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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CF3AD8 it is the complementary color #30C527. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CF3AD8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CF3AD8 shade: #D43AD3, #E54CE6, #F65EF9, #FF70FF and #FF82FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CF3AD8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CF3AD8 shade: #CF3AD8, #BE28C5, #AD16B2, #9C049F and #8B008C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CF3AD8 shade: #CF3BD8, #D83BB6, #D83B8C, #D83B62 and #D83B3B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CF3AD8 shade: #CF3BD8, #A43BD8, #7A3BD8, #503BD8 and #3B3BD8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CF3AD8 shade matches the following richer shades: #CF3BD8, #E028EB and #F015FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CF3AD8 shade: #CF3BD8, #BE4EC5, #AD61B2, #9C749F and #8C878C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CF3AD8 shade: #793BD8, #A33BD8, #CD3BD8, #D83BB8 and #D83B8E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CF3AD8 shade: #991FA1, #BA26C3, #CF3BD8, #D75DDF and #E080E5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CF3AD8 shade: #CF3AD8, #D8503B and #3BD88E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CF3AD8 shade: #CF3AD8, #D8CD3B and #3BD8CD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CF3AD8 shade: #CF3AD8, #D8503B, #45D83B and #3BC3D8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CF3AD8 shade: #CF3AD8, #D87F3B, #45D83B and #3B94D8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 73 / 0 / 15

HEX #CF3AD8

RGB 207 58 216

HSL 296.58, 0.67%, 0.54%

LAB 53.22, 75.2, -50.75

 

Complementary color

CMYK 76 / 0 / 80 / 23

HEX #30C527

RGB 48 197 39

HSL 116.58, 0.67%, 0.46%

LAB 69.97, -65.67, 62.28

 

CMYK 0 / 73 / 0 / 17

HEX #D43AD3

RGB 212 58 211

HSL 300.39, 0.64%, 0.53%

LAB 53.74, 75.42, -47.03

 

CMYK 0 / 67 / 0 / 10

HEX #E54CE6

RGB 229 76 230

HSL 299.61, 0.75%, 0.6%

LAB 59.47, 76.1, -48.52

 

CMYK 1 / 62 / 0 / 2

HEX #F65EF9

RGB 246 94 249

HSL 298.84, 0.93%, 0.67%

LAB 65.31, 76.31, -49.68

 

CMYK 0 / 56 / 0 / 0

HEX #FF70FF

RGB 255 112 255

HSL 300, 1%, 0.72%

LAB 69.52, 72.09, -46.25

 

CMYK 0 / 49 / 0 / 0

HEX #FF82FF

RGB 255 130 255

HSL 300, 1%, 0.75%

LAB 72.53, 64.02, -41.54

 

CMYK 4 / 73 / 0 / 15

HEX #CF3AD8

RGB 207 58 216

HSL 296.58, 0.67%, 0.54%

LAB 53.22, 75.2, -50.75

 

CMYK 4 / 80 / 0 / 23

HEX #BE28C5

RGB 190 40 197

HSL 297.32, 0.66%, 0.46%

LAB 47.62, 73.88, -48.93

 

CMYK 3 / 88 / 0 / 30

HEX #AD16B2

RGB 173 22 178

HSL 298.08, 0.78%, 0.39%

LAB 42.27, 71.57, -46.53

 

CMYK 2 / 97 / 0 / 38

HEX #9C049F

RGB 156 4 159

HSL 298.84, 0.95%, 0.32%

LAB 37.22, 68.05, -43.4

 

CMYK 1 / 100 / 0 / 45

HEX #8B008C

RGB 139 0 140

HSL 299.57, 1%, 0.27%

LAB 32.66, 62.72, -39.26

 

CMYK 4 / 73 / 0 / 15

HEX #CF3BD8

RGB 207 59 216

HSL 296.56, 0.67%, 0.54%

LAB 53.33, 74.88, -50.57

 

CMYK 0 / 73 / 16 / 15

HEX #D83BB6

RGB 216 59 182

HSL 312.99, 0.67%, 0.54%

LAB 53.06, 71.71, -31.33

 

CMYK 0 / 73 / 35 / 15

HEX #D83B8C

RGB 216 59 140

HSL 329.04, 0.67%, 0.54%

LAB 51.41, 66.53, -9.08

 

CMYK 0 / 73 / 55 / 15

HEX #D83B62

RGB 216 59 98

HSL 345.1, 0.67%, 0.54%

LAB 50.23, 62.69, 14.56

 

CMYK 0 / 73 / 73 / 15

HEX #D83B3B

RGB 216 59 59

HSL 0, 0.67%, 0.54%

LAB 49.55, 60.42, 36.89

 

CMYK 4 / 73 / 0 / 15

HEX #CF3BD8

RGB 207 59 216

HSL 296.56, 0.67%, 0.54%

LAB 53.33, 74.88, -50.57

 

CMYK 24 / 73 / 0 / 15

HEX #A43BD8

RGB 164 59 216

HSL 280.13, 0.67%, 0.54%

LAB 46.95, 66.32, -61.17

 

CMYK 44 / 73 / 0 / 15

HEX #7A3BD8

RGB 122 59 216

HSL 264.08, 0.67%, 0.54%

LAB 41.57, 58.78, -70.15

 

CMYK 63 / 73 / 0 / 15

HEX #503BD8

RGB 80 59 216

HSL 248.03, 0.67%, 0.54%

LAB 37.47, 52.73, -77.03

 

CMYK 73 / 73 / 0 / 15

HEX #3B3BD8

RGB 59 59 216

HSL 240, 0.67%, 0.54%

LAB 36.01, 50.5, -79.47

 

CMYK 4 / 73 / 0 / 15

HEX #CF3BD8

RGB 207 59 216

HSL 296.56, 0.67%, 0.54%

LAB 53.33, 74.88, -50.57

 

CMYK 5 / 83 / 0 / 8

HEX #E028EB

RGB 224 40 235

HSL 296.62, 0.83%, 0.54%

LAB 55.44, 86.02, -57.78

 

CMYK 6 / 92 / 0 / 0

HEX #F015FE

RGB 240 21 254

HSL 296.39, 0.99%, 0.54%

LAB 58.24, 94.34, -63.76

 

CMYK 4 / 73 / 0 / 15

HEX #CF3BD8

RGB 207 59 216

HSL 296.56, 0.67%, 0.54%

LAB 53.33, 74.88, -50.57

 

CMYK 4 / 60 / 0 / 23

HEX #BE4EC5

RGB 190 78 197

HSL 296.47, 0.51%, 0.54%

LAB 52.32, 60.6, -41.47

 

CMYK 3 / 46 / 0 / 30

HEX #AD61B2

RGB 173 97 178

HSL 296.3, 0.34%, 0.54%

LAB 52.56, 43.17, -30.26

 

CMYK 2 / 27 / 0 / 38

HEX #9C749F

RGB 156 116 159

HSL 295.81, 0.18%, 0.54%

LAB 54.09, 23.34, -17.03

 

CMYK 0 / 4 / 0 / 45

HEX #8C878C

RGB 140 135 140

HSL 300, 0.02%, 0.54%

LAB 56.88, 2.84, -2.02

 

CMYK 44 / 73 / 0 / 15

HEX #793BD8

RGB 121 59 216

HSL 263.69, 0.67%, 0.54%

LAB 41.45, 58.62, -70.34

 

CMYK 25 / 73 / 0 / 15

HEX #A33BD8

RGB 163 59 216

HSL 279.75, 0.67%, 0.54%

LAB 46.81, 66.13, -61.4

 

CMYK 5 / 73 / 0 / 15

HEX #CD3BD8

RGB 205 59 216

HSL 295.8, 0.67%, 0.54%

LAB 53.02, 74.47, -51.08

 

CMYK 0 / 73 / 15 / 15

HEX #D83BB8

RGB 216 59 184

HSL 312.23, 0.67%, 0.54%

LAB 53.15, 71.98, -32.35

 

CMYK 0 / 73 / 34 / 15

HEX #D83B8E

RGB 216 59 142

HSL 328.28, 0.67%, 0.54%

LAB 51.47, 66.75, -10.18

 

CMYK 5 / 81 / 0 / 37

HEX #991FA1

RGB 153 31 161

HSL 296.31, 0.68%, 0.38%

LAB 38.42, 63.12, -42.72

 

CMYK 5 / 81 / 0 / 24

HEX #BA26C3

RGB 186 38 195

HSL 296.56, 0.67%, 0.46%

LAB 46.67, 73.3, -49.33

 

CMYK 4 / 73 / 0 / 15

HEX #CF3BD8

RGB 207 59 216

HSL 296.56, 0.67%, 0.54%

LAB 53.33, 74.88, -50.57

 

CMYK 4 / 58 / 0 / 13

HEX #D75DDF

RGB 215 93 223

HSL 296.31, 0.67%, 0.62%

LAB 59.53, 64.89, -44.63

 

CMYK 2 / 44 / 0 / 10

HEX #E080E5

RGB 224 128 229

HSL 297.03, 0.66%, 0.7%

LAB 67.23, 51.74, -35.82

 

CMYK 4 / 73 / 0 / 15

HEX #CF3AD8

RGB 207 58 216

HSL 296.58, 0.67%, 0.54%

LAB 53.22, 75.2, -50.75

 

CMYK 0 / 63 / 73 / 15

HEX #D8503B

RGB 216 80 59

HSL 8.03, 0.67%, 0.54%

LAB 52.57, 52.21, 40.3

 

CMYK 73 / 0 / 34 / 15

HEX #3BD88E

RGB 59 216 142

HSL 151.72, 0.67%, 0.54%

LAB 77.28, -56.99, 25.16

 

CMYK 4 / 73 / 0 / 15

HEX #CF3AD8

RGB 207 58 216

HSL 296.58, 0.67%, 0.54%

LAB 53.22, 75.2, -50.75

 

CMYK 0 / 5 / 73 / 15

HEX #D8CD3B

RGB 216 205 59

HSL 55.8, 0.67%, 0.54%

LAB 81.06, -12.22, 69.47

 

CMYK 73 / 0 / 5 / 15

HEX #3BD8CD

RGB 59 216 205

HSL 175.8, 0.67%, 0.54%

LAB 78.72, -41.96, -6.2

 

CMYK 4 / 73 / 0 / 15

HEX #CF3AD8

RGB 207 58 216

HSL 296.58, 0.67%, 0.54%

LAB 53.22, 75.2, -50.75

 

CMYK 0 / 63 / 73 / 15

HEX #D8503B

RGB 216 80 59

HSL 8.03, 0.67%, 0.54%

LAB 52.57, 52.21, 40.3

 

CMYK 68 / 0 / 73 / 15

HEX #45D83B

RGB 69 216 59

HSL 116.18, 0.67%, 0.54%

LAB 76.49, -66.78, 62.38

 

CMYK 73 / 10 / 0 / 15

HEX #3BC3D8

RGB 59 195 216

HSL 188.03, 0.67%, 0.54%

LAB 72.84, -28.99, -20.96

 

CMYK 4 / 73 / 0 / 15

HEX #CF3AD8

RGB 207 58 216

HSL 296.58, 0.67%, 0.54%

LAB 53.22, 75.2, -50.75

 

CMYK 0 / 41 / 73 / 15

HEX #D87F3B

RGB 216 127 59

HSL 25.99, 0.67%, 0.54%

LAB 61.73, 29.02, 50.22

 

CMYK 68 / 0 / 73 / 15

HEX #45D83B

RGB 69 216 59

HSL 116.18, 0.67%, 0.54%

LAB 76.49, -66.78, 62.38

 

CMYK 73 / 31 / 0 / 15

HEX #3B94D8

RGB 59 148 216

HSL 205.99, 0.67%, 0.54%

LAB 59.04, -3.98, -42.32

 

Description

Color code: HEX #CF3AD8 | qconv.com Color code: HEX #CF3AD8 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 58 green and 216 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 58 216 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 73 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 73% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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