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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CF355D it is the complementary color #30CAA2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CF355D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CF355D shade: #D43558, #E5476B, #F6597E, #FF6B91 and #FF7DA4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CF355D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CF355D shade: #CF355D, #BE234A, #AD1137, #9C0024 and #8B0011

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CF355D shade: #D0355D and #D03535

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CF355D shade: #D0355D, #D03587, #D035B0, #C535D0 and #9B35D0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CF355D shade matches the following richer shades: #D0355D, #E42053 and #F80C49

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CF355D shade: #D0355D, #BB4967, #A75D70, #93717A and #7F8584

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CF355D shade: #D035B1, #D03587, #D0355E, #D03535 and #D05E35

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CF355D shade: #90223E, #B12A4D, #D0355D, #D75678 and #DF7792

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CF355D shade: #CF355D, #D0C535 and #359CD0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CF355D shade: #CF355D, #5ED035 and #355ED0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CF355D shade: #CF355D, #D0C535, #35D0A6 and #353FD0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CF355D shade: #CF355D, #ABD035, #35D0A6 and #5935D0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 74 / 55 / 19

HEX #CF355D

RGB 207 53 93

HSL 344.42, 0.62%, 0.51%

LAB 47.75, 61.73, 13.94

 

Complementary color

CMYK 76 / 0 / 20 / 21

HEX #30CAA2

RGB 48 202 162

HSL 164.42, 0.62%, 0.49%

LAB 73.21, -48.44, 8.87

 

CMYK 0 / 75 / 58 / 17

HEX #D43558

RGB 212 53 88

HSL 346.79, 0.65%, 0.52%

LAB 48.57, 62.81, 18.26

 

CMYK 0 / 69 / 53 / 10

HEX #E5476B

RGB 229 71 107

HSL 346.33, 0.75%, 0.59%

LAB 54.27, 62.93, 15.09

 

CMYK 0 / 64 / 49 / 4

HEX #F6597E

RGB 246 89 126

HSL 345.86, 0.9%, 0.66%

LAB 60.11, 62.64, 12.46

 

CMYK 0 / 58 / 43 / 0

HEX #FF6B91

RGB 255 107 145

HSL 344.59, 1%, 0.71%

LAB 64.82, 59.55, 8.35

 

CMYK 0 / 51 / 36 / 0

HEX #FF7DA4

RGB 255 125 164

HSL 342, 1%, 0.75%

LAB 68.47, 53.27, 2.8

 

CMYK 0 / 74 / 55 / 19

HEX #CF355D

RGB 207 53 93

HSL 344.42, 0.62%, 0.51%

LAB 47.75, 61.73, 13.94

 

CMYK 0 / 82 / 61 / 25

HEX #BE234A

RGB 190 35 74

HSL 344.9, 0.69%, 0.44%

LAB 42.22, 60.95, 17.66

 

CMYK 0 / 90 / 68 / 32

HEX #AD1137

RGB 173 17 55

HSL 345.38, 0.82%, 0.37%

LAB 37.04, 59.16, 22.28

 

CMYK 0 / 100 / 77 / 39

HEX #9C0024

RGB 156 0 36

HSL 346.15, 1%, 0.31%

LAB 32.25, 56.28, 27.75

 

CMYK 0 / 100 / 88 / 45

HEX #8B0011

RGB 139 0 17

HSL 352.66, 1%, 0.27%

LAB 28.19, 51.31, 33.88

 

CMYK 0 / 75 / 55 / 18

HEX #D0355D

RGB 208 53 93

HSL 344.52, 0.62%, 0.51%

LAB 47.94, 62.02, 14.23

 

CMYK 0 / 75 / 75 / 18

HEX #D03535

RGB 208 53 53

HSL 0, 0.62%, 0.51%

LAB 47.25, 59.77, 37.31

 

CMYK 0 / 75 / 55 / 18

HEX #D0355D

RGB 208 53 93

HSL 344.52, 0.62%, 0.51%

LAB 47.94, 62.02, 14.23

 

CMYK 0 / 75 / 35 / 18

HEX #D03587

RGB 208 53 135

HSL 328.26, 0.62%, 0.51%

LAB 49.14, 65.83, -9.62

 

CMYK 0 / 75 / 15 / 18

HEX #D035B0

RGB 208 53 176

HSL 312.39, 0.62%, 0.51%

LAB 50.79, 70.9, -31.47

 

CMYK 5 / 75 / 0 / 18

HEX #C535D0

RGB 197 53 208

HSL 295.74, 0.62%, 0.51%

LAB 50.65, 73.41, -50.37

 

CMYK 25 / 75 / 0 / 18

HEX #9B35D0

RGB 155 53 208

HSL 279.48, 0.62%, 0.51%

LAB 44.33, 65.26, -60.86

 

CMYK 0 / 75 / 55 / 18

HEX #D0355D

RGB 208 53 93

HSL 344.52, 0.62%, 0.51%

LAB 47.94, 62.02, 14.23

 

CMYK 0 / 86 / 64 / 11

HEX #E42053

RGB 228 32 83

HSL 344.39, 0.78%, 0.51%

LAB 49.68, 72.09, 23.33

 

CMYK 0 / 95 / 71 / 3

HEX #F80C49

RGB 248 12 73

HSL 344.49, 0.94%, 0.51%

LAB 52.62, 79.06, 33.89

 

CMYK 0 / 75 / 55 / 18

HEX #D0355D

RGB 208 53 93

HSL 344.52, 0.62%, 0.51%

LAB 47.94, 62.02, 14.23

 

CMYK 0 / 61 / 45 / 27

HEX #BB4967

RGB 187 73 103

HSL 344.21, 0.46%, 0.51%

LAB 47.38, 48.56, 6.8

 

CMYK 0 / 44 / 33 / 35

HEX #A75D70

RGB 167 93 112

HSL 344.59, 0.3%, 0.51%

LAB 48.53, 32.42, 2.62

 

CMYK 0 / 23 / 17 / 42

HEX #93717A

RGB 147 113 122

HSL 344.12, 0.14%, 0.51%

LAB 51.17, 14.88, 0.21

 

CMYK 5 / 0 / 1 / 48

HEX #7F8584

RGB 127 133 132

HSL 170, 0.02%, 0.51%

LAB 55.02, -2.41, -0.24

 

CMYK 0 / 75 / 15 / 18

HEX #D035B1

RGB 208 53 177

HSL 312, 0.62%, 0.51%

LAB 50.84, 71.04, -31.98

 

CMYK 0 / 75 / 35 / 18

HEX #D03587

RGB 208 53 135

HSL 328.26, 0.62%, 0.51%

LAB 49.14, 65.83, -9.62

 

CMYK 0 / 75 / 55 / 18

HEX #D0355E

RGB 208 53 94

HSL 344.13, 0.62%, 0.51%

LAB 47.96, 62.09, 13.65

 

CMYK 0 / 75 / 75 / 18

HEX #D03535

RGB 208 53 53

HSL 0, 0.62%, 0.51%

LAB 47.25, 59.77, 37.31

 

CMYK 0 / 55 / 75 / 18

HEX #D05E35

RGB 208 94 53

HSL 15.87, 0.62%, 0.51%

LAB 53.68, 42.57, 44.3

 

CMYK 0 / 76 / 57 / 44

HEX #90223E

RGB 144 34 62

HSL 344.73, 0.62%, 0.35%

LAB 32.75, 47.12, 10.99

 

CMYK 0 / 76 / 56 / 31

HEX #B12A4D

RGB 177 42 77

HSL 344.44, 0.62%, 0.43%

LAB 40.47, 55.45, 12.98

 

CMYK 0 / 75 / 55 / 18

HEX #D0355D

RGB 208 53 93

HSL 344.52, 0.62%, 0.51%

LAB 47.94, 62.02, 14.23

 

CMYK 0 / 60 / 44 / 16

HEX #D75678

RGB 215 86 120

HSL 344.19, 0.62%, 0.59%

LAB 54.51, 53.58, 7.36

 

CMYK 0 / 47 / 35 / 13

HEX #DF7792

RGB 223 119 146

HSL 344.42, 0.62%, 0.67%

LAB 62.47, 43.25, 3.8

 

CMYK 0 / 74 / 55 / 19

HEX #CF355D

RGB 207 53 93

HSL 344.42, 0.62%, 0.51%

LAB 47.75, 61.73, 13.94

 

CMYK 0 / 5 / 75 / 18

HEX #D0C535

RGB 208 197 53

HSL 55.74, 0.62%, 0.51%

LAB 78.23, -11.83, 68.59

 

CMYK 75 / 25 / 0 / 18

HEX #359CD0

RGB 53 156 208

HSL 200.13, 0.62%, 0.51%

LAB 60.86, -12.04, -35.01

 

CMYK 0 / 74 / 55 / 19

HEX #CF355D

RGB 207 53 93

HSL 344.42, 0.62%, 0.51%

LAB 47.75, 61.73, 13.94

 

CMYK 55 / 0 / 75 / 18

HEX #5ED035

RGB 94 208 53

HSL 104.13, 0.62%, 0.51%

LAB 74.67, -58.85, 62.84

 

CMYK 75 / 55 / 0 / 18

HEX #355ED0

RGB 53 94 208

HSL 224.13, 0.62%, 0.51%

LAB 43.24, 25.59, -63.06

 

CMYK 0 / 74 / 55 / 19

HEX #CF355D

RGB 207 53 93

HSL 344.42, 0.62%, 0.51%

LAB 47.75, 61.73, 13.94

 

CMYK 0 / 5 / 75 / 18

HEX #D0C535

RGB 208 197 53

HSL 55.74, 0.62%, 0.51%

LAB 78.23, -11.83, 68.59

 

CMYK 75 / 0 / 20 / 18

HEX #35D0A6

RGB 53 208 166

HSL 163.74, 0.62%, 0.51%

LAB 75.22, -49.34, 9.59

 

CMYK 75 / 70 / 0 / 18

HEX #353FD0

RGB 53 63 208

HSL 236.13, 0.62%, 0.51%

LAB 35.72, 45.01, -75.35

 

CMYK 0 / 74 / 55 / 19

HEX #CF355D

RGB 207 53 93

HSL 344.42, 0.62%, 0.51%

LAB 47.75, 61.73, 13.94

 

CMYK 18 / 0 / 75 / 18

HEX #ABD035

RGB 171 208 53

HSL 74.32, 0.62%, 0.51%

LAB 78.48, -32.56, 67.84

 

CMYK 75 / 0 / 20 / 18

HEX #35D0A6

RGB 53 208 166

HSL 163.74, 0.62%, 0.51%

LAB 75.22, -49.34, 9.59

 

CMYK 57 / 75 / 0 / 18

HEX #5935D0

RGB 89 53 208

HSL 253.94, 0.62%, 0.51%

LAB 36.41, 54.57, -74.12

 

Description

Color code: HEX #CF355D | qconv.com Color code: HEX #CF355D | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 53 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 53 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 74 magenta, 55 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 74% 55% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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