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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CF5AD7 it is the complementary color #30A528. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CF5AD7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CF5AD7 shade: #D45AD2, #E56CE5, #F67EF8, #FF90FF and #FFA2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CF5AD7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CF5AD7 shade: #CF5AD7, #BE48C4, #AD36B1, #9C249E and #8B128B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CF5AD7 shade: #CF5BD7, #D75BBE, #D75B9C, #D75B7B and #D75B5B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CF5AD7 shade: #CF5BD7, #AE5BD7, #8C5BD7, #6B5BD7 and #5B5BD7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CF5AD7 shade matches the following richer shades: #CF5BD7, #DE4AE8 and #EC3AF8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CF5AD7 shade: #CF5BD7, #C16BC7, #B27CB6, #A48CA6 and #969D95

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CF5AD7 shade: #8D5BD7, #AE5BD7, #CF5BD7, #D75BBE and #D75B9D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CF5AD7 shade: #AB2CB4, #C63ACF, #CF5BD7, #D97CDF and #E39DE7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CF5AD7 shade: #CF5AD7, #D76B5B and #5BD79D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CF5AD7 shade: #CF5AD7, #D7CF5B and #5BD7CF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CF5AD7 shade: #CF5AD7, #D76B5B, #63D75B and #5BC7D7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CF5AD7 shade: #CF5AD7, #D7915B, #63D75B and #5BA1D7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 58 / 0 / 16

HEX #CF5AD7

RGB 207 90 215

HSL 296.16, 0.61%, 0.6%

LAB 57.54, 62.79, -43.32

 

Complementary color

CMYK 71 / 0 / 76 / 35

HEX #30A528

RGB 48 165 40

HSL 116.16, 0.61%, 0.4%

LAB 59.61, -55.36, 51.96

 

CMYK 0 / 58 / 1 / 17

HEX #D45AD2

RGB 212 90 210

HSL 300.98, 0.59%, 0.59%

LAB 58, 63.19, -39.72

 

CMYK 0 / 53 / 0 / 10

HEX #E56CE5

RGB 229 108 229

HSL 300, 0.7%, 0.66%

LAB 64.19, 62.8, -40.52

 

CMYK 1 / 49 / 0 / 3

HEX #F67EF8

RGB 246 126 248

HSL 299.02, 0.9%, 0.73%

LAB 70.38, 62.26, -41.16

 

CMYK 0 / 44 / 0 / 0

HEX #FF90FF

RGB 255 144 255

HSL 300, 1%, 0.78%

LAB 75.09, 57.3, -37.55

 

CMYK 0 / 36 / 0 / 0

HEX #FFA2FF

RGB 255 162 255

HSL 300, 1%, 0.82%

LAB 78.65, 48.27, -32.05

 

CMYK 4 / 58 / 0 / 16

HEX #CF5AD7

RGB 207 90 215

HSL 296.16, 0.61%, 0.6%

LAB 57.54, 62.79, -43.32

 

CMYK 3 / 63 / 0 / 23

HEX #BE48C4

RGB 190 72 196

HSL 297.1, 0.51%, 0.53%

LAB 51.34, 62.97, -42.43

 

CMYK 2 / 69 / 0 / 31

HEX #AD36B1

RGB 173 54 177

HSL 298.05, 0.53%, 0.45%

LAB 45.22, 62.73, -41.23

 

CMYK 1 / 77 / 0 / 38

HEX #9C249E

RGB 156 36 158

HSL 299.02, 0.63%, 0.38%

LAB 39.24, 61.82, -39.58

 

CMYK 0 / 87 / 0 / 45

HEX #8B128B

RGB 139 18 139

HSL 300, 0.77%, 0.31%

LAB 33.53, 59.81, -37.25

 

CMYK 4 / 58 / 0 / 16

HEX #CF5BD7

RGB 207 91 215

HSL 296.13, 0.61%, 0.6%

LAB 57.71, 62.34, -43.07

 

CMYK 0 / 58 / 12 / 16

HEX #D75BBE

RGB 215 91 190

HSL 312.1, 0.61%, 0.6%

LAB 57.7, 60.3, -28.76

 

CMYK 0 / 58 / 27 / 16

HEX #D75B9C

RGB 215 91 156

HSL 328.55, 0.61%, 0.6%

LAB 56.42, 55.45, -11.04

 

CMYK 0 / 58 / 43 / 16

HEX #D75B7B

RGB 215 91 123

HSL 344.52, 0.61%, 0.6%

LAB 55.44, 51.61, 6.92

 

CMYK 0 / 58 / 58 / 16

HEX #D75B5B

RGB 215 91 91

HSL 0, 0.61%, 0.6%

LAB 54.75, 48.79, 24.77

 

CMYK 4 / 58 / 0 / 16

HEX #CF5BD7

RGB 207 91 215

HSL 296.13, 0.61%, 0.6%

LAB 57.71, 62.34, -43.07

 

CMYK 19 / 58 / 0 / 16

HEX #AE5BD7

RGB 174 91 215

HSL 280.16, 0.61%, 0.6%

LAB 53.37, 54.04, -50.21

 

CMYK 35 / 58 / 0 / 16

HEX #8C5BD7

RGB 140 91 215

HSL 263.71, 0.61%, 0.6%

LAB 49.45, 45.84, -56.71

 

CMYK 50 / 58 / 0 / 16

HEX #6B5BD7

RGB 107 91 215

HSL 247.74, 0.61%, 0.6%

LAB 46.33, 38.65, -61.9

 

CMYK 58 / 58 / 0 / 16

HEX #5B5BD7

RGB 91 91 215

HSL 240, 0.61%, 0.6%

LAB 45.1, 35.62, -63.95

 

CMYK 4 / 58 / 0 / 16

HEX #CF5BD7

RGB 207 91 215

HSL 296.13, 0.61%, 0.6%

LAB 57.71, 62.34, -43.07

 

CMYK 4 / 68 / 0 / 9

HEX #DE4AE8

RGB 222 74 232

HSL 296.2, 0.77%, 0.6%

LAB 58.28, 75.62, -51.6

 

CMYK 5 / 77 / 0 / 3

HEX #EC3AF8

RGB 236 58 248

HSL 296.21, 0.93%, 0.6%

LAB 59.56, 85.98, -58.35

 

CMYK 4 / 58 / 0 / 16

HEX #CF5BD7

RGB 207 91 215

HSL 296.13, 0.61%, 0.6%

LAB 57.71, 62.34, -43.07

 

CMYK 3 / 46 / 0 / 22

HEX #C16BC7

RGB 193 107 199

HSL 296.09, 0.45%, 0.6%

LAB 58.01, 47.88, -33.64

 

CMYK 2 / 32 / 0 / 29

HEX #B27CB6

RGB 178 124 182

HSL 295.86, 0.28%, 0.6%

LAB 59.21, 30.79, -22.25

 

CMYK 1 / 16 / 0 / 35

HEX #A48CA6

RGB 164 140 166

HSL 295.38, 0.13%, 0.6%

LAB 61.13, 13.8, -10.35

 

CMYK 4 / 0 / 5 / 38

HEX #969D95

RGB 150 157 149

HSL 112.5, 0.04%, 0.6%

LAB 63.97, -4.05, 3.3

 

CMYK 34 / 58 / 0 / 16

HEX #8D5BD7

RGB 141 91 215

HSL 264.19, 0.61%, 0.6%

LAB 49.56, 46.07, -56.53

 

CMYK 19 / 58 / 0 / 16

HEX #AE5BD7

RGB 174 91 215

HSL 280.16, 0.61%, 0.6%

LAB 53.37, 54.04, -50.21

 

CMYK 4 / 58 / 0 / 16

HEX #CF5BD7

RGB 207 91 215

HSL 296.13, 0.61%, 0.6%

LAB 57.71, 62.34, -43.07

 

CMYK 0 / 58 / 12 / 16

HEX #D75BBE

RGB 215 91 190

HSL 312.1, 0.61%, 0.6%

LAB 57.7, 60.3, -28.76

 

CMYK 0 / 58 / 27 / 16

HEX #D75B9D

RGB 215 91 157

HSL 328.06, 0.61%, 0.6%

LAB 56.45, 55.58, -11.57

 

CMYK 5 / 76 / 0 / 29

HEX #AB2CB4

RGB 171 44 180

HSL 296.03, 0.61%, 0.44%

LAB 43.88, 66.2, -45.15

 

CMYK 4 / 72 / 0 / 19

HEX #C63ACF

RGB 198 58 207

HSL 296.38, 0.61%, 0.52%

LAB 51.31, 71.85, -48.73

 

CMYK 4 / 58 / 0 / 16

HEX #CF5BD7

RGB 207 91 215

HSL 296.13, 0.61%, 0.6%

LAB 57.71, 62.34, -43.07

 

CMYK 3 / 44 / 0 / 13

HEX #D97CDF

RGB 217 124 223

HSL 296.36, 0.61%, 0.68%

LAB 65.35, 50.64, -35.48

 

CMYK 2 / 32 / 0 / 9

HEX #E39DE7

RGB 227 157 231

HSL 296.76, 0.61%, 0.76%

LAB 73.68, 37.92, -26.93

 

CMYK 4 / 58 / 0 / 16

HEX #CF5AD7

RGB 207 90 215

HSL 296.16, 0.61%, 0.6%

LAB 57.54, 62.79, -43.32

 

CMYK 0 / 50 / 58 / 16

HEX #D76B5B

RGB 215 107 91

HSL 7.74, 0.61%, 0.6%

LAB 57.77, 41, 28.68

 

CMYK 58 / 0 / 27 / 16

HEX #5BD79D

RGB 91 215 157

HSL 151.94, 0.61%, 0.6%

LAB 78.03, -47.93, 18.46

 

CMYK 4 / 58 / 0 / 16

HEX #CF5AD7

RGB 207 90 215

HSL 296.16, 0.61%, 0.6%

LAB 57.54, 62.79, -43.32

 

CMYK 0 / 4 / 58 / 16

HEX #D7CF5B

RGB 215 207 91

HSL 56.13, 0.61%, 0.6%

LAB 81.74, -11.78, 57.37

 

CMYK 58 / 0 / 4 / 16

HEX #5BD7CF

RGB 91 215 207

HSL 176.13, 0.61%, 0.6%

LAB 79.23, -36.17, -6.43

 

CMYK 4 / 58 / 0 / 16

HEX #CF5AD7

RGB 207 90 215

HSL 296.16, 0.61%, 0.6%

LAB 57.54, 62.79, -43.32

 

CMYK 0 / 50 / 58 / 16

HEX #D76B5B

RGB 215 107 91

HSL 7.74, 0.61%, 0.6%

LAB 57.77, 41, 28.68

 

CMYK 54 / 0 / 58 / 16

HEX #63D75B

RGB 99 215 91

HSL 116.13, 0.61%, 0.6%

LAB 77.29, -56.69, 50.5

 

CMYK 58 / 7 / 0 / 16

HEX #5BC7D7

RGB 91 199 215

HSL 187.74, 0.61%, 0.6%

LAB 74.81, -26.33, -17.35

 

CMYK 4 / 58 / 0 / 16

HEX #CF5AD7

RGB 207 90 215

HSL 296.16, 0.61%, 0.6%

LAB 57.54, 62.79, -43.32

 

CMYK 0 / 33 / 58 / 16

HEX #D7915B

RGB 215 145 91

HSL 26.13, 0.61%, 0.6%

LAB 66.1, 20.93, 39.11

 

CMYK 54 / 0 / 58 / 16

HEX #63D75B

RGB 99 215 91

HSL 116.13, 0.61%, 0.6%

LAB 77.29, -56.69, 50.5

 

CMYK 58 / 25 / 0 / 16

HEX #5BA1D7

RGB 91 161 215

HSL 206.13, 0.61%, 0.6%

LAB 63.85, -6.33, -34.15

 

Description

Color code: HEX #CF5AD7 | qconv.com Color code: HEX #CF5AD7 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 90 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 90 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 58 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 58% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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