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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CF3787 it is the complementary color #30C878. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CF3787. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CF3787 shade: #D43782, #E54995, #F65BA8, #FF6DBB and #FF7FCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CF3787. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CF3787 shade: #CF3787, #BE2574, #AD1361, #9C014E and #8B003B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CF3787 shade: #CE3686, #CE365D and #CE3636

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CF3787 shade: #CE3686, #CE36AF, #C436CE, #9B36CE and #7236CE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CF3787 shade matches the following richer shades: #CE3686, #E22287 and #F70D88

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CF3787 shade: #CE3686, #BA4A85, #A65E84, #927283 and #7D8782

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CF3787 shade: #C436CE, #CE36B0, #CE3687, #CE365E and #CE3636

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CF3787 shade: #8F235C, #B02B71, #CE3686, #D6579A and #DE78AE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CF3787 shade: #CF3787, #CE9B36 and #36C4CE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CF3787 shade: #CF3787, #87CE36 and #3687CE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CF3787 shade: #CF3787, #CE9B36, #36CE7D and #3669CE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CF3787 shade: #CF3787, #CEC936, #36CE7D and #363BCE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 73 / 35 / 19

HEX #CF3787

RGB 207 55 135

HSL 328.42, 0.61%, 0.51%

LAB 49.19, 64.93, -9.56

 

Complementary color

CMYK 76 / 0 / 40 / 22

HEX #30C878

RGB 48 200 120

HSL 148.42, 0.61%, 0.49%

LAB 71.75, -56.77, 29.17

 

CMYK 0 / 74 / 39 / 17

HEX #D43782

RGB 212 55 130

HSL 331.34, 0.65%, 0.52%

LAB 49.91, 65.72, -5.38

 

CMYK 0 / 68 / 35 / 10

HEX #E54995

RGB 229 73 149

HSL 330.77, 0.75%, 0.59%

LAB 55.68, 66.11, -7.81

 

CMYK 0 / 63 / 32 / 4

HEX #F65BA8

RGB 246 91 168

HSL 330.19, 0.9%, 0.66%

LAB 61.57, 66.06, -9.79

 

CMYK 0 / 57 / 27 / 0

HEX #FF6DBB

RGB 255 109 187

HSL 327.95, 1%, 0.71%

LAB 66.36, 63.38, -13.32

 

CMYK 0 / 50 / 19 / 0

HEX #FF7FCE

RGB 255 127 206

HSL 322.97, 1%, 0.75%

LAB 70.1, 57.72, -18.32

 

CMYK 0 / 73 / 35 / 19

HEX #CF3787

RGB 207 55 135

HSL 328.42, 0.61%, 0.51%

LAB 49.19, 64.93, -9.56

 

CMYK 0 / 81 / 39 / 25

HEX #BE2574

RGB 190 37 116

HSL 329.02, 0.67%, 0.45%

LAB 43.55, 63.87, -6.71

 

CMYK 0 / 89 / 44 / 32

HEX #AD1361

RGB 173 19 97

HSL 329.61, 0.8%, 0.38%

LAB 38.22, 61.8, -3.05

 

CMYK 0 / 99 / 50 / 39

HEX #9C014E

RGB 156 1 78

HSL 330.19, 0.99%, 0.31%

LAB 33.22, 58.62, 1.49

 

CMYK 0 / 100 / 58 / 45

HEX #8B003B

RGB 139 0 59

HSL 334.53, 1%, 0.27%

LAB 28.91, 53.25, 7.5

 

CMYK 0 / 74 / 35 / 19

HEX #CE3686

RGB 206 54 134

HSL 328.42, 0.61%, 0.51%

LAB 48.86, 64.88, -9.47

 

CMYK 0 / 74 / 55 / 19

HEX #CE365D

RGB 206 54 93

HSL 344.61, 0.61%, 0.51%

LAB 47.69, 61.11, 13.82

 

CMYK 0 / 74 / 74 / 19

HEX #CE3636

RGB 206 54 54

HSL 0, 0.61%, 0.51%

LAB 47.01, 58.86, 36.37

 

CMYK 0 / 74 / 35 / 19

HEX #CE3686

RGB 206 54 134

HSL 328.42, 0.61%, 0.51%

LAB 48.86, 64.88, -9.47

 

CMYK 0 / 74 / 15 / 19

HEX #CE36AF

RGB 206 54 175

HSL 312.24, 0.61%, 0.51%

LAB 50.52, 69.99, -31.34

 

CMYK 5 / 74 / 0 / 19

HEX #C436CE

RGB 196 54 206

HSL 296.05, 0.61%, 0.51%

LAB 50.49, 72.56, -49.49

 

CMYK 25 / 74 / 0 / 19

HEX #9B36CE

RGB 155 54 206

HSL 279.87, 0.61%, 0.51%

LAB 44.32, 64.47, -59.72

 

CMYK 45 / 74 / 0 / 19

HEX #7236CE

RGB 114 54 206

HSL 263.68, 0.61%, 0.51%

LAB 39.02, 57.22, -68.58

 

CMYK 0 / 74 / 35 / 19

HEX #CE3686

RGB 206 54 134

HSL 328.42, 0.61%, 0.51%

LAB 48.86, 64.88, -9.47

 

CMYK 0 / 85 / 40 / 11

HEX #E22287

RGB 226 34 135

HSL 328.44, 0.77%, 0.51%

LAB 50.76, 75.04, -6.85

 

CMYK 0 / 95 / 45 / 3

HEX #F70D88

RGB 247 13 136

HSL 328.46, 0.94%, 0.51%

LAB 53.86, 82.57, -2.42

 

CMYK 0 / 74 / 35 / 19

HEX #CE3686

RGB 206 54 134

HSL 328.42, 0.61%, 0.51%

LAB 48.86, 64.88, -9.47

 

CMYK 0 / 60 / 28 / 27

HEX #BA4A85

RGB 186 74 133

HSL 328.39, 0.45%, 0.51%

LAB 48.3, 51.26, -10.05

 

CMYK 0 / 43 / 20 / 35

HEX #A65E84

RGB 166 94 132

HSL 328.33, 0.29%, 0.51%

LAB 49.23, 34.41, -8.36

 

CMYK 0 / 22 / 10 / 43

HEX #927283

RGB 146 114 131

HSL 328.13, 0.13%, 0.51%

LAB 51.59, 15.5, -4.5

 

CMYK 7 / 0 / 4 / 47

HEX #7D8782

RGB 125 135 130

HSL 150, 0.04%, 0.51%

LAB 55.38, -4.68, 1.42

 

CMYK 5 / 74 / 0 / 19

HEX #C436CE

RGB 196 54 206

HSL 296.05, 0.61%, 0.51%

LAB 50.49, 72.56, -49.49

 

CMYK 0 / 74 / 15 / 19

HEX #CE36B0

RGB 206 54 176

HSL 311.84, 0.61%, 0.51%

LAB 50.56, 70.13, -31.85

 

CMYK 0 / 74 / 34 / 19

HEX #CE3687

RGB 206 54 135

HSL 328.03, 0.61%, 0.51%

LAB 48.9, 64.99, -10.02

 

CMYK 0 / 74 / 54 / 19

HEX #CE365E

RGB 206 54 94

HSL 344.21, 0.61%, 0.51%

LAB 47.71, 61.19, 13.24

 

CMYK 0 / 74 / 74 / 19

HEX #CE3636

RGB 206 54 54

HSL 0, 0.61%, 0.51%

LAB 47.01, 58.86, 36.37

 

CMYK 0 / 76 / 36 / 44

HEX #8F235C

RGB 143 35 92

HSL 328.33, 0.61%, 0.35%

LAB 33.59, 49.41, -7.37

 

CMYK 0 / 76 / 36 / 31

HEX #B02B71

RGB 176 43 113

HSL 328.42, 0.61%, 0.43%

LAB 41.45, 58.18, -8.26

 

CMYK 0 / 74 / 35 / 19

HEX #CE3686

RGB 206 54 134

HSL 328.42, 0.61%, 0.51%

LAB 48.86, 64.88, -9.47

 

CMYK 0 / 59 / 28 / 16

HEX #D6579A

RGB 214 87 154

HSL 328.35, 0.61%, 0.59%

LAB 55.53, 56.68, -11.22

 

CMYK 0 / 46 / 22 / 13

HEX #DE78AE

RGB 222 120 174

HSL 328.24, 0.61%, 0.67%

LAB 63.36, 46.13, -10.9

 

CMYK 0 / 73 / 35 / 19

HEX #CF3787

RGB 207 55 135

HSL 328.42, 0.61%, 0.51%

LAB 49.19, 64.93, -9.56

 

CMYK 0 / 25 / 74 / 19

HEX #CE9B36

RGB 206 155 54

HSL 39.87, 0.61%, 0.51%

LAB 67.15, 9.42, 57.54

 

CMYK 74 / 5 / 0 / 19

HEX #36C4CE

RGB 54 196 206

HSL 183.95, 0.61%, 0.51%

LAB 72.71, -33.07, -15.73

 

CMYK 0 / 73 / 35 / 19

HEX #CF3787

RGB 207 55 135

HSL 328.42, 0.61%, 0.51%

LAB 49.19, 64.93, -9.56

 

CMYK 34 / 0 / 74 / 19

HEX #87CE36

RGB 135 206 54

HSL 88.03, 0.61%, 0.51%

LAB 75.8, -45.23, 64.2

 

CMYK 74 / 34 / 0 / 19

HEX #3687CE

RGB 54 135 206

HSL 208.03, 0.61%, 0.51%

LAB 54.63, -0.59, -43.67

 

CMYK 0 / 73 / 35 / 19

HEX #CF3787

RGB 207 55 135

HSL 328.42, 0.61%, 0.51%

LAB 49.19, 64.93, -9.56

 

CMYK 0 / 25 / 74 / 19

HEX #CE9B36

RGB 206 155 54

HSL 39.87, 0.61%, 0.51%

LAB 67.15, 9.42, 57.54

 

CMYK 74 / 0 / 39 / 19

HEX #36CE7D

RGB 54 206 125

HSL 148.03, 0.61%, 0.51%

LAB 73.81, -57.23, 29.32

 

CMYK 74 / 49 / 0 / 19

HEX #3669CE

RGB 54 105 206

HSL 219.87, 0.61%, 0.51%

LAB 46.1, 17.92, -57.28

 

CMYK 0 / 73 / 35 / 19

HEX #CF3787

RGB 207 55 135

HSL 328.42, 0.61%, 0.51%

LAB 49.19, 64.93, -9.56

 

CMYK 0 / 2 / 74 / 19

HEX #CEC936

RGB 206 201 54

HSL 58.03, 0.61%, 0.51%

LAB 79.13, -14.66, 69.05

 

CMYK 74 / 0 / 39 / 19

HEX #36CE7D

RGB 54 206 125

HSL 148.03, 0.61%, 0.51%

LAB 73.81, -57.23, 29.32

 

CMYK 74 / 71 / 0 / 19

HEX #363BCE

RGB 54 59 206

HSL 238.03, 0.61%, 0.51%

LAB 34.74, 46.77, -75.81

 

Description

Color code: HEX #CF3787 | qconv.com Color code: HEX #CF3787 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 55 green and 135 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 55 135 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 73 magenta, 35 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 73% 35% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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