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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CF51CD it is the complementary color #30AE32. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CF51CD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CF51CD shade: #D451C8, #E563DB, #F675EE, #FF87FF and #FF99FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CF51CD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CF51CD shade: #CF51CD, #BE3FBA, #AD2DA7, #9C1B94 and #8B0981

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CF51CD shade: #CF4FCD, #CF4FAA, #CF4F88, #CF4F65 and #CF4F4F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CF51CD shade: #CF4FCD, #AE4FCF, #8C4FCF, #694FCF and #4F4FCF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CF51CD shade matches the following richer shades: #CF4FCD, #E13DDE and #F32BF0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CF51CD shade: #CF4FCD, #BD61BB, #AA73AA, #988598 and #869786

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CF51CD shade: #8B4FCF, #AD4FCF, #CF4FCF, #CF4FAD and #CF4F8B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CF51CD shade: #9F2C9E, #C035BE, #CF4FCD, #D86FD6 and #E090DF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CF51CD shade: #CF51CD, #CF684F and #4FCF9C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CF51CD shade: #CF51CD, #CFCF4F and #4FCFCF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CF51CD shade: #CF51CD, #CF684F, #4FCF4F and #4FB5CF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CF51CD shade: #CF51CD, #CF8F4F, #4FCF4F and #4F8FCF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 61 / 1 / 19

HEX #CF51CD

RGB 207 81 205

HSL 300.95, 0.57%, 0.56%

LAB 55.64, 64.93, -40.64

 

Complementary color

CMYK 72 / 0 / 71 / 32

HEX #30AE32

RGB 48 174 50

HSL 120.95, 0.57%, 0.44%

LAB 62.62, -57.54, 51.32

 

CMYK 0 / 62 / 6 / 17

HEX #D451C8

RGB 212 81 200

HSL 305.5, 0.6%, 0.57%

LAB 56.14, 65.36, -36.95

 

CMYK 0 / 57 / 4 / 10

HEX #E563DB

RGB 229 99 219

HSL 304.62, 0.71%, 0.64%

LAB 62.25, 65.16, -37.97

 

CMYK 0 / 52 / 3 / 4

HEX #F675EE

RGB 246 117 238

HSL 303.72, 0.88%, 0.71%

LAB 68.38, 64.74, -38.79

 

CMYK 0 / 47 / 0 / 0

HEX #FF87FF

RGB 255 135 255

HSL 300, 1%, 0.76%

LAB 73.42, 61.66, -40.15

 

CMYK 0 / 40 / 0 / 0

HEX #FF99FF

RGB 255 153 255

HSL 300, 1%, 0.8%

LAB 76.84, 52.83, -34.84

 

CMYK 0 / 61 / 1 / 19

HEX #CF51CD

RGB 207 81 205

HSL 300.95, 0.57%, 0.56%

LAB 55.64, 64.93, -40.64

 

CMYK 0 / 67 / 2 / 25

HEX #BE3FBA

RGB 190 63 186

HSL 301.89, 0.5%, 0.5%

LAB 49.55, 64.83, -39.46

 

CMYK 0 / 74 / 3 / 32

HEX #AD2DA7

RGB 173 45 167

HSL 302.81, 0.59%, 0.43%

LAB 43.58, 64.17, -37.9

 

CMYK 0 / 83 / 5 / 39

HEX #9C1B94

RGB 156 27 148

HSL 303.72, 0.7%, 0.36%

LAB 37.82, 62.63, -35.76

 

CMYK 0 / 94 / 7 / 45

HEX #8B0981

RGB 139 9 129

HSL 304.62, 0.88%, 0.29%

LAB 32.41, 59.76, -32.81

 

CMYK 0 / 62 / 1 / 19

HEX #CF4FCD

RGB 207 79 205

HSL 300.94, 0.57%, 0.56%

LAB 55.34, 65.76, -41.11

 

CMYK 0 / 62 / 18 / 19

HEX #CF4FAA

RGB 207 79 170

HSL 317.34, 0.57%, 0.56%

LAB 53.77, 60.3, -23.35

 

CMYK 0 / 62 / 34 / 19

HEX #CF4F88

RGB 207 79 136

HSL 333.28, 0.57%, 0.56%

LAB 52.55, 55.86, -5.15

 

CMYK 0 / 62 / 51 / 19

HEX #CF4F65

RGB 207 79 101

HSL 349.69, 0.57%, 0.56%

LAB 51.61, 52.31, 14.42

 

CMYK 0 / 62 / 62 / 19

HEX #CF4F4F

RGB 207 79 79

HSL 0, 0.57%, 0.56%

LAB 51.18, 50.65, 26.91

 

CMYK 0 / 62 / 1 / 19

HEX #CF4FCD

RGB 207 79 205

HSL 300.94, 0.57%, 0.56%

LAB 55.34, 65.76, -41.11

 

CMYK 16 / 62 / 0 / 19

HEX #AE4FCF

RGB 174 79 207

HSL 284.53, 0.57%, 0.56%

LAB 50.8, 58.14, -49.75

 

CMYK 32 / 62 / 0 / 19

HEX #8C4FCF

RGB 140 79 207

HSL 268.59, 0.57%, 0.56%

LAB 46.54, 50.24, -56.81

 

CMYK 49 / 62 / 0 / 19

HEX #694FCF

RGB 105 79 207

HSL 252.19, 0.57%, 0.56%

LAB 42.91, 42.88, -62.86

 

CMYK 62 / 62 / 0 / 19

HEX #4F4FCF

RGB 79 79 207

HSL 240, 0.57%, 0.56%

LAB 40.83, 38.31, -66.34

 

CMYK 0 / 62 / 1 / 19

HEX #CF4FCD

RGB 207 79 205

HSL 300.94, 0.57%, 0.56%

LAB 55.34, 65.76, -41.11

 

CMYK 0 / 73 / 1 / 12

HEX #E13DDE

RGB 225 61 222

HSL 301.1, 0.73%, 0.56%

LAB 56.7, 78.92, -48.44

 

CMYK 0 / 82 / 1 / 5

HEX #F32BF0

RGB 243 43 240

HSL 300.9, 0.89%, 0.56%

LAB 59.04, 89.51, -54.66

 

CMYK 0 / 62 / 1 / 19

HEX #CF4FCD

RGB 207 79 205

HSL 300.94, 0.57%, 0.56%

LAB 55.34, 65.76, -41.11

 

CMYK 0 / 49 / 1 / 26

HEX #BD61BB

RGB 189 97 187

HSL 301.3, 0.41%, 0.56%

LAB 55.03, 49.59, -31.47

 

CMYK 0 / 32 / 0 / 33

HEX #AA73AA

RGB 170 115 170

HSL 300, 0.24%, 0.56%

LAB 55.8, 30.83, -20.67

 

CMYK 0 / 13 / 0 / 40

HEX #988598

RGB 152 133 152

HSL 300, 0.08%, 0.56%

LAB 57.77, 10.73, -7.49

 

CMYK 11 / 0 / 11 / 41

HEX #869786

RGB 134 151 134

HSL 120, 0.08%, 0.56%

LAB 60.71, -9.44, 6.91

 

CMYK 33 / 62 / 0 / 19

HEX #8B4FCF

RGB 139 79 207

HSL 268.13, 0.57%, 0.56%

LAB 46.43, 50.02, -57.01

 

CMYK 16 / 62 / 0 / 19

HEX #AD4FCF

RGB 173 79 207

HSL 284.06, 0.57%, 0.56%

LAB 50.67, 57.9, -49.98

 

CMYK 0 / 62 / 0 / 19

HEX #CF4FCF

RGB 207 79 207

HSL 300, 0.57%, 0.56%

LAB 55.44, 66.09, -42.09

 

CMYK 0 / 62 / 16 / 19

HEX #CF4FAD

RGB 207 79 173

HSL 315.94, 0.57%, 0.56%

LAB 53.89, 60.74, -24.92

 

CMYK 0 / 62 / 33 / 19

HEX #CF4F8B

RGB 207 79 139

HSL 331.88, 0.57%, 0.56%

LAB 52.64, 56.21, -6.8

 

CMYK 0 / 72 / 1 / 38

HEX #9F2C9E

RGB 159 44 158

HSL 300.52, 0.57%, 0.4%

LAB 40.64, 59.9, -37.32

 

CMYK 0 / 72 / 1 / 25

HEX #C035BE

RGB 192 53 190

HSL 300.86, 0.57%, 0.48%

LAB 48.85, 69.42, -42.89

 

CMYK 0 / 62 / 1 / 19

HEX #CF4FCD

RGB 207 79 205

HSL 300.94, 0.57%, 0.56%

LAB 55.34, 65.76, -41.11

 

CMYK 0 / 49 / 1 / 15

HEX #D86FD6

RGB 216 111 214

HSL 301.14, 0.57%, 0.64%

LAB 62.36, 55.21, -35.13

 

CMYK 0 / 36 / 0 / 12

HEX #E090DF

RGB 224 144 223

HSL 300.75, 0.56%, 0.72%

LAB 70.26, 42.39, -27.83

 

CMYK 0 / 61 / 1 / 19

HEX #CF51CD

RGB 207 81 205

HSL 300.95, 0.57%, 0.56%

LAB 55.64, 64.93, -40.64

 

CMYK 0 / 50 / 62 / 19

HEX #CF684F

RGB 207 104 79

HSL 11.72, 0.57%, 0.56%

LAB 55.82, 38.62, 32.73

 

CMYK 62 / 0 / 25 / 19

HEX #4FCF9C

RGB 79 207 156

HSL 156.09, 0.57%, 0.56%

LAB 75.26, -47.2, 15.08

 

CMYK 0 / 61 / 1 / 19

HEX #CF51CD

RGB 207 81 205

HSL 300.95, 0.57%, 0.56%

LAB 55.64, 64.93, -40.64

 

CMYK 0 / 0 / 62 / 19

HEX #CFCF4F

RGB 207 207 79

HSL 60, 0.57%, 0.56%

LAB 80.99, -15.91, 61.53

 

CMYK 62 / 0 / 0 / 19

HEX #4FCFCF

RGB 79 207 207

HSL 180, 0.57%, 0.56%

LAB 76.55, -34.51, -10.45

 

CMYK 0 / 61 / 1 / 19

HEX #CF51CD

RGB 207 81 205

HSL 300.95, 0.57%, 0.56%

LAB 55.64, 64.93, -40.64

 

CMYK 0 / 50 / 62 / 19

HEX #CF684F

RGB 207 104 79

HSL 11.72, 0.57%, 0.56%

LAB 55.82, 38.62, 32.73

 

CMYK 62 / 0 / 62 / 19

HEX #4FCF4F

RGB 79 207 79

HSL 120, 0.57%, 0.56%

LAB 74.1, -59.87, 52

 

CMYK 62 / 13 / 0 / 19

HEX #4FB5CF

RGB 79 181 207

HSL 192.19, 0.57%, 0.56%

LAB 68.91, -21.76, -21.98

 

CMYK 0 / 61 / 1 / 19

HEX #CF51CD

RGB 207 81 205

HSL 300.95, 0.57%, 0.56%

LAB 55.64, 64.93, -40.64

 

CMYK 0 / 31 / 62 / 19

HEX #CF8F4F

RGB 207 143 79

HSL 30, 0.57%, 0.56%

LAB 64.54, 17.8, 43.22

 

CMYK 62 / 0 / 62 / 19

HEX #4FCF4F

RGB 79 207 79

HSL 120, 0.57%, 0.56%

LAB 74.1, -59.87, 52

 

CMYK 62 / 31 / 0 / 19

HEX #4F8FCF

RGB 79 143 207

HSL 210, 0.57%, 0.56%

LAB 57.86, -0.97, -39.08

 

Description

Color code: HEX #CF51CD | qconv.com Color code: HEX #CF51CD | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 81 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 81 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 61 magenta, 1 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 61% 1% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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