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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CF55B8 it is the complementary color #30AA47. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CF55B8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CF55B8 shade: #D455B3, #E567C6, #F679D9, #FF8BEC and #FF9DFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CF55B8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CF55B8 shade: #CF55B8, #BE43A5, #AD3192, #9C1F7F and #8B0D6C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CF55B8 shade: #CF54B8, #CF5496, #CF5475 and #CF5454

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CF55B8 shade: #CF54B8, #C554CF, #A454CF, #8354CF and #6154CF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CF55B8 shade matches the following richer shades: #CF54B8, #E042C3 and #F230CE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CF55B8 shade: #CF54B8, #BD66AD, #AB77A1, #9A8996 and #889B8B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CF55B8 shade: #A454CF, #C554CF, #CF54B8, #CF5497 and #CF5477

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CF55B8 shade: #A22E8C, #C337A8, #CF54B8, #D874C5 and #E194D2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CF55B8 shade: #CF55B8, #CF8354 and #54CFB4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CF55B8 shade: #CF55B8, #B8CF54 and #54B8CF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CF55B8 shade: #CF55B8, #CF8354, #54CF6A and #54A0CF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CF55B8 shade: #CF55B8, #CFA854, #54CF6A and #547BCF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 59 / 11 / 19

HEX #CF55B8

RGB 207 85 184

HSL 311.31, 0.56%, 0.57%

LAB 55.3, 59.82, -29.12

 

Complementary color

CMYK 72 / 0 / 58 / 33

HEX #30AA47

RGB 48 170 71

HSL 131.31, 0.56%, 0.43%

LAB 61.51, -53.87, 40.95

 

CMYK 0 / 60 / 16 / 17

HEX #D455B3

RGB 212 85 179

HSL 315.59, 0.6%, 0.58%

LAB 55.84, 60.43, -25.34

 

CMYK 0 / 55 / 14 / 10

HEX #E567C6

RGB 229 103 198

HSL 314.76, 0.71%, 0.65%

LAB 62.03, 60.06, -26.47

 

CMYK 0 / 51 / 12 / 4

HEX #F679D9

RGB 246 121 217

HSL 313.92, 0.87%, 0.72%

LAB 68.22, 59.52, -27.41

 

CMYK 0 / 45 / 7 / 0

HEX #FF8BEC

RGB 255 139 236

HSL 309.83, 1%, 0.77%

LAB 73.4, 56.54, -29.82

 

CMYK 0 / 38 / 0 / 0

HEX #FF9DFF

RGB 255 157 255

HSL 300, 1%, 0.81%

LAB 77.63, 50.81, -33.61

 

CMYK 0 / 59 / 11 / 19

HEX #CF55B8

RGB 207 85 184

HSL 311.31, 0.56%, 0.57%

LAB 55.3, 59.82, -29.12

 

CMYK 0 / 65 / 13 / 25

HEX #BE43A5

RGB 190 67 165

HSL 312.2, 0.49%, 0.5%

LAB 49.1, 59.94, -27.85

 

CMYK 0 / 72 / 16 / 32

HEX #AD3192

RGB 173 49 146

HSL 313.06, 0.56%, 0.44%

LAB 43, 59.61, -26.21

 

CMYK 0 / 80 / 19 / 39

HEX #9C1F7F

RGB 156 31 127

HSL 313.92, 0.67%, 0.37%

LAB 37.08, 58.51, -24

 

CMYK 0 / 91 / 22 / 45

HEX #8B0D6C

RGB 139 13 108

HSL 314.76, 0.83%, 0.3%

LAB 31.48, 56.19, -20.96

 

CMYK 0 / 59 / 11 / 19

HEX #CF54B8

RGB 207 84 184

HSL 311.22, 0.56%, 0.57%

LAB 55.14, 60.25, -29.37

 

CMYK 0 / 59 / 28 / 19

HEX #CF5496

RGB 207 84 150

HSL 327.8, 0.56%, 0.57%

LAB 53.82, 55.39, -11.54

 

CMYK 0 / 59 / 43 / 19

HEX #CF5475

RGB 207 84 117

HSL 343.9, 0.56%, 0.57%

LAB 52.83, 51.57, 6.58

 

CMYK 0 / 59 / 59 / 19

HEX #CF5454

RGB 207 84 84

HSL 0, 0.56%, 0.57%

LAB 52.11, 48.73, 25.18

 

CMYK 0 / 59 / 11 / 19

HEX #CF54B8

RGB 207 84 184

HSL 311.22, 0.56%, 0.57%

LAB 55.14, 60.25, -29.37

 

CMYK 5 / 59 / 0 / 19

HEX #C554CF

RGB 197 84 207

HSL 295.12, 0.56%, 0.57%

LAB 54.78, 61.51, -43.24

 

CMYK 21 / 59 / 0 / 19

HEX #A454CF

RGB 164 84 207

HSL 279.02, 0.56%, 0.57%

LAB 50.38, 53.34, -50.5

 

CMYK 37 / 59 / 0 / 19

HEX #8354CF

RGB 131 84 207

HSL 262.93, 0.56%, 0.57%

LAB 46.54, 45.55, -56.87

 

CMYK 53 / 59 / 0 / 19

HEX #6154CF

RGB 97 84 207

HSL 246.34, 0.56%, 0.57%

LAB 43.34, 38.42, -62.2

 

CMYK 0 / 59 / 11 / 19

HEX #CF54B8

RGB 207 84 184

HSL 311.22, 0.56%, 0.57%

LAB 55.14, 60.25, -29.37

 

CMYK 0 / 71 / 13 / 12

HEX #E042C3

RGB 224 66 195

HSL 311.01, 0.72%, 0.57%

LAB 55.77, 73.11, -34.53

 

CMYK 0 / 80 / 15 / 5

HEX #F230CE

RGB 242 48 206

HSL 311.13, 0.88%, 0.57%

LAB 57.51, 83.57, -37.89

 

CMYK 0 / 59 / 11 / 19

HEX #CF54B8

RGB 207 84 184

HSL 311.22, 0.56%, 0.57%

LAB 55.14, 60.25, -29.37

 

CMYK 0 / 46 / 8 / 26

HEX #BD66AD

RGB 189 102 173

HSL 311.03, 0.4%, 0.57%

LAB 55.42, 44.57, -22.78

 

CMYK 0 / 30 / 6 / 33

HEX #AB77A1

RGB 171 119 161

HSL 311.54, 0.24%, 0.57%

LAB 56.51, 27.22, -14.37

 

CMYK 0 / 11 / 3 / 40

HEX #9A8996

RGB 154 137 150

HSL 314.12, 0.08%, 0.57%

LAB 58.94, 8.79, -4.58

 

CMYK 12 / 0 / 10 / 39

HEX #889B8B

RGB 136 155 139

HSL 129.47, 0.09%, 0.57%

LAB 62.12, -9.93, 6.12

 

CMYK 21 / 59 / 0 / 19

HEX #A454CF

RGB 164 84 207

HSL 279.02, 0.56%, 0.57%

LAB 50.38, 53.34, -50.5

 

CMYK 5 / 59 / 0 / 19

HEX #C554CF

RGB 197 84 207

HSL 295.12, 0.56%, 0.57%

LAB 54.78, 61.51, -43.24

 

CMYK 0 / 59 / 11 / 19

HEX #CF54B8

RGB 207 84 184

HSL 311.22, 0.56%, 0.57%

LAB 55.14, 60.25, -29.37

 

CMYK 0 / 59 / 27 / 19

HEX #CF5497

RGB 207 84 151

HSL 327.32, 0.56%, 0.57%

LAB 53.86, 55.52, -12.08

 

CMYK 0 / 59 / 43 / 19

HEX #CF5477

RGB 207 84 119

HSL 342.93, 0.56%, 0.57%

LAB 52.88, 51.77, 5.46

 

CMYK 0 / 72 / 14 / 36

HEX #A22E8C

RGB 162 46 140

HSL 311.38, 0.56%, 0.41%

LAB 40.46, 57.04, -26.66

 

CMYK 0 / 72 / 14 / 24

HEX #C337A8

RGB 195 55 168

HSL 311.57, 0.56%, 0.49%

LAB 48.46, 66.09, -30.56

 

CMYK 0 / 59 / 11 / 19

HEX #CF54B8

RGB 207 84 184

HSL 311.22, 0.56%, 0.57%

LAB 55.14, 60.25, -29.37

 

CMYK 0 / 46 / 9 / 15

HEX #D874C5

RGB 216 116 197

HSL 311.4, 0.56%, 0.65%

LAB 62.61, 49.83, -25.16

 

CMYK 0 / 34 / 7 / 12

HEX #E194D2

RGB 225 148 210

HSL 311.69, 0.56%, 0.73%

LAB 70.76, 38.28, -19.88

 

CMYK 0 / 59 / 11 / 19

HEX #CF55B8

RGB 207 85 184

HSL 311.31, 0.56%, 0.57%

LAB 55.3, 59.82, -29.12

 

CMYK 0 / 37 / 59 / 19

HEX #CF8354

RGB 207 131 84

HSL 22.93, 0.56%, 0.57%

LAB 61.77, 24.68, 37.31

 

CMYK 59 / 0 / 13 / 19

HEX #54CFB4

RGB 84 207 180

HSL 166.83, 0.56%, 0.57%

LAB 75.95, -40.68, 3.22

 

CMYK 0 / 59 / 11 / 19

HEX #CF55B8

RGB 207 85 184

HSL 311.31, 0.56%, 0.57%

LAB 55.3, 59.82, -29.12

 

CMYK 11 / 0 / 59 / 19

HEX #B8CF54

RGB 184 207 84

HSL 71.22, 0.56%, 0.57%

LAB 79.3, -24.94, 57.07

 

CMYK 59 / 11 / 0 / 19

HEX #54B8CF

RGB 84 184 207

HSL 191.22, 0.56%, 0.57%

LAB 69.94, -22.4, -20.39

 

CMYK 0 / 59 / 11 / 19

HEX #CF55B8

RGB 207 85 184

HSL 311.31, 0.56%, 0.57%

LAB 55.3, 59.82, -29.12

 

CMYK 0 / 37 / 59 / 19

HEX #CF8354

RGB 207 131 84

HSL 22.93, 0.56%, 0.57%

LAB 61.77, 24.68, 37.31

 

CMYK 59 / 0 / 49 / 19

HEX #54CF6A

RGB 84 207 106

HSL 130.73, 0.56%, 0.57%

LAB 74.54, -55.33, 39.99

 

CMYK 59 / 23 / 0 / 19

HEX #54A0CF

RGB 84 160 207

HSL 202.93, 0.56%, 0.57%

LAB 62.95, -9.66, -31.12

 

CMYK 0 / 59 / 11 / 19

HEX #CF55B8

RGB 207 85 184

HSL 311.31, 0.56%, 0.57%

LAB 55.3, 59.82, -29.12

 

CMYK 0 / 19 / 59 / 19

HEX #CFA854

RGB 207 168 84

HSL 40.98, 0.56%, 0.57%

LAB 70.81, 4.64, 48.01

 

CMYK 59 / 0 / 49 / 19

HEX #54CF6A

RGB 84 207 106

HSL 130.73, 0.56%, 0.57%

LAB 74.54, -55.33, 39.99

 

CMYK 59 / 41 / 0 / 19

HEX #547BCF

RGB 84 123 207

HSL 220.98, 0.56%, 0.57%

LAB 52.46, 11.92, -47.59

 

Description

Color code: HEX #CF55B8 | qconv.com Color code: HEX #CF55B8 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 85 green and 184 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 85 184 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 59 magenta, 11 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 59% 11% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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