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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CF645B it is the complementary color #309BA4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CF645B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CF645B shade: #D46456, #E57669, #F6887C, #FF9A8F and #FFACA2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CF645B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CF645B shade: #CF645B, #BE5248, #AD4035, #9C2E22 and #8B1C0F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CF645B shade: #CF6259 and #CF5959

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CF645B shade: #CF6259, #CF8259, #CFA259, #CFC159 and #BCCF59

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CF645B shade matches the following richer shades: #CF6259, #E05448 and #F14536

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CF645B shade: #CF6259, #BD716A, #AC7F7C, #9B8E8D and #899D9E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CF645B shade: #CF5990, #CF5971, #CF6159, #CF8059 and #CFA059

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CF645B shade: #A53930, #C54439, #CF6259, #D88079 and #E19F99

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CF645B shade: #CF645B, #AFCF59 and #5980CF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CF645B shade: #CF645B, #59CF61 and #6159CF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CF645B shade: #CF645B, #AFCF59, #59C7CF and #7859CF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CF645B shade: #CF645B, #8CCF59, #59C7CF and #9C59CF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 56 / 19

HEX #CF645B

RGB 207 100 91

HSL 4.66, 0.55%, 0.58%

LAB 55.21, 41.53, 25.14

 

Complementary color

CMYK 71 / 5 / 0 / 36

HEX #309BA4

RGB 48 155 164

HSL 184.66, 0.55%, 0.42%

LAB 58.74, -26.56, -13.47

 

CMYK 0 / 53 / 59 / 17

HEX #D46456

RGB 212 100 86

HSL 6.67, 0.59%, 0.58%

LAB 55.87, 43.01, 29.01

 

CMYK 0 / 48 / 54 / 10

HEX #E57669

RGB 229 118 105

HSL 6.29, 0.7%, 0.65%

LAB 62.2, 41.78, 26.92

 

CMYK 0 / 45 / 50 / 4

HEX #F6887C

RGB 246 136 124

HSL 5.9, 0.87%, 0.73%

LAB 68.5, 40.6, 25.1

 

CMYK 0 / 40 / 44 / 0

HEX #FF9A8F

RGB 255 154 143

HSL 5.89, 1%, 0.78%

LAB 73.77, 36.54, 21.96

 

CMYK 0 / 33 / 36 / 0

HEX #FFACA2

RGB 255 172 162

HSL 6.45, 1%, 0.82%

LAB 78.1, 29.24, 17.59

 

CMYK 0 / 52 / 56 / 19

HEX #CF645B

RGB 207 100 91

HSL 4.66, 0.55%, 0.58%

LAB 55.21, 41.53, 25.14

 

CMYK 0 / 57 / 62 / 25

HEX #BE5248

RGB 190 82 72

HSL 5.08, 0.48%, 0.51%

LAB 48.82, 42.75, 27.44

 

CMYK 0 / 63 / 69 / 32

HEX #AD4035

RGB 173 64 53

HSL 5.5, 0.53%, 0.44%

LAB 42.47, 43.91, 30.16

 

CMYK 0 / 71 / 78 / 39

HEX #9C2E22

RGB 156 46 34

HSL 5.9, 0.64%, 0.37%

LAB 36.25, 44.85, 33.33

 

CMYK 0 / 80 / 89 / 45

HEX #8B1C0F

RGB 139 28 15

HSL 6.29, 0.81%, 0.3%

LAB 30.29, 45.24, 36.69

 

CMYK 0 / 53 / 57 / 19

HEX #CF6259

RGB 207 98 89

HSL 4.58, 0.55%, 0.58%

LAB 54.78, 42.38, 25.74

 

CMYK 0 / 57 / 57 / 19

HEX #CF5959

RGB 207 89 89

HSL 0, 0.55%, 0.58%

LAB 53.09, 46.76, 23.53

 

CMYK 0 / 53 / 57 / 19

HEX #CF6259

RGB 207 98 89

HSL 4.58, 0.55%, 0.58%

LAB 54.78, 42.38, 25.74

 

CMYK 0 / 37 / 57 / 19

HEX #CF8259

RGB 207 130 89

HSL 20.85, 0.55%, 0.58%

LAB 61.61, 25.6, 34.43

 

CMYK 0 / 22 / 57 / 19

HEX #CFA259

RGB 207 162 89

HSL 37.12, 0.55%, 0.58%

LAB 69.35, 8.24, 43.84

 

CMYK 0 / 7 / 57 / 19

HEX #CFC159

RGB 207 193 89

HSL 52.88, 0.55%, 0.58%

LAB 77.36, -8.12, 53.15

 

CMYK 9 / 0 / 57 / 19

HEX #BCCF59

RGB 188 207 89

HSL 69.66, 0.55%, 0.58%

LAB 79.64, -22.94, 55.32

 

CMYK 0 / 53 / 57 / 19

HEX #CF6259

RGB 207 98 89

HSL 4.58, 0.55%, 0.58%

LAB 54.78, 42.38, 25.74

 

CMYK 0 / 63 / 68 / 12

HEX #E05448

RGB 224 84 72

HSL 4.74, 0.71%, 0.58%

LAB 54.72, 53.85, 35.93

 

CMYK 0 / 71 / 78 / 5

HEX #F14536

RGB 241 69 54

HSL 4.81, 0.87%, 0.58%

LAB 55.3, 64.43, 47.19

 

CMYK 0 / 53 / 57 / 19

HEX #CF6259

RGB 207 98 89

HSL 4.58, 0.55%, 0.58%

LAB 54.78, 42.38, 25.74

 

CMYK 0 / 40 / 44 / 26

HEX #BD716A

RGB 189 113 106

HSL 5.06, 0.39%, 0.58%

LAB 55.76, 29.21, 16.77

 

CMYK 0 / 26 / 28 / 33

HEX #AC7F7C

RGB 172 127 124

HSL 3.75, 0.22%, 0.58%

LAB 57.47, 16.97, 8.45

 

CMYK 0 / 8 / 9 / 39

HEX #9B8E8D

RGB 155 142 141

HSL 4.29, 0.07%, 0.58%

LAB 60.1, 4.66, 2.28

 

CMYK 13 / 1 / 0 / 38

HEX #899D9E

RGB 137 157 158

HSL 182.86, 0.1%, 0.58%

LAB 63.26, -6.8, -2.91

 

CMYK 0 / 57 / 30 / 19

HEX #CF5990

RGB 207 89 144

HSL 332.03, 0.55%, 0.58%

LAB 54.47, 52.34, -7.03

 

CMYK 0 / 57 / 45 / 19

HEX #CF5971

RGB 207 89 113

HSL 347.8, 0.55%, 0.58%

LAB 53.6, 48.85, 10.05

 

CMYK 0 / 53 / 57 / 19

HEX #CF6159

RGB 207 97 89

HSL 4.07, 0.55%, 0.58%

LAB 54.59, 42.87, 25.49

 

CMYK 0 / 38 / 57 / 19

HEX #CF8059

RGB 207 128 89

HSL 19.83, 0.55%, 0.58%

LAB 61.15, 26.68, 33.86

 

CMYK 0 / 23 / 57 / 19

HEX #CFA059

RGB 207 160 89

HSL 36.1, 0.55%, 0.58%

LAB 68.84, 9.32, 43.24

 

CMYK 0 / 65 / 71 / 35

HEX #A53930

RGB 165 57 48

HSL 4.62, 0.55%, 0.42%

LAB 39.81, 43.95, 29.62

 

CMYK 0 / 65 / 71 / 23

HEX #C54439

RGB 197 68 57

HSL 4.71, 0.55%, 0.5%

LAB 47.37, 50.75, 34.63

 

CMYK 0 / 53 / 57 / 19

HEX #CF6259

RGB 207 98 89

HSL 4.58, 0.55%, 0.58%

LAB 54.78, 42.38, 25.74

 

CMYK 0 / 41 / 44 / 15

HEX #D88079

RGB 216 128 121

HSL 4.42, 0.55%, 0.66%

LAB 62.86, 33.18, 18.48

 

CMYK 0 / 29 / 32 / 12

HEX #E19F99

RGB 225 159 153

HSL 5, 0.55%, 0.74%

LAB 71.63, 23.77, 12.96

 

CMYK 0 / 52 / 56 / 19

HEX #CF645B

RGB 207 100 91

HSL 4.66, 0.55%, 0.58%

LAB 55.21, 41.53, 25.14

 

CMYK 15 / 0 / 57 / 19

HEX #AFCF59

RGB 175 207 89

HSL 76.27, 0.55%, 0.58%

LAB 78.73, -28.1, 54.05

 

CMYK 57 / 38 / 0 / 19

HEX #5980CF

RGB 89 128 207

HSL 220.17, 0.55%, 0.58%

LAB 54.1, 9.89, -44.98

 

CMYK 0 / 52 / 56 / 19

HEX #CF645B

RGB 207 100 91

HSL 4.66, 0.55%, 0.58%

LAB 55.21, 41.53, 25.14

 

CMYK 57 / 0 / 53 / 19

HEX #59CF61

RGB 89 207 97

HSL 124.07, 0.55%, 0.58%

LAB 74.58, -55.42, 44.42

 

CMYK 53 / 57 / 0 / 19

HEX #6159CF

RGB 97 89 207

HSL 244.07, 0.55%, 0.58%

LAB 44.51, 35.42, -60.31

 

CMYK 0 / 52 / 56 / 19

HEX #CF645B

RGB 207 100 91

HSL 4.66, 0.55%, 0.58%

LAB 55.21, 41.53, 25.14

 

CMYK 15 / 0 / 57 / 19

HEX #AFCF59

RGB 175 207 89

HSL 76.27, 0.55%, 0.58%

LAB 78.73, -28.1, 54.05

 

CMYK 57 / 4 / 0 / 19

HEX #59C7CF

RGB 89 199 207

HSL 184.07, 0.55%, 0.58%

LAB 74.49, -28.94, -13.5

 

CMYK 42 / 57 / 0 / 19

HEX #7859CF

RGB 120 89 207

HSL 255.76, 0.55%, 0.58%

LAB 46.5, 40.27, -56.99

 

CMYK 0 / 52 / 56 / 19

HEX #CF645B

RGB 207 100 91

HSL 4.66, 0.55%, 0.58%

LAB 55.21, 41.53, 25.14

 

CMYK 32 / 0 / 57 / 19

HEX #8CCF59

RGB 140 207 89

HSL 94.07, 0.55%, 0.58%

LAB 76.63, -41.13, 51.1

 

CMYK 57 / 4 / 0 / 19

HEX #59C7CF

RGB 89 199 207

HSL 184.07, 0.55%, 0.58%

LAB 74.49, -28.94, -13.5

 

CMYK 25 / 57 / 0 / 19

HEX #9C59CF

RGB 156 89 207

HSL 274.07, 0.55%, 0.58%

LAB 50.36, 48.82, -50.59

 

Description

Color code: HEX #CF645B | qconv.com Color code: HEX #CF645B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 100 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 100 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 56 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 56% 19% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

65% - Résautisme - Site co...
Link: http://www.resautisme.org

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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