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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CF593DCE it is the complementary color #30A6C2CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CF593DCE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CF593DCE shade: #D45938CE, #E56B4BCE, #F67D5ECE, #FF8F71CE and #FFA184CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CF593DCE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CF593DCE shade: #CF593DCE, #BE472ACE, #AD3517CE, #9C2304CE and #8B1100CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CF593DCE shade: #CF5B3F and #CF3F3F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CF593DCE shade: #CF5B3F, #CF823F, #CFA83F, #CFCF3F and #A8CF3F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CF593DCE shade matches the following richer shades: #CF5B3F, #E24F2C and #F64318

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CF593DCE shade: #CF5B3F, #BC6753, #A87366, #957F79 and #818B8D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CF593DCE shade: #CF3F72, #CF3F4B, #CF5A3F, #CF803F and #CFA63F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CF593DCE shade: #963B26, #B7482E, #CF5B3F, #D77760 and #E09381

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CF593DCE shade: #CF593D, #98CF3F and #3F5ECF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CF593DCE shade: #CF593D, #3FCF5A and #5A3FCF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CF593DCE shade: #CF593D, #98CF3F, #3FB5CF and #763FCF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CF593DCE shade: #CF593D, #6DCF3F, #3FB5CF and #A23FCF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 46 / 57 / 15

HEX #CF593DCE

RGBA 207 89 61 0.81

HSLA 11.51, 0.6%, 0.53%, 0.81

LABA 52.67, 44.99, 38.93, 0.81

 

Complementary color

CMYK 61 / 12 / 0 / 19

HEX #30A6C2CE

RGBA 48 166 194 0.81

HSLA 191.51, 0.6%, 0.47%, 0.81

LABA 63.17, -22.66, -23.62, 0.81

 

CMYK 0 / 47 / 60 / 14

HEX #D45938CE

RGBA 212 89 56 0.81

HSLA 12.69, 0.64%, 0.53%, 0.81

LABA 53.41, 46.59, 42.65, 0.81

 

CMYK 0 / 43 / 54 / 8

HEX #E56B4BCE

RGBA 229 107 75 0.81

HSLA 12.47, 0.75%, 0.6%, 0.81

LABA 59.6, 45.18, 40.25, 0.81

 

CMYK 0 / 40 / 50 / 3

HEX #F67D5ECE

RGBA 246 125 94 0.81

HSLA 12.24, 0.89%, 0.67%, 0.81

LABA 65.8, 43.8, 38.06, 0.81

 

CMYK 0 / 36 / 45 / 0

HEX #FF8F71CE

RGBA 255 143 113 0.81

HSLA 12.68, 1%, 0.72%, 0.81

LABA 70.94, 39.49, 34.52, 0.81

 

CMYK 0 / 30 / 39 / 0

HEX #FFA184CE

RGBA 255 161 132 0.81

HSLA 14.15, 1%, 0.76%, 0.81

LABA 75.09, 31.85, 29.7, 0.81

 

CMYK 0 / 46 / 57 / 15

HEX #CF593DCE

RGBA 207 89 61 0.81

HSLA 11.51, 0.6%, 0.53%, 0.81

LABA 52.67, 44.99, 38.93, 0.81

 

CMYK 0 / 51 / 63 / 21

HEX #BE472ACE

RGBA 190 71 42 0.81

HSLA 11.76, 0.64%, 0.45%, 0.81

LABA 46.47, 46.34, 41.53, 0.81

 

CMYK 0 / 56 / 70 / 26

HEX #AD3517CE

RGBA 173 53 23 0.81

HSLA 12, 0.77%, 0.38%, 0.81

LABA 40.4, 47.51, 44.07, 0.81

 

CMYK 0 / 63 / 79 / 31

HEX #9C2304CE

RGBA 156 35 4 0.81

HSLA 12.24, 0.95%, 0.31%, 0.81

LABA 34.56, 48.22, 45.89, 0.81

 

CMYK 0 / 71 / 81 / 37

HEX #8B1100CE

RGBA 139 17 0 0.81

HSLA 7.34, 1%, 0.27%, 0.81

LABA 29.13, 48, 42.15, 0.81

 

CMYK 0 / 56 / 70 / 19

HEX #CF5B3F

RGB 207 91 63

HSL 11.67, 0.6%, 0.53%

LAB 53.07, 44.13, 38.29

 

CMYK 0 / 70 / 70 / 19

HEX #CF3F3F

RGB 207 63 63

HSL 0, 0.6%, 0.53%

LAB 48.49, 56.34, 32.93

 

CMYK 0 / 56 / 70 / 19

HEX #CF5B3F

RGB 207 91 63

HSL 11.67, 0.6%, 0.53%

LAB 53.07, 44.13, 38.29

 

CMYK 0 / 37 / 70 / 19

HEX #CF823F

RGB 207 130 63

HSL 27.92, 0.6%, 0.53%

LAB 61.3, 23.87, 47.5

 

CMYK 0 / 19 / 70 / 19

HEX #CFA83F

RGB 207 168 63

HSL 43.75, 0.6%, 0.53%

LAB 70.61, 3.32, 57.34

 

CMYK 0 / 0 / 70 / 19

HEX #CFCF3F

RGB 207 207 63

HSL 60, 0.6%, 0.53%

LAB 80.88, -16.82, 67.63

 

CMYK 19 / 0 / 70 / 19

HEX #A8CF3F

RGB 168 207 63

HSL 76.25, 0.6%, 0.53%

LAB 78.06, -32.74, 63.89

 

CMYK 0 / 56 / 70 / 19

HEX #CF5B3F

RGB 207 91 63

HSL 11.67, 0.6%, 0.53%

LAB 53.07, 44.13, 38.29

 

CMYK 0 / 65 / 81 / 11

HEX #E24F2C

RGB 226 79 44

HSL 11.54, 0.76%, 0.53%

LAB 53.97, 55.48, 50.01

 

CMYK 0 / 73 / 90 / 4

HEX #F64318

RGB 246 67 24

HSL 11.62, 0.93%, 0.53%

LAB 55.76, 65.94, 61.27

 

CMYK 0 / 56 / 70 / 19

HEX #CF5B3F

RGB 207 91 63

HSL 11.67, 0.6%, 0.53%

LAB 53.07, 44.13, 38.29

 

CMYK 0 / 45 / 56 / 26

HEX #BC6753

RGB 188 103 83

HSL 11.43, 0.44%, 0.53%

LAB 52.97, 32.02, 26.3

 

CMYK 0 / 32 / 39 / 34

HEX #A87366

RGB 168 115 102

HSL 11.82, 0.28%, 0.53%

LAB 53.54, 19.23, 15.63

 

CMYK 0 / 15 / 19 / 42

HEX #957F79

RGB 149 127 121

HSL 12.86, 0.12%, 0.53%

LAB 55.02, 7.41, 6.38

 

CMYK 9 / 1 / 0 / 45

HEX #818B8D

RGB 129 139 141

HSL 190, 0.05%, 0.53%

LAB 57.13, -3.21, -2.33

 

CMYK 0 / 70 / 45 / 19

HEX #CF3F72

RGB 207 63 114

HSL 338.75, 0.6%, 0.53%

LAB 49.54, 59.99, 3.66

 

CMYK 0 / 70 / 64 / 19

HEX #CF3F4B

RGB 207 63 75

HSL 355, 0.6%, 0.53%

LAB 48.67, 57, 26.08

 

CMYK 0 / 57 / 70 / 19

HEX #CF5A3F

RGB 207 90 63

HSL 11.25, 0.6%, 0.53%

LAB 52.88, 44.61, 38.08

 

CMYK 0 / 38 / 70 / 19

HEX #CF803F

RGB 207 128 63

HSL 27.08, 0.6%, 0.53%

LAB 60.84, 24.95, 46.99

 

CMYK 0 / 20 / 70 / 19

HEX #CFA63F

RGB 207 166 63

HSL 42.92, 0.6%, 0.53%

LAB 70.1, 4.39, 56.81

 

CMYK 0 / 61 / 75 / 41

HEX #963B26

RGB 150 59 38

HSL 11.25, 0.6%, 0.37%

LAB 37.39, 36.97, 31.97

 

CMYK 0 / 61 / 75 / 28

HEX #B7482E

RGB 183 72 46

HSL 11.39, 0.6%, 0.45%

LAB 45.5, 43.5, 38.01

 

CMYK 0 / 56 / 70 / 19

HEX #CF5B3F

RGB 207 91 63

HSL 11.67, 0.6%, 0.53%

LAB 53.07, 44.13, 38.29

 

CMYK 0 / 45 / 55 / 16

HEX #D77760

RGB 215 119 96

HSL 11.6, 0.6%, 0.61%

LAB 60.32, 35.22, 29.16

 

CMYK 0 / 34 / 42 / 12

HEX #E09381

RGB 224 147 129

HSL 11.37, 0.61%, 0.69%

LAB 68.24, 26.98, 21.51

 

CMYK 0 / 57 / 71 / 19

HEX #CF593D

RGB 207 89 61

HSL 11.51, 0.6%, 0.53%

LAB 52.67, 44.99, 38.93

 

CMYK 27 / 0 / 70 / 19

HEX #98CF3F

RGB 152 207 63

HSL 82.92, 0.6%, 0.53%

LAB 77.08, -38.9, 62.58

 

CMYK 70 / 55 / 0 / 19

HEX #3F5ECF

RGB 63 94 207

HSL 227.08, 0.6%, 0.53%

LAB 43.61, 26.52, -61.87

 

CMYK 0 / 57 / 71 / 19

HEX #CF593D

RGB 207 89 61

HSL 11.51, 0.6%, 0.53%

LAB 52.67, 44.99, 38.93

 

CMYK 70 / 0 / 57 / 19

HEX #3FCF5A

RGB 63 207 90

HSL 131.25, 0.6%, 0.53%

LAB 73.82, -61.71, 46.63

 

CMYK 57 / 70 / 0 / 19

HEX #5A3FCF

RGB 90 63 207

HSL 251.25, 0.6%, 0.53%

LAB 38.26, 49.25, -70.51

 

CMYK 0 / 57 / 71 / 19

HEX #CF593D

RGB 207 89 61

HSL 11.51, 0.6%, 0.53%

LAB 52.67, 44.99, 38.93

 

CMYK 27 / 0 / 70 / 19

HEX #98CF3F

RGB 152 207 63

HSL 82.92, 0.6%, 0.53%

LAB 77.08, -38.9, 62.58

 

CMYK 70 / 13 / 0 / 19

HEX #3FB5CF

RGB 63 181 207

HSL 190.83, 0.6%, 0.53%

LAB 68.47, -24.27, -22.69

 

CMYK 43 / 70 / 0 / 19

HEX #763FCF

RGB 118 63 207

HSL 262.92, 0.6%, 0.53%

LAB 41.08, 53.89, -65.79

 

CMYK 0 / 57 / 71 / 19

HEX #CF593D

RGB 207 89 61

HSL 11.51, 0.6%, 0.53%

LAB 52.67, 44.99, 38.93

 

CMYK 47 / 0 / 70 / 19

HEX #6DCF3F

RGB 109 207 63

HSL 100.83, 0.6%, 0.53%

LAB 74.97, -53.53, 59.76

 

CMYK 70 / 13 / 0 / 19

HEX #3FB5CF

RGB 63 181 207

HSL 190.83, 0.6%, 0.53%

LAB 68.47, -24.27, -22.69

 

CMYK 22 / 70 / 0 / 19

HEX #A23FCF

RGB 162 63 207

HSL 281.25, 0.6%, 0.53%

LAB 46.63, 62.48, -56.52

 

Description

Color code: HEX #CF593DCE | qconv.com Color code: HEX #CF593DCE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 89 green and 61 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 89 61 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 46 magenta, 57 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 46% 57% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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