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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CF5E35 it is the complementary color #30A1CA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CF5E35. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CF5E35 shade: #D45E30, #E57043, #F68256, #FF9469 and #FFA67C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CF5E35. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CF5E35 shade: #CF5E35, #BE4C22, #AD3A0F, #9C2800 and #8B1600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CF5E35 shade: #D05E35 and #D03535

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CF5E35 shade: #D05E35, #D08835, #D0B135, #C4D035 and #9AD035

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CF5E35 shade matches the following richer shades: #D05E35, #E45420 and #F84B0C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CF5E35 shade: #D05E35, #BB6749, #A7715D, #937A71 and #7F8485

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CF5E35 shade: #D03560, #D03537, #D05B35, #D08535 and #D0AE35

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CF5E35 shade: #903F22, #B14E2A, #D05E35, #D77856 and #DF9377

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CF5E35 shade: #CF5E35, #8AD035 and #354CD0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CF5E35 shade: #CF5E35, #35D05B and #5B35D0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CF5E35 shade: #CF5E35, #8AD035, #35A9D0 and #7A35D0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CF5E35 shade: #CF5E35, #5BD035, #35A9D0 and #A935D0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 74 / 19

HEX #CF5E35

RGB 207 94 53

HSL 15.97, 0.62%, 0.51%

LAB 53.52, 42.19, 44.09

 

Complementary color

CMYK 76 / 20 / 0 / 21

HEX #30A1CA

RGB 48 161 202

HSL 195.97, 0.62%, 0.49%

LAB 61.98, -17.39, -29.92

 

CMYK 0 / 56 / 77 / 17

HEX #D45E30

RGB 212 94 48

HSL 16.83, 0.66%, 0.51%

LAB 54.26, 43.88, 47.58

 

CMYK 0 / 51 / 71 / 10

HEX #E57043

RGB 229 112 67

HSL 16.67, 0.76%, 0.58%

LAB 60.47, 42.3, 45.45

 

CMYK 0 / 47 / 65 / 4

HEX #F68256

RGB 246 130 86

HSL 16.5, 0.9%, 0.65%

LAB 66.7, 40.81, 43.38

 

CMYK 0 / 42 / 59 / 0

HEX #FF9469

RGB 255 148 105

HSL 17.2, 1%, 0.71%

LAB 71.87, 36.35, 39.95

 

CMYK 0 / 35 / 51 / 0

HEX #FFA67C

RGB 255 166 124

HSL 19.24, 1%, 0.74%

LAB 76.06, 28.53, 35.23

 

CMYK 0 / 55 / 74 / 19

HEX #CF5E35

RGB 207 94 53

HSL 15.97, 0.62%, 0.51%

LAB 53.52, 42.19, 44.09

 

CMYK 0 / 60 / 82 / 25

HEX #BE4C22

RGB 190 76 34

HSL 16.15, 0.7%, 0.44%

LAB 47.28, 43.76, 46.27

 

CMYK 0 / 66 / 91 / 32

HEX #AD3A0F

RGB 173 58 15

HSL 16.33, 0.84%, 0.37%

LAB 41.13, 45.25, 47.88

 

CMYK 0 / 74 / 100 / 39

HEX #9C2800

RGB 156 40 0

HSL 15.38, 1%, 0.31%

LAB 35.17, 46.4, 47.85

 

CMYK 0 / 84 / 100 / 45

HEX #8B1600

RGB 139 22 0

HSL 9.5, 1%, 0.27%

LAB 29.57, 46.75, 42.49

 

CMYK 0 / 55 / 75 / 18

HEX #D05E35

RGB 208 94 53

HSL 15.87, 0.62%, 0.51%

LAB 53.68, 42.57, 44.3

 

CMYK 0 / 75 / 75 / 18

HEX #D03535

RGB 208 53 53

HSL 0, 0.62%, 0.51%

LAB 47.25, 59.77, 37.31

 

CMYK 0 / 55 / 75 / 18

HEX #D05E35

RGB 208 94 53

HSL 15.87, 0.62%, 0.51%

LAB 53.68, 42.57, 44.3

 

CMYK 0 / 35 / 75 / 18

HEX #D08835

RGB 208 136 53

HSL 32.13, 0.62%, 0.51%

LAB 62.74, 20.55, 53.64

 

CMYK 0 / 15 / 75 / 18

HEX #D0B135

RGB 208 177 53

HSL 48, 0.62%, 0.51%

LAB 72.97, -1.5, 63.63

 

CMYK 6 / 0 / 75 / 18

HEX #C4D035

RGB 196 208 53

HSL 64.65, 0.62%, 0.51%

LAB 80.24, -22.36, 70.12

 

CMYK 26 / 0 / 75 / 18

HEX #9AD035

RGB 154 208 53

HSL 80.9, 0.62%, 0.51%

LAB 77.42, -39.17, 66.46

 

CMYK 0 / 55 / 75 / 18

HEX #D05E35

RGB 208 94 53

HSL 15.87, 0.62%, 0.51%

LAB 53.68, 42.57, 44.3

 

CMYK 0 / 63 / 86 / 11

HEX #E45420

RGB 228 84 32

HSL 15.92, 0.78%, 0.51%

LAB 55.01, 53.76, 56.35

 

CMYK 0 / 70 / 95 / 3

HEX #F84B0C

RGB 248 75 12

HSL 16.02, 0.94%, 0.51%

LAB 57.09, 63.65, 65.61

 

CMYK 0 / 55 / 75 / 18

HEX #D05E35

RGB 208 94 53

HSL 15.87, 0.62%, 0.51%

LAB 53.68, 42.57, 44.3

 

CMYK 0 / 45 / 61 / 27

HEX #BB6749

RGB 187 103 73

HSL 15.79, 0.46%, 0.51%

LAB 52.67, 30.84, 31.57

 

CMYK 0 / 32 / 44 / 35

HEX #A7715D

RGB 167 113 93

HSL 16.22, 0.3%, 0.51%

LAB 52.75, 18.9, 19.75

 

CMYK 0 / 17 / 23 / 42

HEX #937A71

RGB 147 122 113

HSL 15.88, 0.14%, 0.51%

LAB 53.29, 8.2, 8.54

 

CMYK 5 / 1 / 0 / 48

HEX #7F8485

RGB 127 132 133

HSL 190, 0.02%, 0.51%

LAB 54.77, -1.64, -1.19

 

CMYK 0 / 75 / 54 / 18

HEX #D03560

RGB 208 53 96

HSL 343.35, 0.62%, 0.51%

LAB 48.01, 62.24, 12.49

 

CMYK 0 / 75 / 74 / 18

HEX #D03537

RGB 208 53 55

HSL 359.23, 0.62%, 0.51%

LAB 47.28, 59.85, 36.2

 

CMYK 0 / 56 / 75 / 18

HEX #D05B35

RGB 208 91 53

HSL 14.71, 0.62%, 0.51%

LAB 53.11, 44.03, 43.7

 

CMYK 0 / 36 / 75 / 18

HEX #D08535

RGB 208 133 53

HSL 30.97, 0.62%, 0.51%

LAB 62.03, 22.18, 52.93

 

CMYK 0 / 16 / 75 / 18

HEX #D0AE35

RGB 208 174 53

HSL 46.84, 0.62%, 0.51%

LAB 72.19, 0.09, 62.89

 

CMYK 0 / 56 / 76 / 44

HEX #903F22

RGB 144 63 34

HSL 15.82, 0.62%, 0.35%

LAB 37.11, 32.37, 33.61

 

CMYK 0 / 56 / 76 / 31

HEX #B14E2A

RGB 177 78 42

HSL 16, 0.62%, 0.43%

LAB 45.58, 38.13, 39.93

 

CMYK 0 / 55 / 75 / 18

HEX #D05E35

RGB 208 94 53

HSL 15.87, 0.62%, 0.51%

LAB 53.68, 42.57, 44.3

 

CMYK 0 / 44 / 60 / 16

HEX #D77856

RGB 215 120 86

HSL 15.81, 0.62%, 0.59%

LAB 60.38, 33.92, 34.77

 

CMYK 0 / 34 / 47 / 13

HEX #DF9377

RGB 223 147 119

HSL 16.15, 0.62%, 0.67%

LAB 67.94, 25.56, 26.59

 

CMYK 0 / 55 / 74 / 19

HEX #CF5E35

RGB 207 94 53

HSL 15.97, 0.62%, 0.51%

LAB 53.52, 42.19, 44.09

 

CMYK 34 / 0 / 75 / 18

HEX #8AD035

RGB 138 208 53

HSL 87.1, 0.62%, 0.51%

LAB 76.54, -45.06, 65.31

 

CMYK 75 / 63 / 0 / 18

HEX #354CD0

RGB 53 76 208

HSL 231.1, 0.62%, 0.51%

LAB 38.69, 37.07, -70.48

 

CMYK 0 / 55 / 74 / 19

HEX #CF5E35

RGB 207 94 53

HSL 15.97, 0.62%, 0.51%

LAB 53.52, 42.19, 44.09

 

CMYK 75 / 0 / 56 / 18

HEX #35D05B

RGB 53 208 91

HSL 134.71, 0.62%, 0.51%

LAB 73.95, -63.5, 46.28

 

CMYK 56 / 75 / 0 / 18

HEX #5B35D0

RGB 91 53 208

HSL 254.71, 0.62%, 0.51%

LAB 36.6, 54.83, -73.8

 

CMYK 0 / 55 / 74 / 19

HEX #CF5E35

RGB 207 94 53

HSL 15.97, 0.62%, 0.51%

LAB 53.52, 42.19, 44.09

 

CMYK 34 / 0 / 75 / 18

HEX #8AD035

RGB 138 208 53

HSL 87.1, 0.62%, 0.51%

LAB 76.54, -45.06, 65.31

 

CMYK 75 / 19 / 0 / 18

HEX #35A9D0

RGB 53 169 208

HSL 195.1, 0.62%, 0.51%

LAB 64.71, -19.05, -29.03

 

CMYK 41 / 75 / 0 / 18

HEX #7A35D0

RGB 122 53 208

HSL 266.71, 0.62%, 0.51%

LAB 39.98, 59.46, -68.14

 

CMYK 0 / 55 / 74 / 19

HEX #CF5E35

RGB 207 94 53

HSL 15.97, 0.62%, 0.51%

LAB 53.52, 42.19, 44.09

 

CMYK 56 / 0 / 75 / 18

HEX #5BD035

RGB 91 208 53

HSL 105.29, 0.62%, 0.51%

LAB 74.57, -59.62, 62.71

 

CMYK 75 / 19 / 0 / 18

HEX #35A9D0

RGB 53 169 208

HSL 195.1, 0.62%, 0.51%

LAB 64.71, -19.05, -29.03

 

CMYK 19 / 75 / 0 / 18

HEX #A935D0

RGB 169 53 208

HSL 284.9, 0.62%, 0.51%

LAB 46.36, 67.9, -57.49

 

Description

Color code: HEX #CF5E35 | qconv.com Color code: HEX #CF5E35 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 94 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 94 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 74 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 74% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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