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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CF51193F it is the complementary color #30AEE63F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CF51193F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CF51193F shade: #D451143F, #E563273F, #F6753A3F, #FF874D3F and #FF99603F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CF51193F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CF51193F shade: #CF51193F, #BE3F063F, #AD2D003F, #9C1B003F and #8B09003F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CF51193F shade: #CC5019, #CC2019 and #CC1919

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CF51193F shade: #CC5019, #CC8119, #CCB119, #B7CC19 and #87CC19

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CF51193F shade matches the following richer shades: #CC5019 and #DF4907

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CF51193F shade: #CC5019, #BA572C, #A75F3E, #956651 and #826D64

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CF51193F shade: #CC1943, #CC1F19, #CC4F19, #CC7F19 and #CCAE19

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CF51193F shade: #833310, #A84215, #CC5019, #E5632A and #E97E4F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CF51193F shade: #CF5119, #73CC19 and #192BCC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CF51193F shade: #CF5119, #19CC4F and #4F19CC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CF51193F shade: #CF5119, #73CC19, #1997CC and #7319CC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CF51193F shade: #CF5119, #3DCC19, #1997CC and #A819CC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 22 / 5

HEX #CF51193F

RGBA 207 81 25 0.25

HSLA 18.46, 0.78%, 0.45%, 0.25

LABA 50.94, 47.47, 54.29, 0.25

 

Complementary color

CMYK 20 / 6 / 0 / 2

HEX #30AEE63F

RGBA 48 174 230 0.25

HSLA 198.46, 0.78%, 0.55%, 0.25

LABA 66.99, -14.87, -37.63, 0.25

 

CMYK 0 / 15 / 23 / 4

HEX #D451143F

RGBA 212 81 20 0.25

HSLA 19.06, 0.83%, 0.45%, 0.25

LABA 51.76, 49.19, 56.99, 0.25

 

CMYK 0 / 14 / 21 / 3

HEX #E563273F

RGBA 229 99 39 0.25

HSLA 18.95, 0.79%, 0.53%, 0.25

LABA 57.78, 47.54, 55.93, 0.25

 

CMYK 0 / 13 / 19 / 1

HEX #F6753A3F

RGBA 246 117 58 0.25

HSLA 18.83, 0.91%, 0.6%, 0.25

LABA 63.85, 45.88, 54.19, 0.25

 

CMYK 0 / 12 / 17 / 0

HEX #FF874D3F

RGBA 255 135 77 0.25

HSLA 19.55, 1%, 0.65%, 0.25

LABA 68.84, 41.25, 50.73, 0.25

 

CMYK 0 / 10 / 16 / 0

HEX #FF99603F

RGBA 255 153 96 0.25

HSLA 21.51, 1%, 0.69%, 0.25

LABA 72.82, 33.17, 45.77, 0.25

 

CMYK 0 / 15 / 22 / 5

HEX #CF51193F

RGBA 207 81 25 0.25

HSLA 18.46, 0.78%, 0.45%, 0.25

LABA 50.94, 47.47, 54.29, 0.25

 

CMYK 0 / 17 / 24 / 6

HEX #BE3F063F

RGBA 190 63 6 0.25

HSLA 18.59, 0.94%, 0.38%, 0.25

LABA 44.96, 49.01, 54.55, 0.25

 

CMYK 0 / 18 / 25 / 8

HEX #AD2D003F

RGBA 173 45 0 0.25

HSLA 15.61, 1%, 0.34%, 0.25

LABA 39.17, 50.22, 51.64, 0.25

 

CMYK 0 / 21 / 25 / 10

HEX #9C1B003F

RGBA 156 27 0 0.25

HSLA 10.38, 1%, 0.31%, 0.25

LABA 33.67, 50.59, 47.01, 0.25

 

CMYK 0 / 23 / 25 / 11

HEX #8B09003F

RGBA 139 9 0 0.25

HSLA 3.88, 1%, 0.27%, 0.25

LABA 28.6, 49.52, 41.72, 0.25

 

CMYK 0 / 61 / 88 / 20

HEX #CC5019

RGB 204 80 25

HSL 18.44, 0.78%, 0.45%

LAB 50.27, 46.84, 53.55

 

CMYK 0 / 84 / 88 / 20

HEX #CC2019

RGB 204 32 25

HSL 2.35, 0.78%, 0.45%

LAB 44.15, 63.62, 48.73

 

CMYK 0 / 88 / 88 / 20

HEX #CC1919

RGB 204 25 25

HSL 0, 0.78%, 0.45%

LAB 43.66, 65.02, 48.34

 

CMYK 0 / 61 / 88 / 20

HEX #CC5019

RGB 204 80 25

HSL 18.44, 0.78%, 0.45%

LAB 50.27, 46.84, 53.55

 

CMYK 0 / 37 / 88 / 20

HEX #CC8119

RGB 204 129 25

HSL 34.86, 0.78%, 0.45%

LAB 60.43, 21.71, 61.59

 

CMYK 0 / 13 / 88 / 20

HEX #CCB119

RGB 204 177 25

HSL 50.95, 0.78%, 0.45%

LAB 72.46, -4.13, 71.16

 

CMYK 10 / 0 / 88 / 20

HEX #B7CC19

RGB 183 204 25

HSL 67.04, 0.78%, 0.45%

LAB 78.07, -26.75, 74.95

 

CMYK 34 / 0 / 88 / 20

HEX #87CC19

RGB 135 204 25

HSL 83.13, 0.78%, 0.45%

LAB 75.08, -45.63, 71.26

 

CMYK 0 / 61 / 88 / 20

HEX #CC5019

RGB 204 80 25

HSL 18.44, 0.78%, 0.45%

LAB 50.27, 46.84, 53.55

 

CMYK 0 / 67 / 97 / 13

HEX #DF4907

RGB 223 73 7

HSL 18.33, 0.94%, 0.45%

LAB 52.36, 56.23, 61.63

 

CMYK 0 / 61 / 88 / 20

HEX #CC5019

RGB 204 80 25

HSL 18.44, 0.78%, 0.45%

LAB 50.27, 46.84, 53.55

 

CMYK 0 / 53 / 76 / 27

HEX #BA572C

RGB 186 87 44

HSL 18.17, 0.62%, 0.45%

LAB 48.81, 37.18, 42.7

 

CMYK 0 / 43 / 63 / 35

HEX #A75F3E

RGB 167 95 62

HSL 18.86, 0.46%, 0.45%

LAB 47.94, 26.18, 31.33

 

CMYK 0 / 32 / 46 / 42

HEX #956651

RGB 149 102 81

HSL 18.53, 0.3%, 0.45%

LAB 47.61, 16.28, 19.48

 

CMYK 0 / 16 / 23 / 49

HEX #826D64

RGB 130 109 100

HSL 18, 0.13%, 0.45%

LAB 47.76, 6.76, 8.11

 

CMYK 0 / 88 / 67 / 20

HEX #CC1943

RGB 204 25 67

HSL 345.92, 0.78%, 0.45%

LAB 44.14, 66.42, 25.07

 

CMYK 0 / 85 / 88 / 20

HEX #CC1F19

RGB 204 31 25

HSL 2.01, 0.78%, 0.45%

LAB 44.07, 63.84, 48.67

 

CMYK 0 / 61 / 88 / 20

HEX #CC4F19

RGB 204 79 25

HSL 18.1, 0.78%, 0.45%

LAB 50.1, 47.29, 53.41

 

CMYK 0 / 38 / 88 / 20

HEX #CC7F19

RGB 204 127 25

HSL 34.19, 0.78%, 0.45%

LAB 59.97, 22.79, 61.22

 

CMYK 0 / 15 / 88 / 20

HEX #CCAE19

RGB 204 174 25

HSL 49.94, 0.78%, 0.45%

LAB 71.68, -2.56, 70.54

 

CMYK 0 / 61 / 88 / 49

HEX #833310

RGB 131 51 16

HSL 18.26, 0.78%, 0.29%

LAB 32.33, 32.65, 37.32

 

CMYK 0 / 61 / 88 / 34

HEX #A84215

RGB 168 66 21

HSL 18.37, 0.78%, 0.37%

LAB 41.65, 39.87, 45.61

 

CMYK 0 / 61 / 88 / 20

HEX #CC5019

RGB 204 80 25

HSL 18.44, 0.78%, 0.45%

LAB 50.27, 46.84, 53.55

 

CMYK 0 / 57 / 82 / 10

HEX #E5632A

RGB 229 99 42

HSL 18.29, 0.78%, 0.53%

LAB 57.8, 47.62, 54.67

 

CMYK 0 / 46 / 66 / 9

HEX #E97E4F

RGB 233 126 79

HSL 18.31, 0.78%, 0.61%

LAB 64.01, 37.42, 43.43

 

CMYK 0 / 61 / 88 / 19

HEX #CF5119

RGB 207 81 25

HSL 18.46, 0.78%, 0.45%

LAB 50.94, 47.47, 54.29

 

CMYK 44 / 0 / 88 / 20

HEX #73CC19

RGB 115 204 25

HSL 89.83, 0.78%, 0.45%

LAB 74.13, -52.49, 70.07

 

CMYK 88 / 79 / 0 / 20

HEX #192BCC

RGB 25 43 204

HSL 233.97, 0.78%, 0.45%

LAB 30.14, 53.08, -82.29

 

CMYK 0 / 61 / 88 / 19

HEX #CF5119

RGB 207 81 25

HSL 18.46, 0.78%, 0.45%

LAB 50.94, 47.47, 54.29

 

CMYK 88 / 0 / 61 / 20

HEX #19CC4F

RGB 25 204 79

HSL 138.1, 0.78%, 0.45%

LAB 72.2, -66.77, 49.59

 

CMYK 61 / 88 / 0 / 20

HEX #4F19CC

RGB 79 25 204

HSL 258.1, 0.78%, 0.45%

LAB 31.15, 63.74, -80.51

 

CMYK 0 / 61 / 88 / 19

HEX #CF5119

RGB 207 81 25

HSL 18.46, 0.78%, 0.45%

LAB 50.94, 47.47, 54.29

 

CMYK 44 / 0 / 88 / 20

HEX #73CC19

RGB 115 204 25

HSL 89.83, 0.78%, 0.45%

LAB 74.13, -52.49, 70.07

 

CMYK 88 / 26 / 0 / 20

HEX #1997CC

RGB 25 151 204

HSL 197.77, 0.78%, 0.45%

LAB 58.7, -13.27, -36.18

 

CMYK 44 / 88 / 0 / 20

HEX #7319CC

RGB 115 25 204

HSL 270.17, 0.78%, 0.45%

LAB 35.4, 67.26, -73.36

 

CMYK 0 / 61 / 88 / 19

HEX #CF5119

RGB 207 81 25

HSL 18.46, 0.78%, 0.45%

LAB 50.94, 47.47, 54.29

 

CMYK 70 / 0 / 88 / 20

HEX #3DCC19

RGB 61 204 25

HSL 107.93, 0.78%, 0.45%

LAB 72.39, -66.33, 67.9

 

CMYK 88 / 26 / 0 / 20

HEX #1997CC

RGB 25 151 204

HSL 197.77, 0.78%, 0.45%

LAB 58.7, -13.27, -36.18

 

CMYK 18 / 88 / 0 / 20

HEX #A819CC

RGB 168 25 204

HSL 287.93, 0.78%, 0.45%

LAB 43.33, 74.55, -60.08

 

Description

Color code: HEX #CF51193F | qconv.com Color code: HEX #CF51193F | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 81 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 81 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 22 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 22% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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