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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CF4518 it is the complementary color #30BAE7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CF4518. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CF4518 shade: #D44513, #E55726, #F66939, #FF7B4C and #FF8D5F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CF4518. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CF4518 shade: #CF4518, #BE3305, #AD2100, #9C0F00 and #8B0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CF4518 shade: #CD4518 and #CD1818

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CF4518 shade: #CD4518, #CD7618, #CDA618, #C3CD18 and #93CD18

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CF4518 shade matches the following richer shades: #CD4518 and #E03B06

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CF4518 shade: #CD4518, #BB4E2B, #A8583D, #966150 and #836A62

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CF4518 shade: #CD184E, #CD181E, #CD4218, #CD7318 and #CDA318

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CF4518 shade: #842C0F, #A83814, #CD4518, #E65729 and #EA744E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CF4518 shade: #CF4518, #7FCD18 and #1836CD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CF4518 shade: #CF4518, #18CD42 and #4218CD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CF4518 shade: #CF4518, #7FCD18, #18A3CD and #6718CD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CF4518 shade: #CF4518, #48CD18, #18A3CD and #9D18CD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 67 / 88 / 19

HEX #CF4518

RGB 207 69 24

HSL 14.75, 0.79%, 0.45%

LAB 48.99, 52.65, 53.15

 

Complementary color

CMYK 79 / 19 / 0 / 9

HEX #30BAE7

RGB 48 186 231

HSL 194.75, 0.79%, 0.55%

LAB 70.54, -20.86, -32.66

 

CMYK 0 / 67 / 91 / 17

HEX #D44513

RGB 212 69 19

HSL 15.54, 0.84%, 0.45%

LAB 49.86, 54.26, 55.96

 

CMYK 0 / 62 / 83 / 10

HEX #E55726

RGB 229 87 38

HSL 15.39, 0.79%, 0.52%

LAB 55.7, 52.95, 54.52

 

CMYK 0 / 57 / 77 / 4

HEX #F66939

RGB 246 105 57

HSL 15.24, 0.91%, 0.59%

LAB 61.65, 51.51, 52.43

 

CMYK 0 / 52 / 70 / 0

HEX #FF7B4C

RGB 255 123 76

HSL 15.75, 1%, 0.65%

LAB 66.48, 47.11, 48.61

 

CMYK 0 / 45 / 63 / 0

HEX #FF8D5F

RGB 255 141 95

HSL 17.25, 1%, 0.69%

LAB 70.27, 39.25, 43.24

 

CMYK 0 / 67 / 88 / 19

HEX #CF4518

RGB 207 69 24

HSL 14.75, 0.79%, 0.45%

LAB 48.99, 52.65, 53.15

 

CMYK 0 / 73 / 97 / 25

HEX #BE3305

RGB 190 51 5

HSL 14.92, 0.95%, 0.38%

LAB 43.25, 53.67, 53.87

 

CMYK 0 / 81 / 100 / 32

HEX #AD2100

RGB 173 33 0

HSL 11.45, 1%, 0.34%

LAB 37.79, 54.08, 51.03

 

CMYK 0 / 90 / 100 / 39

HEX #9C0F00

RGB 156 15 0

HSL 5.77, 1%, 0.31%

LAB 32.72, 53.3, 46.42

 

CMYK 0 / 100 / 100 / 45

HEX #8B0000

RGB 139 0 0

HSL 0, 1%, 0.27%

LAB 28.08, 51.01, 41.29

 

CMYK 0 / 66 / 88 / 20

HEX #CD4518

RGB 205 69 24

HSL 14.92, 0.79%, 0.45%

LAB 48.64, 51.97, 52.72

 

CMYK 0 / 88 / 88 / 20

HEX #CD1818

RGB 205 24 24

HSL 0, 0.79%, 0.45%

LAB 43.8, 65.44, 49

 

CMYK 0 / 66 / 88 / 20

HEX #CD4518

RGB 205 69 24

HSL 14.92, 0.79%, 0.45%

LAB 48.64, 51.97, 52.72

 

CMYK 0 / 42 / 88 / 20

HEX #CD7618

RGB 205 118 24

HSL 31.16, 0.79%, 0.45%

LAB 58.04, 28.05, 60.05

 

CMYK 0 / 19 / 88 / 20

HEX #CDA618

RGB 205 166 24

HSL 47.07, 0.79%, 0.45%

LAB 69.7, 2.1, 69.22

 

CMYK 5 / 0 / 88 / 20

HEX #C3CD18

RGB 195 205 24

HSL 63.31, 0.79%, 0.45%

LAB 79.23, -22.23, 76.43

 

CMYK 28 / 0 / 88 / 20

HEX #93CD18

RGB 147 205 24

HSL 79.23, 0.79%, 0.45%

LAB 76.03, -41.63, 72.5

 

CMYK 0 / 66 / 88 / 20

HEX #CD4518

RGB 205 69 24

HSL 14.92, 0.79%, 0.45%

LAB 48.64, 51.97, 52.72

 

CMYK 0 / 74 / 97 / 12

HEX #E03B06

RGB 224 59 6

HSL 14.59, 0.95%, 0.45%

LAB 50.67, 61.67, 61.04

 

CMYK 0 / 66 / 88 / 20

HEX #CD4518

RGB 205 69 24

HSL 14.92, 0.79%, 0.45%

LAB 48.64, 51.97, 52.72

 

CMYK 0 / 58 / 77 / 27

HEX #BB4E2B

RGB 187 78 43

HSL 14.58, 0.63%, 0.45%

LAB 47.22, 42, 41.62

 

CMYK 0 / 48 / 64 / 34

HEX #A8583D

RGB 168 88 61

HSL 15.14, 0.47%, 0.45%

LAB 46.5, 30.36, 30.18

 

CMYK 0 / 35 / 47 / 41

HEX #966150

RGB 150 97 80

HSL 14.57, 0.3%, 0.45%

LAB 46.46, 19.49, 18.56

 

CMYK 0 / 19 / 25 / 49

HEX #836A62

RGB 131 106 98

HSL 14.55, 0.14%, 0.45%

LAB 46.99, 8.62, 8.23

 

CMYK 0 / 88 / 62 / 20

HEX #CD184E

RGB 205 24 78

HSL 342.1, 0.79%, 0.45%

LAB 44.49, 67.44, 18.73

 

CMYK 0 / 88 / 85 / 20

HEX #CD181E

RGB 205 24 30

HSL 358.01, 0.79%, 0.45%

LAB 43.84, 65.56, 46.16

 

CMYK 0 / 68 / 88 / 20

HEX #CD4218

RGB 205 66 24

HSL 13.92, 0.79%, 0.45%

LAB 48.19, 53.19, 52.37

 

CMYK 0 / 44 / 88 / 20

HEX #CD7318

RGB 205 115 24

HSL 30.17, 0.79%, 0.45%

LAB 57.37, 29.65, 59.52

 

CMYK 0 / 20 / 88 / 20

HEX #CDA318

RGB 205 163 24

HSL 46.08, 0.79%, 0.45%

LAB 68.92, 3.7, 68.61

 

CMYK 0 / 67 / 89 / 48

HEX #842C0F

RGB 132 44 15

HSL 14.87, 0.8%, 0.29%

LAB 31.21, 36.44, 36.89

 

CMYK 0 / 67 / 88 / 34

HEX #A83814

RGB 168 56 20

HSL 14.59, 0.79%, 0.37%

LAB 39.92, 44.43, 44.61

 

CMYK 0 / 66 / 88 / 20

HEX #CD4518

RGB 205 69 24

HSL 14.92, 0.79%, 0.45%

LAB 48.64, 51.97, 52.72

 

CMYK 0 / 62 / 82 / 10

HEX #E65729

RGB 230 87 41

HSL 14.6, 0.79%, 0.53%

LAB 55.89, 53.38, 53.43

 

CMYK 0 / 50 / 67 / 8

HEX #EA744E

RGB 234 116 78

HSL 14.62, 0.79%, 0.61%

LAB 62.11, 42.79, 41.78

 

CMYK 0 / 67 / 88 / 19

HEX #CF4518

RGB 207 69 24

HSL 14.75, 0.79%, 0.45%

LAB 48.99, 52.65, 53.15

 

CMYK 38 / 0 / 88 / 20

HEX #7FCD18

RGB 127 205 24

HSL 85.86, 0.79%, 0.45%

LAB 74.98, -48.9, 71.2

 

CMYK 88 / 74 / 0 / 20

HEX #1836CD

RGB 24 54 205

HSL 230.06, 0.79%, 0.45%

LAB 32.35, 47.33, -79.22

 

CMYK 0 / 67 / 88 / 19

HEX #CF4518

RGB 207 69 24

HSL 14.75, 0.79%, 0.45%

LAB 48.99, 52.65, 53.15

 

CMYK 88 / 0 / 68 / 20

HEX #18CD42

RGB 24 205 66

HSL 133.92, 0.79%, 0.45%

LAB 72.4, -68.58, 55.27

 

CMYK 68 / 88 / 0 / 20

HEX #4218CD

RGB 66 24 205

HSL 253.92, 0.79%, 0.45%

LAB 29.96, 63.37, -83.11

 

CMYK 0 / 67 / 88 / 19

HEX #CF4518

RGB 207 69 24

HSL 14.75, 0.79%, 0.45%

LAB 48.99, 52.65, 53.15

 

CMYK 38 / 0 / 88 / 20

HEX #7FCD18

RGB 127 205 24

HSL 85.86, 0.79%, 0.45%

LAB 74.98, -48.9, 71.2

 

CMYK 88 / 20 / 0 / 20

HEX #18A3CD

RGB 24 163 205

HSL 193.92, 0.79%, 0.45%

LAB 62.34, -19.47, -31.08

 

CMYK 50 / 88 / 0 / 20

HEX #6718CD

RGB 103 24 205

HSL 266.19, 0.79%, 0.45%

LAB 33.87, 66.43, -76.52

 

CMYK 0 / 67 / 88 / 19

HEX #CF4518

RGB 207 69 24

HSL 14.75, 0.79%, 0.45%

LAB 48.99, 52.65, 53.15

 

CMYK 65 / 0 / 88 / 20

HEX #48CD18

RGB 72 205 24

HSL 104.09, 0.79%, 0.45%

LAB 72.96, -64.52, 68.68

 

CMYK 88 / 20 / 0 / 20

HEX #18A3CD

RGB 24 163 205

HSL 193.92, 0.79%, 0.45%

LAB 62.34, -19.47, -31.08

 

CMYK 23 / 88 / 0 / 20

HEX #9D18CD

RGB 157 24 205

HSL 284.09, 0.79%, 0.45%

LAB 41.58, 73.25, -63.58

 

Description

Color code: HEX #CF4518 | qconv.com Color code: HEX #CF4518 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 69 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 69 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 67 magenta, 88 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 67% 88% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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