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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CF4712CE it is the complementary color #30B8EDCE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CF4712CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CF4712CE shade: #D4470DCE, #E55920CE, #F66B33CE, #FF7D46CE and #FF8F59CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CF4712CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CF4712CE shade: #CF4712CE, #BE3500CE, #AD2300CE, #9C1100CE and #8B0000CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CF4712CE shade: #CE4712, #CE1412 and #CE1212

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CF4712CE shade: #CE4712, #CE7A12, #CEAC12, #BECE12 and #8BCE12

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CF4712CE shade matches the following richer shades: #CE4712

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CF4712CE shade: #CE4712, #BC4F24, #AA5736, #985F48 and #86675B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CF4712CE shade: #CE1244, #CE1212, #CE4412, #CE7612 and #CEA912

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CF4712CE shade: #832D0B, #A83A0F, #CE4712, #EB581E and #EF7444

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CF4712CE shade: #CF4712, #76CE12 and #122BCE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CF4712CE shade: #CF4712, #12CE44 and #4412CE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CF4712CE shade: #CF4712, #76CE12, #129CCE and #6A12CE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CF4712CE shade: #CF4712, #3ECE12, #129CCE and #A212CE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 53 / 74 / 15

HEX #CF4712CE

RGBA 207 71 18 0.81

HSLA 16.83, 0.84%, 0.44%, 0.81

LABA 49.27, 51.72, 55.46, 0.81

 

Complementary color

CMYK 65 / 18 / 0 / 6

HEX #30B8EDCE

RGBA 48 184 237 0.81

HSLA 196.83, 0.84%, 0.56%, 0.81

LABA 70.19, -17.82, -36.46, 0.81

 

CMYK 0 / 54 / 76 / 14

HEX #D4470DCE

RGBA 212 71 13 0.81

HSLA 17.49, 0.88%, 0.44%, 0.81

LABA 50.14, 53.38, 57.92, 0.81

 

CMYK 0 / 50 / 70 / 8

HEX #E55920CE

RGBA 229 89 32 0.81

HSLA 17.36, 0.79%, 0.51%, 0.81

LABA 55.99, 51.93, 57.22, 0.81

 

CMYK 0 / 46 / 64 / 3

HEX #F66B33CE

RGBA 246 107 51 0.81

HSLA 17.23, 0.92%, 0.58%, 0.81

LABA 61.95, 50.38, 55.53, 0.81

 

CMYK 0 / 41 / 59 / 0

HEX #FF7D46CE

RGBA 255 125 70 0.81

HSLA 17.84, 1%, 0.64%, 0.81

LABA 66.8, 45.86, 51.94, 0.81

 

CMYK 0 / 36 / 53 / 0

HEX #FF8F59CE

RGBA 255 143 89 0.81

HSLA 19.52, 1%, 0.67%, 0.81

LABA 70.61, 37.87, 46.73, 0.81

 

CMYK 0 / 53 / 74 / 15

HEX #CF4712CE

RGBA 207 71 18 0.81

HSLA 16.83, 0.84%, 0.44%, 0.81

LABA 49.27, 51.72, 55.46, 0.81

 

CMYK 0 / 58 / 81 / 21

HEX #BE3500CE

RGBA 190 53 0 0.81

HSLA 16.74, 1%, 0.37%, 0.81

LABA 43.5, 52.89, 55.53, 0.81

 

CMYK 0 / 65 / 81 / 26

HEX #AD2300CE

RGBA 173 35 0 0.81

HSLA 12.14, 1%, 0.34%, 0.81

LABA 38, 53.5, 51.12, 0.81

 

CMYK 0 / 72 / 81 / 31

HEX #9C1100CE

RGBA 156 17 0 0.81

HSLA 6.54, 1%, 0.31%, 0.81

LABA 32.85, 52.93, 46.51, 0.81

 

CMYK 0 / 81 / 81 / 37

HEX #8B0000CE

RGBA 139 0 0 0.81

HSLA 0, 1%, 0.27%, 0.81

LABA 28.08, 51.01, 41.29, 0.81

 

CMYK 0 / 66 / 91 / 19

HEX #CE4712

RGB 206 71 18

HSL 16.91, 0.84%, 0.44%

LAB 49.1, 51.38, 55.26

 

CMYK 0 / 90 / 91 / 19

HEX #CE1412

RGB 206 20 18

HSL 0.64, 0.84%, 0.44%

LAB 43.75, 66.25, 51.6

 

CMYK 0 / 91 / 91 / 19

HEX #CE1212

RGB 206 18 18

HSL 0, 0.84%, 0.44%

LAB 43.65, 66.54, 51.54

 

CMYK 0 / 66 / 91 / 19

HEX #CE4712

RGB 206 71 18

HSL 16.91, 0.84%, 0.44%

LAB 49.1, 51.38, 55.26

 

CMYK 0 / 41 / 91 / 19

HEX #CE7A12

RGB 206 122 18

HSL 33.19, 0.84%, 0.44%

LAB 59.05, 26.22, 62.44

 

CMYK 0 / 17 / 91 / 19

HEX #CEAC12

RGB 206 172 18

HSL 49.15, 0.84%, 0.44%

LAB 71.33, -0.75, 71.68

 

CMYK 8 / 0 / 91 / 19

HEX #BECE12

RGB 190 206 18

HSL 65.11, 0.84%, 0.44%

LAB 79.12, -24.92, 77.12

 

CMYK 33 / 0 / 91 / 19

HEX #8BCE12

RGB 139 206 18

HSL 81.38, 0.84%, 0.44%

LAB 75.87, -45.18, 73.15

 

CMYK 0 / 66 / 91 / 19

HEX #CE4712

RGB 206 71 18

HSL 16.91, 0.84%, 0.44%

LAB 49.1, 51.38, 55.26

 

CMYK 0 / 66 / 91 / 19

HEX #CE4712

RGB 206 71 18

HSL 16.91, 0.84%, 0.44%

LAB 49.1, 51.38, 55.26

 

CMYK 0 / 58 / 81 / 26

HEX #BC4F24

RGB 188 79 36

HSL 16.97, 0.68%, 0.44%

LAB 47.51, 41.64, 45.43

 

CMYK 0 / 49 / 68 / 33

HEX #AA5736

RGB 170 87 54

HSL 17.07, 0.52%, 0.44%

LAB 46.48, 31.26, 34.17

 

CMYK 0 / 38 / 53 / 40

HEX #985F48

RGB 152 95 72

HSL 17.25, 0.36%, 0.44%

LAB 46.08, 20.66, 22.82

 

CMYK 0 / 23 / 32 / 47

HEX #86675B

RGB 134 103 91

HSL 16.74, 0.19%, 0.44%

LAB 46.34, 10.59, 11.55

 

CMYK 0 / 91 / 67 / 19

HEX #CE1244

RGB 206 18 68

HSL 344.04, 0.84%, 0.44%

LAB 44.19, 68.07, 24.59

 

CMYK 0 / 91 / 91 / 19

HEX #CE1212

RGB 206 18 18

HSL 0, 0.84%, 0.44%

LAB 43.65, 66.54, 51.54

 

CMYK 0 / 67 / 91 / 19

HEX #CE4412

RGB 206 68 18

HSL 15.96, 0.84%, 0.44%

LAB 48.64, 52.62, 54.94

 

CMYK 0 / 43 / 91 / 19

HEX #CE7612

RGB 206 118 18

HSL 31.91, 0.84%, 0.44%

LAB 58.15, 28.36, 61.78

 

CMYK 0 / 18 / 91 / 19

HEX #CEA912

RGB 206 169 18

HSL 48.19, 0.84%, 0.44%

LAB 70.55, 0.84, 71.08

 

CMYK 0 / 66 / 92 / 49

HEX #832D0B

RGB 131 45 11

HSL 17, 0.85%, 0.28%

LAB 31.18, 35.49, 38.51

 

CMYK 0 / 65 / 91 / 34

HEX #A83A0F

RGB 168 58 15

HSL 16.86, 0.84%, 0.36%

LAB 40.22, 43.45, 46.81

 

CMYK 0 / 66 / 91 / 19

HEX #CE4712

RGB 206 71 18

HSL 16.91, 0.84%, 0.44%

LAB 49.1, 51.38, 55.26

 

CMYK 0 / 63 / 87 / 8

HEX #EB581E

RGB 235 88 30

HSL 16.98, 0.84%, 0.52%

LAB 56.82, 54.43, 59.06

 

CMYK 0 / 51 / 72 / 6

HEX #EF7444

RGB 239 116 68

HSL 16.84, 0.84%, 0.6%

LAB 62.73, 44.16, 47.84

 

CMYK 0 / 66 / 91 / 19

HEX #CF4712

RGB 207 71 18

HSL 16.83, 0.84%, 0.44%

LAB 49.27, 51.72, 55.46

 

CMYK 43 / 0 / 91 / 19

HEX #76CE12

RGB 118 206 18

HSL 88.09, 0.84%, 0.44%

LAB 74.85, -52.48, 71.9

 

CMYK 91 / 79 / 0 / 19

HEX #122BCE

RGB 18 43 206

HSL 232.02, 0.84%, 0.44%

LAB 30.19, 53.5, -83.39

 

CMYK 0 / 66 / 91 / 19

HEX #CF4712

RGB 207 71 18

HSL 16.83, 0.84%, 0.44%

LAB 49.27, 51.72, 55.46

 

CMYK 91 / 0 / 67 / 19

HEX #12CE44

RGB 18 206 68

HSL 135.96, 0.84%, 0.44%

LAB 72.69, -69.06, 54.77

 

CMYK 67 / 91 / 0 / 19

HEX #4412CE

RGB 68 18 206

HSL 255.96, 0.84%, 0.44%

LAB 29.71, 65.4, -84.11

 

CMYK 0 / 66 / 91 / 19

HEX #CF4712

RGB 207 71 18

HSL 16.83, 0.84%, 0.44%

LAB 49.27, 51.72, 55.46

 

CMYK 43 / 0 / 91 / 19

HEX #76CE12

RGB 118 206 18

HSL 88.09, 0.84%, 0.44%

LAB 74.85, -52.48, 71.9

 

CMYK 91 / 24 / 0 / 19

HEX #129CCE

RGB 18 156 206

HSL 195.96, 0.84%, 0.44%

LAB 60.21, -15.68, -34.94

 

CMYK 49 / 91 / 0 / 19

HEX #6A12CE

RGB 106 18 206

HSL 268.09, 0.84%, 0.44%

LAB 33.88, 68.34, -77.06

 

CMYK 0 / 66 / 91 / 19

HEX #CF4712

RGB 207 71 18

HSL 16.83, 0.84%, 0.44%

LAB 49.27, 51.72, 55.46

 

CMYK 70 / 0 / 91 / 19

HEX #3ECE12

RGB 62 206 18

HSL 105.96, 0.84%, 0.44%

LAB 73.03, -66.99, 69.65

 

CMYK 91 / 24 / 0 / 19

HEX #129CCE

RGB 18 156 206

HSL 195.96, 0.84%, 0.44%

LAB 60.21, -15.68, -34.94

 

CMYK 21 / 91 / 0 / 19

HEX #A212CE

RGB 162 18 206

HSL 285.96, 0.84%, 0.44%

LAB 42.11, 75.17, -63.27

 

Description

Color code: HEX #CF4712CE | qconv.com Color code: HEX #CF4712CE | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 71 green and 18 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 71 18 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 53 magenta, 74 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 53% 74% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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