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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CF48AD it is the complementary color #30B752. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CF48AD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CF48AD shade: #D448A8, #E55ABB, #F66CCE, #FF7EE1 and #FF90F4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CF48AD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CF48AD shade: #CF48AD, #BE369A, #AD2487, #9C1274 and #8B0061

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CF48AD shade: #CF4AAD, #CF4A89, #CF4A65 and #CF4A4A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CF48AD shade: #CF4AAD, #CC4ACF, #A94ACF, #854ACF and #614ACF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CF48AD shade matches the following richer shades: #CF4AAD, #E137B6 and #F425C0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CF48AD shade: #CF4AAD, #BC5CA4, #AA6F9B, #978192 and #859488

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CF48AD shade: #A94ACF, #CD4ACF, #CF4AAE, #CF4A8A and #CF4A67

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CF48AD shade: #9C2A7F, #BD329A, #CF4AAD, #D76ABC and #E08BCB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CF48AD shade: #CF48AD, #CF864A and #4ACFBB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CF48AD shade: #CF48AD, #AECF4A and #4AAECF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CF48AD shade: #CF48AD, #CF864A, #4ACF6B and #4A93CF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CF48AD shade: #CF48AD, #CFAE4A, #4ACF6B and #4A6BCF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 65 / 16 / 19

HEX #CF48AD

RGB 207 72 173

HSL 315.11, 0.58%, 0.55%

LAB 52.86, 63.59, -26.51

 

Complementary color

CMYK 74 / 0 / 55 / 28

HEX #30B752

RGB 48 183 82

HSL 135.11, 0.58%, 0.45%

LAB 65.83, -56.94, 40.81

 

CMYK 0 / 66 / 21 / 17

HEX #D448A8

RGB 212 72 168

HSL 318.86, 0.62%, 0.56%

LAB 53.45, 64.21, -22.62

 

CMYK 0 / 61 / 18 / 10

HEX #E55ABB

RGB 229 90 187

HSL 318.13, 0.73%, 0.63%

LAB 59.49, 64.14, -24.11

 

CMYK 0 / 56 / 16 / 4

HEX #F66CCE

RGB 246 108 206

HSL 317.39, 0.88%, 0.69%

LAB 65.57, 63.81, -25.33

 

CMYK 0 / 51 / 12 / 0

HEX #FF7EE1

RGB 255 126 225

HSL 313.95, 1%, 0.75%

LAB 70.61, 61.01, -28.08

 

CMYK 0 / 44 / 4 / 0

HEX #FF90F4

RGB 255 144 244

HSL 305.95, 1%, 0.78%

LAB 74.66, 55.41, -32.25

 

CMYK 0 / 65 / 16 / 19

HEX #CF48AD

RGB 207 72 173

HSL 315.11, 0.58%, 0.55%

LAB 52.86, 63.59, -26.51

 

CMYK 0 / 72 / 19 / 25

HEX #BE369A

RGB 190 54 154

HSL 315.88, 0.56%, 0.48%

LAB 46.87, 63.24, -24.78

 

CMYK 0 / 79 / 22 / 32

HEX #AD2487

RGB 173 36 135

HSL 316.64, 0.66%, 0.41%

LAB 41.05, 62.19, -22.53

 

CMYK 0 / 88 / 26 / 39

HEX #9C1274

RGB 156 18 116

HSL 317.39, 0.79%, 0.34%

LAB 35.52, 60.08, -19.52

 

CMYK 0 / 100 / 30 / 45

HEX #8B0061

RGB 139 0 97

HSL 318.13, 1%, 0.27%

LAB 30.28, 56.82, -15.72

 

CMYK 0 / 64 / 16 / 19

HEX #CF4AAD

RGB 207 74 173

HSL 315.34, 0.58%, 0.55%

LAB 53.15, 62.79, -26.07

 

CMYK 0 / 64 / 34 / 19

HEX #CF4A89

RGB 207 74 137

HSL 331.58, 0.58%, 0.55%

LAB 51.8, 58.09, -6.86

 

CMYK 0 / 64 / 51 / 19

HEX #CF4A65

RGB 207 74 101

HSL 347.82, 0.58%, 0.55%

LAB 50.81, 54.46, 13.31

 

CMYK 0 / 64 / 64 / 19

HEX #CF4A4A

RGB 207 74 74

HSL 0, 0.58%, 0.55%

LAB 50.28, 52.51, 28.71

 

CMYK 0 / 64 / 16 / 19

HEX #CF4AAD

RGB 207 74 173

HSL 315.34, 0.58%, 0.55%

LAB 53.15, 62.79, -26.07

 

CMYK 1 / 64 / 0 / 19

HEX #CC4ACF

RGB 204 74 207

HSL 298.65, 0.58%, 0.55%

LAB 54.28, 67.38, -43.96

 

CMYK 18 / 64 / 0 / 19

HEX #A94ACF

RGB 169 74 207

HSL 282.86, 0.58%, 0.55%

LAB 49.3, 59.25, -52.19

 

CMYK 36 / 64 / 0 / 19

HEX #854ACF

RGB 133 74 207

HSL 266.62, 0.58%, 0.55%

LAB 44.79, 51.29, -59.69

 

CMYK 53 / 64 / 0 / 19

HEX #614ACF

RGB 97 74 207

HSL 250.38, 0.58%, 0.55%

LAB 41.13, 44.26, -65.8

 

CMYK 0 / 64 / 16 / 19

HEX #CF4AAD

RGB 207 74 173

HSL 315.34, 0.58%, 0.55%

LAB 53.15, 62.79, -26.07

 

CMYK 0 / 76 / 19 / 12

HEX #E137B6

RGB 225 55 182

HSL 315.18, 0.74%, 0.55%

LAB 54.15, 74.99, -29.52

 

CMYK 0 / 85 / 21 / 4

HEX #F425C0

RGB 244 37 192

HSL 315.07, 0.9%, 0.55%

LAB 56.45, 84.46, -31.49

 

CMYK 0 / 64 / 16 / 19

HEX #CF4AAD

RGB 207 74 173

HSL 315.34, 0.58%, 0.55%

LAB 53.15, 62.79, -26.07

 

CMYK 0 / 51 / 13 / 26

HEX #BC5CA4

RGB 188 92 164

HSL 315, 0.42%, 0.55%

LAB 52.98, 47.84, -21.3

 

CMYK 0 / 35 / 9 / 33

HEX #AA6F9B

RGB 170 111 155

HSL 315.25, 0.26%, 0.55%

LAB 54.32, 30.28, -14.21

 

CMYK 0 / 15 / 3 / 41

HEX #978192

RGB 151 129 146

HSL 313.64, 0.1%, 0.55%

LAB 56.44, 11.5, -6.01

 

CMYK 10 / 0 / 8 / 42

HEX #859488

RGB 133 148 136

HSL 132, 0.07%, 0.55%

LAB 59.84, -7.79, 4.51

 

CMYK 18 / 64 / 0 / 19

HEX #A94ACF

RGB 169 74 207

HSL 282.86, 0.58%, 0.55%

LAB 49.3, 59.25, -52.19

 

CMYK 1 / 64 / 0 / 19

HEX #CD4ACF

RGB 205 74 207

HSL 299.1, 0.58%, 0.55%

LAB 54.43, 67.61, -43.72

 

CMYK 0 / 64 / 16 / 19

HEX #CF4AAE

RGB 207 74 174

HSL 314.89, 0.58%, 0.55%

LAB 53.19, 62.94, -26.59

 

CMYK 0 / 64 / 33 / 19

HEX #CF4A8A

RGB 207 74 138

HSL 331.13, 0.58%, 0.55%

LAB 51.83, 58.21, -7.41

 

CMYK 0 / 64 / 50 / 19

HEX #CF4A67

RGB 207 74 103

HSL 346.92, 0.58%, 0.55%

LAB 50.85, 54.64, 12.17

 

CMYK 0 / 73 / 19 / 39

HEX #9C2A7F

RGB 156 42 127

HSL 315.26, 0.58%, 0.39%

LAB 38.3, 55.04, -22.1

 

CMYK 0 / 74 / 19 / 26

HEX #BD329A

RGB 189 50 154

HSL 315.11, 0.58%, 0.47%

LAB 46.22, 64.34, -25.8

 

CMYK 0 / 64 / 16 / 19

HEX #CF4AAD

RGB 207 74 173

HSL 315.34, 0.58%, 0.55%

LAB 53.15, 62.79, -26.07

 

CMYK 0 / 51 / 13 / 16

HEX #D76ABC

RGB 215 106 188

HSL 314.86, 0.58%, 0.63%

LAB 60.24, 53.01, -23.71

 

CMYK 0 / 38 / 9 / 12

HEX #E08BCB

RGB 224 139 203

HSL 314.82, 0.58%, 0.71%

LAB 68.48, 41.51, -19.47

 

CMYK 0 / 65 / 16 / 19

HEX #CF48AD

RGB 207 72 173

HSL 315.11, 0.58%, 0.55%

LAB 52.86, 63.59, -26.51

 

CMYK 0 / 35 / 64 / 19

HEX #CF864A

RGB 207 134 74

HSL 27.07, 0.58%, 0.55%

LAB 62.35, 22.36, 43.21

 

CMYK 64 / 0 / 10 / 19

HEX #4ACFBB

RGB 74 207 187

HSL 170.98, 0.58%, 0.55%

LAB 75.87, -40.67, -0.7

 

CMYK 0 / 65 / 16 / 19

HEX #CF48AD

RGB 207 72 173

HSL 315.11, 0.58%, 0.55%

LAB 52.86, 63.59, -26.51

 

CMYK 16 / 0 / 64 / 19

HEX #AECF4A

RGB 174 207 74

HSL 74.89, 0.58%, 0.55%

LAB 78.53, -29.66, 60.24

 

CMYK 64 / 16 / 0 / 19

HEX #4AAECF

RGB 74 174 207

HSL 194.89, 0.58%, 0.55%

LAB 66.7, -18.99, -25.37

 

CMYK 0 / 65 / 16 / 19

HEX #CF48AD

RGB 207 72 173

HSL 315.11, 0.58%, 0.55%

LAB 52.86, 63.59, -26.51

 

CMYK 0 / 35 / 64 / 19

HEX #CF864A

RGB 207 134 74

HSL 27.07, 0.58%, 0.55%

LAB 62.35, 22.36, 43.21

 

CMYK 64 / 0 / 48 / 19

HEX #4ACF6B

RGB 74 207 107

HSL 134.89, 0.58%, 0.55%

LAB 74.28, -57.28, 39.11

 

CMYK 64 / 29 / 0 / 19

HEX #4A93CF

RGB 74 147 207

HSL 207.07, 0.58%, 0.55%

LAB 58.82, -4.18, -37.59

 

CMYK 0 / 65 / 16 / 19

HEX #CF48AD

RGB 207 72 173

HSL 315.11, 0.58%, 0.55%

LAB 52.86, 63.59, -26.51

 

CMYK 0 / 16 / 64 / 19

HEX #CFAE4A

RGB 207 174 74

HSL 45.11, 0.58%, 0.55%

LAB 72.25, 0.77, 54.29

 

CMYK 64 / 0 / 48 / 19

HEX #4ACF6B

RGB 74 207 107

HSL 134.89, 0.58%, 0.55%

LAB 74.28, -57.28, 39.11

 

CMYK 64 / 48 / 0 / 19

HEX #4A6BCF

RGB 74 107 207

HSL 225.11, 0.58%, 0.55%

LAB 47.59, 20, -55.4

 

Description

Color code: HEX #CF48AD | qconv.com Color code: HEX #CF48AD | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 72 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 72 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 65 magenta, 16 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 65% 16% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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