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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CF3E06 it is the complementary color #30C1F9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CF3E06. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CF3E06 shade: #D43E01, #E55014, #F66227, #FF743A and #FF864D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CF3E06. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CF3E06 shade: #CF3E06, #BE2C00, #AD1A00, #9C0800 and #8B0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CF3E06 shade: #D03F06, #D00806 and #D00606

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CF3E06 shade: #D03F06, #D07506, #D0AB06, #BED006 and #88D006

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CF3E06 shade matches the following richer shades: #D03F06

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CF3E06 shade: #D03F06, #BE4618, #AD4E29, #9C563A and #8A5D4C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CF3E06 shade: #D0063C, #D00606, #D03C06, #D07206 and #D0A806

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CF3E06 shade: #802604, #A83205, #D03F06, #F74B08 and #F96830

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CF3E06 shade: #CF3E06, #72D006 and #0621D0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CF3E06 shade: #CF3E06, #06D03C and #3C06D0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CF3E06 shade: #CF3E06, #72D006, #069AD0 and #6406D0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CF3E06 shade: #CF3E06, #35D006, #069AD0 and #A106D0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 70 / 97 / 19

HEX #CF3E06

RGB 207 62 6

HSL 16.72, 0.94%, 0.42%

LAB 47.91, 55.18, 57.85

 

Complementary color

CMYK 81 / 22 / 0 / 2

HEX #30C1F9

RGB 48 193 249

HSL 196.72, 0.94%, 0.58%

LAB 73.29, -18.52, -38.13

 

CMYK 0 / 71 / 100 / 17

HEX #D43E01

RGB 212 62 1

HSL 17.35, 0.99%, 0.42%

LAB 48.82, 56.76, 60.12

 

CMYK 0 / 65 / 91 / 10

HEX #E55014

RGB 229 80 20

HSL 17.22, 0.84%, 0.49%

LAB 54.5, 55.56, 60.26

 

CMYK 0 / 60 / 84 / 4

HEX #F66227

RGB 246 98 39

HSL 17.1, 0.92%, 0.56%

LAB 60.32, 54.12, 59.19

 

CMYK 0 / 55 / 77 / 0

HEX #FF743A

RGB 255 116 58

HSL 17.66, 1%, 0.61%

LAB 65.01, 49.69, 55.78

 

CMYK 0 / 47 / 70 / 0

HEX #FF864D

RGB 255 134 77

HSL 19.21, 1%, 0.65%

LAB 68.64, 41.75, 50.51

 

CMYK 0 / 70 / 97 / 19

HEX #CF3E06

RGB 207 62 6

HSL 16.72, 0.94%, 0.42%

LAB 47.91, 55.18, 57.85

 

CMYK 0 / 77 / 100 / 25

HEX #BE2C00

RGB 190 44 0

HSL 13.89, 1%, 0.37%

LAB 42.38, 55.98, 55.02

 

CMYK 0 / 85 / 100 / 32

HEX #AD1A00

RGB 173 26 0

HSL 9.02, 1%, 0.34%

LAB 37.16, 55.88, 50.77

 

CMYK 0 / 95 / 100 / 39

HEX #9C0800

RGB 156 8 0

HSL 3.08, 1%, 0.31%

LAB 32.35, 54.37, 46.19

 

CMYK 0 / 100 / 100 / 45

HEX #8B0000

RGB 139 0 0

HSL 0, 1%, 0.27%

LAB 28.08, 51.01, 41.29

 

CMYK 0 / 70 / 97 / 18

HEX #D03F06

RGB 208 63 6

HSL 16.93, 0.94%, 0.42%

LAB 48.23, 55.13, 58.13

 

CMYK 0 / 96 / 97 / 18

HEX #D00806

RGB 208 8 6

HSL 0.59, 0.94%, 0.42%

LAB 43.65, 68.02, 55.77

 

CMYK 0 / 97 / 97 / 18

HEX #D00606

RGB 208 6 6

HSL 0, 0.94%, 0.42%

LAB 43.59, 68.2, 55.74

 

CMYK 0 / 70 / 97 / 18

HEX #D03F06

RGB 208 63 6

HSL 16.93, 0.94%, 0.42%

LAB 48.23, 55.13, 58.13

 

CMYK 0 / 44 / 97 / 18

HEX #D07506

RGB 208 117 6

HSL 32.97, 0.94%, 0.42%

LAB 58.18, 29.58, 64.23

 

CMYK 0 / 18 / 97 / 18

HEX #D0AB06

RGB 208 171 6

HSL 49.01, 0.94%, 0.42%

LAB 71.25, 0.52, 73.3

 

CMYK 9 / 0 / 97 / 18

HEX #BED006

RGB 190 208 6

HSL 65.35, 0.94%, 0.42%

LAB 79.65, -26.03, 78.83

 

CMYK 35 / 0 / 97 / 18

HEX #88D006

RGB 136 208 6

HSL 81.39, 0.94%, 0.42%

LAB 76.29, -47.29, 74.77

 

CMYK 0 / 70 / 97 / 18

HEX #D03F06

RGB 208 63 6

HSL 16.93, 0.94%, 0.42%

LAB 48.23, 55.13, 58.13

 

CMYK 0 / 70 / 97 / 18

HEX #D03F06

RGB 208 63 6

HSL 16.93, 0.94%, 0.42%

LAB 48.23, 55.13, 58.13

 

CMYK 0 / 63 / 87 / 25

HEX #BE4618

RGB 190 70 24

HSL 16.63, 0.78%, 0.42%

LAB 46.17, 46.25, 49.65

 

CMYK 0 / 55 / 76 / 32

HEX #AD4E29

RGB 173 78 41

HSL 16.82, 0.62%, 0.42%

LAB 44.93, 36.52, 39.57

 

CMYK 0 / 45 / 63 / 39

HEX #9C563A

RGB 156 86 58

HSL 17.14, 0.46%, 0.42%

LAB 44.27, 26.27, 28.79

 

CMYK 0 / 33 / 45 / 46

HEX #8A5D4C

RGB 138 93 76

HSL 16.45, 0.29%, 0.42%

LAB 43.88, 16.25, 17.21

 

CMYK 0 / 97 / 71 / 18

HEX #D0063C

RGB 208 6 60

HSL 343.96, 0.94%, 0.42%

LAB 44.04, 69.45, 29.43

 

CMYK 0 / 97 / 97 / 18

HEX #D00606

RGB 208 6 6

HSL 0, 0.94%, 0.42%

LAB 43.59, 68.2, 55.74

 

CMYK 0 / 71 / 97 / 18

HEX #D03C06

RGB 208 60 6

HSL 16.04, 0.94%, 0.42%

LAB 47.82, 56.25, 57.9

 

CMYK 0 / 45 / 97 / 18

HEX #D07206

RGB 208 114 6

HSL 32.08, 0.94%, 0.42%

LAB 57.52, 31.17, 63.8

 

CMYK 0 / 19 / 97 / 18

HEX #D0A806

RGB 208 168 6

HSL 48.12, 0.94%, 0.42%

LAB 70.47, 2.11, 72.74

 

CMYK 0 / 70 / 97 / 50

HEX #802604

RGB 128 38 4

HSL 16.45, 0.94%, 0.26%

LAB 29.37, 37.42, 39.73

 

CMYK 0 / 70 / 97 / 34

HEX #A83205

RGB 168 50 5

HSL 16.56, 0.94%, 0.34%

LAB 38.93, 46.69, 49.23

 

CMYK 0 / 70 / 97 / 18

HEX #D03F06

RGB 208 63 6

HSL 16.93, 0.94%, 0.42%

LAB 48.23, 55.13, 58.13

 

CMYK 0 / 70 / 97 / 3

HEX #F74B08

RGB 247 75 8

HSL 16.82, 0.94%, 0.5%

LAB 56.9, 63.3, 66.21

 

CMYK 0 / 58 / 81 / 2

HEX #F96830

RGB 249 104 48

HSL 16.72, 0.94%, 0.58%

LAB 61.87, 52.74, 56.96

 

CMYK 0 / 70 / 97 / 19

HEX #CF3E06

RGB 207 62 6

HSL 16.72, 0.94%, 0.42%

LAB 47.91, 55.18, 57.85

 

CMYK 45 / 0 / 97 / 18

HEX #72D006

RGB 114 208 6

HSL 87.92, 0.94%, 0.42%

LAB 75.27, -54.75, 73.53

 

CMYK 97 / 84 / 0 / 18

HEX #0621D0

RGB 6 33 208

HSL 231.98, 0.94%, 0.42%

LAB 28.59, 58.66, -87.21

 

CMYK 0 / 70 / 97 / 19

HEX #CF3E06

RGB 207 62 6

HSL 16.72, 0.94%, 0.42%

LAB 47.91, 55.18, 57.85

 

CMYK 97 / 0 / 71 / 18

HEX #06D03C

RGB 6 208 60

HSL 136.04, 0.94%, 0.42%

LAB 73.2, -70.92, 58.4

 

CMYK 71 / 97 / 0 / 18

HEX #3C06D0

RGB 60 6 208

HSL 256.04, 0.94%, 0.42%

LAB 28.5, 67.87, -87.3

 

CMYK 0 / 70 / 97 / 19

HEX #CF3E06

RGB 207 62 6

HSL 16.72, 0.94%, 0.42%

LAB 47.91, 55.18, 57.85

 

CMYK 45 / 0 / 97 / 18

HEX #72D006

RGB 114 208 6

HSL 87.92, 0.94%, 0.42%

LAB 75.27, -54.75, 73.53

 

CMYK 97 / 26 / 0 / 18

HEX #069AD0

RGB 6 154 208

HSL 196.04, 0.94%, 0.42%

LAB 59.62, -14.3, -36.99

 

CMYK 52 / 97 / 0 / 18

HEX #6406D0

RGB 100 6 208

HSL 267.92, 0.94%, 0.42%

LAB 32.69, 70.22, -80.23

 

CMYK 0 / 70 / 97 / 19

HEX #CF3E06

RGB 207 62 6

HSL 16.72, 0.94%, 0.42%

LAB 47.91, 55.18, 57.85

 

CMYK 75 / 0 / 97 / 18

HEX #35D006

RGB 53 208 6

HSL 106.04, 0.94%, 0.42%

LAB 73.47, -69.36, 71.33

 

CMYK 97 / 26 / 0 / 18

HEX #069AD0

RGB 6 154 208

HSL 196.04, 0.94%, 0.42%

LAB 59.62, -14.3, -36.99

 

CMYK 23 / 97 / 0 / 18

HEX #A106D0

RGB 161 6 208

HSL 286.04, 0.94%, 0.42%

LAB 41.63, 76.79, -65.21

 

Description

Color code: HEX #CF3E06 | qconv.com Color code: HEX #CF3E06 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 62 green and 6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 62 6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 70 magenta, 97 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 70% 97% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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