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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CF41DA it is the complementary color #30BE25. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CF41DA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CF41DA shade: #D441D5, #E553E8, #F665FB, #FF77FF and #FF89FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CF41DA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CF41DA shade: #CF41DA, #BE2FC7, #AD1DB4, #9C0BA1 and #8B008E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CF41DA shade: #CE3FD9, #D93FBB, #D93F91, #D93F68 and #D93F3F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CF41DA shade: #CE3FD9, #A53FD9, #7B3FD9, #523FD9 and #3F3FD9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CF41DA shade matches the following richer shades: #CE3FD9, #DE2DEC and #EE1AFE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CF41DA shade: #CE3FD9, #BE52C7, #AE65B4, #9E77A1 and #8E8A8F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CF41DA shade: #7A3FD9, #A33FD9, #CC3FD9, #D93FBD and #D93F94

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CF41DA shade: #9C21A5, #BC27C8, #CE3FD9, #D762E0 and #E084E7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CF41DA shade: #CF41DA, #D9513F and #3FD98F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CF41DA shade: #CF41DA, #D9CC3F and #3FD9CC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CF41DA shade: #CF41DA, #D9513F, #4CD93F and #3FC7D9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CF41DA shade: #CF41DA, #D97F3F, #4CD93F and #3F99D9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 70 / 0 / 15

HEX #CF41DA

RGB 207 65 218

HSL 295.69, 0.67%, 0.55%

LAB 54.14, 73.22, -50.42

 

Complementary color

CMYK 75 / 0 / 81 / 25

HEX #30BE25

RGB 48 190 37

HSL 115.69, 0.67%, 0.45%

LAB 67.72, -63.62, 60.74

 

CMYK 0 / 69 / 0 / 16

HEX #D441D5

RGB 212 65 213

HSL 299.59, 0.64%, 0.55%

LAB 54.64, 73.47, -46.74

 

CMYK 1 / 64 / 0 / 9

HEX #E553E8

RGB 229 83 232

HSL 298.79, 0.76%, 0.62%

LAB 60.49, 73.85, -48.02

 

CMYK 2 / 60 / 0 / 2

HEX #F665FB

RGB 246 101 251

HSL 298, 0.95%, 0.69%

LAB 66.42, 73.85, -49.03

 

CMYK 0 / 53 / 0 / 0

HEX #FF77FF

RGB 255 119 255

HSL 300, 1%, 0.73%

LAB 70.65, 69.04, -44.48

 

CMYK 0 / 46 / 0 / 0

HEX #FF89FF

RGB 255 137 255

HSL 300, 1%, 0.77%

LAB 73.79, 60.7, -39.58

 

CMYK 5 / 70 / 0 / 15

HEX #CF41DA

RGB 207 65 218

HSL 295.69, 0.67%, 0.55%

LAB 54.14, 73.22, -50.42

 

CMYK 5 / 76 / 0 / 22

HEX #BE2FC7

RGB 190 47 199

HSL 296.45, 0.62%, 0.48%

LAB 48.39, 72.31, -48.86

 

CMYK 4 / 84 / 0 / 29

HEX #AD1DB4

RGB 173 29 180

HSL 297.22, 0.72%, 0.41%

LAB 42.85, 70.54, -46.77

 

CMYK 3 / 93 / 0 / 37

HEX #9C0BA1

RGB 156 11 161

HSL 298, 0.87%, 0.34%

LAB 37.63, 67.54, -43.96

 

CMYK 2 / 100 / 0 / 44

HEX #8B008E

RGB 139 0 142

HSL 298.73, 1%, 0.28%

LAB 32.79, 63.03, -40.29

 

CMYK 5 / 71 / 0 / 15

HEX #CE3FD9

RGB 206 63 217

HSL 295.71, 0.67%, 0.55%

LAB 53.69, 73.53, -50.57

 

CMYK 0 / 71 / 14 / 15

HEX #D93FBB

RGB 217 63 187

HSL 311.69, 0.67%, 0.55%

LAB 53.91, 71.34, -32.89

 

CMYK 0 / 71 / 33 / 15

HEX #D93F91

RGB 217 63 145

HSL 328.05, 0.67%, 0.55%

LAB 52.23, 65.99, -10.81

 

CMYK 0 / 71 / 52 / 15

HEX #D93F68

RGB 217 63 104

HSL 344.03, 0.67%, 0.55%

LAB 51.04, 62.06, 12.09

 

CMYK 0 / 71 / 71 / 15

HEX #D93F3F

RGB 217 63 63

HSL 0, 0.67%, 0.55%

LAB 50.29, 59.5, 35.51

 

CMYK 5 / 71 / 0 / 15

HEX #CE3FD9

RGB 206 63 217

HSL 295.71, 0.67%, 0.55%

LAB 53.69, 73.53, -50.57

 

CMYK 24 / 71 / 0 / 15

HEX #A53FD9

RGB 165 63 217

HSL 279.74, 0.67%, 0.55%

LAB 47.71, 65.15, -60.5

 

CMYK 43 / 71 / 0 / 15

HEX #7B3FD9

RGB 123 63 217

HSL 263.38, 0.67%, 0.55%

LAB 42.42, 57.34, -69.32

 

CMYK 62 / 71 / 0 / 15

HEX #523FD9

RGB 82 63 217

HSL 247.4, 0.67%, 0.55%

LAB 38.48, 51.14, -75.94

 

CMYK 71 / 71 / 0 / 15

HEX #3F3FD9

RGB 63 63 217

HSL 240, 0.67%, 0.55%

LAB 37.15, 48.97, -78.16

 

CMYK 5 / 71 / 0 / 15

HEX #CE3FD9

RGB 206 63 217

HSL 295.71, 0.67%, 0.55%

LAB 53.69, 73.53, -50.57

 

CMYK 6 / 81 / 0 / 7

HEX #DE2DEC

RGB 222 45 236

HSL 295.6, 0.83%, 0.55%

LAB 55.55, 84.75, -58.2

 

CMYK 6 / 90 / 0 / 0

HEX #EE1AFE

RGB 238 26 254

HSL 295.79, 0.99%, 0.55%

LAB 58.11, 93.46, -64

 

CMYK 5 / 71 / 0 / 15

HEX #CE3FD9

RGB 206 63 217

HSL 295.71, 0.67%, 0.55%

LAB 53.69, 73.53, -50.57

 

CMYK 5 / 59 / 0 / 22

HEX #BE52C7

RGB 190 82 199

HSL 295.38, 0.51%, 0.55%

LAB 53.06, 59.19, -41.44

 

CMYK 3 / 44 / 0 / 29

HEX #AE65B4

RGB 174 101 180

HSL 295.44, 0.34%, 0.55%

LAB 53.6, 41.74, -29.8

 

CMYK 2 / 26 / 0 / 37

HEX #9E77A1

RGB 158 119 161

HSL 295.71, 0.18%, 0.55%

LAB 55.11, 22.71, -16.63

 

CMYK 1 / 3 / 0 / 44

HEX #8E8A8F

RGB 142 138 143

HSL 288, 0.02%, 0.55%

LAB 57.95, 2.46, -2.14

 

CMYK 44 / 71 / 0 / 15

HEX #7A3FD9

RGB 122 63 217

HSL 262.99, 0.67%, 0.55%

LAB 42.31, 57.17, -69.51

 

CMYK 25 / 71 / 0 / 15

HEX #A33FD9

RGB 163 63 217

HSL 278.96, 0.67%, 0.55%

LAB 47.43, 64.76, -60.96

 

CMYK 6 / 71 / 0 / 15

HEX #CC3FD9

RGB 204 63 217

HSL 294.94, 0.67%, 0.55%

LAB 53.39, 73.11, -51.08

 

CMYK 0 / 71 / 13 / 15

HEX #D93FBD

RGB 217 63 189

HSL 310.91, 0.67%, 0.55%

LAB 54.01, 71.62, -33.91

 

CMYK 0 / 71 / 32 / 15

HEX #D93F94

RGB 217 63 148

HSL 326.88, 0.67%, 0.55%

LAB 52.34, 66.33, -12.44

 

CMYK 5 / 80 / 0 / 35

HEX #9C21A5

RGB 156 33 165

HSL 295.91, 0.67%, 0.39%

LAB 39.36, 63.85, -43.59

 

CMYK 6 / 81 / 0 / 22

HEX #BC27C8

RGB 188 39 200

HSL 295.53, 0.67%, 0.47%

LAB 47.38, 74.24, -51.07

 

CMYK 5 / 71 / 0 / 15

HEX #CE3FD9

RGB 206 63 217

HSL 295.71, 0.67%, 0.55%

LAB 53.69, 73.53, -50.57

 

CMYK 4 / 56 / 0 / 12

HEX #D762E0

RGB 215 98 224

HSL 295.71, 0.67%, 0.63%

LAB 60.4, 62.84, -43.82

 

CMYK 3 / 43 / 0 / 9

HEX #E084E7

RGB 224 132 231

HSL 295.76, 0.67%, 0.71%

LAB 68.11, 50.08, -35.56

 

CMYK 5 / 70 / 0 / 15

HEX #CF41DA

RGB 207 65 218

HSL 295.69, 0.67%, 0.55%

LAB 54.14, 73.22, -50.42

 

CMYK 0 / 63 / 71 / 15

HEX #D9513F

RGB 217 81 63

HSL 7.01, 0.67%, 0.55%

LAB 52.94, 52.3, 38.58

 

CMYK 71 / 0 / 34 / 15

HEX #3FD98F

RGB 63 217 143

HSL 151.17, 0.67%, 0.55%

LAB 77.68, -56.6, 25.2

 

CMYK 5 / 70 / 0 / 15

HEX #CF41DA

RGB 207 65 218

HSL 295.69, 0.67%, 0.55%

LAB 54.14, 73.22, -50.42

 

CMYK 0 / 6 / 71 / 15

HEX #D9CC3F

RGB 217 204 63

HSL 54.94, 0.67%, 0.55%

LAB 80.9, -11.11, 67.94

 

CMYK 71 / 0 / 6 / 15

HEX #3FD9CC

RGB 63 217 204

HSL 174.94, 0.67%, 0.55%

LAB 79.07, -42.19, -5.15

 

CMYK 5 / 70 / 0 / 15

HEX #CF41DA

RGB 207 65 218

HSL 295.69, 0.67%, 0.55%

LAB 54.14, 73.22, -50.42

 

CMYK 0 / 63 / 71 / 15

HEX #D9513F

RGB 217 81 63

HSL 7.01, 0.67%, 0.55%

LAB 52.94, 52.3, 38.58

 

CMYK 65 / 0 / 71 / 15

HEX #4CD93F

RGB 76 217 63

HSL 114.94, 0.67%, 0.55%

LAB 76.99, -65.43, 61.51

 

CMYK 71 / 8 / 0 / 15

HEX #3FC7D9

RGB 63 199 217

HSL 187.01, 0.67%, 0.55%

LAB 74.13, -30.14, -19.53

 

CMYK 5 / 70 / 0 / 15

HEX #CF41DA

RGB 207 65 218

HSL 295.69, 0.67%, 0.55%

LAB 54.14, 73.22, -50.42

 

CMYK 0 / 41 / 71 / 15

HEX #D97F3F

RGB 217 127 63

HSL 24.94, 0.67%, 0.55%

LAB 61.9, 29.63, 48.53

 

CMYK 65 / 0 / 71 / 15

HEX #4CD93F

RGB 76 217 63

HSL 114.94, 0.67%, 0.55%

LAB 76.99, -65.43, 61.51

 

CMYK 71 / 29 / 0 / 15

HEX #3F99D9

RGB 63 153 217

HSL 204.94, 0.67%, 0.55%

LAB 60.65, -5.95, -40.33

 

Description

Color code: HEX #CF41DA | qconv.com Color code: HEX #CF41DA | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 65 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 65 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, 70 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 70% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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