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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CF683C it is the complementary color #3097C3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CF683C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CF683C shade: #D46837, #E57A4A, #F68C5D, #FF9E70 and #FFB083

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CF683C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CF683C shade: #CF683C, #BE5629, #AD4416, #9C3203 and #8B2000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CF683C shade: #CE673B, #CE403B and #CE3B3B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CF683C shade: #CE673B, #CE8F3B, #CEB63B, #BECE3B and #97CE3B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CF683C shade matches the following richer shades: #CE673B, #E25F27 and #F65714

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CF683C shade: #CE673B, #BA6F4F, #A67763, #937F77 and #7F878A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CF683C shade: #CE3B60, #CE3E3B, #CE653B, #CE8C3B and #CEB33B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CF683C shade: #924525, #B3552D, #CE673B, #D6815C and #DF9A7D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CF683C shade: #CF683C, #87CE3B and #3B4CCE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CF683C shade: #CF683C, #3BCE65 and #653BCE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CF683C shade: #CF683C, #87CE3B, #3BA4CE and #823BCE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CF683C shade: #CF683C, #5BCE3B, #3BA4CE and #AE3BCE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 71 / 19

HEX #CF683C

RGB 207 104 60

HSL 17.96, 0.6%, 0.52%

LAB 55.58, 37.49, 42.72

 

Complementary color

CMYK 75 / 23 / 0 / 24

HEX #3097C3

RGB 48 151 195

HSL 197.96, 0.6%, 0.48%

LAB 58.7, -14.35, -31.09

 

CMYK 0 / 51 / 74 / 17

HEX #D46837

RGB 212 104 55

HSL 18.73, 0.65%, 0.52%

LAB 56.26, 39.21, 46.21

 

CMYK 0 / 47 / 68 / 10

HEX #E57A4A

RGB 229 122 74

HSL 18.58, 0.75%, 0.59%

LAB 62.57, 37.62, 44.21

 

CMYK 0 / 43 / 62 / 4

HEX #F68C5D

RGB 246 140 93

HSL 18.43, 0.89%, 0.66%

LAB 68.85, 36.16, 42.3

 

CMYK 0 / 38 / 56 / 0

HEX #FF9E70

RGB 255 158 112

HSL 19.3, 1%, 0.72%

LAB 74.12, 31.71, 39.08

 

CMYK 0 / 31 / 49 / 0

HEX #FFB083

RGB 255 176 131

HSL 21.77, 1%, 0.76%

LAB 78.43, 23.93, 34.61

 

CMYK 0 / 50 / 71 / 19

HEX #CF683C

RGB 207 104 60

HSL 17.96, 0.6%, 0.52%

LAB 55.58, 37.49, 42.72

 

CMYK 0 / 55 / 78 / 25

HEX #BE5629

RGB 190 86 41

HSL 18.12, 0.65%, 0.45%

LAB 49.21, 39.14, 44.79

 

CMYK 0 / 61 / 87 / 32

HEX #AD4416

RGB 173 68 22

HSL 18.28, 0.77%, 0.38%

LAB 42.88, 40.84, 46.56

 

CMYK 0 / 68 / 98 / 39

HEX #9C3203

RGB 156 50 3

HSL 18.43, 0.96%, 0.31%

LAB 36.66, 42.42, 47.45

 

CMYK 0 / 77 / 100 / 45

HEX #8B2000

RGB 139 32 0

HSL 13.81, 1%, 0.27%

LAB 30.69, 43.6, 43.33

 

CMYK 0 / 50 / 71 / 19

HEX #CE673B

RGB 206 103 59

HSL 17.96, 0.6%, 0.52%

LAB 55.21, 37.56, 42.8

 

CMYK 0 / 69 / 71 / 19

HEX #CE403B

RGB 206 64 59

HSL 2.04, 0.6%, 0.52%

LAB 48.39, 55.45, 35.08

 

CMYK 0 / 71 / 71 / 19

HEX #CE3B3B

RGB 206 59 59

HSL 0, 0.6%, 0.52%

LAB 47.71, 57.32, 34.29

 

CMYK 0 / 50 / 71 / 19

HEX #CE673B

RGB 206 103 59

HSL 17.96, 0.6%, 0.52%

LAB 55.21, 37.56, 42.8

 

CMYK 0 / 31 / 71 / 19

HEX #CE8F3B

RGB 206 143 59

HSL 34.29, 0.6%, 0.52%

LAB 64.23, 16.17, 52.44

 

CMYK 0 / 12 / 71 / 19

HEX #CEB63B

RGB 206 182 59

HSL 50.2, 0.6%, 0.52%

LAB 74.12, -4.7, 62.45

 

CMYK 8 / 0 / 71 / 19

HEX #BECE3B

RGB 190 206 59

HSL 66.53, 0.6%, 0.52%

LAB 79.27, -23.59, 67.04

 

CMYK 27 / 0 / 71 / 19

HEX #97CE3B

RGB 151 206 59

HSL 82.45, 0.6%, 0.52%

LAB 76.7, -39.08, 63.65

 

CMYK 0 / 50 / 71 / 19

HEX #CE673B

RGB 206 103 59

HSL 17.96, 0.6%, 0.52%

LAB 55.21, 37.56, 42.8

 

CMYK 0 / 58 / 83 / 11

HEX #E25F27

RGB 226 95 39

HSL 17.97, 0.76%, 0.52%

LAB 56.58, 48.3, 54.69

 

CMYK 0 / 65 / 92 / 4

HEX #F65714

RGB 246 87 20

HSL 17.79, 0.93%, 0.52%

LAB 58.47, 58.45, 64.33

 

CMYK 0 / 50 / 71 / 19

HEX #CE673B

RGB 206 103 59

HSL 17.96, 0.6%, 0.52%

LAB 55.21, 37.56, 42.8

 

CMYK 0 / 40 / 58 / 27

HEX #BA6F4F

RGB 186 111 79

HSL 17.94, 0.44%, 0.52%

LAB 54.42, 26.55, 30.36

 

CMYK 0 / 28 / 40 / 35

HEX #A67763

RGB 166 119 99

HSL 17.91, 0.27%, 0.52%

LAB 54.24, 15.77, 18.28

 

CMYK 0 / 14 / 19 / 42

HEX #937F77

RGB 147 127 119

HSL 17.14, 0.11%, 0.52%

LAB 54.78, 6.29, 7.16

 

CMYK 8 / 2 / 0 / 46

HEX #7F878A

RGB 127 135 138

HSL 196.36, 0.04%, 0.52%

LAB 55.76, -2.3, -2.63

 

CMYK 0 / 71 / 53 / 19

HEX #CE3B60

RGB 206 59 96

HSL 344.9, 0.6%, 0.52%

LAB 48.38, 59.61, 12.95

 

CMYK 0 / 70 / 71 / 19

HEX #CE3E3B

RGB 206 62 59

HSL 1.22, 0.6%, 0.52%

LAB 48.11, 56.21, 34.76

 

CMYK 0 / 51 / 71 / 19

HEX #CE653B

RGB 206 101 59

HSL 17.14, 0.6%, 0.52%

LAB 54.81, 38.58, 42.35

 

CMYK 0 / 32 / 71 / 19

HEX #CE8C3B

RGB 206 140 59

HSL 33.06, 0.6%, 0.52%

LAB 63.5, 17.81, 51.68

 

CMYK 0 / 13 / 71 / 19

HEX #CEB33B

RGB 206 179 59

HSL 48.98, 0.6%, 0.52%

LAB 73.34, -3.14, 61.67

 

CMYK 0 / 53 / 75 / 43

HEX #924525

RGB 146 69 37

HSL 17.61, 0.6%, 0.36%

LAB 38.73, 30.14, 33.8

 

CMYK 0 / 53 / 75 / 30

HEX #B3552D

RGB 179 85 45

HSL 17.91, 0.6%, 0.44%

LAB 47.33, 35.48, 40.31

 

CMYK 0 / 50 / 71 / 19

HEX #CE673B

RGB 206 103 59

HSL 17.96, 0.6%, 0.52%

LAB 55.21, 37.56, 42.8

 

CMYK 0 / 40 / 57 / 16

HEX #D6815C

RGB 214 129 92

HSL 18.2, 0.6%, 0.6%

LAB 62.31, 29.21, 33.87

 

CMYK 0 / 31 / 44 / 13

HEX #DF9A7D

RGB 223 154 125

HSL 17.76, 0.6%, 0.68%

LAB 69.67, 22.42, 25.61

 

CMYK 0 / 50 / 71 / 19

HEX #CF683C

RGB 207 104 60

HSL 17.96, 0.6%, 0.52%

LAB 55.58, 37.49, 42.72

 

CMYK 34 / 0 / 71 / 19

HEX #87CE3B

RGB 135 206 59

HSL 88.98, 0.6%, 0.52%

LAB 75.83, -44.92, 62.48

 

CMYK 71 / 63 / 0 / 19

HEX #3B4CCE

RGB 59 76 206

HSL 233.06, 0.6%, 0.52%

LAB 38.82, 37.04, -69.1

 

CMYK 0 / 50 / 71 / 19

HEX #CF683C

RGB 207 104 60

HSL 17.96, 0.6%, 0.52%

LAB 55.58, 37.49, 42.72

 

CMYK 71 / 0 / 51 / 19

HEX #3BCE65

RGB 59 206 101

HSL 137.14, 0.6%, 0.52%

LAB 73.55, -60.5, 41.07

 

CMYK 51 / 71 / 0 / 19

HEX #653BCE

RGB 101 59 206

HSL 257.14, 0.6%, 0.52%

LAB 38.46, 52.75, -69.55

 

CMYK 0 / 50 / 71 / 19

HEX #CF683C

RGB 207 104 60

HSL 17.96, 0.6%, 0.52%

LAB 55.58, 37.49, 42.72

 

CMYK 34 / 0 / 71 / 19

HEX #87CE3B

RGB 135 206 59

HSL 88.98, 0.6%, 0.52%

LAB 75.83, -44.92, 62.48

 

CMYK 71 / 20 / 0 / 19

HEX #3BA4CE

RGB 59 164 206

HSL 197.14, 0.6%, 0.52%

LAB 63.29, -16.28, -30.1

 

CMYK 37 / 71 / 0 / 19

HEX #823BCE

RGB 130 59 206

HSL 268.98, 0.6%, 0.52%

LAB 41.74, 57.72, -64.07

 

CMYK 0 / 50 / 71 / 19

HEX #CF683C

RGB 207 104 60

HSL 17.96, 0.6%, 0.52%

LAB 55.58, 37.49, 42.72

 

CMYK 56 / 0 / 71 / 19

HEX #5BCE3B

RGB 91 206 59

HSL 106.94, 0.6%, 0.52%

LAB 73.99, -58.48, 60.02

 

CMYK 71 / 20 / 0 / 19

HEX #3BA4CE

RGB 59 164 206

HSL 197.14, 0.6%, 0.52%

LAB 63.29, -16.28, -30.1

 

CMYK 16 / 71 / 0 / 19

HEX #AE3BCE

RGB 174 59 206

HSL 286.94, 0.6%, 0.52%

LAB 47.73, 66.34, -54.09

 

Description

Color code: HEX #CF683C | qconv.com Color code: HEX #CF683C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 104 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 104 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 71 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 71% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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