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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CF3918CE it is the complementary color #30C6E7CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CF3918CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CF3918CE shade: #D43913CE, #E54B26CE, #F65D39CE, #FF6F4CCE and #FF815FCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CF3918CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CF3918CE shade: #CF3918CE, #BE2705CE, #AD1500CE, #9C0300CE and #8B0000CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CF3918CE shade: #CD3918 and #CD1818

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CF3918CE shade: #CD3918, #CD6A18, #CD9B18, #CDCB18 and #9ECD18

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CF3918CE shade matches the following richer shades: #CD3918 and #E02D06

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CF3918CE shade: #CD3918, #BB452B, #A8513D, #965C50 and #836862

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CF3918CE shade: #CD185B, #CD182A, #CD3618, #CD6718 and #CD9718

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CF3918CE shade: #84240F, #A82F14, #CD3918, #E64B29 and #EA6A4E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CF3918CE shade: #CF3918, #8BCD18 and #1842CD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CF3918CE shade: #CF3918, #18CD36 and #3618CD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CF3918CE shade: #CF3918, #8BCD18, #18AFCD and #5B18CD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CF3918CE shade: #CF3918, #55CD18, #18AFCD and #9118CD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 59 / 72 / 15

HEX #CF3918CE

RGBA 207 57 24 0.81

HSLA 10.82, 0.79%, 0.45%, 0.81

LABA 47.31, 57.25, 51.86, 0.81

 

Complementary color

CMYK 64 / 12 / 0 / 8

HEX #30C6E7CE

RGBA 48 198 231 0.81

HSLA 190.82, 0.79%, 0.55%, 0.81

LABA 74.05, -26.94, -27.25, 0.81

 

CMYK 0 / 59 / 74 / 14

HEX #D43913CE

RGBA 212 57 19 0.81

HSLA 11.81, 0.84%, 0.45%, 0.81

LABA 48.22, 58.75, 54.83, 0.81

 

CMYK 0 / 54 / 68 / 8

HEX #E54B26CE

RGBA 229 75 38 0.81

HSLA 11.62, 0.79%, 0.52%, 0.81

LABA 53.85, 57.93, 52.88, 0.81

 

CMYK 0 / 50 / 62 / 3

HEX #F65D39CE

RGBA 246 93 57 0.81

HSLA 11.43, 0.91%, 0.59%, 0.81

LABA 59.63, 56.82, 50.39, 0.81

 

CMYK 0 / 46 / 57 / 0

HEX #FF6F4CCE

RGBA 255 111 76 0.81

HSLA 11.73, 1%, 0.65%, 0.81

LABA 64.28, 52.76, 46.14, 0.81

 

CMYK 0 / 40 / 51 / 0

HEX #FF815FCE

RGBA 255 129 95 0.81

HSLA 12.75, 1%, 0.69%, 0.81

LABA 67.86, 45.23, 40.33, 0.81

 

CMYK 0 / 59 / 72 / 15

HEX #CF3918CE

RGBA 207 57 24 0.81

HSLA 10.82, 0.79%, 0.45%, 0.81

LABA 47.31, 57.25, 51.86, 0.81

 

CMYK 0 / 64 / 79 / 21

HEX #BE2705CE

RGBA 190 39 5 0.81

HSLA 11.03, 0.95%, 0.38%, 0.81

LABA 41.86, 57.55, 53.13, 0.81

 

CMYK 0 / 71 / 81 / 26

HEX #AD1500CE

RGBA 173 21 0 0.81

HSLA 7.28, 1%, 0.34%, 0.81

LABA 36.78, 56.95, 50.6, 0.81

 

CMYK 0 / 79 / 81 / 31

HEX #9C0300CE

RGBA 156 3 0 0.81

HSLA 1.15, 1%, 0.31%, 0.81

LABA 32.11, 55.07, 46.03, 0.81

 

CMYK 0 / 81 / 81 / 37

HEX #8B0000CE

RGBA 139 0 0 0.81

HSLA 0, 1%, 0.27%, 0.81

LABA 28.08, 51.01, 41.29, 0.81

 

CMYK 0 / 72 / 88 / 20

HEX #CD3918

RGB 205 57 24

HSL 10.94, 0.79%, 0.45%

LAB 46.94, 56.61, 51.41

 

CMYK 0 / 88 / 88 / 20

HEX #CD1818

RGB 205 24 24

HSL 0, 0.79%, 0.45%

LAB 43.8, 65.44, 49

 

CMYK 0 / 72 / 88 / 20

HEX #CD3918

RGB 205 57 24

HSL 10.94, 0.79%, 0.45%

LAB 46.94, 56.61, 51.41

 

CMYK 0 / 48 / 88 / 20

HEX #CD6A18

RGB 205 106 24

HSL 27.18, 0.79%, 0.45%

LAB 55.43, 34.39, 58.01

 

CMYK 0 / 24 / 88 / 20

HEX #CD9B18

RGB 205 155 24

HSL 43.43, 0.79%, 0.45%

LAB 66.89, 8, 67

 

CMYK 0 / 1 / 88 / 20

HEX #CDCB18

RGB 205 203 24

HSL 59.34, 0.79%, 0.45%

LAB 79.48, -16.99, 76.96

 

CMYK 23 / 0 / 88 / 20

HEX #9ECD18

RGB 158 205 24

HSL 75.58, 0.79%, 0.45%

LAB 76.68, -37.39, 73.3

 

CMYK 0 / 72 / 88 / 20

HEX #CD3918

RGB 205 57 24

HSL 10.94, 0.79%, 0.45%

LAB 46.94, 56.61, 51.41

 

CMYK 0 / 80 / 97 / 12

HEX #E02D06

RGB 224 45 6

HSL 10.73, 0.95%, 0.45%

LAB 49.18, 65.86, 60.27

 

CMYK 0 / 72 / 88 / 20

HEX #CD3918

RGB 205 57 24

HSL 10.94, 0.79%, 0.45%

LAB 46.94, 56.61, 51.41

 

CMYK 0 / 63 / 77 / 27

HEX #BB452B

RGB 187 69 43

HSL 10.83, 0.63%, 0.45%

LAB 45.63, 46.2, 39.97

 

CMYK 0 / 52 / 64 / 34

HEX #A8513D

RGB 168 81 61

HSL 11.21, 0.47%, 0.45%

LAB 45.01, 34.1, 28.36

 

CMYK 0 / 39 / 47 / 41

HEX #965C50

RGB 150 92 80

HSL 10.29, 0.3%, 0.45%

LAB 45.24, 22.36, 16.92

 

CMYK 0 / 21 / 25 / 49

HEX #836862

RGB 131 104 98

HSL 10.91, 0.14%, 0.45%

LAB 46.46, 9.8, 7.47

 

CMYK 0 / 88 / 56 / 20

HEX #CD185B

RGB 205 24 91

HSL 337.79, 0.79%, 0.45%

LAB 44.78, 68.27, 11

 

CMYK 0 / 88 / 80 / 20

HEX #CD182A

RGB 205 24 42

HSL 354.03, 0.79%, 0.45%

LAB 43.94, 65.87, 39.83

 

CMYK 0 / 74 / 88 / 20

HEX #CD3618

RGB 205 54 24

HSL 9.94, 0.79%, 0.45%

LAB 46.56, 57.66, 51.12

 

CMYK 0 / 50 / 88 / 20

HEX #CD6718

RGB 205 103 24

HSL 26.19, 0.79%, 0.45%

LAB 54.81, 35.94, 57.52

 

CMYK 0 / 26 / 88 / 20

HEX #CD9718

RGB 205 151 24

HSL 42.1, 0.79%, 0.45%

LAB 65.89, 10.16, 66.21

 

CMYK 0 / 73 / 89 / 48

HEX #84240F

RGB 132 36 15

HSL 10.77, 0.8%, 0.29%

LAB 29.92, 39.95, 35.8

 

CMYK 0 / 72 / 88 / 34

HEX #A82F14

RGB 168 47 20

HSL 10.95, 0.79%, 0.37%

LAB 38.57, 48.12, 43.51

 

CMYK 0 / 72 / 88 / 20

HEX #CD3918

RGB 205 57 24

HSL 10.94, 0.79%, 0.45%

LAB 46.94, 56.61, 51.41

 

CMYK 0 / 67 / 82 / 10

HEX #E64B29

RGB 230 75 41

HSL 10.79, 0.79%, 0.53%

LAB 54.04, 58.34, 51.75

 

CMYK 0 / 55 / 67 / 8

HEX #EA6A4E

RGB 234 106 78

HSL 10.77, 0.79%, 0.61%

LAB 60.2, 47.66, 39.53

 

CMYK 0 / 72 / 88 / 19

HEX #CF3918

RGB 207 57 24

HSL 10.82, 0.79%, 0.45%

LAB 47.31, 57.25, 51.86

 

CMYK 32 / 0 / 88 / 20

HEX #8BCD18

RGB 139 205 24

HSL 81.88, 0.79%, 0.45%

LAB 75.59, -44.62, 71.95

 

CMYK 88 / 68 / 0 / 20

HEX #1842CD

RGB 24 66 205

HSL 226.08, 0.79%, 0.45%

LAB 35, 40.04, -74.84

 

CMYK 0 / 72 / 88 / 19

HEX #CF3918

RGB 207 57 24

HSL 10.82, 0.79%, 0.45%

LAB 47.31, 57.25, 51.86

 

CMYK 88 / 0 / 74 / 20

HEX #18CD36

RGB 24 205 54

HSL 129.94, 0.79%, 0.45%

LAB 72.31, -69.64, 59.68

 

CMYK 74 / 88 / 0 / 20

HEX #3618CD

RGB 54 24 205

HSL 249.94, 0.79%, 0.45%

LAB 29.02, 62.69, -84.7

 

CMYK 0 / 72 / 88 / 19

HEX #CF3918

RGB 207 57 24

HSL 10.82, 0.79%, 0.45%

LAB 47.31, 57.25, 51.86

 

CMYK 32 / 0 / 88 / 20

HEX #8BCD18

RGB 139 205 24

HSL 81.88, 0.79%, 0.45%

LAB 75.59, -44.62, 71.95

 

CMYK 88 / 15 / 0 / 20

HEX #18AFCD

RGB 24 175 205

HSL 189.94, 0.79%, 0.45%

LAB 65.95, -25.67, -25.5

 

CMYK 56 / 88 / 0 / 20

HEX #5B18CD

RGB 91 24 205

HSL 262.21, 0.79%, 0.45%

LAB 32.45, 65.28, -78.91

 

CMYK 0 / 72 / 88 / 19

HEX #CF3918

RGB 207 57 24

HSL 10.82, 0.79%, 0.45%

LAB 47.31, 57.25, 51.86

 

CMYK 59 / 0 / 88 / 20

HEX #55CD18

RGB 85 205 24

HSL 99.78, 0.79%, 0.45%

LAB 73.32, -61.52, 69.14

 

CMYK 88 / 15 / 0 / 20

HEX #18AFCD

RGB 24 175 205

HSL 189.94, 0.79%, 0.45%

LAB 65.95, -25.67, -25.5

 

CMYK 29 / 88 / 0 / 20

HEX #9118CD

RGB 145 24 205

HSL 280.11, 0.79%, 0.45%

LAB 39.72, 71.53, -66.7

 

Description

Color code: HEX #CF3918CE | qconv.com Color code: HEX #CF3918CE | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 57 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 57 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 59 magenta, 72 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 59% 72% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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