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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CF51583F it is the complementary color #30AEA73F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CF51583F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CF51583F shade: #D451533F, #E563663F, #F675793F, #FF878C3F and #FF999F3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CF51583F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CF51583F shade: #CF51583F, #BE3F453F, #AD2D323F, #9C1B1F3F and #8B090C3F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CF51583F shade: #CF4F56 and #CF4F4F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CF51583F shade: #CF4F56, #CF4F78, #CF4F9B, #CF4FBD and #BE4FCF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CF51583F shade matches the following richer shades: #CF4F56, #E13D46 and #F32B36

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CF51583F shade: #CF4F56, #BD6166, #AA7376, #988586 and #869797

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CF51583F shade: #CF4F9C, #CF4F79, #CF4F57, #CF684F and #CF8B4F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CF51583F shade: #9F2C32, #C0353C, #CF4F56, #D86F75 and #E09094

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CF51583F shade: #CF5158, #BECF4F and #4F8BCF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CF51583F shade: #CF5158, #57CF4F and #4F57CF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CF51583F shade: #CF5158, #BECF4F, #4FCFC6 and #604FCF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CF51583F shade: #CF5158, #97CF4F, #4FCFC6 and #864FCF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 14 / 5

HEX #CF51583F

RGBA 207 81 88 0.25

HSLA 356.67, 0.57%, 0.56%, 0.25

LABA 51.67, 50.38, 22.25, 0.25

 

Complementary color

CMYK 18 / 0 / 1 / 8

HEX #30AEA73F

RGBA 48 174 167 0.25

HSLA 176.67, 0.57%, 0.44%, 0.25

LABA 64.72, -34.85, -6.23, 0.25

 

CMYK 0 / 15 / 15 / 4

HEX #D451533F

RGBA 212 81 83 0.25

HSLA 359.08, 0.6%, 0.57%, 0.25

LABA 52.41, 51.73, 26.3, 0.25

 

CMYK 0 / 14 / 14 / 3

HEX #E563663F

RGBA 229 99 102 0.25

HSLA 358.62, 0.71%, 0.64%, 0.25

LABA 58.55, 50.77, 23.81, 0.25

 

CMYK 0 / 13 / 13 / 1

HEX #F675793F

RGBA 246 117 121 0.25

HSLA 358.14, 0.88%, 0.71%, 0.25

LABA 64.72, 49.74, 21.68, 0.25

 

CMYK 0 / 12 / 11 / 0

HEX #FF878C3F

RGBA 255 135 140 0.25

HSLA 357.5, 1%, 0.76%, 0.25

LABA 69.81, 45.86, 18.18, 0.25

 

CMYK 0 / 10 / 9 / 0

HEX #FF999F3F

RGBA 255 153 159 0.25

HSLA 356.47, 1%, 0.8%, 0.25

LABA 73.9, 38.76, 13.35, 0.25

 

CMYK 0 / 15 / 14 / 5

HEX #CF51583F

RGBA 207 81 88 0.25

HSLA 356.67, 0.57%, 0.56%, 0.25

LABA 51.67, 50.38, 22.25, 0.25

 

CMYK 0 / 17 / 16 / 6

HEX #BE3F453F

RGBA 190 63 69 0.25

HSLA 357.17, 0.5%, 0.5%, 0.25

LABA 45.54, 51.15, 25.07, 0.25

 

CMYK 0 / 18 / 18 / 8

HEX #AD2D323F

RGBA 173 45 50 0.25

HSLA 357.66, 0.59%, 0.43%, 0.25

LABA 39.57, 51.55, 28.49, 0.25

 

CMYK 0 / 21 / 20 / 10

HEX #9C1B1F3F

RGBA 156 27 31 0.25

HSLA 358.14, 0.7%, 0.36%, 0.25

LABA 33.88, 51.24, 32.58, 0.25

 

CMYK 0 / 23 / 23 / 11

HEX #8B090C3F

RGBA 139 9 12 0.25

HSLA 358.62, 0.88%, 0.29%, 0.25

LABA 28.67, 49.71, 36.84, 0.25

 

CMYK 0 / 62 / 58 / 19

HEX #CF4F56

RGB 207 79 86

HSL 356.72, 0.57%, 0.56%

LAB 51.3, 51.13, 22.94

 

CMYK 0 / 62 / 62 / 19

HEX #CF4F4F

RGB 207 79 79

HSL 0, 0.57%, 0.56%

LAB 51.18, 50.65, 26.91

 

CMYK 0 / 62 / 58 / 19

HEX #CF4F56

RGB 207 79 86

HSL 356.72, 0.57%, 0.56%

LAB 51.3, 51.13, 22.94

 

CMYK 0 / 62 / 42 / 19

HEX #CF4F78

RGB 207 79 120

HSL 340.78, 0.57%, 0.56%

LAB 52.08, 54.1, 3.71

 

CMYK 0 / 62 / 25 / 19

HEX #CF4F9B

RGB 207 79 155

HSL 324.38, 0.57%, 0.56%

LAB 53.19, 58.23, -15.44

 

CMYK 0 / 62 / 9 / 19

HEX #CF4FBD

RGB 207 79 189

HSL 308.44, 0.57%, 0.56%

LAB 54.59, 63.16, -33.12

 

CMYK 8 / 62 / 0 / 19

HEX #BE4FCF

RGB 190 79 207

HSL 292.03, 0.57%, 0.56%

LAB 53, 61.98, -46.12

 

CMYK 0 / 62 / 58 / 19

HEX #CF4F56

RGB 207 79 86

HSL 356.72, 0.57%, 0.56%

LAB 51.3, 51.13, 22.94

 

CMYK 0 / 73 / 69 / 12

HEX #E13D46

RGB 225 61 70

HSL 356.71, 0.73%, 0.56%

LAB 51.6, 62.97, 33.37

 

CMYK 0 / 82 / 78 / 5

HEX #F32B36

RGB 243 43 54

HSL 356.7, 0.89%, 0.56%

LAB 53, 72.5, 44.93

 

CMYK 0 / 62 / 58 / 19

HEX #CF4F56

RGB 207 79 86

HSL 356.72, 0.57%, 0.56%

LAB 51.3, 51.13, 22.94

 

CMYK 0 / 49 / 46 / 26

HEX #BD6166

RGB 189 97 102

HSL 356.74, 0.41%, 0.56%

LAB 52.21, 37.35, 14.22

 

CMYK 0 / 32 / 31 / 33

HEX #AA7376

RGB 170 115 118

HSL 356.73, 0.24%, 0.56%

LAB 54.15, 22.12, 7.18

 

CMYK 0 / 13 / 12 / 40

HEX #988586

RGB 152 133 134

HSL 356.84, 0.08%, 0.56%

LAB 57.24, 7.37, 2.1

 

CMYK 11 / 0 / 0 / 41

HEX #869797

RGB 134 151 151

HSL 180, 0.08%, 0.56%

LAB 61.16, -6.03, -2.06

 

CMYK 0 / 62 / 25 / 19

HEX #CF4F9C

RGB 207 79 156

HSL 323.91, 0.57%, 0.56%

LAB 53.23, 58.36, -15.97

 

CMYK 0 / 62 / 42 / 19

HEX #CF4F79

RGB 207 79 121

HSL 340.31, 0.57%, 0.56%

LAB 52.11, 54.2, 3.15

 

CMYK 0 / 62 / 58 / 19

HEX #CF4F57

RGB 207 79 87

HSL 356.25, 0.57%, 0.56%

LAB 51.32, 51.2, 22.37

 

CMYK 0 / 50 / 62 / 19

HEX #CF684F

RGB 207 104 79

HSL 11.72, 0.57%, 0.56%

LAB 55.82, 38.62, 32.73

 

CMYK 0 / 33 / 62 / 19

HEX #CF8B4F

RGB 207 139 79

HSL 28.13, 0.57%, 0.56%

LAB 63.59, 19.98, 42.1

 

CMYK 0 / 72 / 69 / 38

HEX #9F2C32

RGB 159 44 50

HSL 356.87, 0.57%, 0.4%

LAB 36.75, 47.41, 24.45

 

CMYK 0 / 72 / 69 / 25

HEX #C0353C

RGB 192 53 60

HSL 356.98, 0.57%, 0.48%

LAB 44.35, 55.16, 29.07

 

CMYK 0 / 62 / 58 / 19

HEX #CF4F56

RGB 207 79 86

HSL 356.72, 0.57%, 0.56%

LAB 51.3, 51.13, 22.94

 

CMYK 0 / 49 / 46 / 15

HEX #D86F75

RGB 216 111 117

HSL 356.57, 0.57%, 0.64%

LAB 59.21, 41.62, 15.74

 

CMYK 0 / 36 / 34 / 12

HEX #E09094

RGB 224 144 148

HSL 357, 0.56%, 0.72%

LAB 67.97, 30.79, 10.55

 

CMYK 0 / 61 / 57 / 19

HEX #CF5158

RGB 207 81 88

HSL 356.67, 0.57%, 0.56%

LAB 51.67, 50.38, 22.25

 

CMYK 8 / 0 / 62 / 19

HEX #BECF4F

RGB 190 207 79

HSL 67.97, 0.57%, 0.56%

LAB 79.69, -22.88, 59.75

 

CMYK 62 / 33 / 0 / 19

HEX #4F8BCF

RGB 79 139 207

HSL 211.88, 0.57%, 0.56%

LAB 56.72, 1.36, -40.88

 

CMYK 0 / 61 / 57 / 19

HEX #CF5158

RGB 207 81 88

HSL 356.67, 0.57%, 0.56%

LAB 51.67, 50.38, 22.25

 

CMYK 58 / 0 / 62 / 19

HEX #57CF4F

RGB 87 207 79

HSL 116.25, 0.57%, 0.56%

LAB 74.33, -58.03, 52.32

 

CMYK 62 / 58 / 0 / 19

HEX #4F57CF

RGB 79 87 207

HSL 236.25, 0.57%, 0.56%

LAB 42.74, 33.39, -63.23

 

CMYK 0 / 61 / 57 / 19

HEX #CF5158

RGB 207 81 88

HSL 356.67, 0.57%, 0.56%

LAB 51.67, 50.38, 22.25

 

CMYK 8 / 0 / 62 / 19

HEX #BECF4F

RGB 190 207 79

HSL 67.97, 0.57%, 0.56%

LAB 79.69, -22.88, 59.75

 

CMYK 62 / 0 / 4 / 19

HEX #4FCFC6

RGB 79 207 198

HSL 175.78, 0.57%, 0.56%

LAB 76.29, -36.96, -5.99

 

CMYK 54 / 62 / 0 / 19

HEX #604FCF

RGB 96 79 207

HSL 247.97, 0.57%, 0.56%

LAB 42.13, 41.19, -64.17

 

CMYK 0 / 61 / 57 / 19

HEX #CF5158

RGB 207 81 88

HSL 356.67, 0.57%, 0.56%

LAB 51.67, 50.38, 22.25

 

CMYK 27 / 0 / 62 / 19

HEX #97CF4F

RGB 151 207 79

HSL 86.25, 0.57%, 0.56%

LAB 77.14, -38.09, 56.24

 

CMYK 62 / 0 / 4 / 19

HEX #4FCFC6

RGB 79 207 198

HSL 175.78, 0.57%, 0.56%

LAB 76.29, -36.96, -5.99

 

CMYK 35 / 62 / 0 / 19

HEX #864FCF

RGB 134 79 207

HSL 265.78, 0.57%, 0.56%

LAB 45.86, 48.91, -57.95

 

Description

Color code: HEX #CF51583F | qconv.com Color code: HEX #CF51583F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 81 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 81 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 14 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 14% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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