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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CF45AC it is the complementary color #30BA53. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CF45AC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CF45AC shade: #D445A7, #E557BA, #F669CD, #FF7BE0 and #FF8DF3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CF45AC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CF45AC shade: #CF45AC, #BE3399, #AD2186, #9C0F73 and #8B0060

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CF45AC shade: #CF44AC, #CF4486, #CF4461 and #CF4444

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CF45AC shade: #CF44AC, #CD44CF, #A744CF, #8244CF and #5D44CF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CF45AC shade matches the following richer shades: #CF44AC, #E232B5 and #F51FBE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CF45AC shade: #CF44AC, #BC57A2, #A96A99, #967D90 and #839086

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CF45AC shade: #A844CF, #CD44CF, #CF44AC, #CF4487 and #CF4462

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CF45AC shade: #99287C, #BA3097, #CF44AC, #D765BA and #E086C9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CF45AC shade: #CF45AC, #CF8344 and #44CFBA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CF45AC shade: #CF45AC, #ACCF44 and #44ACCF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CF45AC shade: #CF45AC, #CF8344, #44CF67 and #4491CF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CF45AC shade: #CF45AC, #CFAC44, #44CF67 and #4467CF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 67 / 17 / 19

HEX #CF45AC

RGB 207 69 172

HSL 315.22, 0.59%, 0.54%

LAB 52.4, 64.61, -26.64

 

Complementary color

CMYK 74 / 0 / 55 / 27

HEX #30BA53

RGB 48 186 83

HSL 135.22, 0.59%, 0.46%

LAB 66.8, -57.84, 41.5

 

CMYK 0 / 67 / 21 / 17

HEX #D445A7

RGB 212 69 167

HSL 318.88, 0.62%, 0.55%

LAB 53, 65.21, -22.72

 

CMYK 0 / 62 / 19 / 10

HEX #E557BA

RGB 229 87 186

HSL 318.17, 0.73%, 0.62%

LAB 58.99, 65.25, -24.3

 

CMYK 0 / 57 / 17 / 4

HEX #F669CD

RGB 246 105 205

HSL 317.45, 0.89%, 0.69%

LAB 65.04, 64.98, -25.58

 

CMYK 0 / 52 / 12 / 0

HEX #FF7BE0

RGB 255 123 224

HSL 314.09, 1%, 0.74%

LAB 70.04, 62.25, -28.39

 

CMYK 0 / 45 / 5 / 0

HEX #FF8DF3

RGB 255 141 243

HSL 306.32, 1%, 0.78%

LAB 74.05, 56.72, -32.64

 

CMYK 0 / 67 / 17 / 19

HEX #CF45AC

RGB 207 69 172

HSL 315.22, 0.59%, 0.54%

LAB 52.4, 64.61, -26.64

 

CMYK 0 / 73 / 19 / 25

HEX #BE3399

RGB 190 51 153

HSL 315.97, 0.58%, 0.47%

LAB 46.46, 64.11, -24.81

 

CMYK 0 / 81 / 23 / 32

HEX #AD2186

RGB 173 33 134

HSL 316.71, 0.68%, 0.4%

LAB 40.72, 62.87, -22.42

 

CMYK 0 / 90 / 26 / 39

HEX #9C0F73

RGB 156 15 115

HSL 317.45, 0.82%, 0.34%

LAB 35.3, 60.47, -19.24

 

CMYK 0 / 100 / 31 / 45

HEX #8B0060

RGB 139 0 96

HSL 318.56, 1%, 0.27%

LAB 30.24, 56.71, -15.13

 

CMYK 0 / 67 / 17 / 19

HEX #CF44AC

RGB 207 68 172

HSL 315.11, 0.59%, 0.54%

LAB 52.26, 64.99, -26.85

 

CMYK 0 / 67 / 35 / 19

HEX #CF4486

RGB 207 68 134

HSL 331.51, 0.59%, 0.54%

LAB 50.83, 60.15, -6.51

 

CMYK 0 / 67 / 53 / 19

HEX #CF4461

RGB 207 68 97

HSL 347.48, 0.59%, 0.54%

LAB 49.81, 56.59, 14.35

 

CMYK 0 / 67 / 67 / 19

HEX #CF4444

RGB 207 68 68

HSL 0, 0.59%, 0.54%

LAB 49.27, 54.65, 30.97

 

CMYK 0 / 67 / 17 / 19

HEX #CF44AC

RGB 207 68 172

HSL 315.11, 0.59%, 0.54%

LAB 52.26, 64.99, -26.85

 

CMYK 1 / 67 / 0 / 19

HEX #CD44CF

RGB 205 68 207

HSL 299.14, 0.59%, 0.54%

LAB 53.62, 69.89, -45

 

CMYK 19 / 67 / 0 / 19

HEX #A744CF

RGB 167 68 207

HSL 282.73, 0.59%, 0.54%

LAB 48.08, 61.44, -54.17

 

CMYK 37 / 67 / 0 / 19

HEX #8244CF

RGB 130 68 207

HSL 266.76, 0.59%, 0.54%

LAB 43.34, 53.7, -62.05

 

CMYK 55 / 67 / 0 / 19

HEX #5D44CF

RGB 93 68 207

HSL 250.79, 0.59%, 0.54%

LAB 39.52, 46.97, -68.43

 

CMYK 0 / 67 / 17 / 19

HEX #CF44AC

RGB 207 68 172

HSL 315.11, 0.59%, 0.54%

LAB 52.26, 64.99, -26.85

 

CMYK 0 / 78 / 20 / 11

HEX #E232B5

RGB 226 50 181

HSL 315.34, 0.75%, 0.54%

LAB 53.8, 76.46, -29.47

 

CMYK 0 / 87 / 22 / 4

HEX #F51FBE

RGB 245 31 190

HSL 315.42, 0.91%, 0.54%

LAB 56.2, 85.42, -30.71

 

CMYK 0 / 67 / 17 / 19

HEX #CF44AC

RGB 207 68 172

HSL 315.11, 0.59%, 0.54%

LAB 52.26, 64.99, -26.85

 

CMYK 0 / 54 / 14 / 26

HEX #BC57A2

RGB 188 87 162

HSL 315.45, 0.43%, 0.54%

LAB 51.97, 49.98, -21.68

 

CMYK 0 / 37 / 9 / 34

HEX #A96A99

RGB 169 106 153

HSL 315.24, 0.27%, 0.54%

LAB 53, 32.36, -15.06

 

CMYK 0 / 17 / 4 / 41

HEX #967D90

RGB 150 125 144

HSL 314.4, 0.11%, 0.54%

LAB 55.24, 13.05, -6.65

 

CMYK 9 / 0 / 7 / 44

HEX #839086

RGB 131 144 134

HSL 133.85, 0.06%, 0.54%

LAB 58.5, -6.7, 3.7

 

CMYK 19 / 67 / 0 / 19

HEX #A844CF

RGB 168 68 207

HSL 283.17, 0.59%, 0.54%

LAB 48.21, 61.66, -53.94

 

CMYK 1 / 67 / 0 / 19

HEX #CD44CF

RGB 205 68 207

HSL 299.14, 0.59%, 0.54%

LAB 53.62, 69.89, -45

 

CMYK 0 / 67 / 17 / 19

HEX #CF44AC

RGB 207 68 172

HSL 315.11, 0.59%, 0.54%

LAB 52.26, 64.99, -26.85

 

CMYK 0 / 67 / 35 / 19

HEX #CF4487

RGB 207 68 135

HSL 331.08, 0.59%, 0.54%

LAB 50.86, 60.27, -7.06

 

CMYK 0 / 67 / 53 / 19

HEX #CF4462

RGB 207 68 98

HSL 347.05, 0.59%, 0.54%

LAB 49.84, 56.67, 13.77

 

CMYK 0 / 74 / 19 / 40

HEX #99287C

RGB 153 40 124

HSL 315.4, 0.59%, 0.38%

LAB 37.38, 54.54, -21.7

 

CMYK 0 / 74 / 19 / 27

HEX #BA3097

RGB 186 48 151

HSL 315.22, 0.59%, 0.46%

LAB 45.34, 63.84, -25.41

 

CMYK 0 / 67 / 17 / 19

HEX #CF44AC

RGB 207 68 172

HSL 315.11, 0.59%, 0.54%

LAB 52.26, 64.99, -26.85

 

CMYK 0 / 53 / 13 / 16

HEX #D765BA

RGB 215 101 186

HSL 315.26, 0.59%, 0.62%

LAB 59.25, 55.09, -24.08

 

CMYK 0 / 40 / 10 / 12

HEX #E086C9

RGB 224 134 201

HSL 315.33, 0.59%, 0.7%

LAB 67.36, 43.79, -20.05

 

CMYK 0 / 67 / 17 / 19

HEX #CF45AC

RGB 207 69 172

HSL 315.22, 0.59%, 0.54%

LAB 52.4, 64.61, -26.64

 

CMYK 0 / 37 / 67 / 19

HEX #CF8344

RGB 207 131 68

HSL 27.19, 0.59%, 0.54%

LAB 61.58, 23.61, 45.35

 

CMYK 67 / 0 / 10 / 19

HEX #44CFBA

RGB 68 207 186

HSL 170.94, 0.59%, 0.54%

LAB 75.7, -41.86, -0.42

 

CMYK 0 / 67 / 17 / 19

HEX #CF45AC

RGB 207 69 172

HSL 315.22, 0.59%, 0.54%

LAB 52.4, 64.61, -26.64

 

CMYK 17 / 0 / 67 / 19

HEX #ACCF44

RGB 172 207 68

HSL 75.11, 0.59%, 0.54%

LAB 78.35, -30.85, 62.39

 

CMYK 67 / 17 / 0 / 19

HEX #44ACCF

RGB 68 172 207

HSL 195.11, 0.59%, 0.54%

LAB 65.93, -18.9, -26.56

 

CMYK 0 / 67 / 17 / 19

HEX #CF45AC

RGB 207 69 172

HSL 315.22, 0.59%, 0.54%

LAB 52.4, 64.61, -26.64

 

CMYK 0 / 37 / 67 / 19

HEX #CF8344

RGB 207 131 68

HSL 27.19, 0.59%, 0.54%

LAB 61.58, 23.61, 45.35

 

CMYK 67 / 0 / 50 / 19

HEX #44CF67

RGB 68 207 103

HSL 135.11, 0.59%, 0.54%

LAB 74.08, -59.02, 40.8

 

CMYK 67 / 30 / 0 / 19

HEX #4491CF

RGB 68 145 207

HSL 206.76, 0.59%, 0.54%

LAB 58.02, -4.04, -38.85

 

CMYK 0 / 67 / 17 / 19

HEX #CF45AC

RGB 207 69 172

HSL 315.22, 0.59%, 0.54%

LAB 52.4, 64.61, -26.64

 

CMYK 0 / 17 / 67 / 19

HEX #CFAC44

RGB 207 172 68

HSL 44.89, 0.59%, 0.54%

LAB 71.68, 1.47, 56.32

 

CMYK 67 / 0 / 50 / 19

HEX #44CF67

RGB 68 207 103

HSL 135.11, 0.59%, 0.54%

LAB 74.08, -59.02, 40.8

 

CMYK 67 / 50 / 0 / 19

HEX #4467CF

RGB 68 103 207

HSL 224.89, 0.59%, 0.54%

LAB 46.22, 21.54, -57.62

 

Description

Color code: HEX #CF45AC | qconv.com Color code: HEX #CF45AC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 69 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 69 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 67 magenta, 17 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 67% 17% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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