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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CF643A it is the complementary color #309BC5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CF643A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CF643A shade: #D46435, #E57648, #F6885B, #FF9A6E and #FFAC81

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CF643A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CF643A shade: #CF643A, #BE5227, #AD4014, #9C2E01 and #8B1C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CF643A shade: #CF643A, #CF3C3A and #CF3A3A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CF643A shade: #CF643A, #CF8C3A, #CFB53A, #C2CF3A and #99CF3A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CF643A shade matches the following richer shades: #CF643A, #E35B26 and #F75312

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CF643A shade: #CF643A, #BB6D4E, #A87562, #947E75 and #808789

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CF643A shade: #CF3A62, #CF3A3A, #CF623A, #CF8A3A and #CFB13A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CF643A shade: #934324, #B4522C, #CF643A, #D77E5B and #DF987C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CF643A shade: #CF643A, #8ACF3A and #3A4ECF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CF643A shade: #CF643A, #3ACF62 and #623ACF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CF643A shade: #CF643A, #8ACF3A, #3AA7CF and #803ACF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CF643A shade: #CF643A, #5DCF3A, #3AA7CF and #AC3ACF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 72 / 19

HEX #CF643A

RGB 207 100 58

HSL 16.91, 0.61%, 0.52%

LAB 54.75, 39.43, 42.84

 

Complementary color

CMYK 76 / 21 / 0 / 23

HEX #309BC5

RGB 48 155 197

HSL 196.91, 0.61%, 0.48%

LAB 59.98, -15.84, -30.22

 

CMYK 0 / 53 / 75 / 17

HEX #D46435

RGB 212 100 53

HSL 17.74, 0.65%, 0.52%

LAB 55.45, 41.13, 46.35

 

CMYK 0 / 48 / 69 / 10

HEX #E57648

RGB 229 118 72

HSL 17.58, 0.75%, 0.59%

LAB 61.73, 39.55, 44.28

 

CMYK 0 / 45 / 63 / 4

HEX #F6885B

RGB 246 136 91

HSL 17.42, 0.9%, 0.66%

LAB 67.99, 38.07, 42.31

 

CMYK 0 / 40 / 57 / 0

HEX #FF9A6E

RGB 255 154 110

HSL 18.21, 1%, 0.72%

LAB 73.22, 33.63, 39

 

CMYK 0 / 33 / 49 / 0

HEX #FFAC81

RGB 255 172 129

HSL 20.48, 1%, 0.75%

LAB 77.49, 25.84, 34.44

 

CMYK 0 / 52 / 72 / 19

HEX #CF643A

RGB 207 100 58

HSL 16.91, 0.61%, 0.52%

LAB 54.75, 39.43, 42.84

 

CMYK 0 / 57 / 79 / 25

HEX #BE5227

RGB 190 82 39

HSL 17.09, 0.66%, 0.45%

LAB 48.42, 41.04, 44.99

 

CMYK 0 / 63 / 88 / 32

HEX #AD4014

RGB 173 64 20

HSL 17.25, 0.79%, 0.38%

LAB 42.16, 42.67, 46.78

 

CMYK 0 / 71 / 99 / 39

HEX #9C2E01

RGB 156 46 1

HSL 17.42, 0.99%, 0.31%

LAB 36.03, 44.07, 47.88

 

CMYK 0 / 80 / 100 / 45

HEX #8B1C00

RGB 139 28 0

HSL 12.09, 1%, 0.27%

LAB 30.2, 44.97, 42.97

 

CMYK 0 / 52 / 72 / 19

HEX #CF643A

RGB 207 100 58

HSL 16.91, 0.61%, 0.52%

LAB 54.75, 39.43, 42.84

 

CMYK 0 / 71 / 72 / 19

HEX #CF3C3A

RGB 207 60 58

HSL 0.81, 0.61%, 0.52%

LAB 48.01, 57.23, 35.26

 

CMYK 0 / 72 / 72 / 19

HEX #CF3A3A

RGB 207 58 58

HSL 0, 0.61%, 0.52%

LAB 47.75, 57.95, 34.96

 

CMYK 0 / 52 / 72 / 19

HEX #CF643A

RGB 207 100 58

HSL 16.91, 0.61%, 0.52%

LAB 54.75, 39.43, 42.84

 

CMYK 0 / 32 / 72 / 19

HEX #CF8C3A

RGB 207 140 58

HSL 33.02, 0.61%, 0.52%

LAB 63.61, 18.18, 52.28

 

CMYK 0 / 13 / 72 / 19

HEX #CFB53A

RGB 207 181 58

HSL 49.53, 0.61%, 0.52%

LAB 73.95, -3.8, 62.69

 

CMYK 6 / 0 / 72 / 19

HEX #C2CF3A

RGB 194 207 58

HSL 65.23, 0.61%, 0.52%

LAB 79.84, -22.48, 68.04

 

CMYK 26 / 0 / 72 / 19

HEX #99CF3A

RGB 153 207 58

HSL 81.74, 0.61%, 0.52%

LAB 77.1, -38.83, 64.44

 

CMYK 0 / 52 / 72 / 19

HEX #CF643A

RGB 207 100 58

HSL 16.91, 0.61%, 0.52%

LAB 54.75, 39.43, 42.84

 

CMYK 0 / 60 / 83 / 11

HEX #E35B26

RGB 227 91 38

HSL 16.83, 0.77%, 0.52%

LAB 56.04, 50.47, 54.69

 

CMYK 0 / 66 / 93 / 3

HEX #F75312

RGB 247 83 18

HSL 17.03, 0.93%, 0.52%

LAB 58.04, 60.36, 64.67

 

CMYK 0 / 52 / 72 / 19

HEX #CF643A

RGB 207 100 58

HSL 16.91, 0.61%, 0.52%

LAB 54.75, 39.43, 42.84

 

CMYK 0 / 42 / 58 / 27

HEX #BB6D4E

RGB 187 109 78

HSL 17.06, 0.44%, 0.52%

LAB 54.08, 27.97, 30.53

 

CMYK 0 / 30 / 42 / 34

HEX #A87562

RGB 168 117 98

HSL 16.29, 0.29%, 0.52%

LAB 53.95, 17.62, 18.51

 

CMYK 0 / 15 / 21 / 42

HEX #947E75

RGB 148 126 117

HSL 17.42, 0.13%, 0.52%

LAB 54.56, 6.94, 8.02

 

CMYK 7 / 1 / 0 / 46

HEX #808789

RGB 128 135 137

HSL 193.33, 0.04%, 0.52%

LAB 55.81, -2.15, -1.97

 

CMYK 0 / 72 / 53 / 19

HEX #CF3A62

RGB 207 58 98

HSL 343.89, 0.61%, 0.52%

LAB 48.48, 60.42, 11.89

 

CMYK 0 / 72 / 72 / 19

HEX #CF3A3A

RGB 207 58 58

HSL 0, 0.61%, 0.52%

LAB 47.75, 57.95, 34.96

 

CMYK 0 / 53 / 72 / 19

HEX #CF623A

RGB 207 98 58

HSL 16.11, 0.61%, 0.52%

LAB 54.35, 40.43, 42.41

 

CMYK 0 / 33 / 72 / 19

HEX #CF8A3A

RGB 207 138 58

HSL 32.21, 0.61%, 0.52%

LAB 63.13, 19.27, 51.79

 

CMYK 0 / 14 / 72 / 19

HEX #CFB13A

RGB 207 177 58

HSL 47.92, 0.61%, 0.52%

LAB 72.9, -1.7, 61.66

 

CMYK 0 / 54 / 76 / 42

HEX #934324

RGB 147 67 36

HSL 16.76, 0.61%, 0.36%

LAB 38.45, 31.58, 34.1

 

CMYK 0 / 54 / 76 / 29

HEX #B4522C

RGB 180 82 44

HSL 16.76, 0.61%, 0.44%

LAB 46.87, 37.37, 40.39

 

CMYK 0 / 52 / 72 / 19

HEX #CF643A

RGB 207 100 58

HSL 16.91, 0.61%, 0.52%

LAB 54.75, 39.43, 42.84

 

CMYK 0 / 41 / 58 / 16

HEX #D77E5B

RGB 215 126 91

HSL 16.94, 0.61%, 0.6%

LAB 61.76, 31.13, 33.75

 

CMYK 0 / 32 / 44 / 13

HEX #DF987C

RGB 223 152 124

HSL 16.97, 0.61%, 0.68%

LAB 69.18, 23.39, 25.51

 

CMYK 0 / 52 / 72 / 19

HEX #CF643A

RGB 207 100 58

HSL 16.91, 0.61%, 0.52%

LAB 54.75, 39.43, 42.84

 

CMYK 33 / 0 / 72 / 19

HEX #8ACF3A

RGB 138 207 58

HSL 87.79, 0.61%, 0.52%

LAB 76.27, -44.34, 63.34

 

CMYK 72 / 62 / 0 / 19

HEX #3A4ECF

RGB 58 78 207

HSL 231.95, 0.61%, 0.52%

LAB 39.33, 36.02, -68.84

 

CMYK 0 / 52 / 72 / 19

HEX #CF643A

RGB 207 100 58

HSL 16.91, 0.61%, 0.52%

LAB 54.75, 39.43, 42.84

 

CMYK 72 / 0 / 53 / 19

HEX #3ACF62

RGB 58 207 98

HSL 136.11, 0.61%, 0.52%

LAB 73.81, -61.44, 42.83

 

CMYK 53 / 72 / 0 / 19

HEX #623ACF

RGB 98 58 207

HSL 256.11, 0.61%, 0.52%

LAB 38.07, 53.07, -70.79

 

CMYK 0 / 52 / 72 / 19

HEX #CF643A

RGB 207 100 58

HSL 16.91, 0.61%, 0.52%

LAB 54.75, 39.43, 42.84

 

CMYK 33 / 0 / 72 / 19

HEX #8ACF3A

RGB 138 207 58

HSL 87.79, 0.61%, 0.52%

LAB 76.27, -44.34, 63.34

 

CMYK 72 / 19 / 0 / 19

HEX #3AA7CF

RGB 58 167 207

HSL 196.11, 0.61%, 0.52%

LAB 64.19, -17.69, -29.26

 

CMYK 38 / 72 / 0 / 19

HEX #803ACF

RGB 128 58 207

HSL 268.19, 0.61%, 0.52%

LAB 41.41, 58.05, -65.2

 

CMYK 0 / 52 / 72 / 19

HEX #CF643A

RGB 207 100 58

HSL 16.91, 0.61%, 0.52%

LAB 54.75, 39.43, 42.84

 

CMYK 55 / 0 / 72 / 19

HEX #5DCF3A

RGB 93 207 58

HSL 105.91, 0.61%, 0.52%

LAB 74.35, -58.4, 60.78

 

CMYK 72 / 19 / 0 / 19

HEX #3AA7CF

RGB 58 167 207

HSL 196.11, 0.61%, 0.52%

LAB 64.19, -17.69, -29.26

 

CMYK 17 / 72 / 0 / 19

HEX #AC3ACF

RGB 172 58 207

HSL 285.91, 0.61%, 0.52%

LAB 47.37, 66.49, -55.27

 

Description

Color code: HEX #CF643A | qconv.com Color code: HEX #CF643A | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 100 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 100 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 72 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 72% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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