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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CF62CE it is the complementary color #309D31. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CF62CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CF62CE shade: #D462C9, #E574DC, #F686EF, #FF98FF and #FFAAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CF62CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CF62CE shade: #CF62CE, #BE50BB, #AD3EA8, #9C2C95 and #8B1A82

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CF62CE shade: #CF63CE, #CF63B1, #CF6394, #CF6377 and #CF6363

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CF62CE shade: #CF63CE, #B363CF, #9663CF, #7963CF and #6363CF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CF62CE shade matches the following richer shades: #CF63CE, #E052DE and #F042EE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CF62CE shade: #CF63CE, #BF73BE, #AE84AE, #9E949D and #8DA58D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CF62CE shade: #9563CF, #B263CF, #CF63CF, #CF63B2 and #CF6395

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CF62CE shade: #AB35AA, #C543C4, #CF63CE, #D983D8 and #E2A2E2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CF62CE shade: #CF62CE, #CF7963 and #63CFA4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CF62CE shade: #CF62CE, #CFCF63 and #63CFCF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CF62CE shade: #CF62CE, #CF7963, #63CF63 and #63B9CF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CF62CE shade: #CF62CE, #CF9963, #63CF63 and #6399CF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 53 / 0 / 19

HEX #CF62CE

RGB 207 98 206

HSL 300.55, 0.53%, 0.6%

LAB 58.47, 57.54, -36.77

 

Complementary color

CMYK 69 / 0 / 69 / 38

HEX #309D31

RGB 48 157 49

HSL 120.55, 0.53%, 0.4%

LAB 57.04, -51.84, 45.83

 

CMYK 0 / 54 / 5 / 17

HEX #D462C9

RGB 212 98 201

HSL 305.79, 0.57%, 0.61%

LAB 58.93, 58.06, -33.17

 

CMYK 0 / 49 / 4 / 10

HEX #E574DC

RGB 229 116 220

HSL 304.78, 0.68%, 0.68%

LAB 65.21, 57.51, -33.91

 

CMYK 0 / 46 / 3 / 4

HEX #F686EF

RGB 246 134 239

HSL 303.75, 0.86%, 0.75%

LAB 71.47, 56.86, -34.54

 

CMYK 0 / 40 / 0 / 0

HEX #FF98FF

RGB 255 152 255

HSL 300, 1%, 0.8%

LAB 76.64, 53.33, -35.15

 

CMYK 0 / 33 / 0 / 0

HEX #FFAAFF

RGB 255 170 255

HSL 300, 1%, 0.83%

LAB 80.31, 44.16, -29.5

 

CMYK 0 / 53 / 0 / 19

HEX #CF62CE

RGB 207 98 206

HSL 300.55, 0.53%, 0.6%

LAB 58.47, 57.54, -36.77

 

CMYK 0 / 58 / 2 / 25

HEX #BE50BB

RGB 190 80 187

HSL 301.64, 0.46%, 0.53%

LAB 52.14, 57.96, -35.97

 

CMYK 0 / 64 / 3 / 32

HEX #AD3EA8

RGB 173 62 168

HSL 302.7, 0.47%, 0.46%

LAB 45.85, 58.09, -34.91

 

CMYK 0 / 72 / 4 / 39

HEX #9C2C95

RGB 156 44 149

HSL 303.75, 0.56%, 0.39%

LAB 39.65, 57.72, -33.49

 

CMYK 0 / 81 / 6 / 45

HEX #8B1A82

RGB 139 26 130

HSL 304.78, 0.68%, 0.32%

LAB 33.65, 56.49, -31.48

 

CMYK 0 / 52 / 0 / 19

HEX #CF63CE

RGB 207 99 206

HSL 300.56, 0.53%, 0.6%

LAB 58.64, 57.07, -36.5

 

CMYK 0 / 52 / 14 / 19

HEX #CF63B1

RGB 207 99 177

HSL 316.67, 0.53%, 0.6%

LAB 57.43, 52.26, -21.8

 

CMYK 0 / 52 / 29 / 19

HEX #CF6394

RGB 207 99 148

HSL 332.78, 0.53%, 0.6%

LAB 56.41, 48.08, -6.49

 

CMYK 0 / 52 / 43 / 19

HEX #CF6377

RGB 207 99 119

HSL 348.89, 0.53%, 0.6%

LAB 55.6, 44.63, 9.34

 

CMYK 0 / 52 / 52 / 19

HEX #CF6363

RGB 207 99 99

HSL 0, 0.53%, 0.6%

LAB 55.16, 42.7, 20.45

 

CMYK 0 / 52 / 0 / 19

HEX #CF63CE

RGB 207 99 206

HSL 300.56, 0.53%, 0.6%

LAB 58.64, 57.07, -36.5

 

CMYK 14 / 52 / 0 / 19

HEX #B363CF

RGB 179 99 207

HSL 284.44, 0.53%, 0.6%

LAB 55.09, 49.63, -42.91

 

CMYK 28 / 52 / 0 / 19

HEX #9663CF

RGB 150 99 207

HSL 268.33, 0.53%, 0.6%

LAB 51.74, 41.91, -48.43

 

CMYK 42 / 52 / 0 / 19

HEX #7963CF

RGB 121 99 207

HSL 252.22, 0.53%, 0.6%

LAB 48.88, 34.67, -53.17

 

CMYK 52 / 52 / 0 / 19

HEX #6363CF

RGB 99 99 207

HSL 240, 0.53%, 0.6%

LAB 47.08, 29.75, -56.15

 

CMYK 0 / 52 / 0 / 19

HEX #CF63CE

RGB 207 99 206

HSL 300.56, 0.53%, 0.6%

LAB 58.64, 57.07, -36.5

 

CMYK 0 / 63 / 1 / 12

HEX #E052DE

RGB 224 82 222

HSL 300.85, 0.7%, 0.6%

LAB 59.12, 71.44, -44.63

 

CMYK 0 / 73 / 1 / 6

HEX #F042EE

RGB 240 66 238

HSL 300.69, 0.85%, 0.6%

LAB 60.42, 82.95, -51.37

 

CMYK 0 / 52 / 0 / 19

HEX #CF63CE

RGB 207 99 206

HSL 300.56, 0.53%, 0.6%

LAB 58.64, 57.07, -36.5

 

CMYK 0 / 40 / 1 / 25

HEX #BF73BE

RGB 191 115 190

HSL 300.79, 0.37%, 0.6%

LAB 59.03, 41.4, -26.97

 

CMYK 0 / 24 / 0 / 32

HEX #AE84AE

RGB 174 132 174

HSL 300, 0.21%, 0.6%

LAB 60.39, 23.39, -15.93

 

CMYK 0 / 6 / 1 / 38

HEX #9E949D

RGB 158 148 157

HSL 306, 0.05%, 0.6%

LAB 62.41, 5.37, -3.41

 

CMYK 15 / 0 / 15 / 35

HEX #8DA58D

RGB 141 165 141

HSL 120, 0.12%, 0.6%

LAB 65.35, -13.1, 9.67

 

CMYK 28 / 52 / 0 / 19

HEX #9563CF

RGB 149 99 207

HSL 267.78, 0.53%, 0.6%

LAB 51.63, 41.65, -48.61

 

CMYK 14 / 52 / 0 / 19

HEX #B263CF

RGB 178 99 207

HSL 283.89, 0.53%, 0.6%

LAB 54.96, 49.36, -43.11

 

CMYK 0 / 52 / 0 / 19

HEX #CF63CF

RGB 207 99 207

HSL 300, 0.53%, 0.6%

LAB 58.69, 57.25, -36.99

 

CMYK 0 / 52 / 14 / 19

HEX #CF63B2

RGB 207 99 178

HSL 316.11, 0.53%, 0.6%

LAB 57.47, 52.42, -22.32

 

CMYK 0 / 52 / 28 / 19

HEX #CF6395

RGB 207 99 149

HSL 332.22, 0.53%, 0.6%

LAB 56.45, 48.22, -7.03

 

CMYK 0 / 69 / 1 / 33

HEX #AB35AA

RGB 171 53 170

HSL 300.51, 0.53%, 0.44%

LAB 44.39, 61.45, -38.43

 

CMYK 0 / 66 / 1 / 23

HEX #C543C4

RGB 197 67 196

HSL 300.46, 0.53%, 0.52%

LAB 51.69, 66.6, -41.81

 

CMYK 0 / 52 / 0 / 19

HEX #CF63CE

RGB 207 99 206

HSL 300.56, 0.53%, 0.6%

LAB 58.64, 57.07, -36.5

 

CMYK 0 / 40 / 0 / 15

HEX #D983D8

RGB 217 131 216

HSL 300.7, 0.53%, 0.68%

LAB 66.48, 45.76, -29.85

 

CMYK 0 / 28 / 0 / 11

HEX #E2A2E2

RGB 226 162 226

HSL 300, 0.52%, 0.76%

LAB 74.51, 34, -22.95

 

CMYK 0 / 53 / 0 / 19

HEX #CF62CE

RGB 207 98 206

HSL 300.55, 0.53%, 0.6%

LAB 58.47, 57.54, -36.77

 

CMYK 0 / 42 / 52 / 19

HEX #CF7963

RGB 207 121 99

HSL 12.22, 0.53%, 0.6%

LAB 59.74, 31.29, 26.52

 

CMYK 52 / 0 / 21 / 19

HEX #63CFA4

RGB 99 207 164

HSL 156.11, 0.53%, 0.6%

LAB 76.04, -41.25, 12

 

CMYK 0 / 53 / 0 / 19

HEX #CF62CE

RGB 207 98 206

HSL 300.55, 0.53%, 0.6%

LAB 58.47, 57.54, -36.77

 

CMYK 0 / 0 / 52 / 19

HEX #CFCF63

RGB 207 207 99

HSL 60, 0.53%, 0.6%

LAB 81.18, -14.44, 52.92

 

CMYK 52 / 0 / 0 / 19

HEX #63CFCF

RGB 99 207 207

HSL 180, 0.53%, 0.6%

LAB 77.15, -30.86, -9.49

 

CMYK 0 / 53 / 0 / 19

HEX #CF62CE

RGB 207 98 206

HSL 300.55, 0.53%, 0.6%

LAB 58.47, 57.54, -36.77

 

CMYK 0 / 42 / 52 / 19

HEX #CF7963

RGB 207 121 99

HSL 12.22, 0.53%, 0.6%

LAB 59.74, 31.29, 26.52

 

CMYK 52 / 0 / 52 / 19

HEX #63CF63

RGB 99 207 99

HSL 120, 0.53%, 0.6%

LAB 74.94, -52.64, 43.98

 

CMYK 52 / 11 / 0 / 19

HEX #63B9CF

RGB 99 185 207

HSL 192.22, 0.53%, 0.6%

LAB 70.77, -19.93, -19.08

 

CMYK 0 / 53 / 0 / 19

HEX #CF62CE

RGB 207 98 206

HSL 300.55, 0.53%, 0.6%

LAB 58.47, 57.54, -36.77

 

CMYK 0 / 26 / 52 / 19

HEX #CF9963

RGB 207 153 99

HSL 30, 0.53%, 0.6%

LAB 67.24, 13.95, 36.11

 

CMYK 52 / 0 / 52 / 19

HEX #63CF63

RGB 99 207 99

HSL 120, 0.53%, 0.6%

LAB 74.94, -52.64, 43.98

 

CMYK 52 / 26 / 0 / 19

HEX #6399CF

RGB 99 153 207

HSL 210, 0.53%, 0.6%

LAB 61.6, -2.6, -33.16

 

Description

Color code: HEX #CF62CE | qconv.com Color code: HEX #CF62CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 98 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 98 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 53 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 53% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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