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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CF5D4ACE it is the complementary color #30A2B5CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CF5D4ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CF5D4ACE shade: #D45D45CE, #E56F58CE, #F6816BCE, #FF937ECE and #FFA591CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CF5D4ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CF5D4ACE shade: #CF5D4ACE, #BE4B37CE, #AD3924CE, #9C2711CE and #8B1500CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CF5D4ACE shade: #CF5D4A and #CF4A4A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CF5D4ACE shade: #CF5D4A, #CF814A, #CFA44A, #CFC84A and #B1CF4A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CF5D4ACE shade matches the following richer shades: #CF5D4A, #E14F37 and #F44225

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CF5D4ACE shade: #CF5D4A, #BC6A5C, #AA776F, #978481 and #859294

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CF5D4ACE shade: #CF4A7F, #CF4A5B, #CF5B4A, #CF7F4A and #CFA24A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CF5D4ACE shade: #9C3A2A, #BD4632, #CF5D4A, #D77A6A and #E0978B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CF5D4ACE shade: #CF5D4A, #A2CF4A and #4A6DCF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CF5D4ACE shade: #CF5D4A, #4ACF5B and #5B4ACF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CF5D4ACE shade: #CF5D4A, #A2CF4A, #4ABDCF and #764ACF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CF5D4ACE shade: #CF5D4A, #7BCF4A, #4ABDCF and #9E4ACF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 52 / 15

HEX #CF5D4ACE

RGBA 207 93 74 0.81

HSLA 8.57, 0.58%, 0.55%, 0.81

LABA 53.59, 43.79, 32.8, 0.81

 

Complementary color

CMYK 60 / 9 / 0 / 24

HEX #30A2B5CE

RGBA 48 162 181 0.81

HSLA 188.57, 0.58%, 0.45%, 0.81

LABA 61.49, -24.78, -18.92, 0.81

 

CMYK 0 / 45 / 55 / 14

HEX #D45D45CE

RGBA 212 93 69 0.81

HSLA 10.07, 0.62%, 0.55%, 0.81

LABA 54.3, 45.34, 36.63, 0.81

 

CMYK 0 / 42 / 50 / 8

HEX #E56F58CE

RGBA 229 111 88 0.81

HSLA 9.79, 0.73%, 0.62%, 0.81

LABA 60.54, 44.01, 34.3, 0.81

 

CMYK 0 / 39 / 46 / 3

HEX #F6816BCE

RGBA 246 129 107 0.81

HSLA 9.5, 0.89%, 0.69%, 0.81

LABA 66.79, 42.72, 32.23, 0.81

 

CMYK 0 / 34 / 41 / 0

HEX #FF937ECE

RGBA 255 147 126 0.81

HSLA 9.77, 1%, 0.75%, 0.81

LABA 71.98, 38.53, 28.84, 0.81

 

CMYK 0 / 29 / 35 / 0

HEX #FFA591CE

RGBA 255 165 145 0.81

HSLA 10.91, 1%, 0.78%, 0.81

LABA 76.2, 31.04, 24.18, 0.81

 

CMYK 0 / 45 / 52 / 15

HEX #CF5D4ACE

RGBA 207 93 74 0.81

HSLA 8.57, 0.58%, 0.55%, 0.81

LABA 53.59, 43.79, 32.8, 0.81

 

CMYK 0 / 49 / 58 / 21

HEX #BE4B37CE

RGBA 190 75 55 0.81

HSLA 8.89, 0.55%, 0.48%, 0.81

LABA 47.31, 45.08, 35.38, 0.81

 

CMYK 0 / 54 / 64 / 26

HEX #AD3924CE

RGBA 173 57 36 0.81

HSLA 9.2, 0.66%, 0.41%, 0.81

LABA 41.12, 46.24, 38.27, 0.81

 

CMYK 0 / 61 / 72 / 31

HEX #9C2711CE

RGBA 156 39 17 0.81

HSLA 9.5, 0.8%, 0.34%, 0.81

LABA 35.12, 47.04, 41.11, 0.81

 

CMYK 0 / 69 / 81 / 37

HEX #8B1500CE

RGBA 139 21 0 0.81

HSLA 9.06, 1%, 0.27%, 0.81

LABA 29.48, 47.02, 42.42, 0.81

 

CMYK 0 / 55 / 64 / 19

HEX #CF5D4A

RGB 207 93 74

HSL 8.57, 0.58%, 0.55%

LAB 53.59, 43.79, 32.8

 

CMYK 0 / 64 / 64 / 19

HEX #CF4A4A

RGB 207 74 74

HSL 0, 0.58%, 0.55%

LAB 50.28, 52.51, 28.71

 

CMYK 0 / 55 / 64 / 19

HEX #CF5D4A

RGB 207 93 74

HSL 8.57, 0.58%, 0.55%

LAB 53.59, 43.79, 32.8

 

CMYK 0 / 38 / 64 / 19

HEX #CF814A

RGB 207 129 74

HSL 24.81, 0.58%, 0.55%

LAB 61.19, 25.06, 41.86

 

CMYK 0 / 21 / 64 / 19

HEX #CFA44A

RGB 207 164 74

HSL 40.6, 0.58%, 0.55%

LAB 69.69, 6.1, 51.49

 

CMYK 0 / 3 / 64 / 19

HEX #CFC84A

RGB 207 200 74

HSL 56.84, 0.58%, 0.55%

LAB 79.08, -12.7, 61.57

 

CMYK 14 / 0 / 64 / 19

HEX #B1CF4A

RGB 177 207 74

HSL 73.53, 0.58%, 0.55%

LAB 78.73, -28.46, 60.51

 

CMYK 0 / 55 / 64 / 19

HEX #CF5D4A

RGB 207 93 74

HSL 8.57, 0.58%, 0.55%

LAB 53.59, 43.79, 32.8

 

CMYK 0 / 65 / 76 / 12

HEX #E14F37

RGB 225 79 55

HSL 8.47, 0.74%, 0.55%

LAB 53.89, 55.53, 44.33

 

CMYK 0 / 73 / 85 / 4

HEX #F44225

RGB 244 66 37

HSL 8.41, 0.9%, 0.55%

LAB 55.34, 65.9, 55.68

 

CMYK 0 / 55 / 64 / 19

HEX #CF5D4A

RGB 207 93 74

HSL 8.57, 0.58%, 0.55%

LAB 53.59, 43.79, 32.8

 

CMYK 0 / 44 / 51 / 26

HEX #BC6A5C

RGB 188 106 92

HSL 8.75, 0.42%, 0.55%

LAB 53.78, 31.2, 22.19

 

CMYK 0 / 30 / 35 / 33

HEX #AA776F

RGB 170 119 111

HSL 8.14, 0.26%, 0.55%

LAB 54.96, 18.91, 12.4

 

CMYK 0 / 13 / 15 / 41

HEX #978481

RGB 151 132 129

HSL 8.18, 0.1%, 0.55%

LAB 56.75, 6.68, 4.26

 

CMYK 10 / 1 / 0 / 42

HEX #859294

RGB 133 146 148

HSL 188, 0.07%, 0.55%

LAB 59.6, -4.24, -2.66

 

CMYK 0 / 64 / 39 / 19

HEX #CF4A7F

RGB 207 74 127

HSL 336.09, 0.58%, 0.55%

LAB 51.49, 56.97, -1.34

 

CMYK 0 / 64 / 56 / 19

HEX #CF4A5B

RGB 207 74 91

HSL 352.33, 0.58%, 0.55%

LAB 50.59, 53.66, 19.02

 

CMYK 0 / 56 / 64 / 19

HEX #CF5B4A

RGB 207 91 74

HSL 7.67, 0.58%, 0.55%

LAB 53.21, 44.76, 32.34

 

CMYK 0 / 39 / 64 / 19

HEX #CF7F4A

RGB 207 127 74

HSL 23.91, 0.58%, 0.55%

LAB 60.73, 26.14, 41.33

 

CMYK 0 / 22 / 64 / 19

HEX #CFA24A

RGB 207 162 74

HSL 39.7, 0.58%, 0.55%

LAB 69.18, 7.17, 50.93

 

CMYK 0 / 63 / 73 / 39

HEX #9C3A2A

RGB 156 58 42

HSL 8.42, 0.58%, 0.39%

LAB 38.31, 39.92, 30.98

 

CMYK 0 / 63 / 74 / 26

HEX #BD4632

RGB 189 70 50

HSL 8.63, 0.58%, 0.47%

LAB 46.22, 46.76, 36.89

 

CMYK 0 / 55 / 64 / 19

HEX #CF5D4A

RGB 207 93 74

HSL 8.57, 0.58%, 0.55%

LAB 53.59, 43.79, 32.8

 

CMYK 0 / 43 / 51 / 16

HEX #D77A6A

RGB 215 122 106

HSL 8.81, 0.58%, 0.63%

LAB 61.14, 34.5, 24.61

 

CMYK 0 / 33 / 38 / 12

HEX #E0978B

RGB 224 151 139

HSL 8.47, 0.58%, 0.71%

LAB 69.36, 25.96, 17.51

 

CMYK 0 / 55 / 64 / 19

HEX #CF5D4A

RGB 207 93 74

HSL 8.57, 0.58%, 0.55%

LAB 53.59, 43.79, 32.8

 

CMYK 22 / 0 / 64 / 19

HEX #A2CF4A

RGB 162 207 74

HSL 80.3, 0.58%, 0.55%

LAB 77.76, -34.34, 59.18

 

CMYK 64 / 47 / 0 / 19

HEX #4A6DCF

RGB 74 109 207

HSL 224.21, 0.58%, 0.55%

LAB 48.13, 18.75, -54.54

 

CMYK 0 / 55 / 64 / 19

HEX #CF5D4A

RGB 207 93 74

HSL 8.57, 0.58%, 0.55%

LAB 53.59, 43.79, 32.8

 

CMYK 64 / 0 / 56 / 19

HEX #4ACF5B

RGB 74 207 91

HSL 127.67, 0.58%, 0.55%

LAB 74.09, -59.51, 46.55

 

CMYK 56 / 64 / 0 / 19

HEX #5B4ACF

RGB 91 74 207

HSL 247.67, 0.58%, 0.55%

LAB 40.62, 43.23, -66.65

 

CMYK 0 / 55 / 64 / 19

HEX #CF5D4A

RGB 207 93 74

HSL 8.57, 0.58%, 0.55%

LAB 53.59, 43.79, 32.8

 

CMYK 22 / 0 / 64 / 19

HEX #A2CF4A

RGB 162 207 74

HSL 80.3, 0.58%, 0.55%

LAB 77.76, -34.34, 59.18

 

CMYK 64 / 9 / 0 / 19

HEX #4ABDCF

RGB 74 189 207

HSL 188.12, 0.58%, 0.55%

LAB 71.12, -26.64, -18.64

 

CMYK 43 / 64 / 0 / 19

HEX #764ACF

RGB 118 74 207

HSL 259.85, 0.58%, 0.55%

LAB 43.14, 48.21, -62.43

 

CMYK 0 / 55 / 64 / 19

HEX #CF5D4A

RGB 207 93 74

HSL 8.57, 0.58%, 0.55%

LAB 53.59, 43.79, 32.8

 

CMYK 41 / 0 / 64 / 19

HEX #7BCF4A

RGB 123 207 74

HSL 97.89, 0.58%, 0.55%

LAB 75.66, -48.26, 56.3

 

CMYK 64 / 9 / 0 / 19

HEX #4ABDCF

RGB 74 189 207

HSL 188.12, 0.58%, 0.55%

LAB 71.12, -26.64, -18.64

 

CMYK 24 / 64 / 0 / 19

HEX #9E4ACF

RGB 158 74 207

HSL 277.89, 0.58%, 0.55%

LAB 47.84, 56.76, -54.6

 

Description

Color code: HEX #CF5D4ACE | qconv.com Color code: HEX #CF5D4ACE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 93 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 93 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 52 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 52% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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