 0.61%

LAB 56.27, 40.72, 18.45

 

CMYK 0 / 50 / 50 / 19

HEX #CF6868

RGB 207 104 104

HSL 0, 0.52%, 0.61%

LAB 56.25, 40.63, 19.01

 

CMYK 0 / 50 / 9 / 19

HEX #CF68BC

RGB 207 104 188

HSL 311.07, 0.52%, 0.61%

LAB 58.79, 51.59, -26.03

 

CMYK 4 / 50 / 0 / 19

HEX #C668CF

RGB 198 104 207

HSL 294.76, 0.52%, 0.61%

LAB 58.43, 52.33, -37.49

 

CMYK 17 / 50 / 0 / 19

HEX #AB68CF

RGB 171 104 207

HSL 279.03, 0.52%, 0.61%

LAB 55.14, 44.82, -42.89

 

CMYK 31 / 50 / 0 / 19

HEX #8F68CF

RGB 143 104 207

HSL 262.72, 0.52%, 0.61%

LAB 52.11, 37.27, -47.88

 

CMYK 44 / 50 / 0 / 19

HEX #7368CF

RGB 115 104 207

HSL 246.41, 0.52%, 0.61%

LAB 49.56, 30.28, -52.1

 

CMYK 0 / 50 / 9 / 19

HEX #CF68BC

RGB 207 104 188

HSL 311.07, 0.52%, 0.61%

LAB 58.79, 51.59, -26.03

 

CMYK 0 / 61 / 11 / 13

HEX #DF58C6

RGB 223 88 198

HSL 311.11, 0.68%, 0.61%

LAB 58.74, 64.98, -31.63

 

CMYK 0 / 70 / 13 / 6

HEX #EF48D0

RGB 239 72 208

HSL 311.14, 0.84%, 0.61%

LAB 59.47, 76.43, -36

 

CMYK 0 / 50 / 9 / 19

HEX #CF68BC

RGB 207 104 188

HSL 311.07, 0.52%, 0.61%

LAB 58.79, 51.59, -26.03

 

CMYK 0 / 37 / 7 / 25

HEX #BF78B2

RGB 191 120 178

HSL 310.99, 0.36%, 0.61%

LAB 59.64, 36.53, -19.18

 

CMYK 0 / 22 / 4 / 31

HEX #AF88A8

RGB 175 136 168

HSL 310.77, 0.2%, 0.61%

LAB 61.26, 20.34, -11.19

 

CMYK 0 / 4 / 1 / 38

HEX #9F989E

RGB 159 152 158

HSL 308.57, 0.04%, 0.61%

LAB 63.59, 3.69, -2.23

 

CMYK 15 / 0 / 12 / 34

HEX #8FA894

RGB 143 168 148

HSL 132, 0.13%, 0.61%

LAB 66.51, -12.66, 7.44

 

CMYK 17 / 50 / 0 / 19

HEX #AB68CF

RGB 171 104 207

HSL 279.03, 0.52%, 0.61%

LAB 55.14, 44.82, -42.89

 

CMYK 4 / 50 / 0 / 19

HEX #C768CF

RGB 199 104 207

HSL 295.34, 0.52%, 0.61%

LAB 58.55, 52.61, -37.28

 

CMYK 0 / 50 / 9 / 19

HEX #CF68BC

RGB 207 104 188

HSL 311.07, 0.52%, 0.61%

LAB 58.79, 51.59, -26.03

 

CMYK 0 / 50 / 22 / 19

HEX #CF68A1

RGB 207 104 161

HSL 326.8, 0.52%, 0.61%

LAB 57.79, 47.41, -12

 

CMYK 0 / 50 / 36 / 19

HEX #CF6885

RGB 207 104 133

HSL 343.11, 0.52%, 0.61%

LAB 56.94, 43.71, 3.05

 

CMYK 0 / 68 / 13 / 32

HEX #AE3798

RGB 174 55 152

HSL 311.09, 0.52%, 0.45%

LAB 44.23, 58.55, -27.89

 

CMYK 0 / 63 / 12 / 23

HEX #C548AE

RGB 197 72 174

HSL 311.04, 0.52%, 0.53%

LAB 51.34, 61.12, -29.58

 

CMYK 0 / 50 / 9 / 19

HEX #CF68BC

RGB 207 104 188

HSL 311.07, 0.52%, 0.61%

LAB 58.79, 51.59, -26.03

 

CMYK 0 / 38 / 7 / 15

HEX #D987CA

RGB 217 135 202

HSL 310.98, 0.52%, 0.69%

LAB 66.78, 41.19, -21.57

 

CMYK 0 / 26 / 5 / 11

HEX #E3A7D8

RGB 227 167 216

HSL 311, 0.52%, 0.77%

LAB 75.41, 29.85, -16.13

 

CMYK 0 / 50 / 9 / 19

HEX #CF68BC

RGB 207 104 188

HSL 311.07, 0.52%, 0.61%

LAB 58.79, 51.59, -26.03

 

CMYK 0 / 31 / 50 / 19

HEX #CF8F68

RGB 207 143 104

HSL 22.72, 0.52%, 0.61%

LAB 64.89, 19.85, 30.45

 

CMYK 50 / 0 / 11 / 19

HEX #68CFB9

RGB 104 207 185

HSL 167.18, 0.52%, 0.61%

LAB 76.72, -35.31, 1.73

 

CMYK 0 / 50 / 9 / 19

HEX #CF68BC

RGB 207 104 188

HSL 311.07, 0.52%, 0.61%

LAB 58.79, 51.59, -26.03

 

CMYK 9 / 0 / 50 / 19

HEX #BCCF68

RGB 188 207 104

HSL 71.07, 0.52%, 0.61%

LAB 79.79, -21.62, 48.58

 

CMYK 50 / 9 / 0 / 19

HEX #68BCCF

RGB 104 188 207

HSL 191.07, 0.52%, 0.61%

LAB 71.84, -20.37, -17.45

 

CMYK 0 / 50 / 9 / 19

HEX #CF68BC

RGB 207 104 188

HSL 311.07, 0.52%, 0.61%

LAB 58.79, 51.59, -26.03

 

CMYK 0 / 31 / 50 / 19

HEX #CF8F68

RGB 207 143 104

HSL 22.72, 0.52%, 0.61%

LAB 64.89, 19.85, 30.45

 

CMYK 50 / 0 / 41 / 19

HEX #68CF7B

RGB 104 207 123

HSL 131.07, 0.52%, 0.61%

LAB 75.45, -47.81, 32.75

 

CMYK 50 / 19 / 0 / 19

HEX #68A8CF

RGB 104 168 207

HSL 202.72, 0.52%, 0.61%

LAB 66.1, -9.8, -26.19

 

CMYK 0 / 50 / 9 / 19

HEX #CF68BC

RGB 207 104 188

HSL 311.07, 0.52%, 0.61%

LAB 58.79, 51.59, -26.03

 

CMYK 0 / 15 / 50 / 19

HEX #CFAF68

RGB 207 175 104

HSL 41.36, 0.52%, 0.61%

LAB 72.84, 2.56, 40.5

 

CMYK 50 / 0 / 41 / 19

HEX #68CF7B

RGB 104 207 123

HSL 131.07, 0.52%, 0.61%

LAB 75.45, -47.81, 32.75

 

CMYK 50 / 34 / 0 / 19

HEX #6889CF

RGB 104 137 207

HSL 220.78, 0.52%, 0.61%

LAB 57.4, 7.83, -39.71

 

Description

Color code: HEX #CF68BC | qconv.com Color code: HEX #CF68BC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 104 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 104 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 9 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 9% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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