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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CF5928CE it is the complementary color #30A6D7CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CF5928CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CF5928CE shade: #D45923CE, #E56B36CE, #F67D49CE, #FF8F5CCE and #FFA16FCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CF5928CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CF5928CE shade: #CF5928CE, #BE4715CE, #AD3502CE, #9C2300CE and #8B1100CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CF5928CE shade: #CE5827, #CE2B27 and #CE2727

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CF5928CE shade: #CE5827, #CE8527, #CEB227, #BDCE27 and #90CE27

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CF5928CE shade matches the following richer shades: #CE5827 and #E15013

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CF5928CE shade: #CE5827, #BA603B, #A6684F, #927163 and #7E7976

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CF5928CE shade: #CE2751, #CE2A27, #CE5627, #CE8327 and #CEAF27

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CF5928CE shade: #883A1A, #AB4921, #CE5827, #DB7043 and #E28A66

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CF5928CE shade: #CF5928, #7DCE27 and #273BCE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CF5928CE shade: #CF5928, #27CE56 and #5627CE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CF5928CE shade: #CF5928, #7DCE27, #279ECE and #7827CE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CF5928CE shade: #CF5928, #4BCE27, #279ECE and #AA27CE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 46 / 65 / 15

HEX #CF5928CE

RGBA 207 89 40 0.81

HSLA 17.6, 0.68%, 0.48%, 0.81

LABA 52.47, 44.12, 49.35, 0.81

 

Complementary color

CMYK 63 / 18 / 0 / 13

HEX #30A6D7CE

RGBA 48 166 215 0.81

HSLA 197.6, 0.68%, 0.52%, 0.81

LABA 64, -15.67, -34.01, 0.81

 

CMYK 0 / 47 / 68 / 14

HEX #D45923CE

RGBA 212 89 35 0.81

HSLA 18.31, 0.72%, 0.48%, 0.81

LABA 53.24, 45.84, 52.56, 0.81

 

CMYK 0 / 43 / 62 / 8

HEX #E56B36CE

RGBA 229 107 54 0.81

HSLA 18.17, 0.77%, 0.55%, 0.81

LABA 59.38, 44.2, 50.73, 0.81

 

CMYK 0 / 40 / 57 / 3

HEX #F67D49CE

RGBA 246 125 73 0.81

HSLA 18.03, 0.91%, 0.63%, 0.81

LABA 65.55, 42.61, 48.72, 0.81

 

CMYK 0 / 36 / 52 / 0

HEX #FF8F5CCE

RGBA 255 143 92 0.81

HSLA 18.77, 1%, 0.68%, 0.81

LABA 70.65, 38.05, 45.24, 0.81

 

CMYK 0 / 30 / 46 / 0

HEX #FFA16FCE

RGBA 255 161 111 0.81

HSLA 20.83, 1%, 0.72%, 0.81

LABA 74.76, 30.08, 40.4, 0.81

 

CMYK 0 / 46 / 65 / 15

HEX #CF5928CE

RGBA 207 89 40 0.81

HSLA 17.6, 0.68%, 0.48%, 0.81

LABA 52.47, 44.12, 49.35, 0.81

 

CMYK 0 / 51 / 72 / 21

HEX #BE4715CE

RGBA 190 71 21 0.81

HSLA 17.75, 0.8%, 0.41%, 0.81

LABA 46.32, 45.74, 50.93, 0.81

 

CMYK 0 / 56 / 80 / 26

HEX #AD3502CE

RGBA 173 53 2 0.81

HSLA 17.89, 0.98%, 0.34%, 0.81

LABA 40.3, 47.17, 51.5, 0.81

 

CMYK 0 / 63 / 81 / 31

HEX #9C2300CE

RGBA 156 35 0 0.81

HSLA 13.46, 1%, 0.31%, 0.81

LABA 34.54, 48.16, 47.51, 0.81

 

CMYK 0 / 71 / 81 / 37

HEX #8B1100CE

RGBA 139 17 0 0.81

HSLA 7.34, 1%, 0.27%, 0.81

LABA 29.13, 48, 42.15, 0.81

 

CMYK 0 / 57 / 81 / 19

HEX #CE5827

RGB 206 88 39

HSL 17.6, 0.68%, 0.48%

LAB 52.12, 44.2, 49.42

 

CMYK 0 / 79 / 81 / 19

HEX #CE2B27

RGB 206 43 39

HSL 1.44, 0.68%, 0.48%

LAB 45.63, 61.75, 43.23

 

CMYK 0 / 81 / 81 / 19

HEX #CE2727

RGB 206 39 39

HSL 0, 0.68%, 0.48%

LAB 45.25, 62.83, 42.86

 

CMYK 0 / 57 / 81 / 19

HEX #CE5827

RGB 206 88 39

HSL 17.6, 0.68%, 0.48%

LAB 52.12, 44.2, 49.42

 

CMYK 0 / 35 / 81 / 19

HEX #CE8527

RGB 206 133 39

HSL 33.77, 0.68%, 0.48%

LAB 61.69, 20.78, 58.2

 

CMYK 0 / 14 / 81 / 19

HEX #CEB227

RGB 206 178 39

HSL 49.94, 0.68%, 0.48%

LAB 72.96, -3.41, 68.16

 

CMYK 8 / 0 / 81 / 19

HEX #BDCE27

RGB 189 206 39

HSL 66.11, 0.68%, 0.48%

LAB 79.1, -24.83, 72.94

 

CMYK 30 / 0 / 81 / 19

HEX #90CE27

RGB 144 206 39

HSL 82.28, 0.68%, 0.48%

LAB 76.2, -42.7, 69.27

 

CMYK 0 / 57 / 81 / 19

HEX #CE5827

RGB 206 88 39

HSL 17.6, 0.68%, 0.48%

LAB 52.12, 44.2, 49.42

 

CMYK 0 / 64 / 92 / 12

HEX #E15013

RGB 225 80 19

HSL 17.77, 0.84%, 0.48%

LAB 53.81, 54.18, 59.76

 

CMYK 0 / 57 / 81 / 19

HEX #CE5827

RGB 206 88 39

HSL 17.6, 0.68%, 0.48%

LAB 52.12, 44.2, 49.42

 

CMYK 0 / 48 / 68 / 27

HEX #BA603B

RGB 186 96 59

HSL 17.48, 0.52%, 0.48%

LAB 50.83, 33.25, 37.06

 

CMYK 0 / 37 / 52 / 35

HEX #A6684F

RGB 166 104 79

HSL 17.24, 0.36%, 0.48%

LAB 50.18, 22.13, 24.42

 

CMYK 0 / 23 / 32 / 43

HEX #927163

RGB 146 113 99

HSL 17.87, 0.19%, 0.48%

LAB 50.48, 10.91, 12.76

 

CMYK 0 / 4 / 6 / 51

HEX #7E7976

RGB 126 121 118

HSL 22.5, 0.03%, 0.48%

LAB 51.17, 1.33, 2.31

 

CMYK 0 / 81 / 61 / 19

HEX #CE2751

RGB 206 39 81

HSL 344.91, 0.68%, 0.48%

LAB 45.86, 64.71, 18.73

 

CMYK 0 / 80 / 81 / 19

HEX #CE2A27

RGB 206 42 39

HSL 1.08, 0.68%, 0.48%

LAB 45.53, 62.03, 43.13

 

CMYK 0 / 58 / 81 / 19

HEX #CE5627

RGB 206 86 39

HSL 16.89, 0.68%, 0.48%

LAB 51.75, 45.15, 49.08

 

CMYK 0 / 36 / 81 / 19

HEX #CE8327

RGB 206 131 39

HSL 33.05, 0.68%, 0.48%

LAB 61.22, 21.86, 57.78

 

CMYK 0 / 15 / 81 / 19

HEX #CEAF27

RGB 206 175 39

HSL 48.86, 0.68%, 0.48%

LAB 72.18, -1.84, 67.47

 

CMYK 0 / 57 / 81 / 47

HEX #883A1A

RGB 136 58 26

HSL 17.45, 0.68%, 0.32%

LAB 34.67, 31.39, 34.94

 

CMYK 0 / 57 / 81 / 33

HEX #AB4921

RGB 171 73 33

HSL 17.39, 0.68%, 0.4%

LAB 43.56, 37.95, 42.1

 

CMYK 0 / 57 / 81 / 19

HEX #CE5827

RGB 206 88 39

HSL 17.6, 0.68%, 0.48%

LAB 52.12, 44.2, 49.42

 

CMYK 0 / 49 / 69 / 14

HEX #DB7043

RGB 219 112 67

HSL 17.76, 0.68%, 0.56%

LAB 59.02, 38.45, 43.43

 

CMYK 0 / 39 / 55 / 11

HEX #E28A66

RGB 226 138 102

HSL 17.42, 0.68%, 0.64%

LAB 65.99, 30.01, 33.39

 

CMYK 0 / 57 / 81 / 19

HEX #CF5928

RGB 207 89 40

HSL 17.6, 0.68%, 0.48%

LAB 52.47, 44.12, 49.35

 

CMYK 39 / 0 / 81 / 19

HEX #7DCE27

RGB 125 206 39

HSL 89.1, 0.68%, 0.48%

LAB 75.23, -49.46, 68.03

 

CMYK 81 / 71 / 0 / 19

HEX #273BCE

RGB 39 59 206

HSL 232.81, 0.68%, 0.48%

LAB 34.02, 45.56, -77.03

 

CMYK 0 / 57 / 81 / 19

HEX #CF5928

RGB 207 89 40

HSL 17.6, 0.68%, 0.48%

LAB 52.47, 44.12, 49.35

 

CMYK 81 / 0 / 58 / 19

HEX #27CE56

RGB 39 206 86

HSL 136.89, 0.68%, 0.48%

LAB 73.05, -65.26, 47.47

 

CMYK 58 / 81 / 0 / 19

HEX #5627CE

RGB 86 39 206

HSL 256.89, 0.68%, 0.48%

LAB 33.74, 59.95, -77.37

 

CMYK 0 / 57 / 81 / 19

HEX #CF5928

RGB 207 89 40

HSL 17.6, 0.68%, 0.48%

LAB 52.47, 44.12, 49.35

 

CMYK 39 / 0 / 81 / 19

HEX #7DCE27

RGB 125 206 39

HSL 89.1, 0.68%, 0.48%

LAB 75.23, -49.46, 68.03

 

CMYK 81 / 23 / 0 / 19

HEX #279ECE

RGB 39 158 206

HSL 197.25, 0.68%, 0.48%

LAB 61.08, -15.33, -33.56

 

CMYK 42 / 81 / 0 / 19

HEX #7827CE

RGB 120 39 206

HSL 269.1, 0.68%, 0.48%

LAB 37.66, 64.15, -70.78

 

CMYK 0 / 57 / 81 / 19

HEX #CF5928

RGB 207 89 40

HSL 17.6, 0.68%, 0.48%

LAB 52.47, 44.12, 49.35

 

CMYK 64 / 0 / 81 / 19

HEX #4BCE27

RGB 75 206 39

HSL 107.07, 0.68%, 0.48%

LAB 73.41, -63.57, 65.69

 

CMYK 81 / 23 / 0 / 19

HEX #279ECE

RGB 39 158 206

HSL 197.25, 0.68%, 0.48%

LAB 61.08, -15.33, -33.56

 

CMYK 17 / 81 / 0 / 19

HEX #AA27CE

RGB 170 39 206

HSL 287.07, 0.68%, 0.48%

LAB 44.88, 72.04, -58.72

 

Description

Color code: HEX #CF5928CE | qconv.com Color code: HEX #CF5928CE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 89 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 89 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 46 magenta, 65 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 46% 65% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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